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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EB7CC it is the complementary color #E14833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EB7CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EB7CC shade: #23B7C7, #34C9DA, #45DBED, #56EDFF and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EB7CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EB7CC shade: #1EB7CC, #0DA5B9, #0093A6, #008193 and #006F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EB7CC shade: #1EB7CC, #1E88CC, #1E59CC, #1E2ACC and #411ECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EB7CC shade: #1EB7CC, #1E88CC, #1E59CC, #1E2ACC and #1E1ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EB7CC shade matches the following richer shades: #1EB7CC and #0BC5DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EB7CC shade: #1EB7CC, #31A8B9, #449AA6, #578B93 and #6A7D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EB7CC shade: #1ECC83, #1ECCB2, #1EB7CC, #1E89CC and #1E5BCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EB7CC shade: #137684, #1996A8, #1EB7CC, #33CBE0 and #57D4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EB7CC shade: #1EB7CC, #551ECC and #CC9A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EB7CC shade: #1EB7CC, #CC1EB7 and #B7CC1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EB7CC shade: #1EB7CC, #551ECC, #CC321E and #95CC1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EB7CC shade: #1EB7CC, #891ECC, #CC321E and #61CC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

Complementary color

CMYK 0 / 68 / 77 / 12

HEX #E14833

RGB 225 72 51

HSL 7.24, 0.74%, 0.54%

LAB 52.82, 58.18, 45.3

 

CMYK 82 / 8 / 0 / 22

HEX #23B7C7

RGB 35 183 199

HSL 185.85, 0.7%, 0.46%

LAB 68.28, -30.82, -18.63

 

CMYK 76 / 8 / 0 / 15

HEX #34C9DA

RGB 52 201 218

HSL 186.14, 0.69%, 0.53%

LAB 74.55, -32.06, -19.46

 

CMYK 71 / 8 / 0 / 7

HEX #45DBED

RGB 69 219 237

HSL 186.43, 0.82%, 0.6%

LAB 80.76, -33.03, -20.21

 

CMYK 66 / 7 / 0 / 0

HEX #56EDFF

RGB 86 237 255

HSL 186.39, 1%, 0.67%

LAB 86.88, -34.07, -20.41

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 93 / 11 / 0 / 27

HEX #0DA5B9

RGB 13 165 185

HSL 186.98, 0.87%, 0.39%

LAB 62.08, -27.82, -20.3

 

CMYK 100 / 11 / 0 / 35

HEX #0093A6

RGB 0 147 166

HSL 186.87, 1%, 0.33%

LAB 55.71, -25.63, -19.28

 

CMYK 100 / 12 / 0 / 42

HEX #008193

RGB 0 129 147

HSL 187.35, 1%, 0.29%

LAB 49.26, -22.91, -18.13

 

CMYK 100 / 13 / 0 / 50

HEX #006F80

RGB 0 111 128

HSL 187.97, 1%, 0.25%

LAB 42.65, -20.12, -16.96

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 85 / 33 / 0 / 20

HEX #1E88CC

RGB 30 136 204

HSL 203.45, 0.74%, 0.46%

LAB 54.28, -4.38, -43.11

 

CMYK 85 / 56 / 0 / 20

HEX #1E59CC

RGB 30 89 204

HSL 219.66, 0.74%, 0.46%

LAB 40.86, 25.14, -64.65

 

CMYK 85 / 79 / 0 / 20

HEX #1E2ACC

RGB 30 42 204

HSL 235.86, 0.74%, 0.46%

LAB 30.14, 53.78, -82.3

 

CMYK 68 / 85 / 0 / 20

HEX #411ECC

RGB 65 30 204

HSL 252.07, 0.74%, 0.46%

LAB 30.43, 61.03, -81.75

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 85 / 33 / 0 / 20

HEX #1E88CC

RGB 30 136 204

HSL 203.45, 0.74%, 0.46%

LAB 54.28, -4.38, -43.11

 

CMYK 85 / 56 / 0 / 20

HEX #1E59CC

RGB 30 89 204

HSL 219.66, 0.74%, 0.46%

LAB 40.86, 25.14, -64.65

 

CMYK 85 / 79 / 0 / 20

HEX #1E2ACC

RGB 30 42 204

HSL 235.86, 0.74%, 0.46%

LAB 30.14, 53.78, -82.3

 

CMYK 85 / 85 / 0 / 20

HEX #1E1ECC

RGB 30 30 204

HSL 240, 0.74%, 0.46%

LAB 28.29, 59.24, -85.37

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 95 / 12 / 0 / 13

HEX #0BC5DF

RGB 11 197 223

HSL 187.36, 0.91%, 0.46%

LAB 73.11, -31.17, -24.39

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 74 / 9 / 0 / 27

HEX #31A8B9

RGB 49 168 185

HSL 187.5, 0.58%, 0.46%

LAB 63.48, -26.42, -18.13

 

CMYK 59 / 7 / 0 / 35

HEX #449AA6

RGB 68 154 166

HSL 187.35, 0.42%, 0.46%

LAB 59.06, -22.12, -14.07

 

CMYK 41 / 5 / 0 / 42

HEX #578B93

RGB 87 139 147

HSL 188, 0.26%, 0.46%

LAB 54.66, -15.15, -9.74

 

CMYK 17 / 2 / 0 / 50

HEX #6A7D80

RGB 106 125 128

HSL 188.18, 0.09%, 0.46%

LAB 51.02, -6.23, -3.96

 

CMYK 85 / 0 / 36 / 20

HEX #1ECC83

RGB 30 204 131

HSL 154.83, 0.74%, 0.46%

LAB 72.96, -57.93, 25

 

CMYK 85 / 0 / 13 / 20

HEX #1ECCB2

RGB 30 204 178

HSL 171.03, 0.74%, 0.46%

LAB 73.98, -46.8, 1.32

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 85 / 33 / 0 / 20

HEX #1E89CC

RGB 30 137 204

HSL 203.1, 0.74%, 0.46%

LAB 54.58, -4.96, -42.64

 

CMYK 85 / 55 / 0 / 20

HEX #1E5BCC

RGB 30 91 204

HSL 218.97, 0.74%, 0.46%

LAB 41.4, 23.83, -63.77

 

CMYK 86 / 11 / 0 / 48

HEX #137684

RGB 19 118 132

HSL 187.43, 0.75%, 0.3%

LAB 45.31, -21.24, -15.29

 

CMYK 85 / 11 / 0 / 34

HEX #1996A8

RGB 25 150 168

HSL 187.55, 0.74%, 0.38%

LAB 56.93, -25.22, -18.54

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 77 / 9 / 0 / 12

HEX #33CBE0

RGB 51 203 224

HSL 187.28, 0.74%, 0.54%

LAB 75.33, -31.29, -21.52

 

CMYK 62 / 7 / 0 / 10

HEX #57D4E5

RGB 87 212 229

HSL 187.18, 0.73%, 0.62%

LAB 78.91, -29.41, -18.7

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 58 / 85 / 0 / 20

HEX #551ECC

RGB 85 30 204

HSL 258.97, 0.74%, 0.46%

LAB 32.3, 62.66, -78.59

 

CMYK 0 / 25 / 85 / 20

HEX #CC9A1E

RGB 204 154 30

HSL 42.76, 0.74%, 0.46%

LAB 66.55, 8.24, 65.18

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 0 / 85 / 10 / 20

HEX #CC1EB7

RGB 204 30 183

HSL 307.24, 0.74%, 0.46%

LAB 48.49, 76.65, -39.23

 

CMYK 10 / 0 / 85 / 20

HEX #B7CC1E

RGB 183 204 30

HSL 67.24, 0.74%, 0.46%

LAB 78.08, -26.63, 73.98

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 58 / 85 / 0 / 20

HEX #551ECC

RGB 85 30 204

HSL 258.97, 0.74%, 0.46%

LAB 32.3, 62.66, -78.59

 

CMYK 0 / 75 / 85 / 20

HEX #CC321E

RGB 204 50 30

HSL 6.9, 0.74%, 0.46%

LAB 45.92, 58.81, 47.88

 

CMYK 27 / 0 / 85 / 20

HEX #95CC1E

RGB 149 204 30

HSL 78.97, 0.74%, 0.46%

LAB 75.87, -40.27, 71.23

 

CMYK 85 / 10 / 0 / 20

HEX #1EB7CC

RGB 30 183 204

HSL 187.24, 0.74%, 0.46%

LAB 68.39, -29.6, -21.21

 

CMYK 33 / 85 / 0 / 20

HEX #891ECC

RGB 137 30 204

HSL 276.9, 0.74%, 0.46%

LAB 38.91, 68.82, -67.48

 

CMYK 0 / 75 / 85 / 20

HEX #CC321E

RGB 204 50 30

HSL 6.9, 0.74%, 0.46%

LAB 45.92, 58.81, 47.88

 

CMYK 52 / 0 / 85 / 20

HEX #61CC1E

RGB 97 204 30

HSL 96.9, 0.74%, 0.46%

LAB 73.43, -57.78, 68.17

 

Description

Color code: HEX #1EB7CC | qconv.com Color code: HEX #1EB7CC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 183 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 183 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 10 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 10% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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