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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EA331 it is the complementary color #E15CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EA331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EA331 shade: #23A32C, #34B53F, #45C752, #56D965 and #67EB78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EA331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EA331 shade: #1EA331, #0D911E, #007F0B, #006D00 and #005B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EA331 shade: #1EA331, #2EA31E, #53A31E, #77A31E and #9BA31E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EA331 shade: #1EA331, #1EA355, #1EA379, #1EA39D and #1E86A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EA331 shade matches the following richer shades: #1EA331 and #0EB325

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EA331 shade: #1EA331, #2D943C, #3D8447, #4D7452 and #5C655D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EA331 shade: #53A31E, #2FA31E, #1EA32F, #1EA353 and #1EA377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EA331 shade: #115E1C, #178026, #1EA331, #24C63B and #39DA50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EA331 shade: #1EA331, #1E77A3 and #A31E41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EA331 shade: #1EA331, #2F1EA3 and #A32F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EA331 shade: #1EA331, #1E77A3, #A31E91 and #A34A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EA331 shade: #1EA331, #1E4FA3, #A31E91 and #A3721E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

Complementary color

CMYK 0 / 59 / 8 / 12

HEX #E15CCE

RGB 225 92 206

HSL 308.57, 0.69%, 0.62%

LAB 60, 65.05, -34.2

 

CMYK 79 / 0 / 73 / 36

HEX #23A32C

RGB 35 163 44

HSL 124.22, 0.65%, 0.39%

LAB 58.73, -56.51, 49.52

 

CMYK 71 / 0 / 65 / 29

HEX #34B53F

RGB 52 181 63

HSL 125.12, 0.55%, 0.46%

LAB 65.07, -57.93, 48.65

 

CMYK 65 / 0 / 59 / 22

HEX #45C752

RGB 69 199 82

HSL 126, 0.54%, 0.53%

LAB 71.37, -58.8, 47.47

 

CMYK 60 / 0 / 53 / 15

HEX #56D965

RGB 86 217 101

HSL 126.87, 0.63%, 0.59%

LAB 77.6, -59.3, 46.17

 

CMYK 56 / 0 / 49 / 8

HEX #67EB78

RGB 103 235 120

HSL 127.73, 0.77%, 0.66%

LAB 83.79, -59.55, 44.84

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 91 / 0 / 79 / 43

HEX #0D911E

RGB 13 145 30

HSL 127.73, 0.84%, 0.31%

LAB 52.32, -54.37, 48.05

 

CMYK 100 / 0 / 91 / 50

HEX #007F0B

RGB 0 127 11

HSL 125.2, 1%, 0.25%

LAB 45.91, -50.98, 47.38

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 72 / 0 / 82 / 36

HEX #2EA31E

RGB 46 163 30

HSL 112.78, 0.69%, 0.38%

LAB 58.85, -55.73, 54.45

 

CMYK 49 / 0 / 82 / 36

HEX #53A31E

RGB 83 163 30

HSL 96.09, 0.69%, 0.38%

LAB 60, -46.45, 55.93

 

CMYK 27 / 0 / 82 / 36

HEX #77A31E

RGB 119 163 30

HSL 79.85, 0.69%, 0.38%

LAB 61.84, -33.52, 58.28

 

CMYK 5 / 0 / 82 / 36

HEX #9BA31E

RGB 155 163 30

HSL 63.61, 0.69%, 0.38%

LAB 64.37, -18.34, 61.49

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 82 / 0 / 48 / 36

HEX #1EA355

RGB 30 163 85

HSL 144.81, 0.69%, 0.38%

LAB 59.09, -51.84, 30.92

 

CMYK 82 / 0 / 26 / 36

HEX #1EA379

RGB 30 163 121

HSL 161.05, 0.69%, 0.38%

LAB 59.75, -44.35, 12.26

 

CMYK 82 / 0 / 4 / 36

HEX #1EA39D

RGB 30 163 157

HSL 177.29, 0.69%, 0.38%

LAB 60.7, -34.6, -6.62

 

CMYK 82 / 18 / 0 / 36

HEX #1E86A3

RGB 30 134 163

HSL 193.08, 0.69%, 0.38%

LAB 51.8, -18.08, -23.51

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 92 / 0 / 79 / 30

HEX #0EB325

RGB 14 179 37

HSL 128.36, 0.85%, 0.38%

LAB 63.73, -63.97, 56.81

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 70 / 0 / 59 / 42

HEX #2D943C

RGB 45 148 60

HSL 128.74, 0.53%, 0.38%

LAB 54.09, -47.95, 37.52

 

CMYK 54 / 0 / 46 / 48

HEX #3D8447

RGB 61 132 71

HSL 128.45, 0.37%, 0.38%

LAB 49.43, -36.09, 26.25

 

CMYK 34 / 0 / 29 / 55

HEX #4D7452

RGB 77 116 82

HSL 127.69, 0.2%, 0.38%

LAB 45.19, -21.36, 14.53

 

CMYK 9 / 0 / 8 / 60

HEX #5C655D

RGB 92 101 93

HSL 126.67, 0.05%, 0.38%

LAB 41.8, -5.17, 3.34

 

CMYK 49 / 0 / 82 / 36

HEX #53A31E

RGB 83 163 30

HSL 96.09, 0.69%, 0.38%

LAB 60, -46.45, 55.93

 

CMYK 71 / 0 / 82 / 36

HEX #2FA31E

RGB 47 163 30

HSL 112.33, 0.69%, 0.38%

LAB 58.87, -55.55, 54.48

 

CMYK 82 / 0 / 71 / 36

HEX #1EA32F

RGB 30 163 47

HSL 127.67, 0.69%, 0.38%

LAB 58.67, -56.89, 48.27

 

CMYK 82 / 0 / 49 / 36

HEX #1EA353

RGB 30 163 83

HSL 143.91, 0.69%, 0.38%

LAB 59.06, -52.18, 31.92

 

CMYK 82 / 0 / 27 / 36

HEX #1EA377

RGB 30 163 119

HSL 160.15, 0.69%, 0.38%

LAB 59.71, -44.83, 13.31

 

CMYK 82 / 0 / 70 / 63

HEX #115E1C

RGB 17 94 28

HSL 128.57, 0.69%, 0.22%

LAB 34.41, -37.18, 30.47

 

CMYK 82 / 0 / 70 / 50

HEX #178026

RGB 23 128 38

HSL 128.57, 0.7%, 0.3%

LAB 46.66, -47.17, 39.23

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 82 / 0 / 70 / 22

HEX #24C63B

RGB 36 198 59

HSL 128.52, 0.69%, 0.46%

LAB 70.23, -66.04, 55.75

 

CMYK 74 / 0 / 63 / 15

HEX #39DA50

RGB 57 218 80

HSL 128.57, 0.69%, 0.54%

LAB 77.04, -67.51, 54.73

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 82 / 27 / 0 / 36

HEX #1E77A3

RGB 30 119 163

HSL 199.85, 0.69%, 0.38%

LAB 47.12, -9.65, -30.78

 

CMYK 0 / 82 / 60 / 36

HEX #A31E41

RGB 163 30 65

HSL 344.21, 0.69%, 0.38%

LAB 36.17, 54.18, 14.33

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 71 / 82 / 0 / 36

HEX #2F1EA3

RGB 47 30 163

HSL 247.67, 0.69%, 0.38%

LAB 24.25, 47.87, -67.64

 

CMYK 0 / 71 / 82 / 36

HEX #A32F1E

RGB 163 47 30

HSL 7.67, 0.69%, 0.38%

LAB 37.69, 46.7, 37.44

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 82 / 27 / 0 / 36

HEX #1E77A3

RGB 30 119 163

HSL 199.85, 0.69%, 0.38%

LAB 47.12, -9.65, -30.78

 

CMYK 0 / 82 / 11 / 36

HEX #A31E91

RGB 163 30 145

HSL 308.12, 0.69%, 0.38%

LAB 39.17, 62.91, -31.72

 

CMYK 0 / 55 / 82 / 36

HEX #A34A1E

RGB 163 74 30

HSL 19.85, 0.69%, 0.38%

LAB 42.43, 34.16, 42

 

CMYK 82 / 0 / 70 / 36

HEX #1EA331

RGB 30 163 49

HSL 128.57, 0.69%, 0.38%

LAB 58.69, -56.7, 47.49

 

CMYK 82 / 52 / 0 / 36

HEX #1E4FA3

RGB 30 79 163

HSL 217.89, 0.69%, 0.38%

LAB 35.03, 15.64, -50.02

 

CMYK 0 / 82 / 11 / 36

HEX #A31E91

RGB 163 30 145

HSL 308.12, 0.69%, 0.38%

LAB 39.17, 62.91, -31.72

 

CMYK 0 / 30 / 82 / 36

HEX #A3721E

RGB 163 114 30

HSL 37.89, 0.69%, 0.38%

LAB 51.74, 11.98, 50.61

 

Description

Color code: HEX #1EA331 | qconv.com Color code: HEX #1EA331 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 163 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 163 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 70 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 70% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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