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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EA845 it is the complementary color #E157BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EA845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EA845 shade: #23A840, #34BA53, #45CC66, #56DE79 and #67F08C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EA845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EA845 shade: #1EA845, #0D9632, #00841F, #00720C and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EA845 shade: #1DA945, #1DA91F, #41A91D, #67A91D and #8CA91D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EA845 shade: #1DA945, #1DA96A, #1DA990, #1D9CA9 and #1D76A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EA845 shade matches the following richer shades: #1DA945 and #0DB93E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EA845 shade: #1DA945, #2D984C, #3E8853, #4E785A and #5E6861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EA845 shade: #42A91D, #1DA91D, #1DA942, #1DA968 and #1DA98D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EA845 shade: #116228, #178536, #1DA945, #24CC53 and #3CDC69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EA845 shade: #1EA845, #1D68A9 and #A91D30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EA845 shade: #1EA845, #421DA9 and #A9421D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EA845 shade: #1EA845, #1D68A9, #A91D83 and #A95E1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EA845 shade: #1EA845, #1D3EA9, #A91D83 and #A9881D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

Complementary color

CMYK 0 / 61 / 17 / 12

HEX #E157BA

RGB 225 87 186

HSL 316.96, 0.7%, 0.61%

LAB 58.39, 64.17, -25.28

 

CMYK 79 / 0 / 62 / 34

HEX #23A840

RGB 35 168 64

HSL 133.08, 0.66%, 0.4%

LAB 60.55, -56.05, 43.04

 

CMYK 72 / 0 / 55 / 27

HEX #34BA53

RGB 52 186 83

HSL 133.88, 0.56%, 0.47%

LAB 66.88, -57.21, 41.61

 

CMYK 66 / 0 / 50 / 20

HEX #45CC66

RGB 69 204 102

HSL 134.67, 0.57%, 0.54%

LAB 73.16, -57.9, 40.15

 

CMYK 61 / 0 / 45 / 13

HEX #56DE79

RGB 86 222 121

HSL 135.44, 0.67%, 0.6%

LAB 79.39, -58.28, 38.72

 

CMYK 57 / 0 / 42 / 6

HEX #67F08C

RGB 103 240 140

HSL 136.2, 0.82%, 0.67%

LAB 85.55, -58.45, 37.34

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 91 / 0 / 67 / 41

HEX #0D9632

RGB 13 150 50

HSL 136.2, 0.84%, 0.32%

LAB 54.16, -54.07, 42.11

 

CMYK 100 / 0 / 77 / 48

HEX #00841F

RGB 0 132 31

HSL 134.09, 1%, 0.26%

LAB 47.75, -51.22, 43.14

 

CMYK 100 / 0 / 89 / 55

HEX #00720C

RGB 0 114 12

HSL 126.32, 1%, 0.22%

LAB 41.31, -47.03, 43.09

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 83 / 0 / 59 / 34

HEX #1DA945

RGB 29 169 69

HSL 137.14, 0.71%, 0.39%

LAB 60.84, -56.47, 41.03

 

CMYK 83 / 0 / 82 / 34

HEX #1DA91F

RGB 29 169 31

HSL 120.86, 0.71%, 0.39%

LAB 60.55, -60.1, 55.64

 

CMYK 62 / 0 / 83 / 34

HEX #41A91D

RGB 65 169 29

HSL 104.57, 0.71%, 0.39%

LAB 61.3, -53.75, 57.17

 

CMYK 39 / 0 / 83 / 34

HEX #67A91D

RGB 103 169 29

HSL 88.29, 0.71%, 0.39%

LAB 62.8, -42.25, 59.09

 

CMYK 17 / 0 / 83 / 34

HEX #8CA91D

RGB 140 169 29

HSL 72.43, 0.71%, 0.39%

LAB 64.99, -27.8, 61.87

 

CMYK 83 / 0 / 59 / 34

HEX #1DA945

RGB 29 169 69

HSL 137.14, 0.71%, 0.39%

LAB 60.84, -56.47, 41.03

 

CMYK 83 / 0 / 37 / 34

HEX #1DA96A

RGB 29 169 106

HSL 153, 0.71%, 0.39%

LAB 61.38, -50.17, 22.73

 

CMYK 83 / 0 / 15 / 34

HEX #1DA990

RGB 29 169 144

HSL 169.29, 0.71%, 0.39%

LAB 62.21, -41.08, 2.91

 

CMYK 83 / 8 / 0 / 34

HEX #1D9CA9

RGB 29 156 169

HSL 185.57, 0.71%, 0.39%

LAB 58.88, -27.6, -16.13

 

CMYK 83 / 30 / 0 / 34

HEX #1D76A9

RGB 29 118 169

HSL 201.86, 0.71%, 0.39%

LAB 47.08, -6.93, -34.35

 

CMYK 83 / 0 / 59 / 34

HEX #1DA945

RGB 29 169 69

HSL 137.14, 0.71%, 0.39%

LAB 60.84, -56.47, 41.03

 

CMYK 93 / 0 / 66 / 27

HEX #0DB93E

RGB 13 185 62

HSL 137.09, 0.87%, 0.39%

LAB 65.85, -63.64, 49.79

 

CMYK 83 / 0 / 59 / 34

HEX #1DA945

RGB 29 169 69

HSL 137.14, 0.71%, 0.39%

LAB 60.84, -56.47, 41.03

 

CMYK 70 / 0 / 50 / 40

HEX #2D984C

RGB 45 152 76

HSL 137.38, 0.54%, 0.39%

LAB 55.62, -47.09, 31.3

 

CMYK 54 / 0 / 39 / 47

HEX #3E8853

RGB 62 136 83

HSL 137.03, 0.37%, 0.39%

LAB 50.99, -35.47, 21.65

 

CMYK 35 / 0 / 25 / 53

HEX #4E785A

RGB 78 120 90

HSL 137.14, 0.21%, 0.39%

LAB 46.7, -21.5, 11.94

 

CMYK 10 / 0 / 7 / 59

HEX #5E6861

RGB 94 104 97

HSL 138, 0.05%, 0.39%

LAB 42.98, -5.32, 2.63

 

CMYK 61 / 0 / 83 / 34

HEX #42A91D

RGB 66 169 29

HSL 104.14, 0.71%, 0.39%

LAB 61.33, -53.51, 57.21

 

CMYK 83 / 0 / 83 / 34

HEX #1DA91D

RGB 29 169 29

HSL 120, 0.71%, 0.39%

LAB 60.54, -60.21, 56.19

 

CMYK 83 / 0 / 61 / 34

HEX #1DA942

RGB 29 169 66

HSL 135.86, 0.71%, 0.39%

LAB 60.81, -56.86, 42.4

 

CMYK 83 / 0 / 38 / 34

HEX #1DA968

RGB 29 169 104

HSL 152.14, 0.71%, 0.39%

LAB 61.34, -50.58, 23.76

 

CMYK 83 / 0 / 17 / 34

HEX #1DA98D

RGB 29 169 141

HSL 168, 0.71%, 0.39%

LAB 62.13, -41.88, 4.47

 

CMYK 83 / 0 / 59 / 62

HEX #116228

RGB 17 98 40

HSL 137.04, 0.7%, 0.23%

LAB 36, -37.01, 26.16

 

CMYK 83 / 0 / 59 / 48

HEX #178536

RGB 23 133 54

HSL 136.91, 0.71%, 0.31%

LAB 48.54, -46.91, 33.84

 

CMYK 83 / 0 / 59 / 34

HEX #1DA945

RGB 29 169 69

HSL 137.14, 0.71%, 0.39%

LAB 60.84, -56.47, 41.03

 

CMYK 82 / 0 / 59 / 20

HEX #24CC53

RGB 36 204 83

HSL 136.79, 0.7%, 0.47%

LAB 72.35, -65.32, 48.01

 

CMYK 73 / 0 / 52 / 14

HEX #3CDC69

RGB 60 220 105

HSL 136.88, 0.7%, 0.55%

LAB 77.97, -64.6, 44.58

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 83 / 38 / 0 / 34

HEX #1D68A9

RGB 29 104 169

HSL 207.86, 0.71%, 0.39%

LAB 42.8, 1.61, -41.12

 

CMYK 0 / 83 / 72 / 34

HEX #A91D30

RGB 169 29 48

HSL 351.86, 0.71%, 0.39%

LAB 36.98, 55.19, 26.44

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 61 / 83 / 0 / 34

HEX #421DA9

RGB 66 29 169

HSL 255.86, 0.71%, 0.39%

LAB 26.45, 51.85, -67.57

 

CMYK 0 / 61 / 83 / 34

HEX #A9421D

RGB 169 66 29

HSL 15.86, 0.71%, 0.39%

LAB 41.88, 40.47, 42.32

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 83 / 38 / 0 / 34

HEX #1D68A9

RGB 29 104 169

HSL 207.86, 0.71%, 0.39%

LAB 42.8, 1.61, -41.12

 

CMYK 0 / 83 / 22 / 34

HEX #A91D83

RGB 169 29 131

HSL 316.29, 0.71%, 0.39%

LAB 39.5, 62.56, -22.53

 

CMYK 0 / 44 / 83 / 34

HEX #A95E1D

RGB 169 94 29

HSL 27.86, 0.71%, 0.39%

LAB 47.66, 25.87, 47.61

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 83 / 63 / 0 / 34

HEX #1D3EA9

RGB 29 62 169

HSL 225.86, 0.71%, 0.39%

LAB 30.81, 29.38, -60.49

 

CMYK 0 / 83 / 22 / 34

HEX #A91D83

RGB 169 29 131

HSL 316.29, 0.71%, 0.39%

LAB 39.5, 62.56, -22.53

 

CMYK 0 / 20 / 83 / 34

HEX #A9881D

RGB 169 136 29

HSL 45.86, 0.71%, 0.39%

LAB 58.16, 2.34, 56.88

 

Description

Color code: HEX #1EA845 | qconv.com Color code: HEX #1EA845 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 168 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 168 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 59 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 59% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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