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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F4DC0 it is the complementary color #E0B23F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F4DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F4DC0 shade: #244DBB, #355FCE, #4671E1, #5783F4 and #6895FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F4DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F4DC0 shade: #1F4DC0, #0E3BAD, #00299A, #001787 and #000574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F4DC0 shade: #1F4DC0, #1F22C0, #481FC0, #731FC0 and #9F1FC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F4DC0 shade: #1F4DC0, #1F22C0 and #1F1FC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F4DC0 shade matches the following richer shades: #1F4DC0 and #0D45D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F4DC0 shade: #1F4DC0, #3155AE, #435D9C, #55648A and #686C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F4DC0 shade: #1FA6C0, #1F7AC0, #1F4FC0, #1F24C0 and #451FC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F4DC0 shade: #13317A, #193F9D, #1F4DC0, #2C5FDC and #507AE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F4DC0 shade: #1F4DC0, #B01FC0 and #90C01F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F4DC0 shade: #1F4DC0, #C01F4F and #4FC01F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F4DC0 shade: #1F4DC0, #B01FC0, #C0901F and #2FC01F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F4DC0 shade: #1F4DC0, #C01FA0, #C0901F and #1FC03F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

Complementary color

CMYK 0 / 21 / 72 / 12

HEX #E0B23F

RGB 224 178 63

HSL 42.86, 0.72%, 0.56%

LAB 74.85, 5.33, 62.19

 

CMYK 81 / 59 / 0 / 27

HEX #244DBB

RGB 36 77 187

HSL 223.71, 0.68%, 0.44%

LAB 36.5, 26.96, -61.86

 

CMYK 74 / 54 / 0 / 19

HEX #355FCE

RGB 53 95 206

HSL 223.53, 0.61%, 0.51%

LAB 43.36, 24.21, -61.72

 

CMYK 69 / 50 / 0 / 12

HEX #4671E1

RGB 70 113 225

HSL 223.35, 0.72%, 0.58%

LAB 50.15, 21.94, -61.51

 

CMYK 64 / 46 / 0 / 4

HEX #5783F4

RGB 87 131 244

HSL 223.18, 0.88%, 0.65%

LAB 56.87, 20.08, -61.27

 

CMYK 59 / 42 / 0 / 0

HEX #6895FF

RGB 104 149 255

HSL 222.12, 1%, 0.7%

LAB 63.06, 15.92, -57.38

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 92 / 66 / 0 / 32

HEX #0E3BAD

RGB 14 59 173

HSL 223.02, 0.85%, 0.37%

LAB 30.01, 32, -64.22

 

CMYK 100 / 73 / 0 / 40

HEX #00299A

RGB 0 41 154

HSL 224.03, 1%, 0.3%

LAB 23.4, 35.94, -63.61

 

CMYK 100 / 83 / 0 / 47

HEX #001787

RGB 0 23 135

HSL 229.78, 1%, 0.26%

LAB 17.28, 39.8, -61.95

 

CMYK 100 / 96 / 0 / 55

HEX #000574

RGB 0 5 116

HSL 237.41, 1%, 0.23%

LAB 11.75, 41.94, -59.03

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 84 / 82 / 0 / 25

HEX #1F22C0

RGB 31 34 192

HSL 238.88, 0.72%, 0.44%

LAB 27.41, 53.95, -79.78

 

CMYK 63 / 84 / 0 / 25

HEX #481FC0

RGB 72 31 192

HSL 255.28, 0.72%, 0.44%

LAB 29.82, 57.96, -75.7

 

CMYK 40 / 84 / 0 / 25

HEX #731FC0

RGB 115 31 192

HSL 271.3, 0.72%, 0.44%

LAB 34.86, 62.88, -67.21

 

CMYK 17 / 84 / 0 / 25

HEX #9F1FC0

RGB 159 31 192

HSL 287.7, 0.72%, 0.44%

LAB 41.46, 69.66, -56.18

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 84 / 82 / 0 / 25

HEX #1F22C0

RGB 31 34 192

HSL 238.88, 0.72%, 0.44%

LAB 27.41, 53.95, -79.78

 

CMYK 84 / 84 / 0 / 25

HEX #1F1FC0

RGB 31 31 192

HSL 240, 0.72%, 0.44%

LAB 26.95, 55.3, -80.54

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 94 / 67 / 0 / 17

HEX #0D45D3

RGB 13 69 211

HSL 223.03, 0.88%, 0.44%

LAB 36.07, 39.94, -76.56

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 72 / 51 / 0 / 32

HEX #3155AE

RGB 49 85 174

HSL 222.72, 0.56%, 0.44%

LAB 38.21, 18.25, -51.4

 

CMYK 57 / 40 / 0 / 39

HEX #435D9C

RGB 67 93 156

HSL 222.47, 0.4%, 0.44%

LAB 40.28, 9.83, -37.32

 

CMYK 38 / 28 / 0 / 46

HEX #55648A

RGB 85 100 138

HSL 223.02, 0.24%, 0.44%

LAB 42.58, 4.38, -22.84

 

CMYK 13 / 10 / 0 / 53

HEX #686C78

RGB 104 108 120

HSL 225, 0.07%, 0.44%

LAB 45.67, 1.12, -7.19

 

CMYK 84 / 14 / 0 / 25

HEX #1FA6C0

RGB 31 166 192

HSL 189.69, 0.72%, 0.44%

LAB 62.82, -24.96, -23.07

 

CMYK 84 / 36 / 0 / 25

HEX #1F7AC0

RGB 31 122 192

HSL 206.09, 0.72%, 0.44%

LAB 49.52, -0.47, -43.82

 

CMYK 84 / 59 / 0 / 25

HEX #1F4FC0

RGB 31 79 192

HSL 222.11, 0.72%, 0.44%

LAB 37.28, 27.14, -63.52

 

CMYK 84 / 81 / 0 / 25

HEX #1F24C0

RGB 31 36 192

HSL 238.14, 0.72%, 0.44%

LAB 27.73, 53, -79.25

 

CMYK 64 / 84 / 0 / 25

HEX #451FC0

RGB 69 31 192

HSL 254.16, 0.72%, 0.44%

LAB 29.54, 57.69, -76.17

 

CMYK 84 / 60 / 0 / 52

HEX #13317A

RGB 19 49 122

HSL 222.52, 0.73%, 0.28%

LAB 22.79, 18.62, -44.64

 

CMYK 84 / 60 / 0 / 38

HEX #193F9D

RGB 25 63 157

HSL 222.73, 0.73%, 0.36%

LAB 29.9, 23.66, -54.74

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 80 / 57 / 0 / 14

HEX #2C5FDC

RGB 44 95 220

HSL 222.61, 0.72%, 0.52%

LAB 44.07, 28.47, -68.58

 

CMYK 65 / 46 / 0 / 11

HEX #507AE2

RGB 80 122 226

HSL 222.74, 0.72%, 0.6%

LAB 53.08, 18.27, -57.35

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 8 / 84 / 0 / 25

HEX #B01FC0

RGB 176 31 192

HSL 294.04, 0.72%, 0.44%

LAB 44.26, 72.61, -51.54

 

CMYK 25 / 0 / 84 / 25

HEX #90C01F

RGB 144 192 31

HSL 77.89, 0.72%, 0.44%

LAB 72.05, -36.83, 67.61

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 0 / 84 / 59 / 25

HEX #C01F4F

RGB 192 31 79

HSL 342.11, 0.72%, 0.44%

LAB 42.39, 62.78, 14.81

 

CMYK 59 / 0 / 84 / 25

HEX #4FC01F

RGB 79 192 31

HSL 102.11, 0.72%, 0.44%

LAB 69.08, -58.26, 63.86

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 8 / 84 / 0 / 25

HEX #B01FC0

RGB 176 31 192

HSL 294.04, 0.72%, 0.44%

LAB 44.26, 72.61, -51.54

 

CMYK 0 / 25 / 84 / 25

HEX #C0901F

RGB 192 144 31

HSL 42.11, 0.72%, 0.44%

LAB 62.72, 8.38, 61.15

 

CMYK 76 / 0 / 84 / 25

HEX #2FC01F

RGB 47 192 31

HSL 114.04, 0.72%, 0.44%

LAB 68.32, -64.71, 62.88

 

CMYK 84 / 60 / 0 / 25

HEX #1F4DC0

RGB 31 77 192

HSL 222.86, 0.72%, 0.44%

LAB 36.75, 28.46, -64.38

 

CMYK 0 / 84 / 17 / 25

HEX #C01FA0

RGB 192 31 160

HSL 311.93, 0.72%, 0.44%

LAB 45.25, 70.92, -30.86

 

CMYK 0 / 25 / 84 / 25

HEX #C0901F

RGB 192 144 31

HSL 42.11, 0.72%, 0.44%

LAB 62.72, 8.38, 61.15

 

CMYK 84 / 0 / 67 / 25

HEX #1FC03F

RGB 31 192 63

HSL 131.93, 0.72%, 0.44%

LAB 68.28, -64.33, 52.06

 

Description

Color code: HEX #1F4DC0 | qconv.com Color code: HEX #1F4DC0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 77 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 77 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 60 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 60% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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