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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC4AE it is the complementary color #E13B51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC4AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC4AE shade: #23C4A9, #34D6BC, #45E8CF, #56FAE2 and #67FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC4AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC4AE shade: #1EC4AE, #0DB29B, #00A088, #008E75 and #007C62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC4AE shade: #1EC2AC, #1EC280, #1EC254, #1EC227 and #40C21E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC4AE shade: #1EC2AC, #1EABC2, #1E7FC2, #1E53C2 and #1E27C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC4AE shade matches the following richer shades: #1EC2AC and #0CD4B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC4AE shade: #1EC2AC, #30AF9F, #429D91, #548B84 and #667977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC4AE shade: #1EC254, #1EC280, #1EC2AC, #1EACC2 and #1E80C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC4AE shade: #137A6D, #189E8C, #1EC2AC, #2BDEC6 and #4FE3CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC4AE shade: #1EC4AE, #291EC2 and #C26A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC4AE shade: #1EC4AE, #AC1EC2 and #C2AC1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC4AE shade: #1EC4AE, #291EC2, #C21E34 and #B7C21E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC4AE shade: #1EC4AE, #5A1EC2, #C21E34 and #86C21E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 11 / 23

HEX #1EC4AE

RGB 30 196 174

HSL 172.05, 0.73%, 0.44%

LAB 71.43, -44.48, -0.24

 

Complementary color

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 82 / 0 / 14 / 23

HEX #23C4A9

RGB 35 196 169

HSL 169.94, 0.7%, 0.45%

LAB 71.35, -45.44, 2.38

 

CMYK 76 / 0 / 12 / 16

HEX #34D6BC

RGB 52 214 188

HSL 170.37, 0.66%, 0.52%

LAB 77.55, -46.43, 1.17

 

CMYK 70 / 0 / 11 / 9

HEX #45E8CF

RGB 69 232 207

HSL 170.8, 0.78%, 0.59%

LAB 83.7, -47.16, 0.07

 

CMYK 66 / 0 / 10 / 2

HEX #56FAE2

RGB 86 250 226

HSL 171.22, 0.94%, 0.66%

LAB 89.79, -47.69, -0.94

 

CMYK 60 / 0 / 4 / 0

HEX #67FFF5

RGB 103 255 245

HSL 176.05, 1%, 0.7%

LAB 92.13, -42.38, -7.31

 

CMYK 85 / 0 / 11 / 23

HEX #1EC4AE

RGB 30 196 174

HSL 172.05, 0.73%, 0.44%

LAB 71.43, -44.48, -0.24

 

CMYK 93 / 0 / 13 / 30

HEX #0DB29B

RGB 13 178 155

HSL 171.64, 0.86%, 0.37%

LAB 65.19, -42.97, 1.09

 

CMYK 100 / 0 / 15 / 37

HEX #00A088

RGB 0 160 136

HSL 171, 1%, 0.31%

LAB 58.9, -41.05, 2.58

 

CMYK 100 / 0 / 18 / 44

HEX #008E75

RGB 0 142 117

HSL 169.44, 1%, 0.28%

LAB 52.54, -38.6, 4.24

 

CMYK 100 / 0 / 21 / 51

HEX #007C62

RGB 0 124 98

HSL 167.42, 1%, 0.24%

LAB 46.04, -36.08, 5.99

 

CMYK 85 / 0 / 11 / 24

HEX #1EC2AC

RGB 30 194 172

HSL 171.95, 0.73%, 0.44%

LAB 70.76, -44.17, -0.12

 

CMYK 85 / 0 / 34 / 24

HEX #1EC280

RGB 30 194 128

HSL 155.85, 0.73%, 0.44%

LAB 69.77, -54.87, 22.26

 

CMYK 85 / 0 / 57 / 24

HEX #1EC254

RGB 30 194 84

HSL 139.76, 0.73%, 0.44%

LAB 69.11, -62.55, 43.72

 

CMYK 85 / 0 / 80 / 24

HEX #1EC227

RGB 30 194 39

HSL 123.29, 0.73%, 0.44%

LAB 68.76, -66.98, 61.04

 

CMYK 67 / 0 / 85 / 24

HEX #40C21E

RGB 64 194 30

HSL 107.56, 0.73%, 0.44%

LAB 69.3, -62.37, 64.14

 

CMYK 85 / 0 / 11 / 24

HEX #1EC2AC

RGB 30 194 172

HSL 171.95, 0.73%, 0.44%

LAB 70.76, -44.17, -0.12

 

CMYK 85 / 12 / 0 / 24

HEX #1EABC2

RGB 30 171 194

HSL 188.41, 0.73%, 0.44%

LAB 64.4, -26.9, -21.77

 

CMYK 85 / 35 / 0 / 24

HEX #1E7FC2

RGB 30 127 194

HSL 204.51, 0.73%, 0.44%

LAB 51.09, -2.8, -42.47

 

CMYK 85 / 57 / 0 / 24

HEX #1E53C2

RGB 30 83 194

HSL 220.61, 0.73%, 0.44%

LAB 38.48, 25.2, -62.74

 

CMYK 85 / 80 / 0 / 24

HEX #1E27C2

RGB 30 39 194

HSL 236.71, 0.73%, 0.44%

LAB 28.44, 52.11, -79.26

 

CMYK 85 / 0 / 11 / 24

HEX #1EC2AC

RGB 30 194 172

HSL 171.95, 0.73%, 0.44%

LAB 70.76, -44.17, -0.12

 

CMYK 94 / 0 / 13 / 17

HEX #0CD4B9

RGB 12 212 185

HSL 171.9, 0.89%, 0.44%

LAB 76.48, -49.14, 1.16

 

CMYK 85 / 0 / 11 / 24

HEX #1EC2AC

RGB 30 194 172

HSL 171.95, 0.73%, 0.44%

LAB 70.76, -44.17, -0.12

 

CMYK 73 / 0 / 9 / 31

HEX #30AF9F

RGB 48 175 159

HSL 172.44, 0.57%, 0.44%

LAB 64.8, -37.56, -1.66

 

CMYK 58 / 0 / 8 / 38

HEX #429D91

RGB 66 157 145

HSL 172.09, 0.41%, 0.44%

LAB 59.27, -29.96, -1.86

 

CMYK 40 / 0 / 5 / 45

HEX #548B84

RGB 84 139 132

HSL 172.36, 0.25%, 0.44%

LAB 54.04, -19.9, -2

 

CMYK 16 / 0 / 2 / 53

HEX #667977

RGB 102 121 119

HSL 173.68, 0.09%, 0.44%

LAB 49.29, -7.4, -1.25

 

CMYK 85 / 0 / 57 / 24

HEX #1EC254

RGB 30 194 84

HSL 139.76, 0.73%, 0.44%

LAB 69.11, -62.55, 43.72

 

CMYK 85 / 0 / 34 / 24

HEX #1EC280

RGB 30 194 128

HSL 155.85, 0.73%, 0.44%

LAB 69.77, -54.87, 22.26

 

CMYK 85 / 0 / 11 / 24

HEX #1EC2AC

RGB 30 194 172

HSL 171.95, 0.73%, 0.44%

LAB 70.76, -44.17, -0.12

 

CMYK 85 / 11 / 0 / 24

HEX #1EACC2

RGB 30 172 194

HSL 188.05, 0.73%, 0.44%

LAB 64.7, -27.4, -21.3

 

CMYK 85 / 34 / 0 / 24

HEX #1E80C2

RGB 30 128 194

HSL 204.15, 0.73%, 0.44%

LAB 51.39, -3.4, -41.99

 

CMYK 84 / 0 / 11 / 52

HEX #137A6D

RGB 19 122 109

HSL 172.43, 0.73%, 0.28%

LAB 45.85, -30.66, -0.77

 

CMYK 85 / 0 / 11 / 38

HEX #189E8C

RGB 24 158 140

HSL 171.94, 0.74%, 0.36%

LAB 58.55, -37.76, -0.18

 

CMYK 85 / 0 / 11 / 24

HEX #1EC2AC

RGB 30 194 172

HSL 171.95, 0.73%, 0.44%

LAB 70.76, -44.17, -0.12

 

CMYK 81 / 0 / 11 / 13

HEX #2BDEC6

RGB 43 222 198

HSL 171.96, 0.73%, 0.52%

LAB 80.09, -48.06, -0.49

 

CMYK 65 / 0 / 9 / 11

HEX #4FE3CF

RGB 79 227 207

HSL 171.89, 0.73%, 0.6%

LAB 82.44, -43.59, -1.75

 

CMYK 85 / 0 / 11 / 23

HEX #1EC4AE

RGB 30 196 174

HSL 172.05, 0.73%, 0.44%

LAB 71.43, -44.48, -0.24

 

CMYK 79 / 85 / 0 / 24

HEX #291EC2

RGB 41 30 194

HSL 244.02, 0.73%, 0.44%

LAB 27.56, 56.76, -80.7

 

CMYK 0 / 45 / 85 / 24

HEX #C26A1E

RGB 194 106 30

HSL 27.8, 0.73%, 0.44%

LAB 53.89, 30, 54.05

 

CMYK 85 / 0 / 11 / 23

HEX #1EC4AE

RGB 30 196 174

HSL 172.05, 0.73%, 0.44%

LAB 71.43, -44.48, -0.24

 

CMYK 11 / 85 / 0 / 24

HEX #AC1EC2

RGB 172 30 194

HSL 291.95, 0.73%, 0.44%

LAB 43.65, 72.46, -53.72

 

CMYK 0 / 11 / 85 / 24

HEX #C2AC1E

RGB 194 172 30

HSL 51.95, 0.73%, 0.44%

LAB 70.22, -5.8, 67.81

 

CMYK 85 / 0 / 11 / 23

HEX #1EC4AE

RGB 30 196 174

HSL 172.05, 0.73%, 0.44%

LAB 71.43, -44.48, -0.24

 

CMYK 79 / 85 / 0 / 24

HEX #291EC2

RGB 41 30 194

HSL 244.02, 0.73%, 0.44%

LAB 27.56, 56.76, -80.7

 

CMYK 0 / 85 / 73 / 24

HEX #C21E34

RGB 194 30 52

HSL 351.95, 0.73%, 0.44%

LAB 42.22, 62.1, 31.44

 

CMYK 6 / 0 / 85 / 24

HEX #B7C21E

RGB 183 194 30

HSL 64.02, 0.73%, 0.44%

LAB 75.29, -21.78, 71.66

 

CMYK 85 / 0 / 11 / 23

HEX #1EC4AE

RGB 30 196 174

HSL 172.05, 0.73%, 0.44%

LAB 71.43, -44.48, -0.24

 

CMYK 54 / 85 / 0 / 24

HEX #5A1EC2

RGB 90 30 194

HSL 261.95, 0.73%, 0.44%

LAB 31.8, 60.63, -73.54

 

CMYK 0 / 85 / 73 / 24

HEX #C21E34

RGB 194 30 52

HSL 351.95, 0.73%, 0.44%

LAB 42.22, 62.1, 31.44

 

CMYK 31 / 0 / 85 / 24

HEX #86C21E

RGB 134 194 30

HSL 81.95, 0.73%, 0.44%

LAB 72.06, -41.58, 67.62

 

Description

Color code: HEX #1EC4AE | qconv.com Color code: HEX #1EC4AE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 196 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 196 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 11 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 11% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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