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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E7C94 it is the complementary color #E1836B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E7C94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E7C94 shade: #237C8F, #348EA2, #45A0B5, #56B2C8 and #67C4DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E7C94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E7C94 shade: #1E7C94, #0D6A81, #00586E, #00465B and #003448

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E7C94 shade: #1E7C94, #1E5C94, #1E3C94, #1F1E94 and #3F1E94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E7C94 shade: #1E7C94, #1E5C94, #1E3C94 and #1E1E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E7C94 shade matches the following richer shades: #1E7C94, #0F84A2 and #018DB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E7C94 shade: #1E7C94, #2C7385, #3B6B77, #496268 and #58595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E7C94 shade: #1E946C, #1E948C, #1E7C94, #1E5D94 and #1E3D94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E7C94 shade: #10424F, #175F71, #1E7C94, #2598B6 and #30B3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E7C94 shade: #1E7C94, #4D1E94 and #947C1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E7C94 shade: #1E7C94, #941E7C and #7C941E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E7C94 shade: #1E7C94, #4D1E94, #94351E and #65941E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E7C94 shade: #1E7C94, #701E94, #94351E and #41941E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

Complementary color

CMYK 0 / 42 / 52 / 12

HEX #E1836B

RGB 225 131 107

HSL 12.2, 0.66%, 0.65%

LAB 64.4, 33.73, 28.59

 

CMYK 76 / 13 / 0 / 44

HEX #237C8F

RGB 35 124 143

HSL 190.56, 0.61%, 0.35%

LAB 47.95, -18.97, -17.74

 

CMYK 68 / 12 / 0 / 36

HEX #348EA2

RGB 52 142 162

HSL 190.91, 0.51%, 0.42%

LAB 54.75, -19.89, -18.38

 

CMYK 62 / 12 / 0 / 29

HEX #45A0B5

RGB 69 160 181

HSL 191.25, 0.45%, 0.49%

LAB 61.43, -20.54, -18.95

 

CMYK 57 / 11 / 0 / 22

HEX #56B2C8

RGB 86 178 200

HSL 191.58, 0.51%, 0.56%

LAB 68.01, -21, -19.47

 

CMYK 53 / 11 / 0 / 14

HEX #67C4DB

RGB 103 196 219

HSL 191.9, 0.62%, 0.63%

LAB 74.49, -21.33, -19.95

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 90 / 18 / 0 / 49

HEX #0D6A81

RGB 13 106 129

HSL 191.9, 0.82%, 0.28%

LAB 41.18, -16.22, -19.81

 

CMYK 100 / 20 / 0 / 57

HEX #00586E

RGB 0 88 110

HSL 192, 1%, 0.22%

LAB 34.2, -13.99, -18.95

 

CMYK 100 / 23 / 0 / 64

HEX #00465B

RGB 0 70 91

HSL 193.85, 1%, 0.18%

LAB 27.12, -10.8, -17.88

 

CMYK 100 / 28 / 0 / 72

HEX #003448

RGB 0 52 72

HSL 196.67, 1%, 0.14%

LAB 19.74, -7.4, -16.83

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 80 / 38 / 0 / 42

HEX #1E5C94

RGB 30 92 148

HSL 208.47, 0.66%, 0.35%

LAB 37.96, 1.11, -36.3

 

CMYK 80 / 59 / 0 / 42

HEX #1E3C94

RGB 30 60 148

HSL 224.75, 0.66%, 0.35%

LAB 28.5, 22.61, -51.53

 

CMYK 79 / 80 / 0 / 42

HEX #1F1E94

RGB 31 30 148

HSL 240.51, 0.66%, 0.35%

LAB 21.42, 41.84, -63.16

 

CMYK 57 / 80 / 0 / 42

HEX #3F1E94

RGB 63 30 148

HSL 256.78, 0.66%, 0.35%

LAB 24.08, 45.09, -58.69

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 80 / 38 / 0 / 42

HEX #1E5C94

RGB 30 92 148

HSL 208.47, 0.66%, 0.35%

LAB 37.96, 1.11, -36.3

 

CMYK 80 / 59 / 0 / 42

HEX #1E3C94

RGB 30 60 148

HSL 224.75, 0.66%, 0.35%

LAB 28.5, 22.61, -51.53

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 91 / 19 / 0 / 36

HEX #0F84A2

RGB 15 132 162

HSL 192.24, 0.83%, 0.35%

LAB 50.94, -18.49, -24.29

 

CMYK 99 / 20 / 0 / 31

HEX #018DB1

RGB 1 141 177

HSL 192.27, 0.99%, 0.35%

LAB 54.27, -18.59, -27.78

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 67 / 14 / 0 / 48

HEX #2C7385

RGB 44 115 133

HSL 192.13, 0.5%, 0.35%

LAB 44.93, -16.02, -16.41

 

CMYK 50 / 10 / 0 / 53

HEX #3B6B77

RGB 59 107 119

HSL 192, 0.34%, 0.35%

LAB 42.43, -12.75, -11.75

 

CMYK 30 / 6 / 0 / 59

HEX #496268

RGB 73 98 104

HSL 191.61, 0.18%, 0.35%

LAB 39.83, -7.7, -6.43

 

CMYK 2 / 1 / 0 / 65

HEX #58595A

RGB 88 89 90

HSL 210, 0.01%, 0.35%

LAB 37.77, -0.18, -0.72

 

CMYK 80 / 0 / 27 / 42

HEX #1E946C

RGB 30 148 108

HSL 159.66, 0.66%, 0.35%

LAB 54.59, -41.29, 12.34

 

CMYK 80 / 0 / 5 / 42

HEX #1E948C

RGB 30 148 140

HSL 175.93, 0.66%, 0.35%

LAB 55.43, -32.63, -4.75

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 80 / 37 / 0 / 42

HEX #1E5D94

RGB 30 93 148

HSL 207.97, 0.66%, 0.35%

LAB 38.27, 0.48, -35.81

 

CMYK 80 / 59 / 0 / 42

HEX #1E3D94

RGB 30 61 148

HSL 224.24, 0.66%, 0.35%

LAB 28.78, 21.93, -51.08

 

CMYK 80 / 16 / 0 / 69

HEX #10424F

RGB 16 66 79

HSL 192.38, 0.66%, 0.19%

LAB 25.48, -11.28, -12.57

 

CMYK 80 / 16 / 0 / 56

HEX #175F71

RGB 23 95 113

HSL 192, 0.66%, 0.27%

LAB 37.04, -14.86, -16.41

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 80 / 16 / 0 / 29

HEX #2598B6

RGB 37 152 182

HSL 192.41, 0.66%, 0.43%

LAB 58.25, -20.52, -24.45

 

CMYK 77 / 16 / 0 / 17

HEX #30B3D4

RGB 48 179 212

HSL 192.07, 0.66%, 0.51%

LAB 67.74, -23.49, -26.58

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 48 / 80 / 0 / 42

HEX #4D1E94

RGB 77 30 148

HSL 263.9, 0.66%, 0.35%

LAB 25.7, 47.07, -55.96

 

CMYK 0 / 16 / 80 / 42

HEX #947C1E

RGB 148 124 30

HSL 47.8, 0.66%, 0.35%

LAB 52.74, -0.6, 50.89

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 0 / 80 / 16 / 42

HEX #941E7C

RGB 148 30 124

HSL 312.2, 0.66%, 0.35%

LAB 35.36, 56.5, -24.92

 

CMYK 16 / 0 / 80 / 42

HEX #7C941E

RGB 124 148 30

HSL 72.2, 0.66%, 0.35%

LAB 57.62, -24.26, 54.58

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 48 / 80 / 0 / 42

HEX #4D1E94

RGB 77 30 148

HSL 263.9, 0.66%, 0.35%

LAB 25.7, 47.07, -55.96

 

CMYK 0 / 64 / 80 / 42

HEX #94351E

RGB 148 53 30

HSL 11.69, 0.66%, 0.35%

LAB 35.86, 38.75, 34.7

 

CMYK 32 / 0 / 80 / 42

HEX #65941E

RGB 101 148 30

HSL 83.9, 0.66%, 0.35%

LAB 56.13, -33.73, 52.67

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 24 / 80 / 0 / 42

HEX #701E94

RGB 112 30 148

HSL 281.69, 0.66%, 0.35%

LAB 30.67, 53.06, -47.65

 

CMYK 0 / 64 / 80 / 42

HEX #94351E

RGB 148 53 30

HSL 11.69, 0.66%, 0.35%

LAB 35.86, 38.75, 34.7

 

CMYK 56 / 0 / 80 / 42

HEX #41941E

RGB 65 148 30

HSL 102.2, 0.66%, 0.35%

LAB 54.45, -46, 50.48

 

Description

Color code: HEX #1E7C94 | qconv.com Color code: HEX #1E7C94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 124 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 124 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 16 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 16% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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