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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EEF60 it is the complementary color #E1109F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EEF60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EEF60 shade: #23EF5B, #34FF6E, #45FF81, #56FF94 and #67FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EEF60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EEF60 shade: #1EEF60, #0DDD4D, #00CB3A, #00B927 and #00A714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EEF60 shade: #1EEF60, #1EEF28, #4DEF1E, #85EF1E and #BDEF1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EEF60 shade: #1EEF60, #1EEF98, #1EEFD1, #1ED5EF and #1E9DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EEF60 shade matches the following richer shades: #1EEF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EEF60 shade: #1EEF60, #32DC67, #45C86F, #59B576 and #6CA17D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EEF60 shade: #4FEF1E, #1EEF25, #1EEF5D, #1EEF95 and #1EEFCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EEF60 shade: #0CAF3F, #0ED64D, #1EEF60, #45F27B and #6CF497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EEF60 shade: #1EEF60, #1E87EF and #EF1E33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EEF60 shade: #1EEF60, #5D1EEF and #EF5D1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EEF60 shade: #1EEF60, #1E87EF, #EF1EB0 and #EF871E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EEF60 shade: #1EEF60, #1E48EF, #EF1EB0 and #EFC51E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

Complementary color

CMYK 0 / 93 / 29 / 12

HEX #E1109F

RGB 225 16 159

HSL 318.95, 0.87%, 0.47%

LAB 50.55, 79.86, -21.57

 

CMYK 85 / 0 / 62 / 6

HEX #23EF5B

RGB 35 239 91

HSL 136.47, 0.86%, 0.54%

LAB 83.36, -75.28, 57.12

 

CMYK 80 / 0 / 57 / 0

HEX #34FF6E

RGB 52 255 110

HSL 137.14, 1%, 0.6%

LAB 88.63, -76.31, 55.04

 

CMYK 73 / 0 / 49 / 0

HEX #45FF81

RGB 69 255 129

HSL 139.35, 1%, 0.64%

LAB 89.1, -71.63, 46.99

 

CMYK 66 / 0 / 42 / 0

HEX #56FF94

RGB 86 255 148

HSL 142.01, 1%, 0.67%

LAB 89.69, -66.03, 38.69

 

CMYK 60 / 0 / 35 / 0

HEX #67FFA7

RGB 103 255 167

HSL 145.26, 1%, 0.7%

LAB 90.41, -59.59, 30.29

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 94 / 0 / 65 / 13

HEX #0DDD4D

RGB 13 221 77

HSL 138.46, 0.89%, 0.46%

LAB 77.48, -72.79, 56.34

 

CMYK 100 / 0 / 71 / 20

HEX #00CB3A

RGB 0 203 58

HSL 137.14, 1%, 0.4%

LAB 71.57, -69.89, 57.43

 

CMYK 100 / 0 / 79 / 27

HEX #00B927

RGB 0 185 39

HSL 132.65, 1%, 0.36%

LAB 65.63, -66.23, 57.99

 

CMYK 100 / 0 / 88 / 35

HEX #00A714

RGB 0 167 20

HSL 127.19, 1%, 0.33%

LAB 59.61, -62.17, 57.46

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 87 / 0 / 83 / 6

HEX #1EEF28

RGB 30 239 40

HSL 122.87, 0.87%, 0.53%

LAB 83, -79.67, 73.93

 

CMYK 68 / 0 / 87 / 6

HEX #4DEF1E

RGB 77 239 30

HSL 106.51, 0.87%, 0.53%

LAB 83.65, -74.05, 76.83

 

CMYK 44 / 0 / 87 / 6

HEX #85EF1E

RGB 133 239 30

HSL 90.43, 0.87%, 0.53%

LAB 85.41, -60.02, 79.02

 

CMYK 21 / 0 / 87 / 6

HEX #BDEF1E

RGB 189 239 30

HSL 74.35, 0.87%, 0.53%

LAB 88.28, -40.31, 82.57

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 87 / 0 / 36 / 6

HEX #1EEF98

RGB 30 239 152

HSL 155.02, 0.87%, 0.53%

LAB 84.11, -66.19, 29.17

 

CMYK 87 / 0 / 13 / 6

HEX #1EEFD1

RGB 30 239 209

HSL 171.39, 0.87%, 0.53%

LAB 85.31, -53.1, 1.3

 

CMYK 87 / 11 / 0 / 6

HEX #1ED5EF

RGB 30 213 239

HSL 187.46, 0.87%, 0.53%

LAB 78.52, -32.99, -24.73

 

CMYK 87 / 34 / 0 / 6

HEX #1E9DEF

RGB 30 157 239

HSL 203.54, 0.87%, 0.53%

LAB 62.19, -3.64, -50.13

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 77 / 0 / 53 / 14

HEX #32DC67

RGB 50 220 103

HSL 138.71, 0.71%, 0.53%

LAB 77.78, -66.25, 45.26

 

CMYK 66 / 0 / 45 / 22

HEX #45C86F

RGB 69 200 111

HSL 139.24, 0.54%, 0.53%

LAB 72.04, -55.01, 34.24

 

CMYK 51 / 0 / 35 / 29

HEX #59B576

RGB 89 181 118

HSL 138.91, 0.38%, 0.53%

LAB 66.88, -41.61, 23.93

 

CMYK 33 / 0 / 22 / 37

HEX #6CA17D

RGB 108 161 125

HSL 139.25, 0.22%, 0.53%

LAB 61.79, -25.4, 13.26

 

CMYK 67 / 0 / 87 / 6

HEX #4FEF1E

RGB 79 239 30

HSL 105.93, 0.87%, 0.53%

LAB 83.7, -73.67, 76.88

 

CMYK 87 / 0 / 85 / 6

HEX #1EEF25

RGB 30 239 37

HSL 122.01, 0.87%, 0.53%

LAB 82.99, -79.8, 74.59

 

CMYK 87 / 0 / 61 / 6

HEX #1EEF5D

RGB 30 239 93

HSL 138.09, 0.87%, 0.53%

LAB 83.34, -75.42, 56.24

 

CMYK 87 / 0 / 38 / 6

HEX #1EEF95

RGB 30 239 149

HSL 154.16, 0.87%, 0.53%

LAB 84.06, -66.78, 30.62

 

CMYK 87 / 0 / 15 / 6

HEX #1EEFCC

RGB 30 239 204

HSL 169.95, 0.87%, 0.53%

LAB 85.18, -54.39, 3.75

 

CMYK 93 / 0 / 64 / 31

HEX #0CAF3F

RGB 12 175 63

HSL 138.77, 0.87%, 0.37%

LAB 62.59, -60.51, 45.74

 

CMYK 93 / 0 / 64 / 16

HEX #0ED64D

RGB 14 214 77

HSL 138.9, 0.88%, 0.45%

LAB 75.28, -70.68, 53.9

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 71 / 0 / 49 / 5

HEX #45F27B

RGB 69 242 123

HSL 138.73, 0.87%, 0.61%

LAB 85.1, -68.13, 44.86

 

CMYK 56 / 0 / 38 / 4

HEX #6CF497

RGB 108 244 151

HSL 138.97, 0.86%, 0.69%

LAB 87.06, -57.07, 33.87

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 87 / 44 / 0 / 6

HEX #1E87EF

RGB 30 135 239

HSL 209.86, 0.87%, 0.53%

LAB 55.92, 9.4, -60.12

 

CMYK 0 / 87 / 79 / 6

HEX #EF1E33

RGB 239 30 51

HSL 353.97, 0.87%, 0.53%

LAB 51.29, 73.92, 44.55

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 61 / 87 / 0 / 6

HEX #5D1EEF

RGB 93 30 239

HSL 258.09, 0.87%, 0.53%

LAB 36.91, 72.09, -91.05

 

CMYK 0 / 61 / 87 / 6

HEX #EF5D1E

RGB 239 93 30

HSL 18.09, 0.87%, 0.53%

LAB 58.3, 53.66, 60.49

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 87 / 44 / 0 / 6

HEX #1E87EF

RGB 30 135 239

HSL 209.86, 0.87%, 0.53%

LAB 55.92, 9.4, -60.12

 

CMYK 0 / 87 / 26 / 6

HEX #EF1EB0

RGB 239 30 176

HSL 318.09, 0.87%, 0.53%

LAB 54.46, 82.77, -25.34

 

CMYK 0 / 44 / 87 / 6

HEX #EF871E

RGB 239 135 30

HSL 30.14, 0.87%, 0.53%

LAB 66.35, 33.3, 66.78

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 87 / 70 / 0 / 6

HEX #1E48EF

RGB 30 72 239

HSL 227.94, 0.87%, 0.53%

LAB 39.82, 48.81, -86.34

 

CMYK 0 / 87 / 26 / 6

HEX #EF1EB0

RGB 239 30 176

HSL 318.09, 0.87%, 0.53%

LAB 54.46, 82.77, -25.34

 

CMYK 0 / 18 / 87 / 6

HEX #EFC51E

RGB 239 197 30

HSL 47.94, 0.87%, 0.53%

LAB 80.95, 0.78, 78.27

 

Description

Color code: HEX #1EEF60 | qconv.com Color code: HEX #1EEF60 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 239 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 239 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 60% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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