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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5C34 it is the complementary color #E1A3CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E5C34 shade: #235C2F, #346E42, #458055, #569268 and #67A47B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E5C34 shade: #1E5C34, #0D4A21, #00380E, #002600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E5C34 shade: #1D5C34, #1D5C23, #295C1D, #3A5C1D and #4B5C1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E5C34 shade: #1D5C34, #1D5C44, #1D5C55, #1D525C and #1D415C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E5C34 shade matches the following richer shades: #1D5C34, #146631, #0A702E and #007A2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E5C34 shade: #1D5C34, #275237, #314839, #3B3E3C and #45343F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E5C34 shade: #295C1D, #1D5C23, #1D5C33, #1D5C44 and #1D5C55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E5C34 shade: #091E10, #133D22, #1D5C34, #287B45 and #329A57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E5C34 shade: #1E5C34, #1D3A5C and #5C1D21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E5C34 shade: #1E5C34, #331D5C and #5C331D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E5C34 shade: #1E5C34, #1D3A5C, #5C1D46 and #5C401D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E5C34 shade: #1E5C34, #1D275C, #5C1D46 and #5C531D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 43 / 64

HEX #1E5C34

RGB 30 92 52

HSL 141.29, 0.51%, 0.24%

LAB 34.35, -29.9, 17.33

 

Complementary color

CMYK 0 / 28 / 10 / 12

HEX #E1A3CB

RGB 225 163 203

HSL 321.29, 0.51%, 0.76%

LAB 73.88, 29.07, -11.33

 

CMYK 62 / 0 / 49 / 64

HEX #235C2F

RGB 35 92 47

HSL 132.63, 0.45%, 0.25%

LAB 34.43, -29.61, 20.41

 

CMYK 53 / 0 / 40 / 57

HEX #346E42

RGB 52 110 66

HSL 134.48, 0.36%, 0.32%

LAB 41.65, -29.59, 18.88

 

CMYK 46 / 0 / 34 / 50

HEX #458055

RGB 69 128 85

HSL 136.27, 0.3%, 0.39%

LAB 48.71, -29.4, 17.52

 

CMYK 41 / 0 / 29 / 43

HEX #569268

RGB 86 146 104

HSL 138, 0.26%, 0.45%

LAB 55.62, -29.13, 16.29

 

CMYK 37 / 0 / 25 / 36

HEX #67A47B

RGB 103 164 123

HSL 139.67, 0.25%, 0.52%

LAB 62.39, -28.85, 15.17

 

CMYK 67 / 0 / 43 / 64

HEX #1E5C34

RGB 30 92 52

HSL 141.29, 0.51%, 0.24%

LAB 34.35, -29.9, 17.33

 

CMYK 82 / 0 / 55 / 71

HEX #0D4A21

RGB 13 74 33

HSL 139.67, 0.7%, 0.17%

LAB 27, -29.29, 19.09

 

CMYK 100 / 0 / 75 / 78

HEX #00380E

RGB 0 56 14

HSL 135, 1%, 0.11%

LAB 19.47, -27.67, 20.86

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 68 / 0 / 43 / 64

HEX #1D5C34

RGB 29 92 52

HSL 141.9, 0.52%, 0.24%

LAB 34.32, -30.13, 17.29

 

CMYK 68 / 0 / 62 / 64

HEX #1D5C23

RGB 29 92 35

HSL 125.71, 0.52%, 0.24%

LAB 34.06, -33.07, 26.6

 

CMYK 55 / 0 / 68 / 64

HEX #295C1D

RGB 41 92 29

HSL 108.57, 0.52%, 0.24%

LAB 34.43, -30.46, 30.2

 

CMYK 37 / 0 / 68 / 64

HEX #3A5C1D

RGB 58 92 29

HSL 92.38, 0.52%, 0.24%

LAB 35.29, -24.28, 31.39

 

CMYK 18 / 0 / 68 / 64

HEX #4B5C1D

RGB 75 92 29

HSL 76.19, 0.52%, 0.24%

LAB 36.44, -16.95, 32.97

 

CMYK 68 / 0 / 43 / 64

HEX #1D5C34

RGB 29 92 52

HSL 141.9, 0.52%, 0.24%

LAB 34.32, -30.13, 17.29

 

CMYK 68 / 0 / 26 / 64

HEX #1D5C44

RGB 29 92 68

HSL 157.14, 0.52%, 0.24%

LAB 34.67, -26.45, 8.03

 

CMYK 68 / 0 / 8 / 64

HEX #1D5C55

RGB 29 92 85

HSL 173.33, 0.52%, 0.24%

LAB 35.15, -21.66, -1.85

 

CMYK 68 / 11 / 0 / 64

HEX #1D525C

RGB 29 82 92

HSL 189.52, 0.52%, 0.24%

LAB 31.96, -13.86, -11.02

 

CMYK 68 / 29 / 0 / 64

HEX #1D415C

RGB 29 65 92

HSL 205.71, 0.52%, 0.24%

LAB 26.2, -3.34, -19.9

 

CMYK 68 / 0 / 43 / 64

HEX #1D5C34

RGB 29 92 52

HSL 141.9, 0.52%, 0.24%

LAB 34.32, -30.13, 17.29

 

CMYK 80 / 0 / 52 / 60

HEX #146631

RGB 20 102 49

HSL 141.22, 0.67%, 0.24%

LAB 37.61, -36.6, 23.2

 

CMYK 91 / 0 / 59 / 56

HEX #0A702E

RGB 10 112 46

HSL 141.18, 0.84%, 0.24%

LAB 40.98, -42.04, 28.91

 

CMYK 100 / 0 / 65 / 52

HEX #007A2B

RGB 0 122 43

HSL 141.15, 1%, 0.24%

LAB 44.37, -46.74, 34.34

 

CMYK 68 / 0 / 43 / 64

HEX #1D5C34

RGB 29 92 52

HSL 141.9, 0.52%, 0.24%

LAB 34.32, -30.13, 17.29

 

CMYK 52 / 0 / 33 / 68

HEX #275237

RGB 39 82 55

HSL 142.33, 0.36%, 0.24%

LAB 31.21, -22.03, 11.36

 

CMYK 32 / 0 / 21 / 72

HEX #314839

RGB 49 72 57

HSL 140.87, 0.19%, 0.24%

LAB 28.34, -12.63, 6.18

 

CMYK 5 / 0 / 3 / 76

HEX #3B3E3C

RGB 59 62 60

HSL 140, 0.02%, 0.24%

LAB 25.87, -1.72, 0.79

 

CMYK 0 / 25 / 9 / 73

HEX #45343F

RGB 69 52 63

HSL 321.18, 0.14%, 0.24%

LAB 23.93, 9.81, -3.94

 

CMYK 55 / 0 / 68 / 64

HEX #295C1D

RGB 41 92 29

HSL 108.57, 0.52%, 0.24%

LAB 34.43, -30.46, 30.2

 

CMYK 68 / 0 / 62 / 64

HEX #1D5C23

RGB 29 92 35

HSL 125.71, 0.52%, 0.24%

LAB 34.06, -33.07, 26.6

 

CMYK 68 / 0 / 45 / 64

HEX #1D5C33

RGB 29 92 51

HSL 140.95, 0.52%, 0.24%

LAB 34.3, -30.34, 17.86

 

CMYK 68 / 0 / 26 / 64

HEX #1D5C44

RGB 29 92 68

HSL 157.14, 0.52%, 0.24%

LAB 34.67, -26.45, 8.03

 

CMYK 68 / 0 / 8 / 64

HEX #1D5C55

RGB 29 92 85

HSL 173.33, 0.52%, 0.24%

LAB 35.15, -21.66, -1.85

 

CMYK 70 / 0 / 47 / 88

HEX #091E10

RGB 9 30 16

HSL 140, 0.54%, 0.08%

LAB 9.19, -12.15, 6.51

 

CMYK 69 / 0 / 44 / 76

HEX #133D22

RGB 19 61 34

HSL 141.43, 0.53%, 0.16%

LAB 22.27, -21.91, 12.44

 

CMYK 68 / 0 / 43 / 64

HEX #1D5C34

RGB 29 92 52

HSL 141.9, 0.52%, 0.24%

LAB 34.32, -30.13, 17.29

 

CMYK 67 / 0 / 44 / 52

HEX #287B45

RGB 40 123 69

HSL 140.96, 0.51%, 0.32%

LAB 45.7, -37.77, 22.41

 

CMYK 68 / 0 / 44 / 40

HEX #329A57

RGB 50 154 87

HSL 141.35, 0.51%, 0.4%

LAB 56.56, -45.05, 26.7

 

CMYK 67 / 0 / 43 / 64

HEX #1E5C34

RGB 30 92 52

HSL 141.29, 0.51%, 0.24%

LAB 34.35, -29.9, 17.33

 

CMYK 68 / 37 / 0 / 64

HEX #1D3A5C

RGB 29 58 92

HSL 212.38, 0.52%, 0.24%

LAB 23.87, 1.36, -23.56

 

CMYK 0 / 68 / 64 / 64

HEX #5C1D21

RGB 92 29 33

HSL 356.19, 0.52%, 0.24%

LAB 21.07, 29.14, 12.98

 

CMYK 67 / 0 / 43 / 64

HEX #1E5C34

RGB 30 92 52

HSL 141.29, 0.51%, 0.24%

LAB 34.35, -29.9, 17.33

 

CMYK 45 / 68 / 0 / 64

HEX #331D5C

RGB 51 29 92

HSL 260.95, 0.52%, 0.24%

LAB 17.25, 26.69, -34.04

 

CMYK 0 / 45 / 68 / 64

HEX #5C331D

RGB 92 51 29

HSL 20.95, 0.52%, 0.24%

LAB 25.96, 16.22, 21.68

 

CMYK 67 / 0 / 43 / 64

HEX #1E5C34

RGB 30 92 52

HSL 141.29, 0.51%, 0.24%

LAB 34.35, -29.9, 17.33

 

CMYK 68 / 37 / 0 / 64

HEX #1D3A5C

RGB 29 58 92

HSL 212.38, 0.52%, 0.24%

LAB 23.87, 1.36, -23.56

 

CMYK 0 / 68 / 24 / 64

HEX #5C1D46

RGB 92 29 70

HSL 320.95, 0.52%, 0.24%

LAB 22.29, 33.59, -10.82

 

CMYK 0 / 30 / 68 / 64

HEX #5C401D

RGB 92 64 29

HSL 33.33, 0.52%, 0.24%

LAB 29.49, 8.06, 25.79

 

CMYK 67 / 0 / 43 / 64

HEX #1E5C34

RGB 30 92 52

HSL 141.29, 0.51%, 0.24%

LAB 34.35, -29.9, 17.33

 

CMYK 68 / 58 / 0 / 64

HEX #1D275C

RGB 29 39 92

HSL 230.48, 0.52%, 0.24%

LAB 17.85, 14.94, -33.17

 

CMYK 0 / 68 / 24 / 64

HEX #5C1D46

RGB 92 29 70

HSL 320.95, 0.52%, 0.24%

LAB 22.29, 33.59, -10.82

 

CMYK 0 / 10 / 68 / 64

HEX #5C531D

RGB 92 83 29

HSL 51.43, 0.52%, 0.24%

LAB 35.1, -3.66, 31.99

 

Description

Color code: HEX #1E5C34 | qconv.com Color code: HEX #1E5C34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 92 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 92 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 43 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 43% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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