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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DC00B it is the complementary color #E23FF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DC00B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DC00B shade: #22C006, #33D219, #44E42C, #55F63F and #66FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DC00B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DC00B shade: #1DC00B, #0CAE00, #009C00, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DC00B shade: #1DC00B, #4EC00B, #7FC00B, #B0C00B and #C0A00B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DC00B shade: #1DC00B, #0BC02A, #0BC05B, #0BC08C and #0BC0BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DC00B shade matches the following richer shades: #1DC00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DC00B shade: #1DC00B, #2AB01B, #379F2C, #448F3C and #527E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DC00B shade: #7EC00B, #4DC00B, #1DC00B, #0BC029 and #0BC059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DC00B shade: #117206, #179908, #1DC00B, #23E70D and #3FF22B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DC00B shade: #1DC00B, #0BAEC0 and #C00B66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DC00B shade: #1DC00B, #0B1DC0 and #C00B1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DC00B shade: #1DC00B, #0BAEC0, #AE0BC0 and #C01D0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DC00B shade: #1DC00B, #0B78C0, #AE0BC0 and #C0530B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

Complementary color

CMYK 7 / 74 / 0 / 4

HEX #E23FF4

RGB 226 63 244

HSL 294.03, 0.89%, 0.6%

LAB 58.28, 82.03, -58.26

 

CMYK 82 / 0 / 97 / 25

HEX #22C006

RGB 34 192 6

HSL 110.97, 0.94%, 0.39%

LAB 68.06, -67.22, 66.82

 

CMYK 76 / 0 / 88 / 18

HEX #33D219

RGB 51 210 25

HSL 111.57, 0.79%, 0.46%

LAB 74.1, -69.8, 69.31

 

CMYK 70 / 0 / 81 / 11

HEX #44E42C

RGB 68 228 44

HSL 112.17, 0.77%, 0.53%

LAB 80.12, -71.7, 70.5

 

CMYK 65 / 0 / 74 / 4

HEX #55F63F

RGB 85 246 63

HSL 112.79, 0.91%, 0.61%

LAB 86.11, -73.07, 70.76

 

CMYK 60 / 0 / 68 / 0

HEX #66FF52

RGB 102 255 82

HSL 113.06, 1%, 0.66%

LAB 89.37, -71.06, 67.61

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 93 / 0 / 100 / 32

HEX #0CAE00

RGB 12 174 0

HSL 115.86, 1%, 0.34%

LAB 61.96, -64.1, 62.54

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 59 / 0 / 94 / 25

HEX #4EC00B

RGB 78 192 11

HSL 97.79, 0.89%, 0.4%

LAB 69, -59.14, 67.4

 

CMYK 34 / 0 / 94 / 25

HEX #7FC00B

RGB 127 192 11

HSL 81.55, 0.89%, 0.4%

LAB 71.03, -43.79, 69.89

 

CMYK 8 / 0 / 94 / 25

HEX #B0C00B

RGB 176 192 11

HSL 65.3, 0.89%, 0.4%

LAB 74.16, -24.15, 73.69

 

CMYK 0 / 17 / 94 / 25

HEX #C0A00B

RGB 192 160 11

HSL 49.39, 0.89%, 0.4%

LAB 66.8, -0.69, 68.72

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 94 / 0 / 78 / 25

HEX #0BC02A

RGB 11 192 42

HSL 130.28, 0.89%, 0.4%

LAB 67.97, -67.54, 59.34

 

CMYK 94 / 0 / 53 / 25

HEX #0BC05B

RGB 11 192 91

HSL 146.52, 0.89%, 0.4%

LAB 68.41, -62.15, 39.48

 

CMYK 94 / 0 / 27 / 25

HEX #0BC08C

RGB 11 192 140

HSL 162.76, 0.89%, 0.4%

LAB 69.23, -52.57, 15.07

 

CMYK 94 / 0 / 2 / 25

HEX #0BC0BC

RGB 11 192 188

HSL 178.67, 0.89%, 0.4%

LAB 70.46, -39.71, -9.33

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 76 / 0 / 85 / 31

HEX #2AB01B

RGB 42 176 27

HSL 113.96, 0.73%, 0.4%

LAB 63.03, -60.72, 59.06

 

CMYK 65 / 0 / 72 / 38

HEX #379F2C

RGB 55 159 44

HSL 114.26, 0.57%, 0.4%

LAB 57.84, -51.54, 48.74

 

CMYK 52 / 0 / 58 / 44

HEX #448F3C

RGB 68 143 60

HSL 114.22, 0.41%, 0.4%

LAB 53.17, -40.38, 36.62

 

CMYK 35 / 0 / 39 / 51

HEX #527E4D

RGB 82 126 77

HSL 113.88, 0.24%, 0.4%

LAB 48.58, -25.57, 22

 

CMYK 34 / 0 / 94 / 25

HEX #7EC00B

RGB 126 192 11

HSL 81.88, 0.89%, 0.4%

LAB 70.98, -44.16, 69.83

 

CMYK 60 / 0 / 94 / 25

HEX #4DC00B

RGB 77 192 11

HSL 98.12, 0.89%, 0.4%

LAB 68.97, -59.39, 67.36

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 94 / 0 / 79 / 25

HEX #0BC029

RGB 11 192 41

HSL 129.94, 0.89%, 0.4%

LAB 67.97, -67.61, 59.64

 

CMYK 94 / 0 / 54 / 25

HEX #0BC059

RGB 11 192 89

HSL 145.86, 0.89%, 0.4%

LAB 68.38, -62.45, 40.42

 

CMYK 85 / 0 / 95 / 55

HEX #117206

RGB 17 114 6

HSL 113.89, 0.9%, 0.24%

LAB 41.48, -45.61, 44.72

 

CMYK 85 / 0 / 95 / 40

HEX #179908

RGB 23 153 8

HSL 113.79, 0.9%, 0.32%

LAB 55.05, -56.92, 55.78

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 85 / 0 / 94 / 9

HEX #23E70D

RGB 35 231 13

HSL 113.94, 0.89%, 0.48%

LAB 80.48, -77.94, 76.29

 

CMYK 74 / 0 / 82 / 5

HEX #3FF22B

RGB 63 242 43

HSL 113.97, 0.88%, 0.56%

LAB 84.35, -76.77, 74.59

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 94 / 9 / 0 / 25

HEX #0BAEC0

RGB 11 174 192

HSL 185.97, 0.89%, 0.4%

LAB 65.08, -30.03, -19.64

 

CMYK 0 / 94 / 47 / 25

HEX #C00B66

RGB 192 11 102

HSL 329.83, 0.89%, 0.4%

LAB 41.85, 67.78, -0.44

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 94 / 85 / 0 / 25

HEX #0B1DC0

RGB 11 29 192

HSL 234.03, 0.89%, 0.4%

LAB 26.03, 55.61, -82.1

 

CMYK 0 / 94 / 85 / 25

HEX #C00B1D

RGB 192 11 29

HSL 354.03, 0.89%, 0.4%

LAB 40.47, 63.97, 42.68

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 94 / 9 / 0 / 25

HEX #0BAEC0

RGB 11 174 192

HSL 185.97, 0.89%, 0.4%

LAB 65.08, -30.03, -19.64

 

CMYK 9 / 94 / 0 / 25

HEX #AE0BC0

RGB 174 11 192

HSL 294.03, 0.89%, 0.4%

LAB 42.83, 75.47, -53.85

 

CMYK 0 / 85 / 94 / 25

HEX #C01D0B

RGB 192 29 11

HSL 5.97, 0.89%, 0.4%

LAB 41.39, 60.73, 51.2

 

CMYK 85 / 0 / 94 / 25

HEX #1DC00B

RGB 29 192 11

HSL 114.03, 0.89%, 0.4%

LAB 68.01, -67.63, 66.18

 

CMYK 94 / 38 / 0 / 25

HEX #0B78C0

RGB 11 120 192

HSL 203.87, 0.89%, 0.4%

LAB 48.65, -0.47, -45.22

 

CMYK 9 / 94 / 0 / 25

HEX #AE0BC0

RGB 174 11 192

HSL 294.03, 0.89%, 0.4%

LAB 42.83, 75.47, -53.85

 

CMYK 0 / 57 / 94 / 25

HEX #C0530B

RGB 192 83 11

HSL 23.87, 0.89%, 0.4%

LAB 48.78, 40.67, 55.88

 

Description

Color code: HEX #1DC00B | qconv.com Color code: HEX #1DC00B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 192 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 192 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 94 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 94% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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