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Color name
HEX #1EA348

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EA348 it is the complementary color #E15CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EA348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EA348 shade: #23A343, #34B556, #45C769, #56D97C and #67EB8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EA348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EA348 shade: #1EA348, #0D9135, #007F22, #006D0F and #005B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EA348 shade: #1EA348, #1EA324, #3BA31E, #5FA31E and #84A31E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EA348 shade: #1EA348, #1EA36C, #1EA390, #1E93A3 and #1E6FA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EA348 shade matches the following richer shades: #1EA348 and #0EB342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EA348 shade: #1EA348, #2D944E, #3D8453, #4D7459 and #5C655F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EA348 shade: #3DA31E, #1EA322, #1EA346, #1EA369 and #1EA38D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EA348 shade: #115E29, #178038, #1EA348, #24C657 and #39DA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EA348 shade: #1EA348, #1E60A3 and #A31E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EA348 shade: #1EA348, #461EA3 and #A3461E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EA348 shade: #1EA348, #1E60A3, #A31E7B and #A3601E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EA348 shade: #1EA348, #1E38A3, #A31E7B and #A3891E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

Complementary color

CMYK 0 / 59 / 19 / 12

HEX #E15CB7

RGB 225 92 183

HSL 318.95, 0.69%, 0.62%

LAB 59.05, 61.61, -22.54

 

CMYK 79 / 0 / 59 / 36

HEX #23A343

RGB 35 163 67

HSL 135, 0.65%, 0.39%

LAB 58.93, -53.98, 39.77

 

CMYK 71 / 0 / 52 / 29

HEX #34B556

RGB 52 181 86

HSL 135.81, 0.55%, 0.46%

LAB 65.32, -55.01, 38.26

 

CMYK 65 / 0 / 47 / 22

HEX #45C769

RGB 69 199 105

HSL 136.62, 0.54%, 0.53%

LAB 71.64, -55.6, 36.76

 

CMYK 60 / 0 / 43 / 15

HEX #56D97C

RGB 86 217 124

HSL 137.4, 0.63%, 0.59%

LAB 77.91, -55.91, 35.33

 

CMYK 56 / 0 / 39 / 8

HEX #67EB8F

RGB 103 235 143

HSL 138.18, 0.77%, 0.66%

LAB 84.11, -56.02, 33.96

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 91 / 0 / 63 / 43

HEX #0D9135

RGB 13 145 53

HSL 138.18, 0.84%, 0.31%

LAB 52.5, -52.09, 38.89

 

CMYK 100 / 0 / 73 / 50

HEX #007F22

RGB 0 127 34

HSL 136.06, 1%, 0.25%

LAB 46.03, -49.39, 40.19

 

CMYK 100 / 0 / 86 / 57

HEX #006D0F

RGB 0 109 15

HSL 128.26, 1%, 0.21%

LAB 39.53, -45.33, 40.65

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 82 / 0 / 78 / 36

HEX #1EA324

RGB 30 163 36

HSL 122.71, 0.69%, 0.38%

LAB 58.6, -57.8, 52.23

 

CMYK 64 / 0 / 82 / 36

HEX #3BA31E

RGB 59 163 30

HSL 106.92, 0.69%, 0.38%

LAB 59.18, -53.02, 54.87

 

CMYK 42 / 0 / 82 / 36

HEX #5FA31E

RGB 95 163 30

HSL 90.68, 0.69%, 0.38%

LAB 60.53, -42.49, 56.61

 

CMYK 19 / 0 / 82 / 36

HEX #84A31E

RGB 132 163 30

HSL 73.98, 0.69%, 0.38%

LAB 62.67, -28.21, 59.34

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 82 / 0 / 34 / 36

HEX #1EA36C

RGB 30 163 108

HSL 155.19, 0.69%, 0.38%

LAB 59.48, -47.34, 19.08

 

CMYK 82 / 0 / 12 / 36

HEX #1EA390

RGB 30 163 144

HSL 171.43, 0.69%, 0.38%

LAB 60.32, -38.35, 0.16

 

CMYK 82 / 10 / 0 / 36

HEX #1E93A3

RGB 30 147 163

HSL 187.22, 0.69%, 0.38%

LAB 55.87, -24.92, -17.28

 

CMYK 82 / 32 / 0 / 36

HEX #1E6FA3

RGB 30 111 163

HSL 203.46, 0.69%, 0.38%

LAB 44.64, -4.91, -34.67

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 92 / 0 / 63 / 30

HEX #0EB342

RGB 14 179 66

HSL 138.91, 0.85%, 0.38%

LAB 63.94, -61.29, 45.94

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 70 / 0 / 47 / 42

HEX #2D944E

RGB 45 148 78

HSL 139.22, 0.53%, 0.38%

LAB 54.33, -45.22, 28.62

 

CMYK 54 / 0 / 37 / 48

HEX #3D8453

RGB 61 132 83

HSL 138.59, 0.37%, 0.38%

LAB 49.64, -33.95, 19.85

 

CMYK 34 / 0 / 23 / 55

HEX #4D7459

RGB 77 116 89

HSL 138.46, 0.2%, 0.38%

LAB 45.34, -19.95, 10.63

 

CMYK 9 / 0 / 6 / 60

HEX #5C655F

RGB 92 101 95

HSL 140, 0.05%, 0.38%

LAB 41.86, -4.75, 2.21

 

CMYK 63 / 0 / 82 / 36

HEX #3DA31E

RGB 61 163 30

HSL 106.02, 0.69%, 0.38%

LAB 59.23, -52.55, 54.94

 

CMYK 82 / 0 / 79 / 36

HEX #1EA322

RGB 30 163 34

HSL 121.8, 0.69%, 0.38%

LAB 58.59, -57.94, 52.87

 

CMYK 82 / 0 / 57 / 36

HEX #1EA346

RGB 30 163 70

HSL 138.05, 0.69%, 0.38%

LAB 58.89, -54.2, 38.26

 

CMYK 82 / 0 / 36 / 36

HEX #1EA369

RGB 30 163 105

HSL 153.83, 0.69%, 0.38%

LAB 59.43, -47.99, 20.65

 

CMYK 82 / 0 / 13 / 36

HEX #1EA38D

RGB 30 163 141

HSL 170.08, 0.69%, 0.38%

LAB 60.24, -39.18, 1.73

 

CMYK 82 / 0 / 56 / 63

HEX #115E29

RGB 17 94 41

HSL 138.7, 0.69%, 0.22%

LAB 34.57, -35.31, 23.88

 

CMYK 82 / 0 / 56 / 50

HEX #178038

RGB 23 128 56

HSL 138.86, 0.7%, 0.3%

LAB 46.85, -44.83, 30.81

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 82 / 0 / 56 / 22

HEX #24C657

RGB 36 198 87

HSL 138.89, 0.69%, 0.46%

LAB 70.49, -62.85, 43.97

 

CMYK 74 / 0 / 50 / 15

HEX #39DA6C

RGB 57 218 108

HSL 139.01, 0.69%, 0.54%

LAB 77.34, -63.92, 42.35

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 82 / 41 / 0 / 36

HEX #1E60A3

RGB 30 96 163

HSL 210.23, 0.69%, 0.38%

LAB 40.06, 4.44, -41.94

 

CMYK 0 / 82 / 74 / 36

HEX #A31E2B

RGB 163 30 43

HSL 354.14, 0.69%, 0.38%

LAB 35.77, 52.95, 27.81

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 57 / 82 / 0 / 36

HEX #461EA3

RGB 70 30 163

HSL 258.05, 0.69%, 0.38%

LAB 26.38, 50.21, -64.05

 

CMYK 0 / 57 / 82 / 36

HEX #A3461E

RGB 163 70 30

HSL 18.05, 0.69%, 0.38%

LAB 41.63, 36.21, 41.25

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 82 / 41 / 0 / 36

HEX #1E60A3

RGB 30 96 163

HSL 210.23, 0.69%, 0.38%

LAB 40.06, 4.44, -41.94

 

CMYK 0 / 82 / 25 / 36

HEX #A31E7B

RGB 163 30 123

HSL 318.05, 0.69%, 0.38%

LAB 38.1, 59.89, -19.82

 

CMYK 0 / 41 / 82 / 36

HEX #A3601E

RGB 163 96 30

HSL 29.77, 0.69%, 0.38%

LAB 47.3, 22.18, 46.55

 

CMYK 82 / 0 / 56 / 36

HEX #1EA348

RGB 30 163 72

HSL 138.95, 0.69%, 0.38%

LAB 58.92, -53.91, 37.31

 

CMYK 82 / 66 / 0 / 36

HEX #1E38A3

RGB 30 56 163

HSL 228.27, 0.69%, 0.38%

LAB 28.77, 31.15, -60.22

 

CMYK 0 / 82 / 25 / 36

HEX #A31E7B

RGB 163 30 123

HSL 318.05, 0.69%, 0.38%

LAB 38.1, 59.89, -19.82

 

CMYK 0 / 16 / 82 / 36

HEX #A3891E

RGB 163 137 30

HSL 48.27, 0.69%, 0.38%

LAB 57.82, -0.92, 56.03

 

Description

Color code: HEX #1EA348 | qconv.com Color code: HEX #1EA348 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 163 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 163 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 56 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 56% 36% C M Y K

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Provide designers and agencies with accurate color values.

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