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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EB794 it is the complementary color #E1486B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EB794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EB794 shade: #23B78F, #34C9A2, #45DBB5, #56EDC8 and #67FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EB794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EB794 shade: #1EB794, #0DA581, #00936E, #00815B and #006F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EB794 shade: #1DB894, #1DB86B, #1DB841, #23B81D and #4DB81D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EB794 shade: #1DB894, #1DB1B8, #1D88B8, #1D5EB8 and #1D35B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EB794 shade matches the following richer shades: #1DB894 and #0CC99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EB794 shade: #1DB894, #2FA68B, #409582, #518478 and #63726F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EB794 shade: #1DB841, #1DB86B, #1DB894, #1DB3B8 and #1D89B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EB794 shade: #12715B, #189478, #1DB894, #24DBB1 and #47E1BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EB794 shade: #1EB794, #1D23B8 and #B8561D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EB794 shade: #1EB794, #941DB8 and #B8941D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EB794 shade: #1EB794, #1D23B8, #B81D41 and #B8B31D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EB794 shade: #1EB794, #471DB8, #B81D41 and #8FB81D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 19 / 28

HEX #1EB794

RGB 30 183 148

HSL 166.27, 0.72%, 0.42%

LAB 66.73, -45.88, 7.2

 

Complementary color

CMYK 0 / 68 / 52 / 12

HEX #E1486B

RGB 225 72 107

HSL 346.27, 0.72%, 0.58%

LAB 53.71, 61.36, 14.21

 

CMYK 81 / 0 / 22 / 28

HEX #23B78F

RGB 35 183 143

HSL 163.78, 0.68%, 0.43%

LAB 66.68, -46.68, 9.88

 

CMYK 74 / 0 / 19 / 21

HEX #34C9A2

RGB 52 201 162

HSL 164.3, 0.59%, 0.5%

LAB 72.97, -47.55, 8.53

 

CMYK 68 / 0 / 17 / 14

HEX #45DBB5

RGB 69 219 181

HSL 164.8, 0.68%, 0.56%

LAB 79.19, -48.13, 7.32

 

CMYK 64 / 0 / 16 / 7

HEX #56EDC8

RGB 86 237 200

HSL 165.3, 0.81%, 0.63%

LAB 85.36, -48.51, 6.21

 

CMYK 60 / 0 / 14 / 0

HEX #67FFDB

RGB 103 255 219

HSL 165.79, 1%, 0.7%

LAB 91.47, -48.75, 5.19

 

CMYK 84 / 0 / 19 / 28

HEX #1EB794

RGB 30 183 148

HSL 166.27, 0.72%, 0.42%

LAB 66.73, -45.88, 7.2

 

CMYK 92 / 0 / 22 / 35

HEX #0DA581

RGB 13 165 129

HSL 165.79, 0.85%, 0.35%

LAB 60.41, -44.45, 8.69

 

CMYK 100 / 0 / 25 / 42

HEX #00936E

RGB 0 147 110

HSL 164.9, 1%, 0.29%

LAB 54.02, -42.57, 10.35

 

CMYK 100 / 0 / 29 / 49

HEX #00815B

RGB 0 129 91

HSL 162.33, 1%, 0.25%

LAB 47.57, -40.03, 12.24

 

CMYK 100 / 0 / 35 / 56

HEX #006F48

RGB 0 111 72

HSL 158.92, 1%, 0.22%

LAB 40.96, -37.38, 14.24

 

CMYK 84 / 0 / 20 / 28

HEX #1DB894

RGB 29 184 148

HSL 166.06, 0.73%, 0.42%

LAB 67.04, -46.37, 7.63

 

CMYK 84 / 0 / 42 / 28

HEX #1DB86B

RGB 29 184 107

HSL 150.19, 0.73%, 0.42%

LAB 66.22, -55.5, 28.61

 

CMYK 84 / 0 / 65 / 28

HEX #1DB841

RGB 29 184 65

HSL 133.94, 0.73%, 0.42%

LAB 65.69, -61.81, 48.37

 

CMYK 81 / 0 / 84 / 28

HEX #23B81D

RGB 35 184 29

HSL 117.68, 0.73%, 0.42%

LAB 65.54, -64.02, 60.79

 

CMYK 58 / 0 / 84 / 28

HEX #4DB81D

RGB 77 184 29

HSL 101.42, 0.73%, 0.42%

LAB 66.48, -56.04, 61.99

 

CMYK 84 / 0 / 20 / 28

HEX #1DB894

RGB 29 184 148

HSL 166.06, 0.73%, 0.42%

LAB 67.04, -46.37, 7.63

 

CMYK 84 / 4 / 0 / 28

HEX #1DB1B8

RGB 29 177 184

HSL 182.71, 0.73%, 0.42%

LAB 65.88, -33.07, -13.97

 

CMYK 84 / 26 / 0 / 28

HEX #1D88B8

RGB 29 136 184

HSL 198.58, 0.73%, 0.42%

LAB 53.31, -11.81, -33.26

 

CMYK 84 / 49 / 0 / 28

HEX #1D5EB8

RGB 29 94 184

HSL 214.84, 0.73%, 0.42%

LAB 40.78, 13.94, -53.17

 

CMYK 84 / 71 / 0 / 28

HEX #1D35B8

RGB 29 53 184

HSL 230.71, 0.73%, 0.42%

LAB 30.08, 40.77, -70.63

 

CMYK 84 / 0 / 20 / 28

HEX #1DB894

RGB 29 184 148

HSL 166.06, 0.73%, 0.42%

LAB 67.04, -46.37, 7.63

 

CMYK 94 / 0 / 21 / 21

HEX #0CC99E

RGB 12 201 158

HSL 166.35, 0.89%, 0.42%

LAB 72.44, -51.68, 9.88

 

CMYK 84 / 0 / 20 / 28

HEX #1DB894

RGB 29 184 148

HSL 166.06, 0.73%, 0.42%

LAB 67.04, -46.37, 7.63

 

CMYK 72 / 0 / 16 / 35

HEX #2FA68B

RGB 47 166 139

HSL 166.39, 0.56%, 0.42%

LAB 61.43, -39.01, 4.61

 

CMYK 57 / 0 / 13 / 42

HEX #409582

RGB 64 149 130

HSL 166.59, 0.4%, 0.42%

LAB 56.28, -30.46, 2.32

 

CMYK 39 / 0 / 9 / 48

HEX #518478

RGB 81 132 120

HSL 165.88, 0.24%, 0.42%

LAB 51.39, -20.07, 1.08

 

CMYK 13 / 0 / 3 / 55

HEX #63726F

RGB 99 114 111

HSL 168, 0.07%, 0.42%

LAB 46.76, -6.25, -0.24

 

CMYK 84 / 0 / 65 / 28

HEX #1DB841

RGB 29 184 65

HSL 133.94, 0.73%, 0.42%

LAB 65.69, -61.81, 48.37

 

CMYK 84 / 0 / 42 / 28

HEX #1DB86B

RGB 29 184 107

HSL 150.19, 0.73%, 0.42%

LAB 66.22, -55.5, 28.61

 

CMYK 84 / 0 / 20 / 28

HEX #1DB894

RGB 29 184 148

HSL 166.06, 0.73%, 0.42%

LAB 67.04, -46.37, 7.63

 

CMYK 84 / 3 / 0 / 28

HEX #1DB3B8

RGB 29 179 184

HSL 181.94, 0.73%, 0.42%

LAB 66.49, -34.02, -13.05

 

CMYK 84 / 26 / 0 / 28

HEX #1D89B8

RGB 29 137 184

HSL 198.19, 0.73%, 0.42%

LAB 53.61, -12.38, -32.79

 

CMYK 84 / 0 / 19 / 56

HEX #12715B

RGB 18 113 91

HSL 166.11, 0.73%, 0.26%

LAB 42.3, -31.77, 4.83

 

CMYK 84 / 0 / 19 / 42

HEX #189478

RGB 24 148 120

HSL 166.45, 0.72%, 0.34%

LAB 54.79, -38.86, 5.77

 

CMYK 84 / 0 / 20 / 28

HEX #1DB894

RGB 29 184 148

HSL 166.06, 0.73%, 0.42%

LAB 67.04, -46.37, 7.63

 

CMYK 84 / 0 / 19 / 14

HEX #24DBB1

RGB 36 219 177

HSL 166.23, 0.72%, 0.5%

LAB 78.59, -52.78, 8.5

 

CMYK 68 / 0 / 16 / 12

HEX #47E1BE

RGB 71 225 190

HSL 166.36, 0.72%, 0.58%

LAB 81.24, -48.17, 5.49

 

CMYK 84 / 0 / 19 / 28

HEX #1EB794

RGB 30 183 148

HSL 166.27, 0.72%, 0.42%

LAB 66.73, -45.88, 7.2

 

CMYK 84 / 81 / 0 / 28

HEX #1D23B8

RGB 29 35 184

HSL 237.68, 0.73%, 0.42%

LAB 26.52, 50.87, -76.53

 

CMYK 0 / 53 / 84 / 28

HEX #B8561D

RGB 184 86 29

HSL 22.06, 0.73%, 0.42%

LAB 48.18, 36.37, 48.92

 

CMYK 84 / 0 / 19 / 28

HEX #1EB794

RGB 30 183 148

HSL 166.27, 0.72%, 0.42%

LAB 66.73, -45.88, 7.2

 

CMYK 20 / 84 / 0 / 28

HEX #941DB8

RGB 148 29 184

HSL 286.06, 0.73%, 0.42%

LAB 38.96, 66.83, -55.61

 

CMYK 0 / 20 / 84 / 28

HEX #B8941D

RGB 184 148 29

HSL 46.06, 0.73%, 0.42%

LAB 62.89, 2.55, 61.54

 

CMYK 84 / 0 / 19 / 28

HEX #1EB794

RGB 30 183 148

HSL 166.27, 0.72%, 0.42%

LAB 66.73, -45.88, 7.2

 

CMYK 84 / 81 / 0 / 28

HEX #1D23B8

RGB 29 35 184

HSL 237.68, 0.73%, 0.42%

LAB 26.52, 50.87, -76.53

 

CMYK 0 / 84 / 65 / 28

HEX #B81D41

RGB 184 29 65

HSL 346.06, 0.73%, 0.42%

LAB 40.33, 60.24, 20.61

 

CMYK 0 / 3 / 84 / 28

HEX #B8B31D

RGB 184 179 29

HSL 58.06, 0.73%, 0.42%

LAB 71.23, -13.85, 68.53

 

CMYK 84 / 0 / 19 / 28

HEX #1EB794

RGB 30 183 148

HSL 166.27, 0.72%, 0.42%

LAB 66.73, -45.88, 7.2

 

CMYK 61 / 84 / 0 / 28

HEX #471DB8

RGB 71 29 184

HSL 256.26, 0.73%, 0.42%

LAB 28.59, 56.46, -73.01

 

CMYK 0 / 84 / 65 / 28

HEX #B81D41

RGB 184 29 65

HSL 346.06, 0.73%, 0.42%

LAB 40.33, 60.24, 20.61

 

CMYK 22 / 0 / 84 / 28

HEX #8FB81D

RGB 143 184 29

HSL 75.87, 0.73%, 0.42%

LAB 69.62, -33.64, 65.96

 

Description

Color code: HEX #1EB794 | qconv.com Color code: HEX #1EB794 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 183 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 183 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 19 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 19% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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