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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DDB70 it is the complementary color #E2248F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DDB70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DDB70 shade: #22DB6B, #33ED7E, #44FF91, #55FFA4 and #66FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DDB70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DDB70 shade: #1DDB70, #0CC95D, #00B74A, #00A537 and #009324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DDB70 shade: #1CDD70, #1CDD3C, #30DD1C, #64DD1C and #98DD1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DDB70 shade: #1CDD70, #1CDDA4, #1CDDD8, #1CADDD and #1C79DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DDB70 shade matches the following richer shades: #1CDD70 and #08F16E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DDB70 shade: #1CDD70, #30C873, #45B475, #59A078 and #6D8C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DDB70 shade: #2FDD1C, #1CDD3C, #1CDD70, #1CDDA3 and #1CDDD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DDB70 shade: #13944B, #17B85E, #1CDD70, #3DE586 and #61EA9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DDB70 shade: #1DDB70, #1C63DD and #DD231C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DDB70 shade: #1DDB70, #701CDD and #DD701C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DDB70 shade: #1DDB70, #1C63DD, #DD1C89 and #DD961C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DDB70 shade: #1DDB70, #1C29DD, #DD1C89 and #DDD01C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 49 / 14

HEX #1DDB70

RGB 29 219 112

HSL 146.21, 0.77%, 0.49%

LAB 77.34, -66.63, 40.33

 

Complementary color

CMYK 0 / 84 / 37 / 11

HEX #E2248F

RGB 226 36 143

HSL 326.21, 0.77%, 0.51%

LAB 51.17, 75.41, -11.05

 

CMYK 84 / 0 / 51 / 14

HEX #22DB6B

RGB 34 219 107

HSL 143.68, 0.73%, 0.5%

LAB 77.32, -67.01, 42.74

 

CMYK 78 / 0 / 47 / 7

HEX #33ED7E

RGB 51 237 126

HSL 144.19, 0.84%, 0.56%

LAB 83.33, -68.33, 41.12

 

CMYK 73 / 0 / 43 / 0

HEX #44FF91

RGB 68 255 145

HSL 144.71, 1%, 0.63%

LAB 89.3, -69.27, 39.58

 

CMYK 67 / 0 / 36 / 0

HEX #55FFA4

RGB 85 255 164

HSL 147.88, 1%, 0.67%

LAB 89.92, -63.4, 31.06

 

CMYK 60 / 0 / 28 / 0

HEX #66FFB7

RGB 102 255 183

HSL 151.76, 1%, 0.7%

LAB 90.67, -56.74, 22.55

 

CMYK 87 / 0 / 49 / 14

HEX #1DDB70

RGB 29 219 112

HSL 146.21, 0.77%, 0.49%

LAB 77.34, -66.63, 40.33

 

CMYK 94 / 0 / 54 / 21

HEX #0CC95D

RGB 12 201 93

HSL 145.71, 0.89%, 0.42%

LAB 71.31, -64.7, 42.06

 

CMYK 100 / 0 / 60 / 28

HEX #00B74A

RGB 0 183 74

HSL 144.26, 1%, 0.36%

LAB 65.25, -62.18, 43.79

 

CMYK 100 / 0 / 67 / 35

HEX #00A537

RGB 0 165 55

HSL 140, 1%, 0.32%

LAB 59.15, -58.94, 45.39

 

CMYK 100 / 0 / 76 / 42

HEX #009324

RGB 0 147 36

HSL 134.69, 1%, 0.29%

LAB 52.94, -55.35, 46.52

 

CMYK 87 / 0 / 49 / 13

HEX #1CDD70

RGB 28 221 112

HSL 146.11, 0.78%, 0.49%

LAB 77.95, -67.35, 41.1

 

CMYK 87 / 0 / 73 / 13

HEX #1CDD3C

RGB 28 221 60

HSL 129.95, 0.78%, 0.49%

LAB 77.45, -73.51, 62.8

 

CMYK 78 / 0 / 87 / 13

HEX #30DD1C

RGB 48 221 28

HSL 113.78, 0.78%, 0.49%

LAB 77.53, -73.33, 71.7

 

CMYK 55 / 0 / 87 / 13

HEX #64DD1C

RGB 100 221 28

HSL 97.62, 0.78%, 0.49%

LAB 78.76, -63.07, 73.23

 

CMYK 31 / 0 / 87 / 13

HEX #98DD1C

RGB 152 221 28

HSL 81.45, 0.78%, 0.49%

LAB 81, -46.51, 76.03

 

CMYK 87 / 0 / 49 / 13

HEX #1CDD70

RGB 28 221 112

HSL 146.11, 0.78%, 0.49%

LAB 77.95, -67.35, 41.1

 

CMYK 87 / 0 / 26 / 13

HEX #1CDDA4

RGB 28 221 164

HSL 162.28, 0.78%, 0.49%

LAB 78.83, -57.22, 15.72

 

CMYK 87 / 0 / 2 / 13

HEX #1CDDD8

RGB 28 221 216

HSL 178.45, 0.78%, 0.49%

LAB 80.13, -43.68, -10.02

 

CMYK 87 / 22 / 0 / 13

HEX #1CADDD

RGB 28 173 221

HSL 194.92, 0.78%, 0.49%

LAB 66.02, -18.99, -34.21

 

CMYK 87 / 45 / 0 / 13

HEX #1C79DD

RGB 28 121 221

HSL 211.09, 0.78%, 0.49%

LAB 50.85, 11.05, -58.19

 

CMYK 87 / 0 / 49 / 13

HEX #1CDD70

RGB 28 221 112

HSL 146.11, 0.78%, 0.49%

LAB 77.95, -67.35, 41.1

 

CMYK 97 / 0 / 54 / 5

HEX #08F16E

RGB 8 241 110

HSL 146.27, 0.94%, 0.49%

LAB 84.01, -74.87, 49.46

 

CMYK 87 / 0 / 49 / 13

HEX #1CDD70

RGB 28 221 112

HSL 146.11, 0.78%, 0.49%

LAB 77.95, -67.35, 41.1

 

CMYK 76 / 0 / 43 / 22

HEX #30C873

RGB 48 200 115

HSL 146.45, 0.61%, 0.49%

LAB 71.67, -57.68, 31.64

 

CMYK 62 / 0 / 35 / 29

HEX #45B475

RGB 69 180 117

HSL 145.95, 0.45%, 0.49%

LAB 65.9, -46.08, 23.03

 

CMYK 44 / 0 / 25 / 37

HEX #59A078

RGB 89 160 120

HSL 146.2, 0.29%, 0.49%

LAB 60.45, -31.71, 14.03

 

CMYK 22 / 0 / 12 / 45

HEX #6D8C7B

RGB 109 140 123

HSL 147.1, 0.12%, 0.49%

LAB 55.52, -14.6, 5.51

 

CMYK 79 / 0 / 87 / 13

HEX #2FDD1C

RGB 47 221 28

HSL 114.09, 0.78%, 0.49%

LAB 77.52, -73.46, 71.68

 

CMYK 87 / 0 / 73 / 13

HEX #1CDD3C

RGB 28 221 60

HSL 129.95, 0.78%, 0.49%

LAB 77.45, -73.51, 62.8

 

CMYK 87 / 0 / 49 / 13

HEX #1CDD70

RGB 28 221 112

HSL 146.11, 0.78%, 0.49%

LAB 77.95, -67.35, 41.1

 

CMYK 87 / 0 / 26 / 13

HEX #1CDDA3

RGB 28 221 163

HSL 161.97, 0.78%, 0.49%

LAB 78.81, -57.44, 16.22

 

CMYK 87 / 0 / 3 / 13

HEX #1CDDD6

RGB 28 221 214

HSL 177.82, 0.78%, 0.49%

LAB 80.08, -44.25, -9.04

 

CMYK 87 / 0 / 49 / 42

HEX #13944B

RGB 19 148 75

HSL 146.05, 0.77%, 0.33%

LAB 53.84, -49.32, 29.49

 

CMYK 88 / 0 / 49 / 28

HEX #17B85E

RGB 23 184 94

HSL 146.46, 0.78%, 0.41%

LAB 65.96, -58.31, 34.96

 

CMYK 87 / 0 / 49 / 13

HEX #1CDD70

RGB 28 221 112

HSL 146.11, 0.78%, 0.49%

LAB 77.95, -67.35, 41.1

 

CMYK 73 / 0 / 41 / 10

HEX #3DE586

RGB 61 229 134

HSL 146.07, 0.76%, 0.57%

LAB 81.16, -62.98, 34.41

 

CMYK 59 / 0 / 33 / 8

HEX #61EA9D

RGB 97 234 157

HSL 146.28, 0.77%, 0.65%

LAB 83.87, -54.43, 26.51

 

CMYK 87 / 0 / 49 / 14

HEX #1DDB70

RGB 29 219 112

HSL 146.21, 0.77%, 0.49%

LAB 77.34, -66.63, 40.33

 

CMYK 87 / 55 / 0 / 13

HEX #1C63DD

RGB 28 99 221

HSL 217.93, 0.78%, 0.49%

LAB 44.79, 25.07, -68

 

CMYK 0 / 84 / 87 / 13

HEX #DD231C

RGB 221 35 28

HSL 2.18, 0.78%, 0.49%

LAB 47.83, 67.68, 51.73

 

CMYK 87 / 0 / 49 / 14

HEX #1DDB70

RGB 29 219 112

HSL 146.21, 0.77%, 0.49%

LAB 77.34, -66.63, 40.33

 

CMYK 49 / 87 / 0 / 13

HEX #701CDD

RGB 112 28 221

HSL 266.11, 0.78%, 0.49%

LAB 36.92, 70.02, -80.69

 

CMYK 0 / 49 / 87 / 13

HEX #DD701C

RGB 221 112 28

HSL 26.11, 0.78%, 0.49%

LAB 59.02, 37.83, 60.55

 

CMYK 87 / 0 / 49 / 14

HEX #1DDB70

RGB 29 219 112

HSL 146.21, 0.77%, 0.49%

LAB 77.34, -66.63, 40.33

 

CMYK 87 / 55 / 0 / 13

HEX #1C63DD

RGB 28 99 221

HSL 217.93, 0.78%, 0.49%

LAB 44.79, 25.07, -68

 

CMYK 0 / 87 / 38 / 13

HEX #DD1C89

RGB 221 28 137

HSL 326.11, 0.78%, 0.49%

LAB 49.51, 75.17, -10.03

 

CMYK 0 / 32 / 87 / 13

HEX #DD961C

RGB 221 150 28

HSL 37.93, 0.78%, 0.49%

LAB 67.48, 17.77, 67.26

 

CMYK 87 / 0 / 49 / 14

HEX #1DDB70

RGB 29 219 112

HSL 146.21, 0.77%, 0.49%

LAB 77.34, -66.63, 40.33

 

CMYK 87 / 81 / 0 / 13

HEX #1C29DD

RGB 28 41 221

HSL 235.96, 0.78%, 0.49%

LAB 31.93, 59.49, -89.16

 

CMYK 0 / 87 / 38 / 13

HEX #DD1C89

RGB 221 28 137

HSL 326.11, 0.78%, 0.49%

LAB 49.51, 75.17, -10.03

 

CMYK 0 / 6 / 87 / 13

HEX #DDD01C

RGB 221 208 28

HSL 55.96, 0.78%, 0.49%

LAB 82.15, -12.58, 78.93

 

Description

Color code: HEX #1DDB70 | qconv.com Color code: HEX #1DDB70 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 219 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 219 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 49% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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