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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5A05 it is the complementary color #E1A5FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5A05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E5A05 shade: #235A00, #346C13, #457E26, #569039 and #67A24C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5A05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E5A05 shade: #1E5A05, #0D4800, #003600, #002400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E5A05 shade: #1E5B05, #355B05, #4D5B05, #5B5205 and #5B3B05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E5A05 shade: #1E5B05, #075B05, #055B1A, #055B31 and #055B48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E5A05 shade matches the following richer shades: #1E5B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E5A05 shade: #1E5B05, #21530D, #254B15, #28441C and #2B3C24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E5A05 shade: #4D5B05, #365B05, #1F5B05, #085B05 and #055B19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E5A05 shade: #040D00, #113403, #1E5B05, #2B8207 and #38A909

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E5A05 shade: #1E5A05, #055B52 and #5B0541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E5A05 shade: #1E5A05, #051F5B and #5B051F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E5A05 shade: #1E5A05, #055B52, #41055B and #5B050D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E5A05 shade: #1E5A05, #054A5B, #41055B and #5B1605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 94 / 65

HEX #1E5A05

RGB 30 90 5

HSL 102.35, 0.89%, 0.19%

LAB 33.13, -34.75, 37.99

 

Complementary color

CMYK 10 / 34 / 0 / 2

HEX #E1A5FA

RGB 225 165 250

HSL 282.35, 0.89%, 0.81%

LAB 75.96, 36.7, -33.76

 

CMYK 61 / 0 / 100 / 65

HEX #235A00

RGB 35 90 0

HSL 96.67, 1%, 0.18%

LAB 33.29, -33.6, 39.84

 

CMYK 52 / 0 / 82 / 58

HEX #346C13

RGB 52 108 19

HSL 97.75, 0.7%, 0.25%

LAB 40.41, -34.62, 40.63

 

CMYK 45 / 0 / 70 / 51

HEX #457E26

RGB 69 126 38

HSL 98.86, 0.54%, 0.32%

LAB 47.4, -35.17, 40.45

 

CMYK 40 / 0 / 60 / 44

HEX #569039

RGB 86 144 57

HSL 100, 0.43%, 0.39%

LAB 54.26, -35.38, 39.55

 

CMYK 36 / 0 / 53 / 36

HEX #67A24C

RGB 103 162 76

HSL 101.16, 0.36%, 0.47%

LAB 61, -35.4, 38.39

 

CMYK 67 / 0 / 94 / 65

HEX #1E5A05

RGB 30 90 5

HSL 102.35, 0.89%, 0.19%

LAB 33.13, -34.75, 37.99

 

CMYK 82 / 0 / 100 / 72

HEX #0D4800

RGB 13 72 0

HSL 109.17, 1%, 0.14%

LAB 25.92, -32.33, 33.53

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 67 / 0 / 95 / 64

HEX #1E5B05

RGB 30 91 5

HSL 102.56, 0.9%, 0.19%

LAB 33.5, -35.14, 38.3

 

CMYK 42 / 0 / 95 / 64

HEX #355B05

RGB 53 91 5

HSL 86.51, 0.9%, 0.19%

LAB 34.5, -27.41, 39.55

 

CMYK 15 / 0 / 95 / 64

HEX #4D5B05

RGB 77 91 5

HSL 69.77, 0.9%, 0.19%

LAB 36.12, -16.79, 41.55

 

CMYK 0 / 10 / 95 / 64

HEX #5B5205

RGB 91 82 5

HSL 53.72, 0.9%, 0.19%

LAB 34.54, -4.73, 40.82

 

CMYK 0 / 35 / 95 / 64

HEX #5B3B05

RGB 91 59 5

HSL 37.67, 0.9%, 0.19%

LAB 27.74, 9.48, 35.43

 

CMYK 67 / 0 / 95 / 64

HEX #1E5B05

RGB 30 91 5

HSL 102.56, 0.9%, 0.19%

LAB 33.5, -35.14, 38.3

 

CMYK 92 / 0 / 95 / 64

HEX #075B05

RGB 7 91 5

HSL 118.6, 0.9%, 0.19%

LAB 33, -39.41, 37.68

 

CMYK 95 / 0 / 71 / 64

HEX #055B1A

RGB 5 91 26

HSL 134.65, 0.9%, 0.19%

LAB 33.11, -37.91, 29.94

 

CMYK 95 / 0 / 46 / 64

HEX #055B31

RGB 5 91 49

HSL 150.7, 0.9%, 0.19%

LAB 33.43, -34.09, 17.81

 

CMYK 95 / 0 / 21 / 64

HEX #055B48

RGB 5 91 72

HSL 166.74, 0.9%, 0.19%

LAB 33.95, -28.27, 4.46

 

CMYK 67 / 0 / 95 / 64

HEX #1E5B05

RGB 30 91 5

HSL 102.56, 0.9%, 0.19%

LAB 33.5, -35.14, 38.3

 

CMYK 67 / 0 / 95 / 64

HEX #1E5B05

RGB 30 91 5

HSL 102.56, 0.9%, 0.19%

LAB 33.5, -35.14, 38.3

 

CMYK 60 / 0 / 84 / 67

HEX #21530D

RGB 33 83 13

HSL 102.86, 0.73%, 0.19%

LAB 30.73, -30.57, 33.25

 

CMYK 51 / 0 / 72 / 71

HEX #254B15

RGB 37 75 21

HSL 102.22, 0.56%, 0.19%

LAB 28.06, -24.93, 27.11

 

CMYK 41 / 0 / 59 / 73

HEX #28441C

RGB 40 68 28

HSL 102, 0.42%, 0.19%

LAB 25.77, -19.41, 20.75

 

CMYK 28 / 0 / 40 / 76

HEX #2B3C24

RGB 43 60 36

HSL 102.5, 0.25%, 0.19%

LAB 23.25, -12.38, 12.68

 

CMYK 15 / 0 / 95 / 64

HEX #4D5B05

RGB 77 91 5

HSL 69.77, 0.9%, 0.19%

LAB 36.12, -16.79, 41.55

 

CMYK 41 / 0 / 95 / 64

HEX #365B05

RGB 54 91 5

HSL 85.81, 0.9%, 0.19%

LAB 34.55, -27.01, 39.62

 

CMYK 66 / 0 / 95 / 64

HEX #1F5B05

RGB 31 91 5

HSL 101.86, 0.9%, 0.19%

LAB 33.53, -34.87, 38.34

 

CMYK 91 / 0 / 95 / 64

HEX #085B05

RGB 8 91 5

HSL 117.91, 0.9%, 0.19%

LAB 33.02, -39.28, 37.7

 

CMYK 95 / 0 / 73 / 64

HEX #055B19

RGB 5 91 25

HSL 133.95, 0.9%, 0.19%

LAB 33.1, -38.03, 30.4

 

CMYK 69 / 0 / 100 / 95

HEX #040D00

RGB 4 13 0

HSL 101.54, 1%, 0.03%

LAB 2.83, -4.27, 4.17

 

CMYK 67 / 0 / 94 / 80

HEX #113403

RGB 17 52 3

HSL 102.86, 0.89%, 0.11%

LAB 18.28, -23.04, 24.28

 

CMYK 67 / 0 / 95 / 64

HEX #1E5B05

RGB 30 91 5

HSL 102.56, 0.9%, 0.19%

LAB 33.5, -35.14, 38.3

 

CMYK 67 / 0 / 95 / 49

HEX #2B8207

RGB 43 130 7

HSL 102.44, 0.9%, 0.27%

LAB 47.62, -46.17, 49.89

 

CMYK 67 / 0 / 95 / 34

HEX #38A909

RGB 56 169 9

HSL 102.38, 0.9%, 0.35%

LAB 60.99, -56.54, 60.81

 

CMYK 67 / 0 / 94 / 65

HEX #1E5A05

RGB 30 90 5

HSL 102.35, 0.89%, 0.19%

LAB 33.13, -34.75, 37.99

 

CMYK 95 / 0 / 10 / 64

HEX #055B52

RGB 5 91 82

HSL 173.72, 0.9%, 0.19%

LAB 34.24, -25.21, -1.36

 

CMYK 0 / 95 / 29 / 64

HEX #5B0541

RGB 91 5 65

HSL 318.14, 0.9%, 0.19%

LAB 18.86, 41.03, -12.66

 

CMYK 67 / 0 / 94 / 65

HEX #1E5A05

RGB 30 90 5

HSL 102.35, 0.89%, 0.19%

LAB 33.13, -34.75, 37.99

 

CMYK 95 / 66 / 0 / 64

HEX #051F5B

RGB 5 31 91

HSL 221.86, 0.9%, 0.19%

LAB 14.22, 17.27, -38.47

 

CMYK 0 / 95 / 66 / 64

HEX #5B051F

RGB 91 5 31

HSL 341.86, 0.9%, 0.19%

LAB 17.61, 37.57, 9.76

 

CMYK 67 / 0 / 94 / 65

HEX #1E5A05

RGB 30 90 5

HSL 102.35, 0.89%, 0.19%

LAB 33.13, -34.75, 37.99

 

CMYK 95 / 0 / 10 / 64

HEX #055B52

RGB 5 91 82

HSL 173.72, 0.9%, 0.19%

LAB 34.24, -25.21, -1.36

 

CMYK 29 / 95 / 0 / 64

HEX #41055B

RGB 65 5 91

HSL 281.86, 0.9%, 0.19%

LAB 15.42, 40.23, -36.25

 

CMYK 0 / 95 / 86 / 64

HEX #5B050D

RGB 91 5 13

HSL 354.42, 0.9%, 0.19%

LAB 17.28, 36.64, 21.18

 

CMYK 67 / 0 / 94 / 65

HEX #1E5A05

RGB 30 90 5

HSL 102.35, 0.89%, 0.19%

LAB 33.13, -34.75, 37.99

 

CMYK 95 / 19 / 0 / 64

HEX #054A5B

RGB 5 74 91

HSL 191.86, 0.9%, 0.19%

LAB 28.6, -12.73, -15.57

 

CMYK 29 / 95 / 0 / 64

HEX #41055B

RGB 65 5 91

HSL 281.86, 0.9%, 0.19%

LAB 15.42, 40.23, -36.25

 

CMYK 0 / 76 / 95 / 64

HEX #5B1605

RGB 91 22 5

HSL 11.86, 0.9%, 0.19%

LAB 19.26, 30.6, 26.89

 

Description

Color code: HEX #1E5A05 | qconv.com Color code: HEX #1E5A05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 90 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 90 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 94 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 94% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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