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Color name
HEX #1F56DF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F56DF it is the complementary color #E0A920. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F56DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F56DF shade: #2456DA, #3568ED, #467AFF, #578CFF and #689EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F56DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F56DF shade: #1F56DF, #0E44CC, #0032B9, #0020A6 and #000E93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F56DF shade: #1E56E0, #1E21E0, #4F1EE0, #831EE0 and #B81EE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F56DF shade: #1E56E0, #1E21E0 and #1E1EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F56DF shade matches the following richer shades: #1E56E0 and #094DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F56DF shade: #1E56E0, #335ECB, #4767B7, #5C70A2 and #71798D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F56DF shade: #1EC0E0, #1E8CE0, #1E58E0, #1E25E0 and #4B1EE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F56DF shade: #143A97, #1948BC, #1E56E0, #4271E5 and #678CEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F56DF shade: #1F56DF, #CD1EE0 and #A6E01E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F56DF shade: #1F56DF, #E01E58 and #58E01E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F56DF shade: #1F56DF, #CD1EE0, #E0A61E and #31E01E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F56DF shade: #1F56DF, #E01EB9, #E0A61E and #1EE045

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 61 / 0 / 13

HEX #1F56DF

RGB 31 86 223

HSL 222.81, 0.76%, 0.5%

LAB 41.65, 34.39, -74.26

 

Complementary color

CMYK 0 / 25 / 86 / 12

HEX #E0A920

RGB 224 169 32

HSL 42.81, 0.76%, 0.5%

LAB 72.45, 9.01, 70.36

 

CMYK 83 / 61 / 0 / 15

HEX #2456DA

RGB 36 86 218

HSL 223.52, 0.72%, 0.5%

LAB 41.36, 32.85, -71.87

 

CMYK 78 / 56 / 0 / 7

HEX #3568ED

RGB 53 104 237

HSL 223.37, 0.84%, 0.57%

LAB 47.97, 29.88, -71.82

 

CMYK 73 / 52 / 0 / 0

HEX #467AFF

RGB 70 122 255

HSL 223.14, 1%, 0.64%

LAB 54.49, 27, -71.23

 

CMYK 66 / 45 / 0 / 0

HEX #578CFF

RGB 87 140 255

HSL 221.07, 1%, 0.67%

LAB 59.89, 18.38, -62.49

 

CMYK 59 / 38 / 0 / 0

HEX #689EFF

RGB 104 158 255

HSL 218.54, 1%, 0.7%

LAB 65.45, 10.64, -53.58

 

CMYK 86 / 61 / 0 / 13

HEX #1F56DF

RGB 31 86 223

HSL 222.81, 0.76%, 0.5%

LAB 41.65, 34.39, -74.26

 

CMYK 93 / 67 / 0 / 20

HEX #0E44CC

RGB 14 68 204

HSL 222.95, 0.87%, 0.43%

LAB 35.18, 37.99, -73.97

 

CMYK 100 / 73 / 0 / 27

HEX #0032B9

RGB 0 50 185

HSL 223.78, 1%, 0.36%

LAB 28.86, 41.87, -73.26

 

CMYK 100 / 81 / 0 / 35

HEX #0020A6

RGB 0 32 166

HSL 228.43, 1%, 0.33%

LAB 22.95, 45.6, -71.67

 

CMYK 100 / 90 / 0 / 42

HEX #000E93

RGB 0 14 147

HSL 234.29, 1%, 0.29%

LAB 17.56, 47.86, -69

 

CMYK 87 / 62 / 0 / 12

HEX #1E56E0

RGB 30 86 224

HSL 222.68, 0.76%, 0.5%

LAB 41.71, 34.71, -74.73

 

CMYK 87 / 85 / 0 / 12

HEX #1E21E0

RGB 30 33 224

HSL 239.07, 0.76%, 0.5%

LAB 31.22, 63.84, -92.06

 

CMYK 65 / 87 / 0 / 12

HEX #4F1EE0

RGB 79 30 224

HSL 255.15, 0.76%, 0.5%

LAB 33.93, 67.3, -87.48

 

CMYK 42 / 87 / 0 / 12

HEX #831EE0

RGB 131 30 224

HSL 271.24, 0.76%, 0.5%

LAB 39.81, 72.28, -77.57

 

CMYK 18 / 87 / 0 / 12

HEX #B81EE0

RGB 184 30 224

HSL 287.63, 0.76%, 0.5%

LAB 47.62, 79.6, -64.49

 

CMYK 87 / 62 / 0 / 12

HEX #1E56E0

RGB 30 86 224

HSL 222.68, 0.76%, 0.5%

LAB 41.71, 34.71, -74.73

 

CMYK 87 / 85 / 0 / 12

HEX #1E21E0

RGB 30 33 224

HSL 239.07, 0.76%, 0.5%

LAB 31.22, 63.84, -92.06

 

CMYK 87 / 87 / 0 / 12

HEX #1E1EE0

RGB 30 30 224

HSL 240, 0.76%, 0.5%

LAB 30.85, 64.96, -92.69

 

CMYK 87 / 62 / 0 / 12

HEX #1E56E0

RGB 30 86 224

HSL 222.68, 0.76%, 0.5%

LAB 41.71, 34.71, -74.73

 

CMYK 96 / 69 / 0 / 4

HEX #094DF5

RGB 9 77 245

HSL 222.71, 0.93%, 0.5%

LAB 41.15, 47.28, -87.54

 

CMYK 87 / 62 / 0 / 12

HEX #1E56E0

RGB 30 86 224

HSL 222.68, 0.76%, 0.5%

LAB 41.71, 34.71, -74.73

 

CMYK 75 / 54 / 0 / 20

HEX #335ECB

RGB 51 94 203

HSL 223.03, 0.6%, 0.5%

LAB 42.79, 23.5, -60.91

 

CMYK 61 / 44 / 0 / 28

HEX #4767B7

RGB 71 103 183

HSL 222.86, 0.44%, 0.5%

LAB 44.88, 13.62, -45.91

 

CMYK 43 / 31 / 0 / 36

HEX #5C70A2

RGB 92 112 162

HSL 222.86, 0.28%, 0.5%

LAB 47.59, 6.12, -29.27

 

CMYK 20 / 14 / 0 / 45

HEX #71798D

RGB 113 121 141

HSL 222.86, 0.11%, 0.5%

LAB 50.81, 1.54, -11.86

 

CMYK 87 / 14 / 0 / 12

HEX #1EC0E0

RGB 30 192 224

HSL 189.9, 0.76%, 0.5%

LAB 71.8, -27.58, -26.93

 

CMYK 87 / 38 / 0 / 12

HEX #1E8CE0

RGB 30 140 224

HSL 205.98, 0.76%, 0.5%

LAB 56.5, 0.73, -50.84

 

CMYK 87 / 61 / 0 / 12

HEX #1E58E0

RGB 30 88 224

HSL 222.06, 0.76%, 0.5%

LAB 42.21, 33.43, -73.91

 

CMYK 87 / 83 / 0 / 12

HEX #1E25E0

RGB 30 37 224

HSL 237.84, 0.76%, 0.5%

LAB 31.76, 62.22, -91.16

 

CMYK 67 / 87 / 0 / 12

HEX #4B1EE0

RGB 75 30 224

HSL 253.92, 0.76%, 0.5%

LAB 33.58, 67.03, -88.07

 

CMYK 87 / 62 / 0 / 41

HEX #143A97

RGB 20 58 151

HSL 222.6, 0.77%, 0.34%

LAB 27.87, 24.29, -54.41

 

CMYK 87 / 62 / 0 / 26

HEX #1948BC

RGB 25 72 188

HSL 222.7, 0.77%, 0.42%

LAB 34.95, 29.8, -65

 

CMYK 87 / 62 / 0 / 12

HEX #1E56E0

RGB 30 86 224

HSL 222.68, 0.76%, 0.5%

LAB 41.71, 34.71, -74.73

 

CMYK 71 / 51 / 0 / 10

HEX #4271E5

RGB 66 113 229

HSL 222.7, 0.76%, 0.58%

LAB 50.25, 22.82, -63.62

 

CMYK 56 / 40 / 0 / 8

HEX #678CEA

RGB 103 140 234

HSL 223.05, 0.76%, 0.66%

LAB 59.51, 14.3, -51.48

 

CMYK 86 / 61 / 0 / 13

HEX #1F56DF

RGB 31 86 223

HSL 222.81, 0.76%, 0.5%

LAB 41.65, 34.39, -74.26

 

CMYK 8 / 87 / 0 / 12

HEX #CD1EE0

RGB 205 30 224

HSL 294.12, 0.76%, 0.5%

LAB 51.02, 82.95, -58.83

 

CMYK 26 / 0 / 87 / 12

HEX #A6E01E

RGB 166 224 30

HSL 77.94, 0.76%, 0.5%

LAB 82.65, -42.54, 77.35

 

CMYK 86 / 61 / 0 / 13

HEX #1F56DF

RGB 31 86 223

HSL 222.81, 0.76%, 0.5%

LAB 41.65, 34.39, -74.26

 

CMYK 0 / 87 / 61 / 12

HEX #E01E58

RGB 224 30 88

HSL 342.06, 0.76%, 0.5%

LAB 48.86, 71.73, 19.05

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 86 / 61 / 0 / 13

HEX #1F56DF

RGB 31 86 223

HSL 222.81, 0.76%, 0.5%

LAB 41.65, 34.39, -74.26

 

CMYK 8 / 87 / 0 / 12

HEX #CD1EE0

RGB 205 30 224

HSL 294.12, 0.76%, 0.5%

LAB 51.02, 82.95, -58.83

 

CMYK 0 / 26 / 87 / 12

HEX #E0A61E

RGB 224 166 30

HSL 42.06, 0.76%, 0.5%

LAB 71.7, 10.56, 70.26

 

CMYK 78 / 0 / 87 / 12

HEX #31E01E

RGB 49 224 30

HSL 114.12, 0.76%, 0.5%

LAB 78.5, -74, 72.15

 

CMYK 86 / 61 / 0 / 13

HEX #1F56DF

RGB 31 86 223

HSL 222.81, 0.76%, 0.5%

LAB 41.65, 34.39, -74.26

 

CMYK 0 / 87 / 17 / 12

HEX #E01EB9

RGB 224 30 185

HSL 312.06, 0.76%, 0.5%

LAB 52.15, 80.82, -34.4

 

CMYK 0 / 26 / 87 / 12

HEX #E0A61E

RGB 224 166 30

HSL 42.06, 0.76%, 0.5%

LAB 71.7, 10.56, 70.26

 

CMYK 87 / 0 / 69 / 12

HEX #1EE045

RGB 30 224 69

HSL 132.06, 0.76%, 0.5%

LAB 78.47, -73.47, 60.59

 

Description

Color code: HEX #1F56DF | qconv.com Color code: HEX #1F56DF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 86 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 86 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 61 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 61% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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