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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DE644 it is the complementary color #E219BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DE644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DE644 shade: #22E63F, #33F852, #44FF65, #55FF78 and #66FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DE644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DE644 shade: #1DE644, #0CD431, #00C21E, #00B00B and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DE644 shade: #1EE644, #2DE61E, #63E61E, #99E61E and #CEE61E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DE644 shade: #1EE644, #1EE67A, #1EE6B0, #1EE5E6 and #1EAFE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DE644 shade matches the following richer shades: #1EE644 and #09FA38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DE644 shade: #1EE644, #32D151, #46BD5D, #5AA969 and #6E9576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DE644 shade: #64E61E, #2EE61E, #1EE642, #1EE678 and #1EE6AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DE644 shade: #119F2D, #15C437, #1EE644, #43EA63 and #68EE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DE644 shade: #1DE644, #1E99E6 and #E61E49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DE644 shade: #1DE644, #421EE6 and #E6421E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DE644 shade: #1DE644, #1E99E6, #E61EC1 and #E66A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DE644 shade: #1DE644, #1E5DE6, #E61EC1 and #E6A61E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 70 / 10

HEX #1DE644

RGB 29 230 68

HSL 131.64, 0.8%, 0.51%

LAB 80.33, -75.37, 62.91

 

Complementary color

CMYK 0 / 89 / 17 / 11

HEX #E219BB

RGB 226 25 187

HSL 311.64, 0.8%, 0.49%

LAB 52.34, 82.22, -35.24

 

CMYK 85 / 0 / 73 / 10

HEX #22E63F

RGB 34 230 63

HSL 128.88, 0.8%, 0.52%

LAB 80.34, -75.4, 64.72

 

CMYK 79 / 0 / 67 / 3

HEX #33F852

RGB 51 248 82

HSL 129.44, 0.93%, 0.59%

LAB 86.23, -77.36, 63.96

 

CMYK 73 / 0 / 60 / 0

HEX #44FF65

RGB 68 255 101

HSL 130.59, 1%, 0.63%

LAB 88.78, -75.39, 59.16

 

CMYK 67 / 0 / 53 / 0

HEX #55FF78

RGB 85 255 120

HSL 132.35, 1%, 0.67%

LAB 89.3, -70.36, 51.49

 

CMYK 60 / 0 / 45 / 0

HEX #66FF8B

RGB 102 255 139

HSL 134.51, 1%, 0.7%

LAB 89.96, -64.43, 43.48

 

CMYK 87 / 0 / 70 / 10

HEX #1DE644

RGB 29 230 68

HSL 131.64, 0.8%, 0.51%

LAB 80.33, -75.37, 62.91

 

CMYK 94 / 0 / 77 / 17

HEX #0CD431

RGB 12 212 49

HSL 131.1, 0.89%, 0.44%

LAB 74.44, -72.69, 63.42

 

CMYK 100 / 0 / 85 / 24

HEX #00C21E

RGB 0 194 30

HSL 129.28, 1%, 0.38%

LAB 68.52, -69.27, 63.14

 

CMYK 100 / 0 / 94 / 31

HEX #00B00B

RGB 0 176 11

HSL 123.75, 1%, 0.35%

LAB 62.57, -64.99, 61.57

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 87 / 0 / 70 / 10

HEX #1EE644

RGB 30 230 68

HSL 131.4, 0.8%, 0.51%

LAB 80.34, -75.3, 62.92

 

CMYK 80 / 0 / 87 / 10

HEX #2DE61E

RGB 45 230 30

HSL 115.5, 0.8%, 0.51%

LAB 80.32, -76.2, 73.72

 

CMYK 57 / 0 / 87 / 10

HEX #63E61E

RGB 99 230 30

HSL 99.3, 0.8%, 0.51%

LAB 81.48, -66.36, 75.18

 

CMYK 33 / 0 / 87 / 10

HEX #99E61E

RGB 153 230 30

HSL 83.1, 0.8%, 0.51%

LAB 83.68, -49.84, 77.93

 

CMYK 10 / 0 / 87 / 10

HEX #CEE61E

RGB 206 230 30

HSL 67.2, 0.8%, 0.51%

LAB 86.9, -29.47, 81.91

 

CMYK 87 / 0 / 70 / 10

HEX #1EE644

RGB 30 230 68

HSL 131.4, 0.8%, 0.51%

LAB 80.34, -75.3, 62.92

 

CMYK 87 / 0 / 47 / 10

HEX #1EE67A

RGB 30 230 122

HSL 147.6, 0.8%, 0.51%

LAB 80.89, -68.55, 39.94

 

CMYK 87 / 0 / 23 / 10

HEX #1EE6B0

RGB 30 230 176

HSL 163.8, 0.8%, 0.51%

LAB 81.84, -57.74, 13.65

 

CMYK 87 / 0 / 0 / 10

HEX #1EE5E6

RGB 30 229 230

HSL 180.3, 0.8%, 0.51%

LAB 82.93, -43.06, -13.28

 

CMYK 87 / 24 / 0 / 10

HEX #1EAFE6

RGB 30 175 230

HSL 196.5, 0.8%, 0.51%

LAB 67.01, -16.82, -37.61

 

CMYK 87 / 0 / 70 / 10

HEX #1EE644

RGB 30 230 68

HSL 131.4, 0.8%, 0.51%

LAB 80.34, -75.3, 62.92

 

CMYK 96 / 0 / 78 / 2

HEX #09FA38

RGB 9 250 56

HSL 131.7, 0.96%, 0.51%

LAB 86.36, -82.79, 72.83

 

CMYK 87 / 0 / 70 / 10

HEX #1EE644

RGB 30 230 68

HSL 131.4, 0.8%, 0.51%

LAB 80.34, -75.3, 62.92

 

CMYK 76 / 0 / 61 / 18

HEX #32D151

RGB 50 209 81

HSL 131.7, 0.63%, 0.51%

LAB 74.11, -65.49, 50.97

 

CMYK 63 / 0 / 51 / 26

HEX #46BD5D

RGB 70 189 93

HSL 131.6, 0.47%, 0.51%

LAB 68.38, -53.49, 38.66

 

CMYK 47 / 0 / 38 / 34

HEX #5AA969

RGB 90 169 105

HSL 131.39, 0.31%, 0.51%

LAB 62.99, -38.4, 25.7

 

CMYK 26 / 0 / 21 / 42

HEX #6E9576

RGB 110 149 118

HSL 132.31, 0.16%, 0.51%

LAB 58.15, -20.01, 12.1

 

CMYK 57 / 0 / 87 / 10

HEX #64E61E

RGB 100 230 30

HSL 99, 0.8%, 0.51%

LAB 81.51, -66.11, 75.22

 

CMYK 80 / 0 / 87 / 10

HEX #2EE61E

RGB 46 230 30

HSL 115.2, 0.8%, 0.51%

LAB 80.33, -76.08, 73.74

 

CMYK 87 / 0 / 71 / 10

HEX #1EE642

RGB 30 230 66

HSL 130.8, 0.8%, 0.51%

LAB 80.33, -75.47, 63.63

 

CMYK 87 / 0 / 48 / 10

HEX #1EE678

RGB 30 230 120

HSL 147, 0.8%, 0.51%

LAB 80.86, -68.88, 40.88

 

CMYK 87 / 0 / 25 / 10

HEX #1EE6AD

RGB 30 230 173

HSL 162.9, 0.8%, 0.51%

LAB 81.78, -58.44, 15.13

 

CMYK 89 / 0 / 72 / 38

HEX #119F2D

RGB 17 159 45

HSL 131.83, 0.81%, 0.35%

LAB 57.18, -57.13, 47.45

 

CMYK 89 / 0 / 72 / 23

HEX #15C437

RGB 21 196 55

HSL 131.66, 0.81%, 0.43%

LAB 69.41, -67.13, 56.35

 

CMYK 87 / 0 / 70 / 10

HEX #1EE644

RGB 30 230 68

HSL 131.4, 0.8%, 0.51%

LAB 80.34, -75.3, 62.92

 

CMYK 71 / 0 / 58 / 8

HEX #43EA63

RGB 67 234 99

HSL 131.5, 0.8%, 0.59%

LAB 82.35, -69.01, 52.6

 

CMYK 56 / 0 / 45 / 7

HEX #68EE82

RGB 104 238 130

HSL 131.64, 0.8%, 0.67%

LAB 84.85, -59.01, 41.35

 

CMYK 87 / 0 / 70 / 10

HEX #1DE644

RGB 29 230 68

HSL 131.64, 0.8%, 0.51%

LAB 80.33, -75.37, 62.91

 

CMYK 87 / 33 / 0 / 10

HEX #1E99E6

RGB 30 153 230

HSL 203.1, 0.8%, 0.51%

LAB 60.58, -4.64, -47.71

 

CMYK 0 / 87 / 68 / 10

HEX #E61E49

RGB 230 30 73

HSL 347.1, 0.8%, 0.51%

LAB 49.78, 72.46, 29.59

 

CMYK 87 / 0 / 70 / 10

HEX #1DE644

RGB 29 230 68

HSL 131.64, 0.8%, 0.51%

LAB 80.33, -75.37, 62.91

 

CMYK 71 / 87 / 0 / 10

HEX #421EE6

RGB 66 30 230

HSL 250.8, 0.8%, 0.51%

LAB 33.56, 68.05, -91.55

 

CMYK 0 / 71 / 87 / 10

HEX #E6421E

RGB 230 66 30

HSL 10.8, 0.8%, 0.51%

LAB 52.74, 61.44, 55.48

 

CMYK 87 / 0 / 70 / 10

HEX #1DE644

RGB 29 230 68

HSL 131.64, 0.8%, 0.51%

LAB 80.33, -75.37, 62.91

 

CMYK 87 / 33 / 0 / 10

HEX #1E99E6

RGB 30 153 230

HSL 203.1, 0.8%, 0.51%

LAB 60.58, -4.64, -47.71

 

CMYK 0 / 87 / 16 / 10

HEX #E61EC1

RGB 230 30 193

HSL 311.1, 0.8%, 0.51%

LAB 53.6, 83, -36.7

 

CMYK 0 / 54 / 87 / 10

HEX #E66A1E

RGB 230 106 30

HSL 22.8, 0.8%, 0.51%

LAB 59.18, 44.35, 60.58

 

CMYK 87 / 0 / 70 / 10

HEX #1DE644

RGB 29 230 68

HSL 131.64, 0.8%, 0.51%

LAB 80.33, -75.37, 62.91

 

CMYK 87 / 60 / 0 / 10

HEX #1E5DE6

RGB 30 93 230

HSL 221.1, 0.8%, 0.51%

LAB 43.97, 32.48, -74.43

 

CMYK 0 / 87 / 16 / 10

HEX #E61EC1

RGB 230 30 193

HSL 311.1, 0.8%, 0.51%

LAB 53.6, 83, -36.7

 

CMYK 0 / 28 / 87 / 10

HEX #E6A61E

RGB 230 166 30

HSL 40.8, 0.8%, 0.51%

LAB 72.35, 13.15, 71.06

 

Description

Color code: HEX #1DE644 | qconv.com Color code: HEX #1DE644 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 230 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 230 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 70% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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