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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F3E32 it is the complementary color #E0C1CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F3E32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F3E32 shade: #243E2D, #355040, #466253, #577466 and #688679

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F3E32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F3E32 shade: #1F3E32, #0E2C1F, #001A0C and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F3E32 shade: #1E3D31, #1E3D29, #1E3D20, #243D1E and #2C3D1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F3E32 shade: #1E3D31, #1E3D39, #1E383D, #1E303D and #1E283D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F3E32 shade matches the following richer shades: #1E3D31, #174432, #0F4B34, #085336 and #015A38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F3E32 shade: #1E3D31, #26352F, #2D2E2D, #35262C and #3C1F2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F3E32 shade: #1E3D20, #1E3D28, #1E3D30, #1E3D39 and #1E393D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F3E32 shade: #030604, #10211B, #1E3D31, #2C5847 and #3A735D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F3E32 shade: #1F3E32, #1E243D and #3D241E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F3E32 shade: #1F3E32, #301E3D and #3D301E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F3E32 shade: #1F3E32, #1E243D, #3D1E2A and #3D361E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F3E32 shade: #1F3E32, #211E3D, #3D1E2A and #3A3D1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 19 / 76

HEX #1F3E32

RGB 31 62 50

HSL 156.77, 0.33%, 0.18%

LAB 23.56, -14.94, 3.83

 

Complementary color

CMYK 0 / 14 / 8 / 12

HEX #E0C1CD

RGB 224 193 205

HSL 336.77, 0.33%, 0.82%

LAB 80.96, 12.96, -1.94

 

CMYK 42 / 0 / 27 / 76

HEX #243E2D

RGB 36 62 45

HSL 140.77, 0.27%, 0.19%

LAB 23.7, -14.47, 7.37

 

CMYK 34 / 0 / 20 / 69

HEX #355040

RGB 53 80 64

HSL 144.44, 0.2%, 0.26%

LAB 31.5, -14.16, 6.22

 

CMYK 29 / 0 / 15 / 62

HEX #466253

RGB 70 98 83

HSL 147.86, 0.17%, 0.33%

LAB 39.01, -13.89, 5.22

 

CMYK 25 / 0 / 12 / 55

HEX #577466

RGB 87 116 102

HSL 151.03, 0.14%, 0.4%

LAB 46.28, -13.68, 4.33

 

CMYK 22 / 0 / 10 / 47

HEX #688679

RGB 104 134 121

HSL 154, 0.13%, 0.47%

LAB 53.36, -13.5, 3.51

 

CMYK 50 / 0 / 19 / 76

HEX #1F3E32

RGB 31 62 50

HSL 156.77, 0.33%, 0.18%

LAB 23.56, -14.94, 3.83

 

CMYK 68 / 0 / 30 / 83

HEX #0E2C1F

RGB 14 44 31

HSL 154, 0.52%, 0.11%

LAB 15.45, -15.12, 5.13

 

CMYK 100 / 0 / 54 / 90

HEX #001A0C

RGB 0 26 12

HSL 147.69, 1%, 0.05%

LAB 6.91, -11.95, 5.16

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 51 / 0 / 20 / 76

HEX #1E3D31

RGB 30 61 49

HSL 156.77, 0.34%, 0.18%

LAB 23.12, -14.96, 3.85

 

CMYK 51 / 0 / 33 / 76

HEX #1E3D29

RGB 30 61 41

HSL 141.29, 0.34%, 0.18%

LAB 22.91, -16.97, 8.84

 

CMYK 51 / 0 / 48 / 76

HEX #1E3D20

RGB 30 61 32

HSL 123.87, 0.34%, 0.18%

LAB 22.72, -18.88, 14.39

 

CMYK 41 / 0 / 51 / 76

HEX #243D1E

RGB 36 61 30

HSL 108.39, 0.34%, 0.18%

LAB 23.02, -16.95, 16.1

 

CMYK 28 / 0 / 51 / 76

HEX #2C3D1E

RGB 44 61 30

HSL 92.9, 0.34%, 0.18%

LAB 23.56, -13.54, 16.9

 

CMYK 51 / 0 / 20 / 76

HEX #1E3D31

RGB 30 61 49

HSL 156.77, 0.34%, 0.18%

LAB 23.12, -14.96, 3.85

 

CMYK 51 / 0 / 7 / 76

HEX #1E3D39

RGB 30 61 57

HSL 172.26, 0.34%, 0.18%

LAB 23.37, -12.69, -1.12

 

CMYK 51 / 8 / 0 / 76

HEX #1E383D

RGB 30 56 61

HSL 189.68, 0.34%, 0.18%

LAB 21.73, -8.36, -6.24

 

CMYK 51 / 21 / 0 / 76

HEX #1E303D

RGB 30 48 61

HSL 205.16, 0.34%, 0.18%

LAB 18.91, -3.1, -10.52

 

CMYK 51 / 34 / 0 / 76

HEX #1E283D

RGB 30 40 61

HSL 220.65, 0.34%, 0.18%

LAB 16.16, 2.5, -14.78

 

CMYK 51 / 0 / 20 / 76

HEX #1E3D31

RGB 30 61 49

HSL 156.77, 0.34%, 0.18%

LAB 23.12, -14.96, 3.85

 

CMYK 66 / 0 / 26 / 73

HEX #174432

RGB 23 68 50

HSL 156, 0.49%, 0.18%

LAB 25.4, -20.51, 6.39

 

CMYK 80 / 0 / 31 / 71

HEX #0F4B34

RGB 15 75 52

HSL 157, 0.67%, 0.18%

LAB 27.8, -25.12, 8.41

 

CMYK 90 / 0 / 35 / 67

HEX #085336

RGB 8 83 54

HSL 156.8, 0.82%, 0.18%

LAB 30.65, -29.23, 11.07

 

CMYK 99 / 0 / 38 / 65

HEX #015A38

RGB 1 90 56

HSL 157.08, 0.98%, 0.18%

LAB 33.14, -32.54, 13.22

 

CMYK 51 / 0 / 20 / 76

HEX #1E3D31

RGB 30 61 49

HSL 156.77, 0.34%, 0.18%

LAB 23.12, -14.96, 3.85

 

CMYK 28 / 0 / 11 / 79

HEX #26352F

RGB 38 53 47

HSL 156, 0.16%, 0.18%

LAB 20.69, -7.76, 1.77

 

CMYK 2 / 0 / 2 / 82

HEX #2D2E2D

RGB 45 46 45

HSL 120, 0.01%, 0.18%

LAB 18.81, -0.68, 0.49

 

CMYK 0 / 28 / 17 / 79

HEX #35262C

RGB 53 38 44

HSL 336, 0.16%, 0.18%

LAB 17.11, 8.26, -1.19

 

CMYK 0 / 48 / 30 / 76

HEX #3C1F2A

RGB 60 31 42

HSL 337.24, 0.32%, 0.18%

LAB 16.04, 15.78, -1.23

 

CMYK 51 / 0 / 48 / 76

HEX #1E3D20

RGB 30 61 32

HSL 123.87, 0.34%, 0.18%

LAB 22.72, -18.88, 14.39

 

CMYK 51 / 0 / 34 / 76

HEX #1E3D28

RGB 30 61 40

HSL 139.35, 0.34%, 0.18%

LAB 22.88, -17.2, 9.46

 

CMYK 51 / 0 / 21 / 76

HEX #1E3D30

RGB 30 61 48

HSL 154.84, 0.34%, 0.18%

LAB 23.09, -15.23, 4.48

 

CMYK 51 / 0 / 7 / 76

HEX #1E3D39

RGB 30 61 57

HSL 172.26, 0.34%, 0.18%

LAB 23.37, -12.69, -1.12

 

CMYK 51 / 7 / 0 / 76

HEX #1E393D

RGB 30 57 61

HSL 187.74, 0.34%, 0.18%

LAB 22.09, -8.99, -5.71

 

CMYK 50 / 0 / 33 / 98

HEX #030604

RGB 3 6 4

HSL 140, 0.33%, 0.02%

LAB 1.43, -1.06, 0.48

 

CMYK 52 / 0 / 18 / 87

HEX #10211B

RGB 16 33 27

HSL 158.82, 0.35%, 0.1%

LAB 11.11, -8.96, 1.84

 

CMYK 51 / 0 / 20 / 76

HEX #1E3D31

RGB 30 61 49

HSL 156.77, 0.34%, 0.18%

LAB 23.12, -14.96, 3.85

 

CMYK 50 / 0 / 19 / 65

HEX #2C5847

RGB 44 88 71

HSL 156.82, 0.33%, 0.26%

LAB 33.92, -19.85, 5.19

 

CMYK 50 / 0 / 19 / 55

HEX #3A735D

RGB 58 115 93

HSL 156.84, 0.33%, 0.34%

LAB 44.16, -24.46, 6.45

 

CMYK 50 / 0 / 19 / 76

HEX #1F3E32

RGB 31 62 50

HSL 156.77, 0.33%, 0.18%

LAB 23.56, -14.94, 3.83

 

CMYK 51 / 41 / 0 / 76

HEX #1E243D

RGB 30 36 61

HSL 228.39, 0.34%, 0.18%

LAB 14.82, 5.41, -16.88

 

CMYK 0 / 41 / 51 / 76

HEX #3D241E

RGB 61 36 30

HSL 11.61, 0.34%, 0.18%

LAB 17.21, 11.07, 8.96

 

CMYK 50 / 0 / 19 / 76

HEX #1F3E32

RGB 31 62 50

HSL 156.77, 0.33%, 0.18%

LAB 23.56, -14.94, 3.83

 

CMYK 21 / 51 / 0 / 76

HEX #301E3D

RGB 48 30 61

HSL 274.84, 0.34%, 0.18%

LAB 14.92, 15.93, -16.58

 

CMYK 0 / 21 / 51 / 76

HEX #3D301E

RGB 61 48 30

HSL 34.84, 0.34%, 0.18%

LAB 20.83, 2.98, 13.74

 

CMYK 50 / 0 / 19 / 76

HEX #1F3E32

RGB 31 62 50

HSL 156.77, 0.33%, 0.18%

LAB 23.56, -14.94, 3.83

 

CMYK 51 / 41 / 0 / 76

HEX #1E243D

RGB 30 36 61

HSL 228.39, 0.34%, 0.18%

LAB 14.82, 5.41, -16.88

 

CMYK 0 / 51 / 31 / 76

HEX #3D1E2A

RGB 61 30 42

HSL 336.77, 0.34%, 0.18%

LAB 15.94, 16.87, -1.36

 

CMYK 0 / 11 / 51 / 76

HEX #3D361E

RGB 61 54 30

HSL 46.45, 0.34%, 0.18%

LAB 22.74, -0.98, 16.18

 

CMYK 50 / 0 / 19 / 76

HEX #1F3E32

RGB 31 62 50

HSL 156.77, 0.33%, 0.18%

LAB 23.56, -14.94, 3.83

 

CMYK 46 / 51 / 0 / 76

HEX #211E3D

RGB 33 30 61

HSL 245.81, 0.34%, 0.18%

LAB 13.16, 10.8, -19.48

 

CMYK 0 / 51 / 31 / 76

HEX #3D1E2A

RGB 61 30 42

HSL 336.77, 0.34%, 0.18%

LAB 15.94, 16.87, -1.36

 

CMYK 5 / 0 / 51 / 76

HEX #3A3D1E

RGB 58 61 30

HSL 65.81, 0.34%, 0.18%

LAB 24.74, -6.93, 18.62

 

Description

Color code: HEX #1F3E32 | qconv.com Color code: HEX #1F3E32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 62 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 62 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 19 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 19% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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