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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ECB2D it is the complementary color #E134D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ECB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ECB2D shade: #23CB28, #34DD3B, #45EF4E, #56FF61 and #67FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ECB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ECB2D shade: #1ECB2D, #0DB91A, #00A707, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ECB2D shade: #1ECC2D, #3ECC1E, #6DCC1E, #9BCC1E and #CACC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ECB2D shade: #1ECC2D, #1ECC5C, #1ECC8B, #1ECCB9 and #1EAFCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ECB2D shade matches the following richer shades: #1ECC2D and #0BDF1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ECB2D shade: #1ECC2D, #31B93D, #44A64C, #57935C and #6A806C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ECB2D shade: #6CCC1E, #3ECC1E, #1ECC2C, #1ECC5B and #1ECC89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ECB2D shade: #13841D, #19A825, #1ECC2D, #33E042 and #57E563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ECB2D shade: #1ECB2D, #1E9ACC and #CC1E55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ECB2D shade: #1ECB2D, #2C1ECC and #CC2C1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ECB2D shade: #1ECB2D, #1E9ACC, #CC1EBD and #CC4F1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ECB2D shade: #1ECB2D, #1E66CC, #CC1EBD and #CC831E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 78 / 20

HEX #1ECB2D

RGB 30 203 45

HSL 125.2, 0.74%, 0.46%

LAB 71.68, -69.23, 62.03

 

Complementary color

CMYK 0 / 77 / 7 / 12

HEX #E134D2

RGB 225 52 210

HSL 305.2, 0.74%, 0.54%

LAB 55.19, 79.67, -44.02

 

CMYK 83 / 0 / 80 / 20

HEX #23CB28

RGB 35 203 40

HSL 121.79, 0.71%, 0.47%

LAB 71.71, -69.05, 63.56

 

CMYK 76 / 0 / 73 / 13

HEX #34DD3B

RGB 52 221 59

HSL 122.49, 0.71%, 0.54%

LAB 77.73, -71.08, 63.53

 

CMYK 71 / 0 / 67 / 6

HEX #45EF4E

RGB 69 239 78

HSL 123.18, 0.84%, 0.6%

LAB 83.73, -72.53, 62.91

 

CMYK 66 / 0 / 62 / 0

HEX #56FF61

RGB 86 255 97

HSL 123.91, 1%, 0.67%

LAB 89.09, -72.89, 61.29

 

CMYK 60 / 0 / 55 / 0

HEX #67FF74

RGB 103 255 116

HSL 125.13, 1%, 0.7%

LAB 89.7, -67.35, 53.89

 

CMYK 85 / 0 / 78 / 20

HEX #1ECB2D

RGB 30 203 45

HSL 125.2, 0.74%, 0.46%

LAB 71.68, -69.23, 62.03

 

CMYK 93 / 0 / 86 / 27

HEX #0DB91A

RGB 13 185 26

HSL 124.53, 0.87%, 0.39%

LAB 65.64, -66.35, 61.51

 

CMYK 100 / 0 / 96 / 35

HEX #00A707

RGB 0 167 7

HSL 122.51, 1%, 0.33%

LAB 59.57, -62.59, 59.61

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2D

RGB 30 204 45

HSL 125.17, 0.74%, 0.46%

LAB 71.99, -69.52, 62.34

 

CMYK 70 / 0 / 85 / 20

HEX #3ECC1E

RGB 62 204 30

HSL 108.97, 0.74%, 0.46%

LAB 72.43, -65.96, 66.91

 

CMYK 47 / 0 / 85 / 20

HEX #6DCC1E

RGB 109 204 30

HSL 92.76, 0.74%, 0.46%

LAB 73.89, -54.23, 68.75

 

CMYK 24 / 0 / 85 / 20

HEX #9BCC1E

RGB 155 204 30

HSL 76.9, 0.74%, 0.46%

LAB 76.22, -37.95, 71.67

 

CMYK 1 / 0 / 85 / 20

HEX #CACC1E

RGB 202 204 30

HSL 60.69, 0.74%, 0.46%

LAB 79.52, -18.64, 75.76

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2D

RGB 30 204 45

HSL 125.17, 0.74%, 0.46%

LAB 71.99, -69.52, 62.34

 

CMYK 85 / 0 / 55 / 20

HEX #1ECC5C

RGB 30 204 92

HSL 141.38, 0.74%, 0.46%

LAB 72.38, -64.68, 43.87

 

CMYK 85 / 0 / 32 / 20

HEX #1ECC8B

RGB 30 204 139

HSL 157.59, 0.74%, 0.46%

LAB 73.11, -56.25, 20.99

 

CMYK 85 / 0 / 9 / 20

HEX #1ECCB9

RGB 30 204 185

HSL 173.45, 0.74%, 0.46%

LAB 74.17, -44.9, -2.2

 

CMYK 85 / 14 / 0 / 20

HEX #1EAFCC

RGB 30 175 204

HSL 190, 0.74%, 0.46%

LAB 65.98, -25.63, -24.9

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2D

RGB 30 204 45

HSL 125.17, 0.74%, 0.46%

LAB 71.99, -69.52, 62.34

 

CMYK 95 / 0 / 87 / 13

HEX #0BDF1D

RGB 11 223 29

HSL 125.09, 0.91%, 0.46%

LAB 77.84, -76.81, 71.64

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2D

RGB 30 204 45

HSL 125.17, 0.74%, 0.46%

LAB 71.99, -69.52, 62.34

 

CMYK 74 / 0 / 67 / 27

HEX #31B93D

RGB 49 185 61

HSL 125.29, 0.58%, 0.46%

LAB 66.28, -59.97, 50.8

 

CMYK 59 / 0 / 54 / 35

HEX #44A64C

RGB 68 166 76

HSL 124.9, 0.42%, 0.46%

LAB 60.8, -47.55, 37.81

 

CMYK 41 / 0 / 37 / 42

HEX #57935C

RGB 87 147 92

HSL 125, 0.26%, 0.46%

LAB 55.75, -31.51, 23.17

 

CMYK 17 / 0 / 16 / 50

HEX #6A806C

RGB 106 128 108

HSL 125.45, 0.09%, 0.46%

LAB 51.36, -12.18, 8.23

 

CMYK 47 / 0 / 85 / 20

HEX #6CCC1E

RGB 108 204 30

HSL 93.1, 0.74%, 0.46%

LAB 73.85, -54.54, 68.7

 

CMYK 70 / 0 / 85 / 20

HEX #3ECC1E

RGB 62 204 30

HSL 108.97, 0.74%, 0.46%

LAB 72.43, -65.96, 66.91

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2C

RGB 30 204 44

HSL 124.83, 0.74%, 0.46%

LAB 71.99, -69.58, 62.64

 

CMYK 85 / 0 / 55 / 20

HEX #1ECC5B

RGB 30 204 91

HSL 141.03, 0.74%, 0.46%

LAB 72.37, -64.82, 44.32

 

CMYK 85 / 0 / 33 / 20

HEX #1ECC89

RGB 30 204 137

HSL 156.9, 0.74%, 0.46%

LAB 73.07, -56.68, 21.99

 

CMYK 86 / 0 / 78 / 48

HEX #13841D

RGB 19 132 29

HSL 125.31, 0.75%, 0.3%

LAB 47.92, -49.81, 44.1

 

CMYK 85 / 0 / 78 / 34

HEX #19A825

RGB 25 168 37

HSL 125.03, 0.74%, 0.38%

LAB 60.2, -59.83, 53.44

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2D

RGB 30 204 45

HSL 125.17, 0.74%, 0.46%

LAB 71.99, -69.52, 62.34

 

CMYK 77 / 0 / 71 / 12

HEX #33E042

RGB 51 224 66

HSL 125.2, 0.74%, 0.54%

LAB 78.7, -71.56, 62.02

 

CMYK 62 / 0 / 57 / 10

HEX #57E563

RGB 87 229 99

HSL 125.07, 0.73%, 0.62%

LAB 81.27, -63.64, 51.46

 

CMYK 85 / 0 / 78 / 20

HEX #1ECB2D

RGB 30 203 45

HSL 125.2, 0.74%, 0.46%

LAB 71.68, -69.23, 62.03

 

CMYK 85 / 25 / 0 / 20

HEX #1E9ACC

RGB 30 154 204

HSL 197.24, 0.74%, 0.46%

LAB 59.66, -14.58, -34.67

 

CMYK 0 / 85 / 58 / 20

HEX #CC1E55

RGB 204 30 85

HSL 341.03, 0.74%, 0.46%

LAB 44.83, 66.5, 14.78

 

CMYK 85 / 0 / 78 / 20

HEX #1ECB2D

RGB 30 203 45

HSL 125.2, 0.74%, 0.46%

LAB 71.68, -69.23, 62.03

 

CMYK 78 / 85 / 0 / 20

HEX #2C1ECC

RGB 44 30 204

HSL 244.83, 0.74%, 0.46%

LAB 28.96, 59.8, -84.23

 

CMYK 0 / 78 / 85 / 20

HEX #CC2C1E

RGB 204 44 30

HSL 4.83, 0.74%, 0.46%

LAB 45.27, 60.65, 47.31

 

CMYK 85 / 0 / 78 / 20

HEX #1ECB2D

RGB 30 203 45

HSL 125.2, 0.74%, 0.46%

LAB 71.68, -69.23, 62.03

 

CMYK 85 / 25 / 0 / 20

HEX #1E9ACC

RGB 30 154 204

HSL 197.24, 0.74%, 0.46%

LAB 59.66, -14.58, -34.67

 

CMYK 0 / 85 / 7 / 20

HEX #CC1EBD

RGB 204 30 189

HSL 305.17, 0.74%, 0.46%

LAB 48.81, 77.49, -42.24

 

CMYK 0 / 61 / 85 / 20

HEX #CC4F1E

RGB 204 79 30

HSL 16.9, 0.74%, 0.46%

LAB 50.12, 47.4, 51.45

 

CMYK 85 / 0 / 78 / 20

HEX #1ECB2D

RGB 30 203 45

HSL 125.2, 0.74%, 0.46%

LAB 71.68, -69.23, 62.03

 

CMYK 85 / 50 / 0 / 20

HEX #1E66CC

RGB 30 102 204

HSL 215.17, 0.74%, 0.46%

LAB 44.43, 16.66, -58.86

 

CMYK 0 / 85 / 7 / 20

HEX #CC1EBD

RGB 204 30 189

HSL 305.17, 0.74%, 0.46%

LAB 48.81, 77.49, -42.24

 

CMYK 0 / 36 / 85 / 20

HEX #CC831E

RGB 204 131 30

HSL 34.83, 0.74%, 0.46%

LAB 60.93, 20.74, 60.51

 

Description

Color code: HEX #1ECB2D | qconv.com Color code: HEX #1ECB2D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 203 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 203 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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