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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EE081 it is the complementary color #E11F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EE081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EE081 shade: #23E07C, #34F28F, #45FFA2, #56FFB5 and #67FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EE081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EE081 shade: #1EE081, #0DCE6E, #00BC5B, #00AA48 and #009835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EE081 shade: #1EE081, #1EE04D, #24E01E, #58E01E and #8CE01E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EE081 shade: #1EE081, #1EE0B5, #1ED6E0, #1EA2E0 and #1E6EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EE081 shade matches the following richer shades: #1EE081 and #09F581

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EE081 shade: #1EE081, #33CB81, #47B780, #5CA280 and #718D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EE081 shade: #25E01E, #1EE04B, #1EE07F, #1EE0B3 and #1ED9E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EE081 shade: #149757, #19BC6C, #1EE081, #42E595 and #67EAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EE081 shade: #1EE081, #1E58E0 and #E0311E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EE081 shade: #1EE081, #7F1EE0 and #E07F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EE081 shade: #1EE081, #1E58E0, #E01E7F and #E0A61E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EE081 shade: #1EE081, #1E1EE0, #E01E7F and #E0E01E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

Complementary color

CMYK 0 / 86 / 44 / 12

HEX #E11F7E

RGB 225 31 126

HSL 330.62, 0.76%, 0.5%

LAB 50.09, 74.56, -2.42

 

CMYK 84 / 0 / 45 / 12

HEX #23E07C

RGB 35 224 124

HSL 148.25, 0.75%, 0.51%

LAB 79.11, -65.84, 36.69

 

CMYK 79 / 0 / 41 / 5

HEX #34F28F

RGB 52 242 143

HSL 148.74, 0.88%, 0.58%

LAB 85.11, -67.06, 35.06

 

CMYK 73 / 0 / 36 / 0

HEX #45FFA2

RGB 69 255 162

HSL 150, 1%, 0.64%

LAB 89.58, -66.14, 31.55

 

CMYK 66 / 0 / 29 / 0

HEX #56FFB5

RGB 86 255 181

HSL 153.73, 1%, 0.67%

LAB 90.25, -59.95, 22.92

 

CMYK 60 / 0 / 22 / 0

HEX #67FFC8

RGB 103 255 200

HSL 158.29, 1%, 0.7%

LAB 91.04, -53.03, 14.37

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 94 / 0 / 47 / 19

HEX #0DCE6E

RGB 13 206 110

HSL 150.16, 0.88%, 0.43%

LAB 73.12, -63.58, 35.97

 

CMYK 100 / 0 / 52 / 26

HEX #00BC5B

RGB 0 188 91

HSL 149.04, 1%, 0.37%

LAB 67.07, -61.29, 37.82

 

CMYK 100 / 0 / 58 / 33

HEX #00AA48

RGB 0 170 72

HSL 145.41, 1%, 0.33%

LAB 60.97, -58.35, 39.7

 

CMYK 100 / 0 / 65 / 40

HEX #009835

RGB 0 152 53

HSL 140.92, 1%, 0.3%

LAB 54.78, -55.14, 41.43

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 87 / 0 / 66 / 12

HEX #1EE04D

RGB 30 224 77

HSL 134.54, 0.76%, 0.5%

LAB 78.53, -72.69, 57.53

 

CMYK 84 / 0 / 87 / 12

HEX #24E01E

RGB 36 224 30

HSL 118.14, 0.76%, 0.5%

LAB 78.33, -75.44, 71.95

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 38 / 0 / 87 / 12

HEX #8CE01E

RGB 140 224 30

HSL 85.98, 0.76%, 0.5%

LAB 81.28, -51.93, 75.65

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 87 / 0 / 19 / 12

HEX #1EE0B5

RGB 30 224 181

HSL 166.7, 0.76%, 0.5%

LAB 80.14, -54.19, 8.59

 

CMYK 87 / 4 / 0 / 12

HEX #1ED6E0

RGB 30 214 224

HSL 183.09, 0.76%, 0.5%

LAB 78.32, -38.08, -17.02

 

CMYK 87 / 28 / 0 / 12

HEX #1EA2E0

RGB 30 162 224

HSL 199.18, 0.76%, 0.5%

LAB 62.93, -11.88, -40.69

 

CMYK 87 / 51 / 0 / 12

HEX #1E6EE0

RGB 30 110 224

HSL 215.26, 0.76%, 0.5%

LAB 48.02, 19.28, -64.45

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 96 / 0 / 47 / 4

HEX #09F581

RGB 9 245 129

HSL 150.51, 0.93%, 0.5%

LAB 85.48, -73.22, 42.33

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 75 / 0 / 36 / 20

HEX #33CB81

RGB 51 203 129

HSL 150.79, 0.6%, 0.5%

LAB 72.89, -55.76, 26.01

 

CMYK 61 / 0 / 30 / 28

HEX #47B780

RGB 71 183 128

HSL 150.54, 0.44%, 0.5%

LAB 67.1, -44.69, 18.75

 

CMYK 43 / 0 / 21 / 36

HEX #5CA280

RGB 92 162 128

HSL 150.86, 0.28%, 0.5%

LAB 61.37, -30.13, 10.88

 

CMYK 20 / 0 / 10 / 45

HEX #718D7F

RGB 113 141 127

HSL 150, 0.11%, 0.5%

LAB 56.18, -12.91, 4.2

 

CMYK 83 / 0 / 87 / 12

HEX #25E01E

RGB 37 224 30

HSL 117.84, 0.76%, 0.5%

LAB 78.34, -75.34, 71.96

 

CMYK 87 / 0 / 67 / 12

HEX #1EE04B

RGB 30 224 75

HSL 133.92, 0.76%, 0.5%

LAB 78.52, -72.89, 58.31

 

CMYK 87 / 0 / 43 / 12

HEX #1EE07F

RGB 30 224 127

HSL 150, 0.76%, 0.5%

LAB 79.11, -65.7, 35.18

 

CMYK 87 / 0 / 20 / 12

HEX #1EE0B3

RGB 30 224 179

HSL 166.08, 0.76%, 0.5%

LAB 80.09, -54.69, 9.59

 

CMYK 87 / 3 / 0 / 12

HEX #1ED9E0

RGB 30 217 224

HSL 182.16, 0.76%, 0.5%

LAB 79.2, -39.45, -15.68

 

CMYK 87 / 0 / 42 / 41

HEX #149757

RGB 20 151 87

HSL 150.69, 0.77%, 0.34%

LAB 55.04, -48.1, 24.61

 

CMYK 87 / 0 / 43 / 26

HEX #19BC6C

RGB 25 188 108

HSL 150.55, 0.77%, 0.42%

LAB 67.47, -57.07, 29.72

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 71 / 0 / 35 / 10

HEX #42E595

RGB 66 229 149

HSL 150.55, 0.76%, 0.58%

LAB 81.49, -59.5, 27.27

 

CMYK 56 / 0 / 27 / 8

HEX #67EAAA

RGB 103 234 170

HSL 150.69, 0.76%, 0.66%

LAB 84.29, -50.64, 20.41

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 87 / 61 / 0 / 12

HEX #1E58E0

RGB 30 88 224

HSL 222.06, 0.76%, 0.5%

LAB 42.21, 33.43, -73.91

 

CMYK 0 / 78 / 87 / 12

HEX #E0311E

RGB 224 49 30

HSL 5.88, 0.76%, 0.5%

LAB 49.66, 65.07, 52.55

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 43 / 87 / 0 / 12

HEX #7F1EE0

RGB 127 30 224

HSL 270, 0.76%, 0.5%

LAB 39.28, 71.81, -78.46

 

CMYK 0 / 43 / 87 / 12

HEX #E07F1E

RGB 224 127 30

HSL 30, 0.76%, 0.5%

LAB 62.61, 31.33, 62.96

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 87 / 61 / 0 / 12

HEX #1E58E0

RGB 30 88 224

HSL 222.06, 0.76%, 0.5%

LAB 42.21, 33.43, -73.91

 

CMYK 0 / 87 / 43 / 12

HEX #E01E7F

RGB 224 30 127

HSL 330, 0.76%, 0.5%

LAB 49.87, 74.59, -3.38

 

CMYK 0 / 26 / 87 / 12

HEX #E0A61E

RGB 224 166 30

HSL 42.06, 0.76%, 0.5%

LAB 71.7, 10.56, 70.26

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 87 / 87 / 0 / 12

HEX #1E1EE0

RGB 30 30 224

HSL 240, 0.76%, 0.5%

LAB 30.85, 64.96, -92.69

 

CMYK 0 / 87 / 43 / 12

HEX #E01E7F

RGB 224 30 127

HSL 330, 0.76%, 0.5%

LAB 49.87, 74.59, -3.38

 

CMYK 0 / 0 / 87 / 12

HEX #E0E01E

RGB 224 224 30

HSL 60, 0.76%, 0.5%

LAB 86.63, -19.17, 82.25

 

Description

Color code: HEX #1EE081 | qconv.com Color code: HEX #1EE081 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 224 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 224 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 42 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 42% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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