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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E1251 it is the complementary color #E1EDAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E1251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E1251 shade: #23124C, #34245F, #453672, #564885 and #675A98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E1251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E1251 shade: #1E1251, #0D003E, #00002B, #000018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E1251 shade: #1D114F, #2D114F, #3E114F, #4F114F and #4F113E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E1251 shade: #1D114F and #11114F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E1251 shade matches the following richer shades: #1D114F, #180957 and #13015F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E1251 shade: #1D114F, #221947, #26213F, #2B2837 and #303030

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E1251 shade: #11274F, #11164F, #1C114F, #2D114F and #3D114F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E1251 shade: #04020B, #100A2D, #1D114F, #291871 and #362093

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E1251 shade: #1E1251, #4F1137 and #1E4F11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E1251 shade: #1E1251, #4F1C11 and #114F1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E1251 shade: #1E1251, #4F1137, #444F11 and #114F29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E1251 shade: #1E1251, #4F1125, #444F11 and #114F3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 78 / 0 / 68

HEX #1E1251

RGB 30 18 81

HSL 251.43, 0.64%, 0.19%

LAB 11.29, 25.64, -36.42

 

Complementary color

CMYK 5 / 0 / 27 / 7

HEX #E1EDAE

RGB 225 237 174

HSL 71.43, 0.64%, 0.81%

LAB 91.52, -14.13, 29.27

 

CMYK 54 / 76 / 0 / 70

HEX #23124C

RGB 35 18 76

HSL 257.59, 0.62%, 0.18%

LAB 11.36, 24.88, -32.85

 

CMYK 45 / 62 / 0 / 63

HEX #34245F

RGB 52 36 95

HSL 256.27, 0.45%, 0.26%

LAB 19.3, 23.38, -32.72

 

CMYK 39 / 53 / 0 / 55

HEX #453672

RGB 69 54 114

HSL 255, 0.36%, 0.33%

LAB 27.07, 22.03, -32.47

 

CMYK 35 / 46 / 0 / 48

HEX #564885

RGB 86 72 133

HSL 253.77, 0.3%, 0.4%

LAB 34.61, 20.9, -32.27

 

CMYK 32 / 41 / 0 / 40

HEX #675A98

RGB 103 90 152

HSL 252.58, 0.26%, 0.47%

LAB 41.94, 19.95, -32.13

 

CMYK 63 / 78 / 0 / 68

HEX #1E1251

RGB 30 18 81

HSL 251.43, 0.64%, 0.19%

LAB 11.29, 25.64, -36.42

 

CMYK 79 / 100 / 0 / 76

HEX #0D003E

RGB 13 0 62

HSL 252.58, 1%, 0.12%

LAB 3.91, 25, -35.25

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 63 / 78 / 0 / 69

HEX #1D114F

RGB 29 17 79

HSL 251.61, 0.65%, 0.19%

LAB 10.75, 25.4, -35.94

 

CMYK 43 / 78 / 0 / 69

HEX #2D114F

RGB 45 17 79

HSL 267.1, 0.65%, 0.19%

LAB 12.76, 28.5, -32.58

 

CMYK 22 / 78 / 0 / 69

HEX #3E114F

RGB 62 17 79

HSL 283.55, 0.65%, 0.19%

LAB 15.43, 32.41, -28.12

 

CMYK 0 / 78 / 0 / 69

HEX #4F114F

RGB 79 17 79

HSL 300, 0.65%, 0.19%

LAB 18.49, 36.63, -23.07

 

CMYK 0 / 78 / 22 / 69

HEX #4F113E

RGB 79 17 62

HSL 316.45, 0.65%, 0.19%

LAB 17.51, 33.64, -12.86

 

CMYK 63 / 78 / 0 / 69

HEX #1D114F

RGB 29 17 79

HSL 251.61, 0.65%, 0.19%

LAB 10.75, 25.4, -35.94

 

CMYK 78 / 78 / 0 / 69

HEX #11114F

RGB 17 17 79

HSL 240, 0.65%, 0.19%

LAB 9.68, 23.65, -37.75

 

CMYK 63 / 78 / 0 / 69

HEX #1D114F

RGB 29 17 79

HSL 251.61, 0.65%, 0.19%

LAB 10.75, 25.4, -35.94

 

CMYK 72 / 90 / 0 / 66

HEX #180957

RGB 24 9 87

HSL 251.54, 0.81%, 0.19%

LAB 9.62, 31.94, -43.3

 

CMYK 80 / 99 / 0 / 63

HEX #13015F

RGB 19 1 95

HSL 251.49, 0.98%, 0.19%

LAB 8.88, 38.33, -49.95

 

CMYK 63 / 78 / 0 / 69

HEX #1D114F

RGB 29 17 79

HSL 251.61, 0.65%, 0.19%

LAB 10.75, 25.4, -35.94

 

CMYK 52 / 65 / 0 / 72

HEX #221947

RGB 34 25 71

HSL 251.74, 0.48%, 0.19%

LAB 12.55, 18.25, -27.46

 

CMYK 40 / 48 / 0 / 75

HEX #26213F

RGB 38 33 63

HSL 250, 0.31%, 0.19%

LAB 14.73, 10.92, -18.37

 

CMYK 22 / 27 / 0 / 78

HEX #2B2837

RGB 43 40 55

HSL 252, 0.16%, 0.19%

LAB 17.02, 5.25, -9.17

 

CMYK 0 / 0 / 0 / 81

HEX #303030

RGB 48 48 48

HSL 0, 0%, 0.19%

LAB 19.87, 0, -0

 

CMYK 78 / 51 / 0 / 69

HEX #11274F

RGB 17 39 79

HSL 218.71, 0.65%, 0.19%

LAB 16.18, 7.33, -27.17

 

CMYK 78 / 72 / 0 / 69

HEX #11164F

RGB 17 22 79

HSL 235.16, 0.65%, 0.19%

LAB 10.97, 20.12, -35.61

 

CMYK 65 / 78 / 0 / 69

HEX #1C114F

RGB 28 17 79

HSL 250.65, 0.65%, 0.19%

LAB 10.65, 25.23, -36.12

 

CMYK 43 / 78 / 0 / 69

HEX #2D114F

RGB 45 17 79

HSL 267.1, 0.65%, 0.19%

LAB 12.76, 28.5, -32.58

 

CMYK 23 / 78 / 0 / 69

HEX #3D114F

RGB 61 17 79

HSL 282.58, 0.65%, 0.19%

LAB 15.26, 32.16, -28.4

 

CMYK 64 / 82 / 0 / 96

HEX #04020B

RGB 4 2 11

HSL 253.33, 0.69%, 0.03%

LAB 0.84, 1.78, -3.23

 

CMYK 64 / 78 / 0 / 82

HEX #100A2D

RGB 16 10 45

HSL 250.29, 0.64%, 0.11%

LAB 4.67, 12.48, -21.52

 

CMYK 63 / 78 / 0 / 69

HEX #1D114F

RGB 29 17 79

HSL 251.61, 0.65%, 0.19%

LAB 10.75, 25.4, -35.94

 

CMYK 64 / 79 / 0 / 56

HEX #291871

RGB 41 24 113

HSL 251.46, 0.65%, 0.27%

LAB 17.07, 34.53, -48.19

 

CMYK 63 / 78 / 0 / 42

HEX #362093

RGB 54 32 147

HSL 251.48, 0.64%, 0.35%

LAB 23.42, 42.67, -59.18

 

CMYK 63 / 78 / 0 / 68

HEX #1E1251

RGB 30 18 81

HSL 251.43, 0.64%, 0.19%

LAB 11.29, 25.64, -36.42

 

CMYK 0 / 78 / 30 / 69

HEX #4F1137

RGB 79 17 55

HSL 323.23, 0.65%, 0.19%

LAB 17.17, 32.57, -8.44

 

CMYK 62 / 0 / 78 / 69

HEX #1E4F11

RGB 30 79 17

HSL 107.42, 0.65%, 0.19%

LAB 29.18, -29.47, 30.06

 

CMYK 63 / 78 / 0 / 68

HEX #1E1251

RGB 30 18 81

HSL 251.43, 0.64%, 0.19%

LAB 11.29, 25.64, -36.42

 

CMYK 0 / 65 / 78 / 69

HEX #4F1C11

RGB 79 28 17

HSL 10.65, 0.65%, 0.19%

LAB 18.07, 23.23, 19.39

 

CMYK 78 / 0 / 65 / 69

HEX #114F1C

RGB 17 79 28

HSL 130.65, 0.65%, 0.19%

LAB 28.89, -31.42, 24.22

 

CMYK 63 / 78 / 0 / 68

HEX #1E1251

RGB 30 18 81

HSL 251.43, 0.64%, 0.19%

LAB 11.29, 25.64, -36.42

 

CMYK 0 / 78 / 30 / 69

HEX #4F1137

RGB 79 17 55

HSL 323.23, 0.65%, 0.19%

LAB 17.17, 32.57, -8.44

 

CMYK 14 / 0 / 78 / 69

HEX #444F11

RGB 68 79 17

HSL 70.65, 0.65%, 0.19%

LAB 31.49, -13.9, 33.13

 

CMYK 78 / 0 / 48 / 69

HEX #114F29

RGB 17 79 41

HSL 143.23, 0.65%, 0.19%

LAB 29.09, -29.15, 16.99

 

CMYK 63 / 78 / 0 / 68

HEX #1E1251

RGB 30 18 81

HSL 251.43, 0.64%, 0.19%

LAB 11.29, 25.64, -36.42

 

CMYK 0 / 78 / 53 / 69

HEX #4F1125

RGB 79 17 37

HSL 340.65, 0.65%, 0.19%

LAB 16.49, 30.32, 3.45

 

CMYK 14 / 0 / 78 / 69

HEX #444F11

RGB 68 79 17

HSL 70.65, 0.65%, 0.19%

LAB 31.49, -13.9, 33.13

 

CMYK 78 / 0 / 25 / 69

HEX #114F3B

RGB 17 79 59

HSL 160.65, 0.65%, 0.19%

LAB 29.48, -24.82, 6.32

 

Description

Color code: HEX #1E1251 | qconv.com Color code: HEX #1E1251 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 18 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 18 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 78 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 78% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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