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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F4D93 it is the complementary color #E0B26C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F4D93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F4D93 shade: #244D8E, #355FA1, #4671B4, #5783C7 and #6895DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F4D93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F4D93 shade: #1F4D93, #0E3B80, #00296D, #00175A and #000547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F4D93 shade: #1F4D93, #1F2D93, #2F1F93, #4F1F93 and #6E1F93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F4D93 shade: #1F4D93, #1F2D93 and #1F1F93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F4D93 shade matches the following richer shades: #1F4D93, #104AA1 and #0247B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F4D93 shade: #1F4D93, #2D5084, #3C5376, #4A5667 and #595959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F4D93 shade: #1F8B93, #1F6C93, #1F4D93, #1F2E93 and #2E1F93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F4D93 shade: #10294F, #183B71, #1F4D93, #265FB5 and #3171D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F4D93 shade: #1F4D93, #7C1F93 and #7C931F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F4D93 shade: #1F4D93, #931F4D and #4D931F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F4D93 shade: #1F4D93, #7C1F93, #93641F and #36931F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F4D93 shade: #1F4D93, #931F87, #93641F and #1F932A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

Complementary color

CMYK 0 / 21 / 52 / 12

HEX #E0B26C

RGB 224 178 108

HSL 36.21, 0.65%, 0.65%

LAB 75.31, 8.35, 41.88

 

CMYK 75 / 46 / 0 / 44

HEX #244D8E

RGB 36 77 142

HSL 216.79, 0.6%, 0.35%

LAB 33.21, 9.38, -40.22

 

CMYK 67 / 41 / 0 / 37

HEX #355FA1

RGB 53 95 161

HSL 216.67, 0.5%, 0.42%

LAB 40.43, 7.54, -40.11

 

CMYK 61 / 37 / 0 / 29

HEX #4671B4

RGB 70 113 180

HSL 216.55, 0.44%, 0.49%

LAB 47.5, 6.15, -40

 

CMYK 56 / 34 / 0 / 22

HEX #5783C7

RGB 87 131 199

HSL 216.43, 0.5%, 0.56%

LAB 54.43, 5.06, -39.92

 

CMYK 52 / 32 / 0 / 15

HEX #6895DA

RGB 104 149 218

HSL 216.32, 0.61%, 0.63%

LAB 61.22, 4.19, -39.88

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 89 / 54 / 0 / 50

HEX #0E3B80

RGB 14 59 128

HSL 216.32, 0.8%, 0.28%

LAB 26.1, 13.58, -43.06

 

CMYK 100 / 62 / 0 / 57

HEX #00296D

RGB 0 41 109

HSL 217.43, 1%, 0.21%

LAB 18.76, 17.37, -42.91

 

CMYK 100 / 74 / 0 / 65

HEX #00175A

RGB 0 23 90

HSL 224.67, 1%, 0.18%

LAB 11.63, 22.36, -42.06

 

CMYK 100 / 93 / 0 / 72

HEX #000547

RGB 0 5 71

HSL 235.77, 1%, 0.14%

LAB 5.09, 25.25, -39.78

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 79 / 69 / 0 / 42

HEX #1F2D93

RGB 31 45 147

HSL 232.76, 0.65%, 0.35%

LAB 24.56, 32.44, -57.36

 

CMYK 68 / 79 / 0 / 42

HEX #2F1F93

RGB 47 31 147

HSL 248.28, 0.65%, 0.35%

LAB 22.62, 42.4, -60.52

 

CMYK 46 / 79 / 0 / 42

HEX #4F1F93

RGB 79 31 147

HSL 264.83, 0.65%, 0.35%

LAB 26.01, 46.67, -54.83

 

CMYK 25 / 79 / 0 / 42

HEX #6E1F93

RGB 110 31 147

HSL 280.86, 0.65%, 0.35%

LAB 30.4, 52.11, -47.47

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 79 / 69 / 0 / 42

HEX #1F2D93

RGB 31 45 147

HSL 232.76, 0.65%, 0.35%

LAB 24.56, 32.44, -57.36

 

CMYK 79 / 79 / 0 / 42

HEX #1F1F93

RGB 31 31 147

HSL 240, 0.65%, 0.35%

LAB 21.5, 40.95, -62.41

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 90 / 54 / 0 / 37

HEX #104AA1

RGB 16 74 161

HSL 216, 0.82%, 0.35%

LAB 33.09, 17.09, -51.97

 

CMYK 99 / 60 / 0 / 31

HEX #0247B0

RGB 2 71 176

HSL 216.21, 0.98%, 0.35%

LAB 33.25, 24.65, -60.69

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 66 / 39 / 0 / 48

HEX #2D5084

RGB 45 80 132

HSL 215.86, 0.49%, 0.35%

LAB 33.9, 5.08, -32.97

 

CMYK 49 / 30 / 0 / 54

HEX #3C5376

RGB 60 83 118

HSL 216.21, 0.33%, 0.35%

LAB 34.91, 1.72, -22.67

 

CMYK 28 / 17 / 0 / 60

HEX #4A5667

RGB 74 86 103

HSL 215.17, 0.16%, 0.35%

LAB 36.16, -0.35, -11.34

 

CMYK 0 / 0 / 0 / 65

HEX #595959

RGB 89 89 89

HSL 0, 0%, 0.35%

LAB 37.82, 0, -0

 

CMYK 79 / 5 / 0 / 42

HEX #1F8B93

RGB 31 139 147

HSL 184.14, 0.65%, 0.35%

LAB 52.8, -25.96, -12.72

 

CMYK 79 / 27 / 0 / 42

HEX #1F6C93

RGB 31 108 147

HSL 200.17, 0.65%, 0.35%

LAB 42.95, -9, -27.85

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 79 / 69 / 0 / 42

HEX #1F2E93

RGB 31 46 147

HSL 232.24, 0.65%, 0.35%

LAB 24.8, 31.78, -56.96

 

CMYK 69 / 79 / 0 / 42

HEX #2E1F93

RGB 46 31 147

HSL 247.76, 0.65%, 0.35%

LAB 22.54, 42.29, -60.66

 

CMYK 80 / 48 / 0 / 69

HEX #10294F

RGB 16 41 79

HSL 216.19, 0.66%, 0.19%

LAB 16.8, 5.68, -26.18

 

CMYK 79 / 48 / 0 / 56

HEX #183B71

RGB 24 59 113

HSL 216.4, 0.65%, 0.27%

LAB 25.3, 8.33, -34.84

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 79 / 48 / 0 / 29

HEX #265FB5

RGB 38 95 181

HSL 216.08, 0.65%, 0.43%

LAB 41.11, 12.98, -50.87

 

CMYK 77 / 46 / 0 / 17

HEX #3171D3

RGB 49 113 211

HSL 216.3, 0.65%, 0.51%

LAB 48.47, 14.11, -56.33

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 16 / 79 / 0 / 42

HEX #7C1F93

RGB 124 31 147

HSL 288.1, 0.65%, 0.35%

LAB 32.64, 54.84, -43.75

 

CMYK 16 / 0 / 79 / 42

HEX #7C931F

RGB 124 147 31

HSL 71.9, 0.65%, 0.35%

LAB 57.32, -23.71, 53.99

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 0 / 79 / 48 / 42

HEX #931F4D

RGB 147 31 77

HSL 336.21, 0.65%, 0.35%

LAB 33.39, 50.3, 2.16

 

CMYK 48 / 0 / 79 / 42

HEX #4D931F

RGB 77 147 31

HSL 96.21, 0.65%, 0.35%

LAB 54.6, -41.89, 50.47

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 16 / 79 / 0 / 42

HEX #7C1F93

RGB 124 31 147

HSL 288.1, 0.65%, 0.35%

LAB 32.64, 54.84, -43.75

 

CMYK 0 / 32 / 79 / 42

HEX #93641F

RGB 147 100 31

HSL 35.69, 0.65%, 0.35%

LAB 46.2, 12.71, 44.36

 

CMYK 63 / 0 / 79 / 42

HEX #36931F

RGB 54 147 31

HSL 108.1, 0.65%, 0.35%

LAB 53.76, -48.46, 49.37

 

CMYK 79 / 48 / 0 / 42

HEX #1F4D93

RGB 31 77 147

HSL 216.21, 0.65%, 0.35%

LAB 33.36, 10.7, -43.04

 

CMYK 0 / 79 / 8 / 42

HEX #931F87

RGB 147 31 135

HSL 306.21, 0.65%, 0.35%

LAB 35.85, 57.63, -31

 

CMYK 0 / 32 / 79 / 42

HEX #93641F

RGB 147 100 31

HSL 35.69, 0.65%, 0.35%

LAB 46.2, 12.71, 44.36

 

CMYK 79 / 0 / 71 / 42

HEX #1F932A

RGB 31 147 42

HSL 125.69, 0.65%, 0.35%

LAB 53.3, -52.02, 44.65

 

Description

Color code: HEX #1F4D93 | qconv.com Color code: HEX #1F4D93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 77 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 77 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 48 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 48% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Nortons Hiab Service...
Link: http://www.m.nortonshiabservices.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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