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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F3D7E it is the complementary color #E0C281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F3D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F3D7E shade: #243D79, #354F8C, #46619F, #5773B2 and #6885C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F3D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F3D7E shade: #1F3D7E, #0E2B6B, #001958, #000745 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F3D7E shade: #1E3D7F, #1E237F, #341E7F, #4E1E7F and #681E7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F3D7E shade: #1E3D7F, #1E237F and #1E1E7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F3D7E shade matches the following richer shades: #1E3D7F, #12388C and #053398

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F3D7E shade: #1E3D7F, #2B4172, #384665, #454B58 and #51504C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F3D7E shade: #1E707F, #1E577F, #1E3D7F, #1E237F and #331E7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F3D7E shade: #0E1D3C, #162D5E, #1E3D7F, #264DA0 and #2E5DC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F3D7E shade: #1F3D7E, #741E7F and #637F1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F3D7E shade: #1F3D7E, #7F1E3D and #3D7F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F3D7E shade: #1F3D7E, #741E7F, #7F601E and #2A7F1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F3D7E shade: #1F3D7E, #7F1E6D, #7F601E and #1E7F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 52 / 0 / 51

HEX #1F3D7E

RGB 31 61 126

HSL 221.05, 0.61%, 0.31%

LAB 27.12, 13.24, -40.13

 

Complementary color

CMYK 0 / 13 / 42 / 12

HEX #E0C281

RGB 224 194 129

HSL 41.05, 0.61%, 0.69%

LAB 79.62, 1.93, 36.58

 

CMYK 70 / 50 / 0 / 53

HEX #243D79

RGB 36 61 121

HSL 222.35, 0.54%, 0.31%

LAB 27, 12.05, -37.16

 

CMYK 62 / 44 / 0 / 45

HEX #354F8C

RGB 53 79 140

HSL 222.07, 0.45%, 0.38%

LAB 34.48, 10.28, -36.93

 

CMYK 56 / 39 / 0 / 38

HEX #46619F

RGB 70 97 159

HSL 221.8, 0.39%, 0.45%

LAB 41.77, 8.97, -36.73

 

CMYK 51 / 35 / 0 / 30

HEX #5773B2

RGB 87 115 178

HSL 221.54, 0.37%, 0.52%

LAB 48.89, 7.96, -36.6

 

CMYK 47 / 32 / 0 / 23

HEX #6885C5

RGB 104 133 197

HSL 221.29, 0.44%, 0.59%

LAB 55.84, 7.16, -36.51

 

CMYK 75 / 52 / 0 / 51

HEX #1F3D7E

RGB 31 61 126

HSL 221.05, 0.61%, 0.31%

LAB 27.12, 13.24, -40.13

 

CMYK 87 / 60 / 0 / 58

HEX #0E2B6B

RGB 14 43 107

HSL 221.29, 0.77%, 0.24%

LAB 19.57, 16.13, -40.27

 

CMYK 100 / 72 / 0 / 65

HEX #001958

RGB 0 25 88

HSL 222.95, 1%, 0.17%

LAB 11.96, 20, -40.17

 

CMYK 100 / 90 / 0 / 73

HEX #000745

RGB 0 7 69

HSL 233.91, 1%, 0.14%

LAB 5.25, 23.18, -38.09

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 76 / 72 / 0 / 50

HEX #1E237F

RGB 30 35 127

HSL 236.91, 0.62%, 0.31%

LAB 20.09, 31.4, -52.22

 

CMYK 59 / 76 / 0 / 50

HEX #341E7F

RGB 52 30 127

HSL 253.61, 0.62%, 0.31%

LAB 20.79, 37.25, -50.99

 

CMYK 39 / 76 / 0 / 50

HEX #4E1E7F

RGB 78 30 127

HSL 269.69, 0.62%, 0.31%

LAB 23.94, 41.72, -45.73

 

CMYK 18 / 76 / 0 / 50

HEX #681E7F

RGB 104 30 127

HSL 285.77, 0.62%, 0.31%

LAB 27.86, 47.04, -39.19

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 76 / 72 / 0 / 50

HEX #1E237F

RGB 30 35 127

HSL 236.91, 0.62%, 0.31%

LAB 20.09, 31.4, -52.22

 

CMYK 76 / 76 / 0 / 50

HEX #1E1E7F

RGB 30 30 127

HSL 240, 0.62%, 0.31%

LAB 18.96, 34.53, -54.08

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 87 / 60 / 0 / 45

HEX #12388C

RGB 18 56 140

HSL 221.31, 0.77%, 0.31%

LAB 26.3, 21.04, -50.2

 

CMYK 97 / 66 / 0 / 40

HEX #053398

RGB 5 51 152

HSL 221.22, 0.94%, 0.31%

LAB 25.76, 28.7, -58.48

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 62 / 43 / 0 / 55

HEX #2B4172

RGB 43 65 114

HSL 221.41, 0.45%, 0.31%

LAB 28.14, 7.99, -30.89

 

CMYK 45 / 31 / 0 / 60

HEX #384665

RGB 56 70 101

HSL 221.33, 0.29%, 0.31%

LAB 29.81, 3.47, -19.93

 

CMYK 22 / 15 / 0 / 65

HEX #454B58

RGB 69 75 88

HSL 221.05, 0.12%, 0.31%

LAB 31.81, 0.79, -8.49

 

CMYK 0 / 1 / 6 / 68

HEX #51504C

RGB 81 80 76

HSL 48, 0.03%, 0.31%

LAB 34, -0.43, 2.49

 

CMYK 76 / 12 / 0 / 50

HEX #1E707F

RGB 30 112 127

HSL 189.28, 0.62%, 0.31%

LAB 43.35, -18.54, -15.25

 

CMYK 76 / 31 / 0 / 50

HEX #1E577F

RGB 30 87 127

HSL 204.74, 0.62%, 0.31%

LAB 35.25, -3.87, -27.8

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 76 / 72 / 0 / 50

HEX #1E237F

RGB 30 35 127

HSL 236.91, 0.62%, 0.31%

LAB 20.09, 31.4, -52.22

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 77 / 52 / 0 / 76

HEX #0E1D3C

RGB 14 29 60

HSL 220.43, 0.62%, 0.15%

LAB 11.26, 6.09, -21.88

 

CMYK 77 / 52 / 0 / 63

HEX #162D5E

RGB 22 45 94

HSL 220.83, 0.62%, 0.23%

LAB 19.46, 10.12, -31.93

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 76 / 52 / 0 / 37

HEX #264DA0

RGB 38 77 160

HSL 220.82, 0.62%, 0.39%

LAB 34.51, 16.71, -49.04

 

CMYK 76 / 52 / 0 / 24

HEX #2E5DC1

RGB 46 93 193

HSL 220.82, 0.62%, 0.47%

LAB 41.63, 19.8, -57.02

 

CMYK 75 / 52 / 0 / 51

HEX #1F3D7E

RGB 31 61 126

HSL 221.05, 0.61%, 0.31%

LAB 27.12, 13.24, -40.13

 

CMYK 9 / 76 / 0 / 50

HEX #741E7F

RGB 116 30 127

HSL 293.2, 0.62%, 0.31%

LAB 29.85, 49.67, -35.89

 

CMYK 22 / 0 / 76 / 50

HEX #637F1E

RGB 99 127 30

HSL 77.32, 0.62%, 0.31%

LAB 49.41, -24.51, 46.26

 

CMYK 75 / 52 / 0 / 51

HEX #1F3D7E

RGB 31 61 126

HSL 221.05, 0.61%, 0.31%

LAB 27.12, 13.24, -40.13

 

CMYK 0 / 76 / 52 / 50

HEX #7F1E3D

RGB 127 30 61

HSL 340.82, 0.62%, 0.31%

LAB 28.84, 43.21, 5.7

 

CMYK 52 / 0 / 76 / 50

HEX #3D7F1E

RGB 61 127 30

HSL 100.82, 0.62%, 0.31%

LAB 47.32, -38.89, 43.51

 

CMYK 75 / 52 / 0 / 51

HEX #1F3D7E

RGB 31 61 126

HSL 221.05, 0.61%, 0.31%

LAB 27.12, 13.24, -40.13

 

CMYK 9 / 76 / 0 / 50

HEX #741E7F

RGB 116 30 127

HSL 293.2, 0.62%, 0.31%

LAB 29.85, 49.67, -35.89

 

CMYK 0 / 24 / 76 / 50

HEX #7F601E

RGB 127 96 30

HSL 40.82, 0.62%, 0.31%

LAB 42.72, 5.63, 40.58

 

CMYK 67 / 0 / 76 / 50

HEX #2A7F1E

RGB 42 127 30

HSL 112.58, 0.62%, 0.31%

LAB 46.66, -44.09, 42.63

 

CMYK 75 / 52 / 0 / 51

HEX #1F3D7E

RGB 31 61 126

HSL 221.05, 0.61%, 0.31%

LAB 27.12, 13.24, -40.13

 

CMYK 0 / 76 / 14 / 50

HEX #7F1E6D

RGB 127 30 109

HSL 311.13, 0.62%, 0.31%

LAB 30.75, 49.18, -22.92

 

CMYK 0 / 24 / 76 / 50

HEX #7F601E

RGB 127 96 30

HSL 40.82, 0.62%, 0.31%

LAB 42.72, 5.63, 40.58

 

CMYK 76 / 0 / 62 / 50

HEX #1E7F30

RGB 30 127 48

HSL 131.13, 0.62%, 0.31%

LAB 46.54, -44.58, 34.5

 

Description

Color code: HEX #1F3D7E | qconv.com Color code: HEX #1F3D7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 61 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 61 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 52 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 52% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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