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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E764F it is the complementary color #E189B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E764F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E764F shade: #23764A, #34885D, #459A70, #56AC83 and #67BE96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E764F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E764F shade: #1E764F, #0D643C, #005229, #004016 and #002E03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E764F shade: #1E754E, #1E7537, #1E751F, #34751E and #4B751E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E764F shade: #1E754E, #1E7566, #1E6D75, #1E5575 and #1E3E75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E764F shade matches the following richer shades: #1E754E, #128150 and #068D51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E764F shade: #1E754E, #2A694D, #365D4C, #42514A and #4E4549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E764F shade: #1E751F, #1E7537, #1E754E, #1E7565 and #1E6E75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E764F shade: #0D3322, #155438, #1E754E, #269664 and #2FB77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E764F shade: #1E764F, #1E3475 and #752B1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E764F shade: #1E764F, #4E1E75 and #754E1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E764F shade: #1E764F, #1E3475, #751E45 and #755F1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E764F shade: #1E764F, #221E75, #751E45 and #71751E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 33 / 54

HEX #1E764F

RGB 30 118 79

HSL 153.41, 0.59%, 0.29%

LAB 43.94, -35.43, 14.28

 

Complementary color

CMYK 0 / 39 / 22 / 12

HEX #E189B0

RGB 225 137 176

HSL 333.41, 0.59%, 0.71%

LAB 67.3, 38.65, -6.12

 

CMYK 70 / 0 / 37 / 54

HEX #23764A

RGB 35 118 74

HSL 148.19, 0.54%, 0.3%

LAB 43.96, -35.65, 17.23

 

CMYK 62 / 0 / 32 / 47

HEX #34885D

RGB 52 136 93

HSL 149.29, 0.45%, 0.37%

LAB 50.84, -35.9, 15.74

 

CMYK 55 / 0 / 27 / 40

HEX #459A70

RGB 69 154 112

HSL 150.35, 0.38%, 0.44%

LAB 57.6, -35.91, 14.42

 

CMYK 50 / 0 / 24 / 33

HEX #56AC83

RGB 86 172 131

HSL 151.4, 0.34%, 0.51%

LAB 64.26, -35.79, 13.24

 

CMYK 46 / 0 / 21 / 25

HEX #67BE96

RGB 103 190 150

HSL 152.41, 0.4%, 0.57%

LAB 70.81, -35.61, 12.16

 

CMYK 75 / 0 / 33 / 54

HEX #1E764F

RGB 30 118 79

HSL 153.41, 0.59%, 0.29%

LAB 43.94, -35.43, 14.28

 

CMYK 87 / 0 / 40 / 61

HEX #0D643C

RGB 13 100 60

HSL 152.41, 0.77%, 0.22%

LAB 36.98, -34.51, 16

 

CMYK 100 / 0 / 50 / 68

HEX #005229

RGB 0 82 41

HSL 150, 1%, 0.16%

LAB 29.9, -32.81, 17.98

 

CMYK 100 / 0 / 66 / 75

HEX #004016

RGB 0 64 22

HSL 140.63, 1%, 0.13%

LAB 22.74, -29.45, 20.23

 

CMYK 100 / 0 / 93 / 82

HEX #002E03

RGB 0 46 3

HSL 123.91, 1%, 0.09%

LAB 15.28, -25.5, 20.45

 

CMYK 74 / 0 / 33 / 54

HEX #1E754E

RGB 30 117 78

HSL 153.1, 0.59%, 0.29%

LAB 43.58, -35.23, 14.37

 

CMYK 74 / 0 / 53 / 54

HEX #1E7537

RGB 30 117 55

HSL 137.24, 0.59%, 0.29%

LAB 43.17, -39.78, 26.87

 

CMYK 74 / 0 / 74 / 54

HEX #1E751F

RGB 30 117 31

HSL 120.69, 0.59%, 0.29%

LAB 42.91, -42.91, 38.29

 

CMYK 56 / 0 / 74 / 54

HEX #34751E

RGB 52 117 30

HSL 104.83, 0.59%, 0.29%

LAB 43.58, -37.56, 39.61

 

CMYK 36 / 0 / 74 / 54

HEX #4B751E

RGB 75 117 30

HSL 88.97, 0.59%, 0.29%

LAB 44.68, -29.52, 41.08

 

CMYK 74 / 0 / 33 / 54

HEX #1E754E

RGB 30 117 78

HSL 153.1, 0.59%, 0.29%

LAB 43.58, -35.23, 14.37

 

CMYK 74 / 0 / 13 / 54

HEX #1E7566

RGB 30 117 102

HSL 169.66, 0.59%, 0.29%

LAB 44.17, -29, 0.97

 

CMYK 74 / 7 / 0 / 54

HEX #1E6D75

RGB 30 109 117

HSL 185.52, 0.59%, 0.29%

LAB 42, -20.29, -11.29

 

CMYK 74 / 27 / 0 / 54

HEX #1E5575

RGB 30 85 117

HSL 202.07, 0.59%, 0.29%

LAB 34.1, -6.43, -23.42

 

CMYK 74 / 47 / 0 / 54

HEX #1E3E75

RGB 30 62 117

HSL 217.93, 0.59%, 0.29%

LAB 26.75, 8.76, -35.05

 

CMYK 74 / 0 / 33 / 54

HEX #1E754E

RGB 30 117 78

HSL 153.1, 0.59%, 0.29%

LAB 43.58, -35.23, 14.37

 

CMYK 86 / 0 / 38 / 49

HEX #128150

RGB 18 129 80

HSL 153.51, 0.76%, 0.29%

LAB 47.51, -41.3, 18.5

 

CMYK 96 / 0 / 43 / 45

HEX #068D51

RGB 6 141 81

HSL 153.33, 0.92%, 0.29%

LAB 51.48, -46.56, 23.19

 

CMYK 74 / 0 / 33 / 54

HEX #1E754E

RGB 30 117 78

HSL 153.1, 0.59%, 0.29%

LAB 43.58, -35.23, 14.37

 

CMYK 60 / 0 / 27 / 59

HEX #2A694D

RGB 42 105 77

HSL 153.33, 0.43%, 0.29%

LAB 39.8, -27.54, 9.79

 

CMYK 42 / 0 / 18 / 64

HEX #365D4C

RGB 54 93 76

HSL 153.85, 0.27%, 0.29%

LAB 36.24, -18.23, 5.46

 

CMYK 19 / 0 / 9 / 68

HEX #42514A

RGB 66 81 74

HSL 152, 0.1%, 0.29%

LAB 33, -7.53, 2.16

 

CMYK 0 / 12 / 6 / 69

HEX #4E4549

RGB 78 69 73

HSL 333.33, 0.06%, 0.29%

LAB 30.3, 4.63, -1.02

 

CMYK 74 / 0 / 74 / 54

HEX #1E751F

RGB 30 117 31

HSL 120.69, 0.59%, 0.29%

LAB 42.91, -42.91, 38.29

 

CMYK 74 / 0 / 53 / 54

HEX #1E7537

RGB 30 117 55

HSL 137.24, 0.59%, 0.29%

LAB 43.17, -39.78, 26.87

 

CMYK 74 / 0 / 33 / 54

HEX #1E754E

RGB 30 117 78

HSL 153.1, 0.59%, 0.29%

LAB 43.58, -35.23, 14.37

 

CMYK 74 / 0 / 14 / 54

HEX #1E7565

RGB 30 117 101

HSL 168.97, 0.59%, 0.29%

LAB 44.14, -29.29, 1.53

 

CMYK 74 / 6 / 0 / 54

HEX #1E6E75

RGB 30 110 117

HSL 184.83, 0.59%, 0.29%

LAB 42.33, -20.82, -10.79

 

CMYK 75 / 0 / 33 / 80

HEX #0D3322

RGB 13 51 34

HSL 153.16, 0.59%, 0.13%

LAB 18.23, -18.36, 6.93

 

CMYK 75 / 0 / 33 / 67

HEX #155438

RGB 21 84 56

HSL 153.33, 0.6%, 0.21%

LAB 31.31, -27.26, 10.78

 

CMYK 74 / 0 / 33 / 54

HEX #1E754E

RGB 30 117 78

HSL 153.1, 0.59%, 0.29%

LAB 43.58, -35.23, 14.37

 

CMYK 75 / 0 / 33 / 41

HEX #269664

RGB 38 150 100

HSL 153.21, 0.6%, 0.37%

LAB 55.22, -42.89, 17.73

 

CMYK 74 / 0 / 33 / 28

HEX #2FB77A

RGB 47 183 122

HSL 153.09, 0.59%, 0.45%

LAB 66.43, -50.07, 20.97

 

CMYK 75 / 0 / 33 / 54

HEX #1E764F

RGB 30 118 79

HSL 153.41, 0.59%, 0.29%

LAB 43.94, -35.43, 14.28

 

CMYK 74 / 56 / 0 / 54

HEX #1E3475

RGB 30 52 117

HSL 224.83, 0.59%, 0.29%

LAB 23.73, 15.8, -39.92

 

CMYK 0 / 63 / 74 / 54

HEX #752B1E

RGB 117 43 30

HSL 8.97, 0.59%, 0.29%

LAB 28.39, 31.69, 24.97

 

CMYK 75 / 0 / 33 / 54

HEX #1E764F

RGB 30 118 79

HSL 153.41, 0.59%, 0.29%

LAB 43.94, -35.43, 14.28

 

CMYK 33 / 74 / 0 / 54

HEX #4E1E75

RGB 78 30 117

HSL 273.1, 0.59%, 0.29%

LAB 23.11, 39.16, -40.7

 

CMYK 0 / 33 / 74 / 54

HEX #754E1E

RGB 117 78 30

HSL 33.1, 0.59%, 0.29%

LAB 36.6, 11.61, 33.96

 

CMYK 75 / 0 / 33 / 54

HEX #1E764F

RGB 30 118 79

HSL 153.41, 0.59%, 0.29%

LAB 43.94, -35.43, 14.28

 

CMYK 74 / 56 / 0 / 54

HEX #1E3475

RGB 30 52 117

HSL 224.83, 0.59%, 0.29%

LAB 23.73, 15.8, -39.92

 

CMYK 0 / 74 / 41 / 54

HEX #751E45

RGB 117 30 69

HSL 333.1, 0.59%, 0.29%

LAB 27.13, 40.93, -2.39

 

CMYK 0 / 19 / 74 / 54

HEX #755F1E

RGB 117 95 30

HSL 44.83, 0.59%, 0.29%

LAB 41.31, 1.43, 38.8

 

CMYK 75 / 0 / 33 / 54

HEX #1E764F

RGB 30 118 79

HSL 153.41, 0.59%, 0.29%

LAB 43.94, -35.43, 14.28

 

CMYK 71 / 74 / 0 / 54

HEX #221E75

RGB 34 30 117

HSL 242.76, 0.59%, 0.29%

LAB 18.16, 31.41, -49

 

CMYK 0 / 74 / 41 / 54

HEX #751E45

RGB 117 30 69

HSL 333.1, 0.59%, 0.29%

LAB 27.13, 40.93, -2.39

 

CMYK 3 / 0 / 74 / 54

HEX #71751E

RGB 113 117 30

HSL 62.76, 0.59%, 0.29%

LAB 47.4, -13.01, 44.69

 

Description

Color code: HEX #1E764F | qconv.com Color code: HEX #1E764F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 118 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 118 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 33 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 33% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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