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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DBE7B it is the complementary color #E24184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DBE7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DBE7B shade: #22BE76, #33D089, #44E29C, #55F4AF and #66FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DBE7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DBE7B shade: #1DBE7B, #0CAC68, #009A55, #008842 and #00762F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DBE7B shade: #1CBE7B, #1CBE4F, #1CBE23, #41BE1C and #6CBE1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DBE7B shade: #1CBE7B, #1CBEA7, #1CAABE, #1C7FBE and #1C53BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DBE7B shade matches the following richer shades: #1CBE7B and #0AD07E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DBE7B shade: #1CBE7B, #2EAD78, #3F9B75, #518972 and #63776F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DBE7B shade: #1CBE24, #1CBE4F, #1CBE7B, #1CBEA6 and #1CABBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DBE7B shade: #11774C, #179A64, #1CBE7B, #25DE91 and #49E3A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DBE7B shade: #1DBE7B, #1C3FBE and #BE3A1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DBE7B shade: #1DBE7B, #7B1CBE and #BE7B1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DBE7B shade: #1DBE7B, #1C3FBE, #BE1C60 and #BE9B1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DBE7B shade: #1DBE7B, #2A1CBE, #BE1C60 and #B1BE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 35 / 25

HEX #1DBE7B

RGB 29 190 123

HSL 155.03, 0.74%, 0.43%

LAB 68.4, -54.51, 23.07

 

Complementary color

CMYK 0 / 71 / 42 / 11

HEX #E24184

RGB 226 65 132

HSL 335.03, 0.74%, 0.57%

LAB 53.62, 66.39, -0.83

 

CMYK 82 / 0 / 38 / 25

HEX #22BE76

RGB 34 190 118

HSL 152.31, 0.7%, 0.44%

LAB 68.37, -55.08, 25.69

 

CMYK 75 / 0 / 34 / 18

HEX #33D089

RGB 51 208 137

HSL 152.87, 0.63%, 0.51%

LAB 74.59, -56.04, 24.1

 

CMYK 70 / 0 / 31 / 11

HEX #44E29C

RGB 68 226 156

HSL 153.42, 0.73%, 0.58%

LAB 80.75, -56.68, 22.65

 

CMYK 65 / 0 / 28 / 4

HEX #55F4AF

RGB 85 244 175

HSL 153.96, 0.88%, 0.65%

LAB 86.86, -57.07, 21.31

 

CMYK 60 / 0 / 24 / 0

HEX #66FFC2

RGB 102 255 194

HSL 156.08, 1%, 0.7%

LAB 90.89, -54.49, 17.24

 

CMYK 85 / 0 / 35 / 25

HEX #1DBE7B

RGB 29 190 123

HSL 155.03, 0.74%, 0.43%

LAB 68.4, -54.51, 23.07

 

CMYK 93 / 0 / 40 / 33

HEX #0CAC68

RGB 12 172 104

HSL 154.5, 0.87%, 0.36%

LAB 62.15, -52.95, 24.81

 

CMYK 100 / 0 / 45 / 40

HEX #009A55

RGB 0 154 85

HSL 153.12, 1%, 0.3%

LAB 55.85, -50.82, 26.72

 

CMYK 100 / 0 / 51 / 47

HEX #008842

RGB 0 136 66

HSL 149.12, 1%, 0.27%

LAB 49.5, -47.96, 28.77

 

CMYK 100 / 0 / 60 / 54

HEX #00762F

RGB 0 118 47

HSL 143.9, 1%, 0.23%

LAB 43.01, -44.84, 30.78

 

CMYK 85 / 0 / 35 / 25

HEX #1CBE7B

RGB 28 190 123

HSL 155.19, 0.74%, 0.43%

LAB 68.39, -54.6, 23.05

 

CMYK 85 / 0 / 58 / 25

HEX #1CBE4F

RGB 28 190 79

HSL 138.89, 0.74%, 0.43%

LAB 67.75, -62.11, 44.45

 

CMYK 85 / 0 / 82 / 25

HEX #1CBE23

RGB 28 190 35

HSL 122.59, 0.74%, 0.43%

LAB 67.42, -66.23, 60.92

 

CMYK 66 / 0 / 85 / 25

HEX #41BE1C

RGB 65 190 28

HSL 106.3, 0.74%, 0.43%

LAB 68.05, -60.94, 63.5

 

CMYK 43 / 0 / 85 / 25

HEX #6CBE1C

RGB 108 190 28

HSL 90.37, 0.74%, 0.43%

LAB 69.54, -49.17, 65.39

 

CMYK 85 / 0 / 35 / 25

HEX #1CBE7B

RGB 28 190 123

HSL 155.19, 0.74%, 0.43%

LAB 68.39, -54.6, 23.05

 

CMYK 85 / 0 / 12 / 25

HEX #1CBEA7

RGB 28 190 167

HSL 171.48, 0.74%, 0.43%

LAB 69.37, -43.96, 0.58

 

CMYK 85 / 11 / 0 / 25

HEX #1CAABE

RGB 28 170 190

HSL 187.41, 0.74%, 0.43%

LAB 63.93, -27.84, -20.26

 

CMYK 85 / 33 / 0 / 25

HEX #1C7FBE

RGB 28 127 190

HSL 203.33, 0.74%, 0.43%

LAB 50.85, -4.46, -40.56

 

CMYK 85 / 56 / 0 / 25

HEX #1C53BE

RGB 28 83 190

HSL 219.63, 0.74%, 0.43%

LAB 38.11, 23.49, -61

 

CMYK 85 / 0 / 35 / 25

HEX #1CBE7B

RGB 28 190 123

HSL 155.19, 0.74%, 0.43%

LAB 68.39, -54.6, 23.05

 

CMYK 95 / 0 / 39 / 18

HEX #0AD07E

RGB 10 208 126

HSL 155.15, 0.91%, 0.43%

LAB 73.99, -61.45, 28.95

 

CMYK 85 / 0 / 35 / 25

HEX #1CBE7B

RGB 28 190 123

HSL 155.19, 0.74%, 0.43%

LAB 68.39, -54.6, 23.05

 

CMYK 73 / 0 / 31 / 32

HEX #2EAD78

RGB 46 173 120

HSL 154.96, 0.58%, 0.43%

LAB 63.2, -46.67, 17.63

 

CMYK 59 / 0 / 25 / 39

HEX #3F9B75

RGB 63 155 117

HSL 155.22, 0.42%, 0.43%

LAB 57.83, -36.62, 11.9

 

CMYK 41 / 0 / 17 / 46

HEX #518972

RGB 81 137 114

HSL 155.36, 0.26%, 0.43%

LAB 52.79, -24.07, 6.58

 

CMYK 17 / 0 / 7 / 53

HEX #63776F

RGB 99 119 111

HSL 156, 0.09%, 0.43%

LAB 48.25, -9.1, 1.94

 

CMYK 85 / 0 / 81 / 25

HEX #1CBE24

RGB 28 190 36

HSL 122.96, 0.74%, 0.43%

LAB 67.43, -66.17, 60.65

 

CMYK 85 / 0 / 58 / 25

HEX #1CBE4F

RGB 28 190 79

HSL 138.89, 0.74%, 0.43%

LAB 67.75, -62.11, 44.45

 

CMYK 85 / 0 / 35 / 25

HEX #1CBE7B

RGB 28 190 123

HSL 155.19, 0.74%, 0.43%

LAB 68.39, -54.6, 23.05

 

CMYK 85 / 0 / 13 / 25

HEX #1CBEA6

RGB 28 190 166

HSL 171.11, 0.74%, 0.43%

LAB 69.35, -44.23, 1.09

 

CMYK 85 / 10 / 0 / 25

HEX #1CABBE

RGB 28 171 190

HSL 187.04, 0.74%, 0.43%

LAB 64.23, -28.34, -19.8

 

CMYK 86 / 0 / 36 / 53

HEX #11774C

RGB 17 119 76

HSL 154.71, 0.75%, 0.27%

LAB 43.99, -38.27, 16.06

 

CMYK 85 / 0 / 35 / 40

HEX #179A64

RGB 23 154 100

HSL 155.27, 0.74%, 0.35%

LAB 56.3, -46.27, 19.16

 

CMYK 85 / 0 / 35 / 25

HEX #1CBE7B

RGB 28 190 123

HSL 155.19, 0.74%, 0.43%

LAB 68.39, -54.6, 23.05

 

CMYK 83 / 0 / 35 / 13

HEX #25DE91

RGB 37 222 145

HSL 155.03, 0.74%, 0.51%

LAB 78.86, -61.05, 25.69

 

CMYK 68 / 0 / 28 / 11

HEX #49E3A3

RGB 73 227 163

HSL 155.06, 0.73%, 0.59%

LAB 81.29, -54.84, 19.77

 

CMYK 85 / 0 / 35 / 25

HEX #1DBE7B

RGB 29 190 123

HSL 155.03, 0.74%, 0.43%

LAB 68.4, -54.51, 23.07

 

CMYK 85 / 67 / 0 / 25

HEX #1C3FBE

RGB 28 63 190

HSL 227.04, 0.74%, 0.43%

LAB 32.96, 36.62, -69.43

 

CMYK 0 / 69 / 85 / 25

HEX #BE3A1C

RGB 190 58 28

HSL 11.11, 0.74%, 0.43%

LAB 44.31, 51.41, 46.38

 

CMYK 85 / 0 / 35 / 25

HEX #1DBE7B

RGB 29 190 123

HSL 155.03, 0.74%, 0.43%

LAB 68.4, -54.51, 23.07

 

CMYK 35 / 85 / 0 / 25

HEX #7B1CBE

RGB 123 28 190

HSL 275.19, 0.74%, 0.43%

LAB 35.52, 64.43, -64.93

 

CMYK 0 / 35 / 85 / 25

HEX #BE7B1C

RGB 190 123 28

HSL 35.19, 0.74%, 0.43%

LAB 57.27, 18.96, 57.39

 

CMYK 85 / 0 / 35 / 25

HEX #1DBE7B

RGB 29 190 123

HSL 155.03, 0.74%, 0.43%

LAB 68.4, -54.51, 23.07

 

CMYK 85 / 67 / 0 / 25

HEX #1C3FBE

RGB 28 63 190

HSL 227.04, 0.74%, 0.43%

LAB 32.96, 36.62, -69.43

 

CMYK 0 / 85 / 49 / 25

HEX #BE1C60

RGB 190 28 96

HSL 334.81, 0.74%, 0.43%

LAB 42.19, 64.17, 3.77

 

CMYK 0 / 18 / 85 / 25

HEX #BE9B1C

RGB 190 155 28

HSL 47.04, 0.74%, 0.43%

LAB 65.34, 1.42, 64.11

 

CMYK 85 / 0 / 35 / 25

HEX #1DBE7B

RGB 29 190 123

HSL 155.03, 0.74%, 0.43%

LAB 68.4, -54.51, 23.07

 

CMYK 78 / 85 / 0 / 25

HEX #2A1CBE

RGB 42 28 190

HSL 245.19, 0.74%, 0.43%

LAB 26.85, 56.46, -79.52

 

CMYK 0 / 85 / 49 / 25

HEX #BE1C60

RGB 190 28 96

HSL 334.81, 0.74%, 0.43%

LAB 42.19, 64.17, 3.77

 

CMYK 7 / 0 / 85 / 25

HEX #B1BE1C

RGB 177 190 28

HSL 64.81, 0.74%, 0.43%

LAB 73.71, -22.42, 70.6

 

Description

Color code: HEX #1DBE7B | qconv.com Color code: HEX #1DBE7B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 190 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 190 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 35 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 35% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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