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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA962 it is the complementary color #E2569D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA962 shade: #22A95D, #33BB70, #44CD83, #55DF96 and #66F1A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA962 shade: #1DA962, #0C974F, #00853C, #007329 and #006116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA962 shade: #1CAA62, #1CAA3C, #23AA1C, #49AA1C and #6FAA1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA962 shade: #1CAA62, #1CAA88, #1CA5AA, #1C7FAA and #1C59AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA962 shade matches the following richer shades: #1CAA62 and #0CBA62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA962 shade: #1CAA62, #2C9962, #3D8962, #4D7963 and #5D6963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA962 shade: #23AA1C, #1CAA3B, #1CAA61, #1CAA86 and #1CA7AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA962 shade: #106339, #16864E, #1CAA62, #22CD76 and #3BDD8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA962 shade: #1DA962, #1C49AA and #AA281C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA962 shade: #1DA962, #611CAA and #AA611C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA962 shade: #1DA962, #1C49AA, #AA1C65 and #AA7D1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA962 shade: #1DA962, #1C1FAA, #AA1C65 and #AAA71C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 34

HEX #1DA962

RGB 29 169 98

HSL 149.57, 0.71%, 0.39%

LAB 61.24, -51.76, 26.84

 

Complementary color

CMYK 0 / 62 / 31 / 11

HEX #E2569D

RGB 226 86 157

HSL 329.57, 0.71%, 0.61%

LAB 57.33, 61.04, -10.09

 

CMYK 80 / 0 / 45 / 34

HEX #22A95D

RGB 34 169 93

HSL 146.22, 0.67%, 0.4%

LAB 61.23, -52.14, 29.48

 

CMYK 73 / 0 / 40 / 27

HEX #33BB70

RGB 51 187 112

HSL 146.91, 0.57%, 0.47%

LAB 67.59, -53.01, 27.85

 

CMYK 67 / 0 / 36 / 20

HEX #44CD83

RGB 68 205 131

HSL 147.59, 0.58%, 0.54%

LAB 73.89, -53.53, 26.36

 

CMYK 62 / 0 / 33 / 13

HEX #55DF96

RGB 85 223 150

HSL 148.26, 0.68%, 0.6%

LAB 80.13, -53.8, 24.98

 

CMYK 58 / 0 / 30 / 5

HEX #66F1A9

RGB 102 241 169

HSL 148.92, 0.83%, 0.67%

LAB 86.31, -53.9, 23.7

 

CMYK 83 / 0 / 42 / 34

HEX #1DA962

RGB 29 169 98

HSL 149.57, 0.71%, 0.39%

LAB 61.24, -51.76, 26.84

 

CMYK 92 / 0 / 48 / 41

HEX #0C974F

RGB 12 151 79

HSL 148.92, 0.85%, 0.32%

LAB 54.84, -50.2, 28.63

 

CMYK 100 / 0 / 55 / 48

HEX #00853C

RGB 0 133 60

HSL 147.07, 1%, 0.26%

LAB 48.39, -47.93, 30.55

 

CMYK 100 / 0 / 64 / 55

HEX #007329

RGB 0 115 41

HSL 141.39, 1%, 0.23%

LAB 41.88, -44.68, 32.48

 

CMYK 100 / 0 / 77 / 62

HEX #006116

RGB 0 97 22

HSL 133.61, 1%, 0.19%

LAB 35.22, -40.97, 33.94

 

CMYK 84 / 0 / 42 / 33

HEX #1CAA62

RGB 28 170 98

HSL 149.58, 0.72%, 0.39%

LAB 61.55, -52.23, 27.24

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3C

RGB 28 170 60

HSL 133.52, 0.72%, 0.39%

LAB 61.07, -58.02, 45.4

 

CMYK 79 / 0 / 84 / 33

HEX #23AA1C

RGB 35 170 28

HSL 117.04, 0.72%, 0.39%

LAB 60.95, -59.82, 56.87

 

CMYK 57 / 0 / 84 / 33

HEX #49AA1C

RGB 73 170 28

HSL 100.99, 0.72%, 0.39%

LAB 61.87, -52.11, 58.05

 

CMYK 35 / 0 / 84 / 33

HEX #6FAA1C

RGB 111 170 28

HSL 84.93, 0.72%, 0.39%

LAB 63.52, -39.81, 60.15

 

CMYK 84 / 0 / 42 / 33

HEX #1CAA62

RGB 28 170 98

HSL 149.58, 0.72%, 0.39%

LAB 61.55, -52.23, 27.24

 

CMYK 84 / 0 / 20 / 33

HEX #1CAA88

RGB 28 170 136

HSL 165.63, 0.72%, 0.39%

LAB 62.32, -43.7, 7.52

 

CMYK 84 / 3 / 0 / 33

HEX #1CA5AA

RGB 28 165 170

HSL 182.11, 0.72%, 0.39%

LAB 61.71, -31.76, -12.44

 

CMYK 84 / 25 / 0 / 33

HEX #1C7FAA

RGB 28 127 170

HSL 198.17, 0.72%, 0.39%

LAB 49.89, -11.88, -30.54

 

CMYK 84 / 48 / 0 / 33

HEX #1C59AA

RGB 28 89 170

HSL 214.23, 0.72%, 0.39%

LAB 38.36, 11.58, -48.81

 

CMYK 84 / 0 / 42 / 33

HEX #1CAA62

RGB 28 170 98

HSL 149.58, 0.72%, 0.39%

LAB 61.55, -52.23, 27.24

 

CMYK 94 / 0 / 47 / 27

HEX #0CBA62

RGB 12 186 98

HSL 149.66, 0.88%, 0.39%

LAB 66.58, -58.97, 33.7

 

CMYK 84 / 0 / 42 / 33

HEX #1CAA62

RGB 28 170 98

HSL 149.58, 0.72%, 0.39%

LAB 61.55, -52.23, 27.24

 

CMYK 71 / 0 / 36 / 40

HEX #2C9962

RGB 44 153 98

HSL 149.72, 0.55%, 0.39%

LAB 56.29, -43.59, 20.31

 

CMYK 55 / 0 / 28 / 46

HEX #3D8962

RGB 61 137 98

HSL 149.21, 0.38%, 0.39%

LAB 51.57, -33.15, 13.94

 

CMYK 36 / 0 / 18 / 53

HEX #4D7963

RGB 77 121 99

HSL 150, 0.22%, 0.39%

LAB 47.18, -20.43, 7.3

 

CMYK 11 / 0 / 6 / 59

HEX #5D6963

RGB 93 105 99

HSL 150, 0.06%, 0.39%

LAB 43.26, -5.87, 1.82

 

CMYK 79 / 0 / 84 / 33

HEX #23AA1C

RGB 35 170 28

HSL 117.04, 0.72%, 0.39%

LAB 60.95, -59.82, 56.87

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3B

RGB 28 170 59

HSL 133.1, 0.72%, 0.39%

LAB 61.06, -58.13, 45.83

 

CMYK 84 / 0 / 43 / 33

HEX #1CAA61

RGB 28 170 97

HSL 149.15, 0.72%, 0.39%

LAB 61.53, -52.42, 27.75

 

CMYK 84 / 0 / 21 / 33

HEX #1CAA86

RGB 28 170 134

HSL 164.79, 0.72%, 0.39%

LAB 62.27, -44.21, 8.56

 

CMYK 84 / 2 / 0 / 33

HEX #1CA7AA

RGB 28 167 170

HSL 181.27, 0.72%, 0.39%

LAB 62.33, -32.71, -11.5

 

CMYK 84 / 0 / 42 / 61

HEX #106339

RGB 16 99 57

HSL 149.64, 0.72%, 0.23%

LAB 36.61, -34.39, 17.29

 

CMYK 84 / 0 / 42 / 47

HEX #16864E

RGB 22 134 78

HSL 150, 0.72%, 0.31%

LAB 49.22, -43.26, 21.91

 

CMYK 84 / 0 / 42 / 33

HEX #1CAA62

RGB 28 170 98

HSL 149.58, 0.72%, 0.39%

LAB 61.55, -52.23, 27.24

 

CMYK 83 / 0 / 42 / 20

HEX #22CD76

RGB 34 205 118

HSL 149.47, 0.72%, 0.47%

LAB 73.1, -60.46, 31.92

 

CMYK 73 / 0 / 37 / 13

HEX #3BDD8B

RGB 59 221 139

HSL 149.63, 0.7%, 0.55%

LAB 78.76, -59.44, 28.7

 

CMYK 83 / 0 / 42 / 34

HEX #1DA962

RGB 29 169 98

HSL 149.57, 0.71%, 0.39%

LAB 61.24, -51.76, 26.84

 

CMYK 84 / 57 / 0 / 33

HEX #1C49AA

RGB 28 73 170

HSL 220.99, 0.72%, 0.39%

LAB 33.8, 22.29, -56.2

 

CMYK 0 / 76 / 84 / 33

HEX #AA281C

RGB 170 40 28

HSL 5.07, 0.72%, 0.39%

LAB 38.11, 51.48, 39.38

 

CMYK 83 / 0 / 42 / 34

HEX #1DA962

RGB 29 169 98

HSL 149.57, 0.71%, 0.39%

LAB 61.24, -51.76, 26.84

 

CMYK 43 / 84 / 0 / 33

HEX #611CAA

RGB 97 28 170

HSL 269.15, 0.72%, 0.39%

LAB 30.09, 56.27, -62.05

 

CMYK 0 / 43 / 84 / 33

HEX #AA611C

RGB 170 97 28

HSL 29.15, 0.72%, 0.39%

LAB 48.49, 24.61, 48.8

 

CMYK 83 / 0 / 42 / 34

HEX #1DA962

RGB 29 169 98

HSL 149.57, 0.71%, 0.39%

LAB 61.24, -51.76, 26.84

 

CMYK 84 / 57 / 0 / 33

HEX #1C49AA

RGB 28 73 170

HSL 220.99, 0.72%, 0.39%

LAB 33.8, 22.29, -56.2

 

CMYK 0 / 84 / 41 / 33

HEX #AA1C65

RGB 170 28 101

HSL 329.15, 0.72%, 0.39%

LAB 38.4, 59.6, -5.39

 

CMYK 0 / 26 / 84 / 33

HEX #AA7D1C

RGB 170 125 28

HSL 40.99, 0.72%, 0.39%

LAB 55.38, 8.9, 54.83

 

CMYK 83 / 0 / 42 / 34

HEX #1DA962

RGB 29 169 98

HSL 149.57, 0.71%, 0.39%

LAB 61.24, -51.76, 26.84

 

CMYK 84 / 82 / 0 / 33

HEX #1C1FAA

RGB 28 31 170

HSL 238.73, 0.72%, 0.39%

LAB 24.09, 48.34, -72.17

 

CMYK 0 / 84 / 41 / 33

HEX #AA1C65

RGB 170 28 101

HSL 329.15, 0.72%, 0.39%

LAB 38.4, 59.6, -5.39

 

CMYK 0 / 2 / 84 / 33

HEX #AAA71C

RGB 170 167 28

HSL 58.73, 0.72%, 0.39%

LAB 66.72, -13.86, 64.52

 

Description

Color code: HEX #1DA962 | qconv.com Color code: HEX #1DA962 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 169 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 169 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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