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Color name
HEX #1E0F98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E0F98 it is the complementary color #E1F067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E0F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E0F98 shade: #230F93, #3421A6, #4533B9, #5645CC and #6757DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E0F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E0F98 shade: #1E0F98, #0D0085, #000072, #00005F and #00004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E0F98 shade: #1E0F99, #430F99, #680F99, #8D0F99 and #990F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E0F98 shade: #1E0F99 and #0F0F99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E0F98 shade matches the following richer shades: #1E0F99 and #1301A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E0F98 shade: #1E0F99, #281C8B, #332A7D, #3E3770 and #484562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E0F98 shade: #0F4A99, #0F2699, #1C0F99, #410F99 and #660F99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E0F98 shade: #0F074E, #160B73, #1E0F99, #2512BE and #2D16E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E0F98 shade: #1E0F98, #990F6F and #38990F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E0F98 shade: #1E0F98, #991C0F and #0F991C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E0F98 shade: #1E0F98, #990F6F, #8B990F and #0F9938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E0F98 shade: #1E0F98, #990F46, #8B990F and #0F9961

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 90 / 0 / 40

HEX #1E0F98

RGB 30 15 152

HSL 246.57, 0.82%, 0.33%

LAB 19.58, 49.79, -68.7

 

Complementary color

CMYK 6 / 0 / 57 / 6

HEX #E1F067

RGB 225 240 103

HSL 66.57, 0.82%, 0.67%

LAB 91.37, -23.07, 63.1

 

CMYK 76 / 90 / 0 / 42

HEX #230F93

RGB 35 15 147

HSL 249.09, 0.81%, 0.32%

LAB 19.25, 48.59, -66.14

 

CMYK 69 / 80 / 0 / 35

HEX #3421A6

RGB 52 33 166

HSL 248.57, 0.67%, 0.39%

LAB 25.48, 47.79, -67.41

 

CMYK 63 / 72 / 0 / 27

HEX #4533B9

RGB 69 51 185

HSL 248.06, 0.57%, 0.46%

LAB 32.11, 46.17, -67.79

 

CMYK 58 / 66 / 0 / 20

HEX #5645CC

RGB 86 69 204

HSL 247.56, 0.57%, 0.54%

LAB 38.89, 44.38, -67.75

 

CMYK 54 / 61 / 0 / 13

HEX #6757DF

RGB 103 87 223

HSL 247.06, 0.68%, 0.61%

LAB 45.67, 42.65, -67.54

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F98

RGB 30 15 152

HSL 246.57, 0.82%, 0.33%

LAB 19.58, 49.79, -68.7

 

CMYK 90 / 100 / 0 / 48

HEX #0D0085

RGB 13 0 133

HSL 245.86, 1%, 0.26%

LAB 14.28, 49, -65.68

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F99

RGB 30 15 153

HSL 246.52, 0.82%, 0.33%

LAB 19.71, 50.08, -69.09

 

CMYK 56 / 90 / 0 / 40

HEX #430F99

RGB 67 15 153

HSL 262.61, 0.82%, 0.33%

LAB 23.12, 52.64, -63.34

 

CMYK 32 / 90 / 0 / 40

HEX #680F99

RGB 104 15 153

HSL 278.7, 0.82%, 0.33%

LAB 28.34, 57.11, -54.56

 

CMYK 8 / 90 / 0 / 40

HEX #8D0F99

RGB 141 15 153

HSL 294.78, 0.82%, 0.33%

LAB 34.61, 63.05, -44.1

 

CMYK 0 / 90 / 17 / 40

HEX #990F7F

RGB 153 15 127

HSL 311.3, 0.82%, 0.33%

LAB 35.29, 61.38, -26.83

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F99

RGB 30 15 153

HSL 246.52, 0.82%, 0.33%

LAB 19.71, 50.08, -69.09

 

CMYK 90 / 90 / 0 / 40

HEX #0F0F99

RGB 15 15 153

HSL 240, 0.82%, 0.33%

LAB 18.98, 49.58, -70.32

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F99

RGB 30 15 153

HSL 246.52, 0.82%, 0.33%

LAB 19.71, 50.08, -69.09

 

CMYK 89 / 99 / 0 / 35

HEX #1301A6

RGB 19 1 166

HSL 246.55, 0.99%, 0.33%

LAB 19.69, 57.34, -77.09

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F99

RGB 30 15 153

HSL 246.52, 0.82%, 0.33%

LAB 19.71, 50.08, -69.09

 

CMYK 71 / 80 / 0 / 45

HEX #281C8B

RGB 40 28 139

HSL 246.49, 0.66%, 0.33%

LAB 20.62, 40.7, -58.87

 

CMYK 59 / 66 / 0 / 51

HEX #332A7D

RGB 51 42 125

HSL 246.51, 0.5%, 0.33%

LAB 23.14, 29.22, -45.89

 

CMYK 45 / 51 / 0 / 56

HEX #3E3770

RGB 62 55 112

HSL 247.37, 0.34%, 0.33%

LAB 26.52, 18.82, -32.11

 

CMYK 27 / 30 / 0 / 62

HEX #484562

RGB 72 69 98

HSL 246.21, 0.17%, 0.33%

LAB 30.68, 8.44, -16.58

 

CMYK 90 / 52 / 0 / 40

HEX #0F4A99

RGB 15 74 153

HSL 214.35, 0.82%, 0.33%

LAB 32.48, 13.72, -48.14

 

CMYK 90 / 75 / 0 / 40

HEX #0F2699

RGB 15 38 153

HSL 230, 0.82%, 0.33%

LAB 22.96, 38.01, -63.72

 

CMYK 82 / 90 / 0 / 40

HEX #1C0F99

RGB 28 15 153

HSL 245.65, 0.82%, 0.33%

LAB 19.59, 50, -69.29

 

CMYK 58 / 90 / 0 / 40

HEX #410F99

RGB 65 15 153

HSL 261.74, 0.82%, 0.33%

LAB 22.88, 52.45, -63.74

 

CMYK 33 / 90 / 0 / 40

HEX #660F99

RGB 102 15 153

HSL 277.83, 0.82%, 0.33%

LAB 28.02, 56.82, -55.09

 

CMYK 81 / 91 / 0 / 69

HEX #0F074E

RGB 15 7 78

HSL 246.76, 0.84%, 0.17%

LAB 7.26, 29.16, -41.06

 

CMYK 81 / 90 / 0 / 55

HEX #160B73

RGB 22 11 115

HSL 246.35, 0.83%, 0.25%

LAB 13.52, 39.82, -55.41

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F99

RGB 30 15 153

HSL 246.52, 0.82%, 0.33%

LAB 19.71, 50.08, -69.09

 

CMYK 81 / 91 / 0 / 25

HEX #2512BE

RGB 37 18 190

HSL 246.63, 0.83%, 0.41%

LAB 25.39, 59.76, -81.95

 

CMYK 80 / 90 / 0 / 11

HEX #2D16E4

RGB 45 22 228

HSL 246.7, 0.82%, 0.49%

LAB 31.19, 69.01, -94.39

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F98

RGB 30 15 152

HSL 246.57, 0.82%, 0.33%

LAB 19.58, 49.79, -68.7

 

CMYK 0 / 90 / 27 / 40

HEX #990F6F

RGB 153 15 111

HSL 318.26, 0.82%, 0.33%

LAB 34.52, 59.32, -17.95

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F98

RGB 30 15 152

HSL 246.57, 0.82%, 0.33%

LAB 19.58, 49.79, -68.7

 

CMYK 0 / 82 / 90 / 40

HEX #991C0F

RGB 153 28 15

HSL 5.65, 0.82%, 0.33%

LAB 33.22, 49.63, 40.26

 

CMYK 90 / 0 / 82 / 40

HEX #0F991C

RGB 15 153 28

HSL 125.65, 0.82%, 0.33%

LAB 55.04, -56.79, 51.29

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F98

RGB 30 15 152

HSL 246.57, 0.82%, 0.33%

LAB 19.58, 49.79, -68.7

 

CMYK 0 / 90 / 27 / 40

HEX #990F6F

RGB 153 15 111

HSL 318.26, 0.82%, 0.33%

LAB 34.52, 59.32, -17.95

 

CMYK 9 / 0 / 90 / 40

HEX #8B990F

RGB 139 153 15

HSL 66.09, 0.82%, 0.33%

LAB 60.16, -20.72, 60.91

 

CMYK 90 / 0 / 63 / 40

HEX #0F9938

RGB 15 153 56

HSL 137.83, 0.82%, 0.33%

LAB 55.25, -54.18, 40.62

 

CMYK 80 / 90 / 0 / 40

HEX #1E0F98

RGB 30 15 152

HSL 246.57, 0.82%, 0.33%

LAB 19.58, 49.79, -68.7

 

CMYK 0 / 90 / 54 / 40

HEX #990F46

RGB 153 15 70

HSL 336.09, 0.82%, 0.33%

LAB 33.04, 55.25, 6.42

 

CMYK 9 / 0 / 90 / 40

HEX #8B990F

RGB 139 153 15

HSL 66.09, 0.82%, 0.33%

LAB 60.16, -20.72, 60.91

 

CMYK 90 / 0 / 37 / 40

HEX #0F9961

RGB 15 153 97

HSL 155.65, 0.82%, 0.33%

LAB 55.83, -47.18, 20.17

 

Description

Color code: HEX #1E0F98 | qconv.com Color code: HEX #1E0F98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 15 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 15 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 90 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 90% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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