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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DE670 it is the complementary color #E2198F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DE670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DE670 shade: #22E66B, #33F87E, #44FF91, #55FFA4 and #66FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DE670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DE670 shade: #1DE670, #0CD45D, #00C24A, #00B037 and #009E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DE670 shade: #1EE670, #1EE63A, #37E61E, #6DE61E and #A3E61E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DE670 shade: #1EE670, #1EE6A6, #1EE6DC, #1EB9E6 and #1E83E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DE670 shade matches the following richer shades: #1EE670 and #09FA6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DE670 shade: #1EE670, #32D174, #46BD77, #5AA97B and #6E957E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DE670 shade: #38E61E, #1EE638, #1EE66E, #1EE6A3 and #1EE6D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DE670 shade: #119F4C, #15C45E, #1EE670, #43EA88 and #68EE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DE670 shade: #1DE670, #1E6EE6 and #E61E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DE670 shade: #1DE670, #6E1EE6 and #E66E1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DE670 shade: #1DE670, #1E6EE6, #E61E96 and #E6961E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DE670 shade: #1DE670, #1E32E6, #E61E96 and #E6D21E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 51 / 10

HEX #1DE670

RGB 29 230 112

HSL 144.78, 0.8%, 0.51%

LAB 80.75, -70.19, 44.58

 

Complementary color

CMYK 0 / 89 / 37 / 11

HEX #E2198F

RGB 226 25 143

HSL 324.78, 0.8%, 0.49%

LAB 50.51, 77.32, -12.05

 

CMYK 85 / 0 / 53 / 10

HEX #22E66B

RGB 34 230 107

HSL 142.35, 0.8%, 0.52%

LAB 80.74, -70.55, 46.92

 

CMYK 79 / 0 / 49 / 3

HEX #33F87E

RGB 51 248 126

HSL 142.84, 0.93%, 0.59%

LAB 86.67, -71.98, 45.33

 

CMYK 73 / 0 / 43 / 0

HEX #44FF91

RGB 68 255 145

HSL 144.71, 1%, 0.63%

LAB 89.3, -69.27, 39.58

 

CMYK 67 / 0 / 36 / 0

HEX #55FFA4

RGB 85 255 164

HSL 147.88, 1%, 0.67%

LAB 89.92, -63.4, 31.06

 

CMYK 60 / 0 / 28 / 0

HEX #66FFB7

RGB 102 255 183

HSL 151.76, 1%, 0.7%

LAB 90.67, -56.74, 22.55

 

CMYK 87 / 0 / 51 / 10

HEX #1DE670

RGB 29 230 112

HSL 144.78, 0.8%, 0.51%

LAB 80.75, -70.19, 44.58

 

CMYK 94 / 0 / 56 / 17

HEX #0CD45D

RGB 12 212 93

HSL 144.3, 0.89%, 0.44%

LAB 74.8, -68.17, 46.26

 

CMYK 100 / 0 / 62 / 24

HEX #00C24A

RGB 0 194 74

HSL 142.89, 1%, 0.38%

LAB 68.81, -65.56, 47.89

 

CMYK 100 / 0 / 69 / 31

HEX #00B037

RGB 0 176 55

HSL 138.75, 1%, 0.35%

LAB 62.78, -62.27, 49.34

 

CMYK 100 / 0 / 77 / 38

HEX #009E24

RGB 0 158 36

HSL 133.67, 1%, 0.31%

LAB 56.66, -58.64, 50.24

 

CMYK 87 / 0 / 51 / 10

HEX #1EE670

RGB 30 230 112

HSL 144.6, 0.8%, 0.51%

LAB 80.76, -70.12, 44.59

 

CMYK 87 / 0 / 75 / 10

HEX #1EE63A

RGB 30 230 58

HSL 128.4, 0.8%, 0.51%

LAB 80.28, -76.09, 66.32

 

CMYK 76 / 0 / 87 / 10

HEX #37E61E

RGB 55 230 30

HSL 112.5, 0.8%, 0.51%

LAB 80.46, -74.94, 73.9

 

CMYK 53 / 0 / 87 / 10

HEX #6DE61E

RGB 109 230 30

HSL 96.3, 0.8%, 0.51%

LAB 81.8, -63.74, 75.59

 

CMYK 29 / 0 / 87 / 10

HEX #A3E61E

RGB 163 230 30

HSL 80.1, 0.8%, 0.51%

LAB 84.21, -46.23, 78.59

 

CMYK 87 / 0 / 51 / 10

HEX #1EE670

RGB 30 230 112

HSL 144.6, 0.8%, 0.51%

LAB 80.76, -70.12, 44.59

 

CMYK 87 / 0 / 28 / 10

HEX #1EE6A6

RGB 30 230 166

HSL 160.8, 0.8%, 0.51%

LAB 81.63, -60.02, 18.59

 

CMYK 87 / 0 / 4 / 10

HEX #1EE6DC

RGB 30 230 220

HSL 177, 0.8%, 0.51%

LAB 82.93, -46.35, -7.98

 

CMYK 87 / 20 / 0 / 10

HEX #1EB9E6

RGB 30 185 230

HSL 193.5, 0.8%, 0.51%

LAB 69.96, -22.06, -33.03

 

CMYK 87 / 43 / 0 / 10

HEX #1E83E6

RGB 30 131 230

HSL 209.7, 0.8%, 0.51%

LAB 54.26, 8.43, -57.77

 

CMYK 87 / 0 / 51 / 10

HEX #1EE670

RGB 30 230 112

HSL 144.6, 0.8%, 0.51%

LAB 80.76, -70.12, 44.59

 

CMYK 96 / 0 / 56 / 2

HEX #09FA6D

RGB 9 250 109

HSL 144.9, 0.96%, 0.51%

LAB 86.77, -77.69, 53.21

 

CMYK 87 / 0 / 51 / 10

HEX #1EE670

RGB 30 230 112

HSL 144.6, 0.8%, 0.51%

LAB 80.76, -70.12, 44.59

 

CMYK 76 / 0 / 44 / 18

HEX #32D174

RGB 50 209 116

HSL 144.91, 0.63%, 0.51%

LAB 74.53, -60.46, 34.84

 

CMYK 63 / 0 / 37 / 26

HEX #46BD77

RGB 70 189 119

HSL 144.71, 0.47%, 0.51%

LAB 68.77, -49.14, 25.82

 

CMYK 47 / 0 / 27 / 34

HEX #5AA97B

RGB 90 169 123

HSL 145.06, 0.31%, 0.51%

LAB 63.33, -35.02, 16.37

 

CMYK 26 / 0 / 15 / 42

HEX #6E957E

RGB 110 149 126

HSL 144.62, 0.16%, 0.51%

LAB 58.34, -18.41, 7.83

 

CMYK 76 / 0 / 87 / 10

HEX #38E61E

RGB 56 230 30

HSL 112.2, 0.8%, 0.51%

LAB 80.48, -74.8, 73.92

 

CMYK 87 / 0 / 76 / 10

HEX #1EE638

RGB 30 230 56

HSL 127.8, 0.8%, 0.51%

LAB 80.27, -76.24, 66.95

 

CMYK 87 / 0 / 52 / 10

HEX #1EE66E

RGB 30 230 110

HSL 144, 0.8%, 0.51%

LAB 80.74, -70.42, 45.51

 

CMYK 87 / 0 / 29 / 10

HEX #1EE6A3

RGB 30 230 163

HSL 159.9, 0.8%, 0.51%

LAB 81.57, -60.69, 20.06

 

CMYK 87 / 0 / 6 / 10

HEX #1EE6D8

RGB 30 230 216

HSL 175.8, 0.8%, 0.51%

LAB 82.82, -47.47, -6.03

 

CMYK 89 / 0 / 52 / 38

HEX #119F4C

RGB 17 159 76

HSL 144.93, 0.81%, 0.35%

LAB 57.5, -53.16, 33.54

 

CMYK 89 / 0 / 52 / 23

HEX #15C45E

RGB 21 196 94

HSL 145.03, 0.81%, 0.43%

LAB 69.79, -62.45, 39.72

 

CMYK 87 / 0 / 51 / 10

HEX #1EE670

RGB 30 230 112

HSL 144.6, 0.8%, 0.51%

LAB 80.76, -70.12, 44.59

 

CMYK 71 / 0 / 42 / 8

HEX #43EA88

RGB 67 234 136

HSL 144.79, 0.8%, 0.59%

LAB 82.82, -63.56, 35.6

 

CMYK 56 / 0 / 33 / 7

HEX #68EE9F

RGB 104 238 159

HSL 144.63, 0.8%, 0.67%

LAB 85.3, -54.17, 27.45

 

CMYK 87 / 0 / 51 / 10

HEX #1DE670

RGB 29 230 112

HSL 144.78, 0.8%, 0.51%

LAB 80.75, -70.19, 44.58

 

CMYK 87 / 52 / 0 / 10

HEX #1E6EE6

RGB 30 110 230

HSL 216, 0.8%, 0.51%

LAB 48.44, 21.59, -67.16

 

CMYK 0 / 87 / 87 / 10

HEX #E61E1E

RGB 230 30 30

HSL 0, 0.8%, 0.51%

LAB 49.31, 71.1, 52.76

 

CMYK 87 / 0 / 51 / 10

HEX #1DE670

RGB 29 230 112

HSL 144.78, 0.8%, 0.51%

LAB 80.75, -70.19, 44.58

 

CMYK 52 / 87 / 0 / 10

HEX #6E1EE6

RGB 110 30 230

HSL 264, 0.8%, 0.51%

LAB 37.76, 71.38, -84.46

 

CMYK 0 / 52 / 87 / 10

HEX #E66E1E

RGB 230 110 30

HSL 24, 0.8%, 0.51%

LAB 59.95, 42.4, 61.19

 

CMYK 87 / 0 / 51 / 10

HEX #1DE670

RGB 29 230 112

HSL 144.78, 0.8%, 0.51%

LAB 80.75, -70.19, 44.58

 

CMYK 87 / 52 / 0 / 10

HEX #1E6EE6

RGB 30 110 230

HSL 216, 0.8%, 0.51%

LAB 48.44, 21.59, -67.16

 

CMYK 0 / 87 / 35 / 10

HEX #E61E96

RGB 230 30 150

HSL 324, 0.8%, 0.51%

LAB 51.78, 78.1, -14.23

 

CMYK 0 / 35 / 87 / 10

HEX #E6961E

RGB 230 150 30

HSL 36, 0.8%, 0.51%

LAB 68.55, 21.67, 68.04

 

CMYK 87 / 0 / 51 / 10

HEX #1DE670

RGB 29 230 112

HSL 144.78, 0.8%, 0.51%

LAB 80.75, -70.19, 44.58

 

CMYK 87 / 78 / 0 / 10

HEX #1E32E6

RGB 30 50 230

HSL 234, 0.8%, 0.51%

LAB 34.54, 58, -89.98

 

CMYK 0 / 87 / 35 / 10

HEX #E61E96

RGB 230 30 150

HSL 324, 0.8%, 0.51%

LAB 51.78, 78.1, -14.23

 

CMYK 0 / 9 / 87 / 10

HEX #E6D21E

RGB 230 210 30

HSL 54, 0.8%, 0.51%

LAB 83.45, -9.7, 79.91

 

Description

Color code: HEX #1DE670 | qconv.com Color code: HEX #1DE670 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 230 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 230 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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