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Color name
HEX #1DA947

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA947 it is the complementary color #E256B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA947. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA947 shade: #22A942, #33BB55, #44CD68, #55DF7B and #66F18E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA947. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA947 shade: #1DA947, #0C9734, #008521, #00730E and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA947 shade: #1CAA47, #1CAA21, #3EAA1C, #64AA1C and #8AAA1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA947 shade: #1CAA47, #1CAA6D, #1CAA93, #1C9AAA and #1C74AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA947 shade matches the following richer shades: #1CAA47 and #0CBA40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA947 shade: #1CAA47, #2C994D, #3D8954, #4D795A and #5D6960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA947 shade: #3DAA1C, #1CAA21, #1CAA47, #1CAA6C and #1CAA92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA947 shade: #106329, #168638, #1CAA47, #22CD55 and #3BDD6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA947 shade: #1DA947, #1C63AA and #AA1C2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA947 shade: #1DA947, #471CAA and #AA471C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA947 shade: #1DA947, #1C63AA, #AA1C7F and #AA631C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA947 shade: #1DA947, #1C39AA, #AA1C7F and #AA8D1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 58 / 34

HEX #1DA947

RGB 29 169 71

HSL 138, 0.71%, 0.39%

LAB 60.86, -56.2, 40.11

 

Complementary color

CMYK 0 / 62 / 19 / 11

HEX #E256B8

RGB 226 86 184

HSL 318, 0.71%, 0.61%

LAB 58.31, 64.57, -24.24

 

CMYK 80 / 0 / 61 / 34

HEX #22A942

RGB 34 169 66

HSL 134.22, 0.67%, 0.4%

LAB 60.88, -56.27, 42.5

 

CMYK 73 / 0 / 55 / 27

HEX #33BB55

RGB 51 187 85

HSL 135, 0.57%, 0.47%

LAB 67.2, -57.44, 41.03

 

CMYK 67 / 0 / 49 / 20

HEX #44CD68

RGB 68 205 104

HSL 135.77, 0.58%, 0.54%

LAB 73.47, -58.15, 39.55

 

CMYK 62 / 0 / 45 / 13

HEX #55DF7B

RGB 85 223 123

HSL 136.52, 0.68%, 0.6%

LAB 79.69, -58.54, 38.11

 

CMYK 58 / 0 / 41 / 5

HEX #66F18E

RGB 102 241 142

HSL 137.27, 0.83%, 0.67%

LAB 85.85, -58.73, 36.73

 

CMYK 83 / 0 / 58 / 34

HEX #1DA947

RGB 29 169 71

HSL 138, 0.71%, 0.39%

LAB 60.86, -56.2, 40.11

 

CMYK 92 / 0 / 66 / 41

HEX #0C9734

RGB 12 151 52

HSL 137.27, 0.85%, 0.32%

LAB 54.51, -54.23, 41.6

 

CMYK 100 / 0 / 75 / 48

HEX #008521

RGB 0 133 33

HSL 134.89, 1%, 0.26%

LAB 48.11, -51.35, 42.75

 

CMYK 100 / 0 / 88 / 55

HEX #00730E

RGB 0 115 14

HSL 127.3, 1%, 0.23%

LAB 41.68, -47.23, 42.9

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 84 / 0 / 81 / 33

HEX #1CAA21

RGB 28 170 33

HSL 122.11, 0.72%, 0.39%

LAB 60.88, -60.39, 55.35

 

CMYK 64 / 0 / 84 / 33

HEX #3EAA1C

RGB 62 170 28

HSL 105.63, 0.72%, 0.39%

LAB 61.53, -54.86, 57.62

 

CMYK 41 / 0 / 84 / 33

HEX #64AA1C

RGB 100 170 28

HSL 89.58, 0.72%, 0.39%

LAB 62.96, -43.76, 59.44

 

CMYK 19 / 0 / 84 / 33

HEX #8AAA1C

RGB 138 170 28

HSL 73.52, 0.72%, 0.39%

LAB 65.15, -29.15, 62.21

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 84 / 0 / 36 / 33

HEX #1CAA6D

RGB 28 170 109

HSL 154.23, 0.72%, 0.39%

LAB 61.74, -50.03, 21.59

 

CMYK 84 / 0 / 14 / 33

HEX #1CAA93

RGB 28 170 147

HSL 170.28, 0.72%, 0.39%

LAB 62.59, -40.78, 1.78

 

CMYK 84 / 9 / 0 / 33

HEX #1C9AAA

RGB 28 154 170

HSL 186.76, 0.72%, 0.39%

LAB 58.28, -26.35, -17.61

 

CMYK 84 / 32 / 0 / 33

HEX #1C74AA

RGB 28 116 170

HSL 202.82, 0.72%, 0.39%

LAB 46.5, -5.46, -35.86

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 94 / 0 / 66 / 27

HEX #0CBA40

RGB 12 186 64

HSL 137.93, 0.88%, 0.39%

LAB 66.19, -63.78, 49.31

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 71 / 0 / 50 / 40

HEX #2C994D

RGB 44 153 77

HSL 138.17, 0.55%, 0.39%

LAB 55.94, -47.49, 31.17

 

CMYK 55 / 0 / 39 / 46

HEX #3D8954

RGB 61 137 84

HSL 138.16, 0.38%, 0.39%

LAB 51.29, -35.99, 21.49

 

CMYK 36 / 0 / 26 / 53

HEX #4D795A

RGB 77 121 90

HSL 137.73, 0.22%, 0.39%

LAB 46.96, -22.36, 12.29

 

CMYK 11 / 0 / 9 / 59

HEX #5D6960

RGB 93 105 96

HSL 135, 0.06%, 0.39%

LAB 43.17, -6.5, 3.51

 

CMYK 64 / 0 / 84 / 33

HEX #3DAA1C

RGB 61 170 28

HSL 106.06, 0.72%, 0.39%

LAB 61.5, -55.09, 57.58

 

CMYK 84 / 0 / 81 / 33

HEX #1CAA21

RGB 28 170 33

HSL 122.11, 0.72%, 0.39%

LAB 60.88, -60.39, 55.35

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 84 / 0 / 36 / 33

HEX #1CAA6C

RGB 28 170 108

HSL 153.8, 0.72%, 0.39%

LAB 61.72, -50.24, 22.11

 

CMYK 84 / 0 / 14 / 33

HEX #1CAA92

RGB 28 170 146

HSL 169.86, 0.72%, 0.39%

LAB 62.57, -41.05, 2.3

 

CMYK 84 / 0 / 59 / 61

HEX #106329

RGB 16 99 41

HSL 138.07, 0.72%, 0.23%

LAB 36.36, -37.38, 26.05

 

CMYK 84 / 0 / 58 / 47

HEX #168638

RGB 22 134 56

HSL 138.21, 0.72%, 0.31%

LAB 48.89, -47.1, 33.25

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 83 / 0 / 59 / 20

HEX #22CD55

RGB 34 205 85

HSL 137.89, 0.72%, 0.47%

LAB 72.67, -65.58, 47.46

 

CMYK 73 / 0 / 51 / 13

HEX #3BDD6C

RGB 59 221 108

HSL 138.15, 0.7%, 0.55%

LAB 78.3, -64.66, 43.55

 

CMYK 83 / 0 / 58 / 34

HEX #1DA947

RGB 29 169 71

HSL 138, 0.71%, 0.39%

LAB 60.86, -56.2, 40.11

 

CMYK 84 / 42 / 0 / 33

HEX #1C63AA

RGB 28 99 170

HSL 210, 0.72%, 0.39%

LAB 41.33, 5.07, -44.05

 

CMYK 0 / 84 / 75 / 33

HEX #AA1C2A

RGB 170 28 42

HSL 354.08, 0.72%, 0.39%

LAB 37.01, 55.47, 30.23

 

CMYK 83 / 0 / 58 / 34

HEX #1DA947

RGB 29 169 71

HSL 138, 0.71%, 0.39%

LAB 60.86, -56.2, 40.11

 

CMYK 58 / 84 / 0 / 33

HEX #471CAA

RGB 71 28 170

HSL 258.17, 0.72%, 0.39%

LAB 26.94, 53.06, -67.35

 

CMYK 0 / 58 / 84 / 33

HEX #AA471C

RGB 170 71 28

HSL 18.17, 0.72%, 0.39%

LAB 42.97, 38.39, 43.85

 

CMYK 83 / 0 / 58 / 34

HEX #1DA947

RGB 29 169 71

HSL 138, 0.71%, 0.39%

LAB 60.86, -56.2, 40.11

 

CMYK 84 / 42 / 0 / 33

HEX #1C63AA

RGB 28 99 170

HSL 210, 0.72%, 0.39%

LAB 41.33, 5.07, -44.05

 

CMYK 0 / 84 / 25 / 33

HEX #AA1C7F

RGB 170 28 127

HSL 318.17, 0.72%, 0.39%

LAB 39.43, 62.51, -20.15

 

CMYK 0 / 42 / 84 / 33

HEX #AA631C

RGB 170 99 28

HSL 30, 0.72%, 0.39%

LAB 48.95, 23.5, 49.21

 

CMYK 83 / 0 / 58 / 34

HEX #1DA947

RGB 29 169 71

HSL 138, 0.71%, 0.39%

LAB 60.86, -56.2, 40.11

 

CMYK 84 / 66 / 0 / 33

HEX #1C39AA

RGB 28 57 170

HSL 227.75, 0.72%, 0.39%

LAB 29.6, 32.99, -63.07

 

CMYK 0 / 84 / 25 / 33

HEX #AA1C7F

RGB 170 28 127

HSL 318.17, 0.72%, 0.39%

LAB 39.43, 62.51, -20.15

 

CMYK 0 / 17 / 84 / 33

HEX #AA8D1C

RGB 170 141 28

HSL 47.75, 0.72%, 0.39%

LAB 59.6, 0.01, 58.46

 

Description

Color code: HEX #1DA947 | qconv.com Color code: HEX #1DA947 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 169 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 169 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 58 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 58% 34% C M Y K

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Provide designers and agencies with accurate color values.

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