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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC5F9 it is the complementary color #E13A06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC5F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC5F9 shade: #23C5F4, #34D7FF, #45E9FF, #56FBFF and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC5F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC5F9 shade: #1EC5F9, #0DB3E6, #00A1D3, #008FC0 and #007DAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC5F9 shade: #1FC5F9, #1F8AF9, #1F4FF9, #291FF9 and #641FF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC5F9 shade: #1FC5F9, #1F8AF9, #1F4FF9 and #1F1FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC5F9 shade matches the following richer shades: #1FC5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC5F9 shade: #1FC5F9, #31BBE6, #44B1D4, #56A8C1 and #699EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC5F9 shade: #1FF9B7, #1FF9F1, #1FC6F9, #1F8CF9 and #1F52F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC5F9 shade: #0494C1, #05B3E9, #1FC5F9, #47CFFA and #6FDAFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC5F9 shade: #1EC5F9, #7D1FF9 and #F9D41F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC5F9 shade: #1EC5F9, #F91FC6 and #C6F91F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC5F9 shade: #1EC5F9, #7D1FF9, #F9521F and #9AF91F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC5F9 shade: #1EC5F9, #BF1FF9, #F9521F and #59F91F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 21 / 0 / 2

HEX #1EC5F9

RGB 30 197 249

HSL 194.25, 0.95%, 0.55%

LAB 74.22, -21.83, -36.71

 

Complementary color

CMYK 0 / 74 / 97 / 12

HEX #E13A06

RGB 225 58 6

HSL 14.25, 0.95%, 0.45%

LAB 50.74, 62.31, 61.18

 

CMYK 86 / 19 / 0 / 4

HEX #23C5F4

RGB 35 197 244

HSL 193.49, 0.9%, 0.55%

LAB 74.08, -23.21, -34.24

 

CMYK 80 / 16 / 0 / 0

HEX #34D7FF

RGB 52 215 255

HSL 191.82, 1%, 0.6%

LAB 79.93, -27.37, -31.08

 

CMYK 73 / 9 / 0 / 0

HEX #45E9FF

RGB 69 233 255

HSL 187.1, 1%, 0.64%

LAB 85.38, -34.34, -22.72

 

CMYK 66 / 2 / 0 / 0

HEX #56FBFF

RGB 86 251 255

HSL 181.42, 1%, 0.67%

LAB 90.87, -40.51, -14.42

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 88 / 21 / 0 / 2

HEX #1EC5F9

RGB 30 197 249

HSL 194.25, 0.95%, 0.55%

LAB 74.22, -21.83, -36.71

 

CMYK 94 / 22 / 0 / 10

HEX #0DB3E6

RGB 13 179 230

HSL 194.1, 0.89%, 0.48%

LAB 68.05, -19.71, -36

 

CMYK 100 / 24 / 0 / 17

HEX #00A1D3

RGB 0 161 211

HSL 194.22, 1%, 0.41%

LAB 61.82, -17.21, -35.23

 

CMYK 100 / 26 / 0 / 25

HEX #008FC0

RGB 0 143 192

HSL 195.31, 1%, 0.38%

LAB 55.53, -14.26, -34.36

 

CMYK 100 / 28 / 0 / 32

HEX #007DAD

RGB 0 125 173

HSL 196.65, 1%, 0.34%

LAB 49.11, -11.19, -33.52

 

CMYK 88 / 21 / 0 / 2

HEX #1FC5F9

RGB 31 197 249

HSL 194.31, 0.95%, 0.55%

LAB 74.23, -21.78, -36.69

 

CMYK 88 / 45 / 0 / 2

HEX #1F8AF9

RGB 31 138 249

HSL 210.55, 0.95%, 0.55%

LAB 57.37, 11.41, -63.32

 

CMYK 88 / 68 / 0 / 2

HEX #1F4FF9

RGB 31 79 249

HSL 226.79, 0.95%, 0.55%

LAB 42.34, 48.18, -87.8

 

CMYK 84 / 88 / 0 / 2

HEX #291FF9

RGB 41 31 249

HSL 242.75, 0.95%, 0.55%

LAB 34.58, 71.76, -100.66

 

CMYK 60 / 88 / 0 / 2

HEX #641FF9

RGB 100 31 249

HSL 258.99, 0.95%, 0.55%

LAB 38.78, 74.77, -93.57

 

CMYK 88 / 21 / 0 / 2

HEX #1FC5F9

RGB 31 197 249

HSL 194.31, 0.95%, 0.55%

LAB 74.23, -21.78, -36.69

 

CMYK 88 / 45 / 0 / 2

HEX #1F8AF9

RGB 31 138 249

HSL 210.55, 0.95%, 0.55%

LAB 57.37, 11.41, -63.32

 

CMYK 88 / 68 / 0 / 2

HEX #1F4FF9

RGB 31 79 249

HSL 226.79, 0.95%, 0.55%

LAB 42.34, 48.18, -87.8

 

CMYK 88 / 88 / 0 / 2

HEX #1F1FF9

RGB 31 31 249

HSL 240, 0.95%, 0.55%

LAB 34.21, 71.51, -101.28

 

CMYK 88 / 21 / 0 / 2

HEX #1FC5F9

RGB 31 197 249

HSL 194.31, 0.95%, 0.55%

LAB 74.23, -21.78, -36.69

 

CMYK 88 / 21 / 0 / 2

HEX #1FC5F9

RGB 31 197 249

HSL 194.31, 0.95%, 0.55%

LAB 74.23, -21.78, -36.69

 

CMYK 79 / 19 / 0 / 10

HEX #31BBE6

RGB 49 187 230

HSL 194.25, 0.78%, 0.55%

LAB 70.81, -21.61, -31.7

 

CMYK 68 / 17 / 0 / 17

HEX #44B1D4

RGB 68 177 212

HSL 194.58, 0.63%, 0.55%

LAB 67.6, -19.93, -26.77

 

CMYK 55 / 13 / 0 / 24

HEX #56A8C1

RGB 86 168 193

HSL 194.02, 0.46%, 0.55%

LAB 64.83, -17.84, -20.43

 

CMYK 40 / 9 / 0 / 32

HEX #699EAE

RGB 105 158 174

HSL 193.91, 0.3%, 0.55%

LAB 62.09, -13.32, -13.86

 

CMYK 88 / 0 / 27 / 2

HEX #1FF9B7

RGB 31 249 183

HSL 161.83, 0.95%, 0.55%

LAB 87.71, -63.22, 18.26

 

CMYK 88 / 0 / 3 / 2

HEX #1FF9F1

RGB 31 249 241

HSL 177.8, 0.95%, 0.55%

LAB 89.11, -48.57, -9.84

 

CMYK 88 / 20 / 0 / 2

HEX #1FC6F9

RGB 31 198 249

HSL 194.04, 0.95%, 0.55%

LAB 74.52, -22.29, -36.24

 

CMYK 88 / 44 / 0 / 2

HEX #1F8CF9

RGB 31 140 249

HSL 210, 0.95%, 0.55%

LAB 57.93, 10.19, -62.43

 

CMYK 88 / 67 / 0 / 2

HEX #1F52F9

RGB 31 82 249

HSL 225.96, 0.95%, 0.55%

LAB 43.01, 46.37, -86.7

 

CMYK 98 / 23 / 0 / 24

HEX #0494C1

RGB 4 148 193

HSL 194.29, 0.96%, 0.39%

LAB 57.13, -16.51, -32.44

 

CMYK 98 / 23 / 0 / 9

HEX #05B3E9

RGB 5 179 233

HSL 194.21, 0.96%, 0.47%

LAB 68.14, -18.88, -37.51

 

CMYK 88 / 21 / 0 / 2

HEX #1FC5F9

RGB 31 197 249

HSL 194.31, 0.95%, 0.55%

LAB 74.23, -21.78, -36.69

 

CMYK 72 / 17 / 0 / 2

HEX #47CFFA

RGB 71 207 250

HSL 194.41, 0.95%, 0.63%

LAB 77.8, -22.95, -31.66

 

CMYK 56 / 13 / 0 / 2

HEX #6FDAFB

RGB 111 218 251

HSL 194.14, 0.95%, 0.71%

LAB 82.1, -21.83, -25.5

 

CMYK 88 / 21 / 0 / 2

HEX #1EC5F9

RGB 30 197 249

HSL 194.25, 0.95%, 0.55%

LAB 74.22, -21.83, -36.71

 

CMYK 50 / 88 / 0 / 2

HEX #7D1FF9

RGB 125 31 249

HSL 265.87, 0.95%, 0.55%

LAB 41.5, 76.92, -88.98

 

CMYK 0 / 15 / 88 / 2

HEX #F9D41F

RGB 249 212 31

HSL 49.82, 0.95%, 0.55%

LAB 85.67, -2.6, 82.2

 

CMYK 88 / 21 / 0 / 2

HEX #1EC5F9

RGB 30 197 249

HSL 194.25, 0.95%, 0.55%

LAB 74.22, -21.83, -36.71

 

CMYK 0 / 88 / 20 / 2

HEX #F91FC6

RGB 249 31 198

HSL 314.04, 0.95%, 0.55%

LAB 57.27, 87.15, -33.6

 

CMYK 20 / 0 / 88 / 2

HEX #C6F91F

RGB 198 249 31

HSL 74.04, 0.95%, 0.55%

LAB 91.62, -41.22, 85.37

 

CMYK 88 / 21 / 0 / 2

HEX #1EC5F9

RGB 30 197 249

HSL 194.25, 0.95%, 0.55%

LAB 74.22, -21.83, -36.71

 

CMYK 50 / 88 / 0 / 2

HEX #7D1FF9

RGB 125 31 249

HSL 265.87, 0.95%, 0.55%

LAB 41.5, 76.92, -88.98

 

CMYK 0 / 67 / 88 / 2

HEX #F9521F

RGB 249 82 31

HSL 14.04, 0.95%, 0.55%

LAB 58.3, 61.6, 60.86

 

CMYK 38 / 0 / 88 / 2

HEX #9AF91F

RGB 154 249 31

HSL 86.15, 0.95%, 0.55%

LAB 89.26, -57.07, 82.46

 

CMYK 88 / 21 / 0 / 2

HEX #1EC5F9

RGB 30 197 249

HSL 194.25, 0.95%, 0.55%

LAB 74.22, -21.83, -36.71

 

CMYK 23 / 88 / 0 / 2

HEX #BF1FF9

RGB 191 31 249

HSL 284.04, 0.95%, 0.55%

LAB 50.57, 84.86, -73.77

 

CMYK 0 / 67 / 88 / 2

HEX #F9521F

RGB 249 82 31

HSL 14.04, 0.95%, 0.55%

LAB 58.3, 61.6, 60.86

 

CMYK 64 / 0 / 88 / 2

HEX #59F91F

RGB 89 249 31

HSL 104.04, 0.95%, 0.55%

LAB 86.98, -74.77, 79.62

 

Description

Color code: HEX #1EC5F9 | qconv.com Color code: HEX #1EC5F9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 197 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 197 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 21 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 21% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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