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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E6B69 it is the complementary color #E19496. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E6B69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E6B69 shade: #236B64, #347D77, #458F8A, #56A19D and #67B3B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E6B69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E6B69 shade: #1E6B69, #0D5956, #004743, #003530 and #00231D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E6B69 shade: #1E6B69, #1E6B54, #1E6B3F, #1E6B2B and #266B1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E6B69 shade: #1E6B69, #1E586B, #1E436B, #1E2F6B and #1E1E6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E6B69 shade matches the following richer shades: #1E6B69, #137673 and #08817E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E6B69 shade: #1E6B69, #29605E, #345554, #3F4949 and #4A3E3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E6B69 shade: #1E6B3F, #1E6B54, #1E6B68, #1E596B and #1E446B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E6B69 shade: #0C2B2A, #154B49, #1E6B69, #278B88 and #30ABA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E6B69 shade: #1E6B69, #2B1E6B and #6B491E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E6B69 shade: #1E6B69, #681E6B and #6B681E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E6B69 shade: #1E6B69, #2B1E6B, #6B1E20 and #5E6B1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E6B69 shade: #1E6B69, #421E6B, #6B1E20 and #476B1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

Complementary color

CMYK 0 / 34 / 33 / 12

HEX #E19496

RGB 225 148 150

HSL 358.44, 0.56%, 0.73%

LAB 69.03, 29.28, 10.96

 

CMYK 67 / 0 / 7 / 58

HEX #236B64

RGB 35 107 100

HSL 174.17, 0.51%, 0.28%

LAB 40.88, -23.8, -2.62

 

CMYK 58 / 0 / 5 / 51

HEX #347D77

RGB 52 125 119

HSL 175.07, 0.41%, 0.35%

LAB 47.92, -24.12, -3.57

 

CMYK 52 / 0 / 3 / 44

HEX #458F8A

RGB 69 143 138

HSL 175.95, 0.35%, 0.42%

LAB 54.81, -24.25, -4.41

 

CMYK 47 / 0 / 2 / 37

HEX #56A19D

RGB 86 161 157

HSL 176.8, 0.3%, 0.48%

LAB 61.57, -24.28, -5.16

 

CMYK 42 / 0 / 2 / 30

HEX #67B3B0

RGB 103 179 176

HSL 177.63, 0.33%, 0.55%

LAB 68.21, -24.25, -5.85

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 85 / 0 / 3 / 65

HEX #0D5956

RGB 13 89 86

HSL 177.63, 0.75%, 0.2%

LAB 33.78, -22.13, -4.54

 

CMYK 100 / 0 / 6 / 72

HEX #004743

RGB 0 71 67

HSL 176.62, 1%, 0.14%

LAB 26.48, -20.55, -3.23

 

CMYK 100 / 0 / 9 / 79

HEX #003530

RGB 0 53 48

HSL 174.34, 1%, 0.1%

LAB 19.05, -17.66, -1.5

 

CMYK 100 / 0 / 17 / 86

HEX #00231D

RGB 0 35 29

HSL 169.71, 1%, 0.07%

LAB 11.21, -14.62, 0.42

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 72 / 0 / 21 / 58

HEX #1E6B54

RGB 30 107 84

HSL 162.08, 0.56%, 0.27%

LAB 40.3, -29.23, 6.22

 

CMYK 72 / 0 / 41 / 58

HEX #1E6B3F

RGB 30 107 63

HSL 145.71, 0.56%, 0.27%

LAB 39.83, -34.21, 18.09

 

CMYK 72 / 0 / 60 / 58

HEX #1E6B2B

RGB 30 107 43

HSL 130.13, 0.56%, 0.27%

LAB 39.52, -37.73, 28.84

 

CMYK 64 / 0 / 72 / 58

HEX #266B1E

RGB 38 107 30

HSL 113.77, 0.56%, 0.27%

LAB 39.62, -37.47, 35.32

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 72 / 18 / 0 / 58

HEX #1E586B

RGB 30 88 107

HSL 194.81, 0.56%, 0.27%

LAB 34.63, -11.92, -16.37

 

CMYK 72 / 37 / 0 / 58

HEX #1E436B

RGB 30 67 107

HSL 211.17, 0.56%, 0.27%

LAB 27.71, 1.34, -27.16

 

CMYK 72 / 56 / 0 / 58

HEX #1E2F6B

RGB 30 47 107

HSL 226.75, 0.56%, 0.27%

LAB 21.47, 15.34, -37.15

 

CMYK 72 / 72 / 0 / 58

HEX #1E1E6B

RGB 30 30 107

HSL 240, 0.56%, 0.27%

LAB 16.83, 27.25, -44.72

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 84 / 0 / 3 / 54

HEX #137673

RGB 19 118 115

HSL 178.18, 0.72%, 0.27%

LAB 44.71, -26.88, -6.04

 

CMYK 94 / 0 / 2 / 49

HEX #08817E

RGB 8 129 126

HSL 178.51, 0.88%, 0.27%

LAB 48.58, -29.54, -6.81

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 57 / 0 / 2 / 62

HEX #29605E

RGB 41 96 94

HSL 177.82, 0.4%, 0.27%

LAB 37.2, -18.55, -4.37

 

CMYK 39 / 0 / 1 / 67

HEX #345554

RGB 52 85 84

HSL 178.18, 0.24%, 0.27%

LAB 33.7, -12.27, -3.24

 

CMYK 14 / 0 / 0 / 71

HEX #3F4949

RGB 63 73 73

HSL 180, 0.07%, 0.27%

LAB 30.16, -4.02, -1.37

 

CMYK 0 / 16 / 15 / 71

HEX #4A3E3F

RGB 74 62 63

HSL 355, 0.09%, 0.27%

LAB 27.46, 5.39, 1.31

 

CMYK 72 / 0 / 41 / 58

HEX #1E6B3F

RGB 30 107 63

HSL 145.71, 0.56%, 0.27%

LAB 39.83, -34.21, 18.09

 

CMYK 72 / 0 / 21 / 58

HEX #1E6B54

RGB 30 107 84

HSL 162.08, 0.56%, 0.27%

LAB 40.3, -29.23, 6.22

 

CMYK 72 / 0 / 3 / 58

HEX #1E6B68

RGB 30 107 104

HSL 177.66, 0.56%, 0.27%

LAB 40.88, -23.43, -5.07

 

CMYK 72 / 17 / 0 / 58

HEX #1E596B

RGB 30 89 107

HSL 194.03, 0.56%, 0.27%

LAB 34.97, -12.51, -15.85

 

CMYK 72 / 36 / 0 / 58

HEX #1E446B

RGB 30 68 107

HSL 210.39, 0.56%, 0.27%

LAB 28.04, 0.67, -26.65

 

CMYK 72 / 0 / 2 / 83

HEX #0C2B2A

RGB 12 43 42

HSL 178.06, 0.56%, 0.11%

LAB 15.35, -11.58, -2.77

 

CMYK 72 / 0 / 3 / 71

HEX #154B49

RGB 21 75 73

HSL 177.78, 0.56%, 0.19%

LAB 28.57, -17.79, -3.98

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 72 / 0 / 2 / 45

HEX #278B88

RGB 39 139 136

HSL 178.2, 0.56%, 0.35%

LAB 52.59, -28.4, -6.64

 

CMYK 72 / 0 / 2 / 33

HEX #30ABA8

RGB 48 171 168

HSL 178.54, 0.56%, 0.43%

LAB 63.82, -33.16, -8.12

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 60 / 72 / 0 / 58

HEX #2B1E6B

RGB 43 30 107

HSL 250.13, 0.56%, 0.27%

LAB 17.94, 29.29, -42.86

 

CMYK 0 / 32 / 72 / 58

HEX #6B491E

RGB 107 73 30

HSL 33.51, 0.56%, 0.27%

LAB 33.95, 9.86, 30.74

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 3 / 72 / 0 / 58

HEX #681E6B

RGB 104 30 107

HSL 297.66, 0.56%, 0.27%

LAB 26.54, 43.05, -28.54

 

CMYK 0 / 3 / 72 / 58

HEX #6B681E

RGB 107 104 30

HSL 57.66, 0.56%, 0.27%

LAB 42.94, -8.59, 40.11

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 60 / 72 / 0 / 58

HEX #2B1E6B

RGB 43 30 107

HSL 250.13, 0.56%, 0.27%

LAB 17.94, 29.29, -42.86

 

CMYK 0 / 72 / 70 / 58

HEX #6B1E20

RGB 107 30 32

HSL 358.44, 0.56%, 0.27%

LAB 24.19, 34.22, 18.24

 

CMYK 12 / 0 / 72 / 58

HEX #5E6B1E

RGB 94 107 30

HSL 70.13, 0.56%, 0.27%

LAB 42.75, -16.33, 39.55

 

CMYK 72 / 0 / 2 / 58

HEX #1E6B69

RGB 30 107 105

HSL 178.44, 0.56%, 0.27%

LAB 40.91, -23.11, -5.63

 

CMYK 38 / 72 / 0 / 58

HEX #421E6B

RGB 66 30 107

HSL 268.05, 0.56%, 0.27%

LAB 20.63, 33.92, -38.35

 

CMYK 0 / 72 / 70 / 58

HEX #6B1E20

RGB 107 30 32

HSL 358.44, 0.56%, 0.27%

LAB 24.19, 34.22, 18.24

 

CMYK 34 / 0 / 72 / 58

HEX #476B1E

RGB 71 107 30

HSL 88.05, 0.56%, 0.27%

LAB 41.13, -26.32, 37.38

 

Description

Color code: HEX #1E6B69 | qconv.com Color code: HEX #1E6B69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 107 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 107 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 2 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 2% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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