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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EFA8F it is the complementary color #E10570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EFA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EFA8F shade: #23FA8A, #34FF9D, #45FFB0, #56FFC3 and #67FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EFA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EFA8F shade: #1EFA8F, #0DE87C, #00D669, #00C456 and #00B243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EFA8F shade: #1EFA8F, #1EFA53, #23FA1E, #5FFA1E and #9AFA1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EFA8F shade: #1EFA8F, #1EFACA, #1EEEFA, #1EB3FA and #1E77FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EFA8F shade matches the following richer shades: #1EFA8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EFA8F shade: #1EFA8F, #30E78E, #43D58E, #55C28D and #68B08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EFA8F shade: #25FA1E, #1EFA51, #1EFA8C, #1EFAC7 and #1EF3FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EFA8F shade: #03C265, #04EA7A, #1EFA8F, #46FBA3 and #6EFCB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EFA8F shade: #1EFA8F, #1E60FA and #FA341E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EFA8F shade: #1EFA8F, #8C1EFA and #FA8C1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EFA8F shade: #1EFA8F, #1E60FA, #FA1E8C and #FAB81E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EFA8F shade: #1EFA8F, #1E1EFA, #FA1E8C and #FAFA1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

Complementary color

CMYK 0 / 98 / 50 / 12

HEX #E10570

RGB 225 5 112

HSL 330.82, 0.96%, 0.45%

LAB 48.62, 76.51, 3.99

 

CMYK 86 / 0 / 45 / 2

HEX #23FA8A

RGB 35 250 138

HSL 148.74, 0.96%, 0.56%

LAB 87.27, -72.12, 40.29

 

CMYK 80 / 0 / 38 / 0

HEX #34FF9D

RGB 52 255 157

HSL 151.03, 1%, 0.6%

LAB 89.24, -69.03, 33.56

 

CMYK 73 / 0 / 31 / 0

HEX #45FFB0

RGB 69 255 176

HSL 154.52, 1%, 0.64%

LAB 89.82, -63.42, 24.83

 

CMYK 66 / 0 / 24 / 0

HEX #56FFC3

RGB 86 255 195

HSL 158.7, 1%, 0.67%

LAB 90.52, -57.01, 16.15

 

CMYK 60 / 0 / 16 / 0

HEX #67FFD6

RGB 103 255 214

HSL 163.82, 1%, 0.7%

LAB 91.35, -49.91, 7.6

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 94 / 0 / 47 / 9

HEX #0DE87C

RGB 13 232 124

HSL 150.41, 0.89%, 0.48%

LAB 81.43, -69.75, 39.62

 

CMYK 100 / 0 / 51 / 16

HEX #00D669

RGB 0 214 105

HSL 149.44, 1%, 0.42%

LAB 75.52, -67.45, 41.44

 

CMYK 100 / 0 / 56 / 23

HEX #00C456

RGB 0 196 86

HSL 146.33, 1%, 0.38%

LAB 69.58, -64.6, 43.29

 

CMYK 100 / 0 / 62 / 30

HEX #00B243

RGB 0 178 67

HSL 142.58, 1%, 0.35%

LAB 63.55, -61.52, 45.02

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 88 / 0 / 67 / 2

HEX #1EFA53

RGB 30 250 83

HSL 134.45, 0.96%, 0.55%

LAB 86.64, -79.7, 63.96

 

CMYK 86 / 0 / 88 / 2

HEX #23FA1E

RGB 35 250 30

HSL 118.64, 0.96%, 0.55%

LAB 86.42, -82.68, 78.96

 

CMYK 62 / 0 / 88 / 2

HEX #5FFA1E

RGB 95 250 30

HSL 102.27, 0.96%, 0.55%

LAB 87.44, -73.85, 80.23

 

CMYK 38 / 0 / 88 / 2

HEX #9AFA1E

RGB 154 250 30

HSL 86.18, 0.96%, 0.55%

LAB 89.55, -57.49, 82.87

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 88 / 0 / 19 / 2

HEX #1EFACA

RGB 30 250 202

HSL 166.91, 0.96%, 0.55%

LAB 88.41, -59.23, 9.43

 

CMYK 88 / 5 / 0 / 2

HEX #1EEEFA

RGB 30 238 250

HSL 183.27, 0.96%, 0.55%

LAB 86.17, -41.21, -18.95

 

CMYK 88 / 28 / 0 / 2

HEX #1EB3FA

RGB 30 179 250

HSL 199.36, 0.96%, 0.55%

LAB 69.05, -11.98, -45.31

 

CMYK 88 / 52 / 0 / 2

HEX #1E77FA

RGB 30 119 250

HSL 215.73, 0.96%, 0.55%

LAB 52.25, 23.52, -72.14

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 79 / 0 / 39 / 9

HEX #30E78E

RGB 48 231 142

HSL 150.82, 0.79%, 0.55%

LAB 81.69, -63.81, 31.05

 

CMYK 69 / 0 / 33 / 16

HEX #43D58E

RGB 67 213 142

HSL 150.82, 0.63%, 0.55%

LAB 76.52, -54.64, 24.16

 

CMYK 56 / 0 / 27 / 24

HEX #55C28D

RGB 85 194 141

HSL 150.83, 0.47%, 0.55%

LAB 71.17, -43.66, 17.43

 

CMYK 41 / 0 / 20 / 31

HEX #68B08D

RGB 104 176 141

HSL 150.83, 0.31%, 0.55%

LAB 66.46, -30.67, 10.94

 

CMYK 85 / 0 / 88 / 2

HEX #25FA1E

RGB 37 250 30

HSL 118.09, 0.96%, 0.55%

LAB 86.43, -82.52, 78.98

 

CMYK 88 / 0 / 68 / 2

HEX #1EFA51

RGB 30 250 81

HSL 133.91, 0.96%, 0.55%

LAB 86.62, -79.89, 64.7

 

CMYK 88 / 0 / 44 / 2

HEX #1EFA8C

RGB 30 250 140

HSL 150, 0.96%, 0.55%

LAB 87.26, -72.11, 39.3

 

CMYK 88 / 0 / 20 / 2

HEX #1EFAC7

RGB 30 250 199

HSL 166.09, 0.96%, 0.55%

LAB 88.34, -59.95, 10.88

 

CMYK 88 / 3 / 0 / 2

HEX #1EF3FA

RGB 30 243 250

HSL 181.91, 0.96%, 0.55%

LAB 87.62, -43.44, -16.76

 

CMYK 98 / 0 / 48 / 24

HEX #03C265

RGB 3 194 101

HSL 150.79, 0.97%, 0.39%

LAB 69.14, -61.5, 35.43

 

CMYK 98 / 0 / 48 / 8

HEX #04EA7A

RGB 4 234 122

HSL 150.78, 0.97%, 0.47%

LAB 81.99, -70.99, 41.3

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 72 / 0 / 35 / 2

HEX #46FBA3

RGB 70 251 163

HSL 150.83, 0.96%, 0.63%

LAB 88.42, -64.37, 29.5

 

CMYK 56 / 0 / 27 / 1

HEX #6EFCB7

RGB 110 252 183

HSL 150.85, 0.96%, 0.71%

LAB 90.02, -53.94, 21.69

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 88 / 62 / 0 / 2

HEX #1E60FA

RGB 30 96 250

HSL 222, 0.96%, 0.55%

LAB 46.37, 38.03, -81.74

 

CMYK 0 / 79 / 88 / 2

HEX #FA341E

RGB 250 52 30

HSL 6, 0.96%, 0.55%

LAB 54.94, 71.66, 58.79

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 44 / 88 / 0 / 2

HEX #8C1EFA

RGB 140 30 250

HSL 270, 0.96%, 0.55%

LAB 43.37, 78.9, -86.39

 

CMYK 0 / 44 / 88 / 2

HEX #FA8C1E

RGB 250 140 30

HSL 30, 0.96%, 0.55%

LAB 68.88, 35.17, 69.37

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 88 / 62 / 0 / 2

HEX #1E60FA

RGB 30 96 250

HSL 222, 0.96%, 0.55%

LAB 46.37, 38.03, -81.74

 

CMYK 0 / 88 / 44 / 2

HEX #FA1E8C

RGB 250 30 140

HSL 330, 0.96%, 0.55%

LAB 55.22, 81.61, -2.74

 

CMYK 0 / 26 / 88 / 2

HEX #FAB81E

RGB 250 184 30

HSL 42, 0.96%, 0.55%

LAB 78.87, 12.24, 77.12

 

CMYK 88 / 0 / 43 / 2

HEX #1EFA8F

RGB 30 250 143

HSL 150.82, 0.96%, 0.55%

LAB 87.31, -71.59, 37.89

 

CMYK 88 / 88 / 0 / 2

HEX #1E1EFA

RGB 30 30 250

HSL 240, 0.96%, 0.55%

LAB 34.2, 72.08, -101.86

 

CMYK 0 / 88 / 44 / 2

HEX #FA1E8C

RGB 250 30 140

HSL 330, 0.96%, 0.55%

LAB 55.22, 81.61, -2.74

 

CMYK 0 / 0 / 88 / 2

HEX #FAFA1E

RGB 250 250 30

HSL 60, 0.96%, 0.55%

LAB 95.49, -20.92, 90.16

 

Description

Color code: HEX #1EFA8F | qconv.com Color code: HEX #1EFA8F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 250 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 250 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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