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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5493 it is the complementary color #E1AB6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E5493 shade: #23548E, #3466A1, #4578B4, #568AC7 and #679CDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E5493 shade: #1E5493, #0D4280, #00306D, #001E5A and #000C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E5493 shade: #1E5494, #1E3494, #271E94, #471E94 and #671E94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E5493 shade: #1E5494, #1E3494 and #1E1E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E5493 shade matches the following richer shades: #1E5494, #0F53A2 and #0152B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E5493 shade: #1E5494, #2C5585, #3B5677, #495868 and #58595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E5493 shade: #1E9494, #1E7494, #1E5594, #1E3594 and #261E94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E5493 shade: #102D4F, #174171, #1E5494, #2568B6 and #307CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E5493 shade: #1E5493, #741E94 and #84941E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E5493 shade: #1E5493, #941E55 and #55941E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E5493 shade: #1E5493, #741E94, #945D1E and #3D941E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E5493 shade: #1E5493, #941E90, #945D1E and #1E9422

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 43 / 0 / 42

HEX #1E5493

RGB 30 84 147

HSL 212.31, 0.66%, 0.35%

LAB 35.45, 5.91, -39.7

 

Complementary color

CMYK 0 / 24 / 52 / 12

HEX #E1AB6C

RGB 225 171 108

HSL 32.31, 0.66%, 0.65%

LAB 73.69, 12.48, 39.89

 

CMYK 75 / 41 / 0 / 44

HEX #23548E

RGB 35 84 142

HSL 212.52, 0.6%, 0.35%

LAB 35.3, 4.6, -36.89

 

CMYK 68 / 37 / 0 / 37

HEX #3466A1

RGB 52 102 161

HSL 212.48, 0.51%, 0.42%

LAB 42.47, 2.93, -36.88

 

CMYK 62 / 33 / 0 / 29

HEX #4578B4

RGB 69 120 180

HSL 212.43, 0.45%, 0.49%

LAB 49.49, 1.68, -36.87

 

CMYK 57 / 31 / 0 / 22

HEX #568AC7

RGB 86 138 199

HSL 212.39, 0.5%, 0.56%

LAB 56.37, 0.71, -36.88

 

CMYK 53 / 28 / 0 / 15

HEX #679CDA

RGB 103 156 218

HSL 212.35, 0.61%, 0.63%

LAB 63.11, -0.05, -36.92

 

CMYK 80 / 43 / 0 / 42

HEX #1E5493

RGB 30 84 147

HSL 212.31, 0.66%, 0.35%

LAB 35.45, 5.91, -39.7

 

CMYK 90 / 48 / 0 / 50

HEX #0D4280

RGB 13 66 128

HSL 212.35, 0.82%, 0.28%

LAB 28.22, 8.59, -39.63

 

CMYK 100 / 56 / 0 / 57

HEX #00306D

RGB 0 48 109

HSL 213.58, 1%, 0.21%

LAB 20.9, 12.19, -39.42

HEX #00306D

CMYK 100 / 67 / 0 / 65

HEX #001E5A

RGB 0 30 90

HSL 220, 1%, 0.18%

LAB 13.63, 17.11, -38.76

HEX #001E5A

CMYK 100 / 83 / 0 / 72

HEX #000C47

RGB 0 12 71

HSL 229.86, 1%, 0.14%

LAB 6.48, 21.69, -37.48

HEX #000C47

CMYK 80 / 43 / 0 / 42

HEX #1E5494

RGB 30 84 148

HSL 212.54, 0.66%, 0.35%

LAB 35.51, 6.31, -40.21

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 74 / 80 / 0 / 42

HEX #271E94

RGB 39 30 148

HSL 244.58, 0.66%, 0.35%

LAB 21.94, 42.47, -62.29

 

CMYK 52 / 80 / 0 / 42

HEX #471E94

RGB 71 30 148

HSL 260.85, 0.66%, 0.35%

LAB 24.97, 46.19, -57.18

 

CMYK 30 / 80 / 0 / 42

HEX #671E94

RGB 103 30 148

HSL 277.12, 0.66%, 0.35%

LAB 29.29, 51.4, -49.95

 

CMYK 80 / 43 / 0 / 42

HEX #1E5494

RGB 30 84 148

HSL 212.54, 0.66%, 0.35%

LAB 35.51, 6.31, -40.21

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 80 / 43 / 0 / 42

HEX #1E5494

RGB 30 84 148

HSL 212.54, 0.66%, 0.35%

LAB 35.51, 6.31, -40.21

 

CMYK 91 / 49 / 0 / 36

HEX #0F53A2

RGB 15 83 162

HSL 212.24, 0.83%, 0.35%

LAB 35.78, 11.34, -48.22

 

CMYK 99 / 54 / 0 / 31

HEX #0152B1

RGB 1 82 177

HSL 212.39, 0.99%, 0.35%

LAB 36.4, 17.56, -56.16

 

CMYK 80 / 43 / 0 / 42

HEX #1E5494

RGB 30 84 148

HSL 212.54, 0.66%, 0.35%

LAB 35.51, 6.31, -40.21

 

CMYK 67 / 36 / 0 / 48

HEX #2C5585

RGB 44 85 133

HSL 212.36, 0.5%, 0.35%

LAB 35.45, 2.01, -31.13

 

CMYK 50 / 28 / 0 / 53

HEX #3B5677

RGB 59 86 119

HSL 213, 0.34%, 0.35%

LAB 35.82, -0.13, -21.87

 

CMYK 30 / 15 / 0 / 59

HEX #495868

RGB 73 88 104

HSL 210.97, 0.18%, 0.35%

LAB 36.73, -1.66, -11.09

 

CMYK 2 / 1 / 0 / 65

HEX #58595A

RGB 88 89 90

HSL 210, 0.01%, 0.35%

LAB 37.77, -0.18, -0.72

 

CMYK 80 / 0 / 0 / 42

HEX #1E9494

RGB 30 148 148

HSL 180, 0.66%, 0.35%

LAB 55.68, -30.2, -8.97

 

CMYK 80 / 22 / 0 / 42

HEX #1E7494

RGB 30 116 148

HSL 196.27, 0.66%, 0.35%

LAB 45.5, -13.39, -24.47

 

CMYK 80 / 43 / 0 / 42

HEX #1E5594

RGB 30 85 148

HSL 212.03, 0.66%, 0.35%

LAB 35.81, 5.65, -39.72

 

CMYK 80 / 64 / 0 / 42

HEX #1E3594

RGB 30 53 148

HSL 228.31, 0.66%, 0.35%

LAB 26.62, 27.39, -54.6

 

CMYK 74 / 80 / 0 / 42

HEX #261E94

RGB 38 30 148

HSL 244.07, 0.66%, 0.35%

LAB 21.87, 42.38, -62.41

 

CMYK 80 / 43 / 0 / 69

HEX #102D4F

RGB 16 45 79

HSL 212.38, 0.66%, 0.19%

LAB 18.15, 2.75, -24.02

 

CMYK 80 / 42 / 0 / 56

HEX #174171

RGB 23 65 113

HSL 212, 0.66%, 0.27%

LAB 27.17, 4.02, -31.85

 

CMYK 80 / 43 / 0 / 42

HEX #1E5494

RGB 30 84 148

HSL 212.54, 0.66%, 0.35%

LAB 35.51, 6.31, -40.21

 

CMYK 80 / 43 / 0 / 29

HEX #2568B6

RGB 37 104 182

HSL 212.28, 0.66%, 0.43%

LAB 43.76, 7.46, -47.2

 

CMYK 77 / 42 / 0 / 17

HEX #307CD4

RGB 48 124 212

HSL 212.2, 0.66%, 0.51%

LAB 51.61, 7.52, -51.87

 

CMYK 80 / 43 / 0 / 42

HEX #1E5493

RGB 30 84 147

HSL 212.31, 0.66%, 0.35%

LAB 35.45, 5.91, -39.7

 

CMYK 22 / 80 / 0 / 42

HEX #741E94

RGB 116 30 148

HSL 283.73, 0.66%, 0.35%

LAB 31.3, 53.82, -46.59

 

CMYK 11 / 0 / 80 / 42

HEX #84941E

RGB 132 148 30

HSL 68.14, 0.66%, 0.35%

LAB 58.21, -20.79, 55.34

 

CMYK 80 / 43 / 0 / 42

HEX #1E5493

RGB 30 84 147

HSL 212.31, 0.66%, 0.35%

LAB 35.45, 5.91, -39.7

 

CMYK 0 / 80 / 43 / 42

HEX #941E55

RGB 148 30 85

HSL 332.03, 0.66%, 0.35%

LAB 33.73, 51.67, -2.52

 

CMYK 43 / 0 / 80 / 42

HEX #55941E

RGB 85 148 30

HSL 92.03, 0.66%, 0.35%

LAB 55.28, -39.66, 51.57

 

CMYK 80 / 43 / 0 / 42

HEX #1E5493

RGB 30 84 147

HSL 212.31, 0.66%, 0.35%

LAB 35.45, 5.91, -39.7

 

CMYK 22 / 80 / 0 / 42

HEX #741E94

RGB 116 30 148

HSL 283.73, 0.66%, 0.35%

LAB 31.3, 53.82, -46.59

 

CMYK 0 / 37 / 80 / 42

HEX #945D1E

RGB 148 93 30

HSL 32.03, 0.66%, 0.35%

LAB 44.54, 17.17, 43.25

 

CMYK 59 / 0 / 80 / 42

HEX #3D941E

RGB 61 148 30

HSL 104.24, 0.66%, 0.35%

LAB 54.31, -47.11, 50.3

 

CMYK 80 / 43 / 0 / 42

HEX #1E5493

RGB 30 84 147

HSL 212.31, 0.66%, 0.35%

LAB 35.45, 5.91, -39.7

 

CMYK 0 / 80 / 3 / 42

HEX #941E90

RGB 148 30 144

HSL 302.03, 0.66%, 0.35%

LAB 36.44, 59.56, -35.6

 

CMYK 0 / 37 / 80 / 42

HEX #945D1E

RGB 148 93 30

HSL 32.03, 0.66%, 0.35%

LAB 44.54, 17.17, 43.25

 

CMYK 80 / 0 / 77 / 42

HEX #1E9422

RGB 30 148 34

HSL 122.03, 0.66%, 0.35%

LAB 53.57, -53.19, 47.97

 

Description

Color code: HEX #1E5493 | qconv.com Color code: HEX #1E5493 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 84 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 84 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 43 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 43% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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