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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E2838 it is the complementary color #E1D7C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E2838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E2838 shade: #232833, #343A46, #454C59, #565E6C and #67707F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E2838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E2838 shade: #1E2838, #0D1625 and #000412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E2838 shade: #1E2838, #1E2138, #221E38, #291E38 and #301E38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E2838 shade: #1E2838, #1E2138 and #1E1E38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E2838 shade matches the following richer shades: #1E2838, #17263F, #102546, #09234D and #022154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E2838 shade: #1E2838, #252931, #2C2B2A, #332D23 and #3A2E1C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E2838 shade: #1E3638, #1E2F38, #1E2838, #1E2138 and #211E38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E2838 shade: #010102, #0F151D, #1E2838, #2C3B53 and #3B4E6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E2838 shade: #1E2838, #331E38 and #33381E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E2838 shade: #1E2838, #381E28 and #28381E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E2838 shade: #1E2838, #331E38, #382D1E and #23381E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E2838 shade: #1E2838, #381E35, #382D1E and #1E3820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

Complementary color

CMYK 0 / 4 / 12 / 12

HEX #E1D7C7

RGB 225 215 199

HSL 36.92, 0.3%, 0.83%

LAB 86.37, 0.75, 9.11

 

CMYK 31 / 22 / 0 / 80

HEX #232833

RGB 35 40 51

HSL 221.25, 0.19%, 0.17%

LAB 16.07, 0.92, -7.88

 

CMYK 26 / 17 / 0 / 73

HEX #343A46

RGB 52 58 70

HSL 220, 0.15%, 0.24%

LAB 24.32, 0.64, -8.22

 

CMYK 22 / 15 / 0 / 65

HEX #454C59

RGB 69 76 89

HSL 219, 0.13%, 0.31%

LAB 32.16, 0.42, -8.6

 

CMYK 20 / 13 / 0 / 58

HEX #565E6C

RGB 86 94 108

HSL 218.18, 0.11%, 0.38%

LAB 39.69, 0.22, -9

 

CMYK 19 / 12 / 0 / 50

HEX #67707F

RGB 103 112 127

HSL 217.5, 0.1%, 0.45%

LAB 46.98, 0.04, -9.42

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 65 / 41 / 0 / 85

HEX #0D1625

RGB 13 22 37

HSL 217.5, 0.48%, 0.1%

LAB 7.16, 1.36, -11.59

 

CMYK 100 / 78 / 0 / 93

HEX #000412

RGB 0 4 18

HSL 226.67, 1%, 0.04%

LAB 1.18, 1.17, -6.4

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 46 / 41 / 0 / 78

HEX #1E2138

RGB 30 33 56

HSL 233.08, 0.3%, 0.17%

LAB 13.53, 5.83, -15.38

 

CMYK 39 / 46 / 0 / 78

HEX #221E38

RGB 34 30 56

HSL 249.23, 0.3%, 0.17%

LAB 12.95, 9.42, -16.27

 

CMYK 27 / 46 / 0 / 78

HEX #291E38

RGB 41 30 56

HSL 265.38, 0.3%, 0.17%

LAB 13.74, 11.94, -14.96

 

CMYK 14 / 46 / 0 / 78

HEX #301E38

RGB 48 30 56

HSL 281.54, 0.3%, 0.17%

LAB 14.64, 14.57, -13.5

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 46 / 41 / 0 / 78

HEX #1E2138

RGB 30 33 56

HSL 233.08, 0.3%, 0.17%

LAB 13.53, 5.83, -15.38

 

CMYK 46 / 46 / 0 / 78

HEX #1E1E38

RGB 30 30 56

HSL 240, 0.3%, 0.17%

LAB 12.54, 8.07, -16.93

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 63 / 40 / 0 / 75

HEX #17263F

RGB 23 38 63

HSL 217.5, 0.47%, 0.17%

LAB 15.1, 2.67, -17.86

 

CMYK 77 / 47 / 0 / 73

HEX #102546

RGB 16 37 70

HSL 216.67, 0.63%, 0.17%

LAB 14.82, 4.75, -23.19

 

CMYK 88 / 55 / 0 / 70

HEX #09234D

RGB 9 35 77

HSL 217.06, 0.79%, 0.17%

LAB 14.38, 8.31, -28.72

 

CMYK 98 / 61 / 0 / 67

HEX #022154

RGB 2 33 84

HSL 217.32, 0.95%, 0.17%

LAB 14.06, 12.24, -34.01

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 24 / 16 / 0 / 81

HEX #252931

RGB 37 41 49

HSL 220, 0.14%, 0.17%

LAB 16.51, 0.41, -5.8

 

CMYK 0 / 2 / 5 / 83

HEX #2C2B2A

RGB 44 43 42

HSL 30, 0.02%, 0.17%

LAB 17.6, 0.22, 0.81

 

CMYK 0 / 12 / 31 / 80

HEX #332D23

RGB 51 45 35

HSL 37.5, 0.19%, 0.17%

LAB 18.81, 0.75, 7.47

 

CMYK 0 / 21 / 52 / 77

HEX #3A2E1C

RGB 58 46 28

HSL 36, 0.35%, 0.17%

LAB 19.79, 2.53, 13.65

 

CMYK 46 / 4 / 0 / 78

HEX #1E3638

RGB 30 54 56

HSL 184.62, 0.3%, 0.17%

LAB 20.83, -8.7, -4.21

 

CMYK 46 / 16 / 0 / 78

HEX #1E2F38

RGB 30 47 56

HSL 200.77, 0.3%, 0.17%

LAB 18.34, -4.12, -7.95

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 46 / 41 / 0 / 78

HEX #1E2138

RGB 30 33 56

HSL 233.08, 0.3%, 0.17%

LAB 13.53, 5.83, -15.38

 

CMYK 41 / 46 / 0 / 78

HEX #211E38

RGB 33 30 56

HSL 246.92, 0.3%, 0.17%

LAB 12.84, 9.08, -16.44

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 48 / 28 / 0 / 89

HEX #0F151D

RGB 15 21 29

HSL 214.29, 0.32%, 0.09%

LAB 6.56, -0.15, -6.41

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 47 / 29 / 0 / 67

HEX #2C3B53

RGB 44 59 83

HSL 216.92, 0.31%, 0.25%

LAB 24.6, 1.26, -16.44

 

CMYK 46 / 28 / 0 / 57

HEX #3B4E6D

RGB 59 78 109

HSL 217.2, 0.3%, 0.33%

LAB 32.88, 1.73, -20.21

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 9 / 46 / 0 / 78

HEX #331E38

RGB 51 30 56

HSL 288.46, 0.3%, 0.17%

LAB 15.05, 15.71, -12.83

 

CMYK 9 / 0 / 46 / 78

HEX #33381E

RGB 51 56 30

HSL 71.54, 0.3%, 0.17%

LAB 22.39, -7.24, 15.54

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 0 / 46 / 29 / 78

HEX #381E28

RGB 56 30 40

HSL 336.92, 0.3%, 0.17%

LAB 15.08, 14.32, -1.29

 

CMYK 29 / 0 / 46 / 78

HEX #28381E

RGB 40 56 30

HSL 96.92, 0.3%, 0.17%

LAB 21.48, -12.39, 14.18

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 9 / 46 / 0 / 78

HEX #331E38

RGB 51 30 56

HSL 288.46, 0.3%, 0.17%

LAB 15.05, 15.71, -12.83

 

CMYK 0 / 20 / 46 / 78

HEX #382D1E

RGB 56 45 30

HSL 34.62, 0.3%, 0.17%

LAB 19.27, 2.46, 11.59

 

CMYK 38 / 0 / 46 / 78

HEX #23381E

RGB 35 56 30

HSL 108.46, 0.3%, 0.17%

LAB 21.13, -14.55, 13.66

 

CMYK 46 / 29 / 0 / 78

HEX #1E2838

RGB 30 40 56

HSL 216.92, 0.3%, 0.17%

LAB 15.9, 0.74, -11.69

 

CMYK 0 / 46 / 5 / 78

HEX #381E35

RGB 56 30 53

HSL 306.92, 0.3%, 0.17%

LAB 15.62, 16.96, -9.75

 

CMYK 0 / 20 / 46 / 78

HEX #382D1E

RGB 56 45 30

HSL 34.62, 0.3%, 0.17%

LAB 19.27, 2.46, 11.59

 

CMYK 46 / 0 / 43 / 78

HEX #1E3820

RGB 30 56 32

HSL 124.62, 0.3%, 0.17%

LAB 20.86, -16.17, 11.96

 

Description

Color code: HEX #1E2838 | qconv.com Color code: HEX #1E2838 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 40 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 40 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 29 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 29% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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