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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F5874 it is the complementary color #E0A78B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F5874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F5874 shade: #24586F, #356A82, #467C95, #578EA8 and #68A0BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F5874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F5874 shade: #1F5874, #0E4661, #00344E, #00223B and #001028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F5874 shade: #1F5874, #1F4174, #1F2A74, #2A1F74 and #421F74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F5874 shade: #1F5874, #1F4174, #1F2A74 and #1F1F74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F5874 shade matches the following richer shades: #1F5874, #135C80 and #07608C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F5874 shade: #1F5874, #2B5468, #36505C, #424C50 and #4E4844

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F5874 shade: #1F7462, #1F7074, #1F5974, #1F4274 and #1F2B74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F5874 shade: #0D2733, #163F54, #1F5874, #277195 and #308AB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F5874 shade: #1F5874, #4B1F74 and #746D1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F5874 shade: #1F5874, #741F59 and #59741F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F5874 shade: #1F5874, #4B1F74, #743A1F and #48741F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F5874 shade: #1F5874, #651F74, #743A1F and #2E741F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

Complementary color

CMYK 0 / 25 / 38 / 12

HEX #E0A78B

RGB 224 167 139

HSL 19.76, 0.58%, 0.71%

LAB 73.12, 17.37, 22.67

 

CMYK 68 / 21 / 0 / 56

HEX #24586F

RGB 36 88 111

HSL 198.4, 0.51%, 0.29%

LAB 35.01, -9.42, -18.27

 

CMYK 59 / 18 / 0 / 49

HEX #356A82

RGB 53 106 130

HSL 198.7, 0.42%, 0.36%

LAB 42.27, -10.11, -18.65

 

CMYK 53 / 17 / 0 / 42

HEX #467C95

RGB 70 124 149

HSL 198.99, 0.36%, 0.43%

LAB 49.36, -10.57, -19.01

 

CMYK 48 / 15 / 0 / 34

HEX #578EA8

RGB 87 142 168

HSL 199.26, 0.32%, 0.5%

LAB 56.29, -10.9, -19.35

 

CMYK 44 / 14 / 0 / 27

HEX #68A0BB

RGB 104 160 187

HSL 199.52, 0.38%, 0.57%

LAB 63.07, -11.13, -19.69

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 86 / 28 / 0 / 62

HEX #0E4661

RGB 14 70 97

HSL 199.52, 0.75%, 0.22%

LAB 27.67, -6.98, -20.86

 

CMYK 100 / 33 / 0 / 69

HEX #00344E

RGB 0 52 78

HSL 200, 1%, 0.15%

LAB 20.07, -4.75, -20.34

 

CMYK 100 / 42 / 0 / 77

HEX #00223B

RGB 0 34 59

HSL 205.42, 1%, 0.12%

LAB 12.35, -0.77, -19.48

 

CMYK 100 / 60 / 0 / 84

HEX #001028

RGB 0 16 40

HSL 216, 1%, 0.08%

LAB 4.73, 2.89, -17.71

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 73 / 44 / 0 / 55

HEX #1F4174

RGB 31 65 116

HSL 216, 0.58%, 0.29%

LAB 27.66, 6.45, -32.95

 

CMYK 73 / 64 / 0 / 55

HEX #1F2A74

RGB 31 42 116

HSL 232.24, 0.58%, 0.29%

LAB 20.86, 22.61, -43.94

 

CMYK 64 / 73 / 0 / 55

HEX #2A1F74

RGB 42 31 116

HSL 247.76, 0.58%, 0.29%

LAB 18.94, 31.56, -47.04

 

CMYK 43 / 73 / 0 / 55

HEX #421F74

RGB 66 31 116

HSL 264.71, 0.58%, 0.29%

LAB 21.58, 35.88, -42.63

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 73 / 44 / 0 / 55

HEX #1F4174

RGB 31 65 116

HSL 216, 0.58%, 0.29%

LAB 27.66, 6.45, -32.95

 

CMYK 73 / 64 / 0 / 55

HEX #1F2A74

RGB 31 42 116

HSL 232.24, 0.58%, 0.29%

LAB 20.86, 22.61, -43.94

 

CMYK 73 / 73 / 0 / 55

HEX #1F1F74

RGB 31 31 116

HSL 240, 0.58%, 0.29%

LAB 18.06, 30.05, -48.52

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 85 / 28 / 0 / 50

HEX #135C80

RGB 19 92 128

HSL 199.82, 0.74%, 0.29%

LAB 36.65, -7.9, -26.23

 

CMYK 95 / 31 / 0 / 45

HEX #07608C

RGB 7 96 140

HSL 199.85, 0.9%, 0.29%

LAB 38.38, -6.48, -30.83

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 59 / 19 / 0 / 59

HEX #2B5468

RGB 43 84 104

HSL 199.67, 0.41%, 0.29%

LAB 33.68, -7.93, -15.92

 

CMYK 41 / 13 / 0 / 64

HEX #36505C

RGB 54 80 92

HSL 198.95, 0.26%, 0.29%

LAB 32.47, -6.33, -10.14

 

CMYK 18 / 5 / 0 / 69

HEX #424C50

RGB 66 76 80

HSL 197.14, 0.1%, 0.29%

LAB 31.59, -3.01, -3.73

 

CMYK 0 / 8 / 13 / 69

HEX #4E4844

RGB 78 72 68

HSL 24, 0.07%, 0.29%

LAB 31.05, 1.71, 3.3

 

CMYK 73 / 0 / 16 / 55

HEX #1F7462

RGB 31 116 98

HSL 167.29, 0.58%, 0.29%

LAB 43.75, -29.51, 2.75

 

CMYK 73 / 3 / 0 / 55

HEX #1F7074

RGB 31 112 116

HSL 182.82, 0.58%, 0.29%

LAB 42.97, -22.06, -9.21

 

CMYK 73 / 23 / 0 / 55

HEX #1F5974

RGB 31 89 116

HSL 199.06, 0.58%, 0.29%

LAB 35.39, -9.09, -20.78

 

CMYK 73 / 43 / 0 / 55

HEX #1F4274

RGB 31 66 116

HSL 215.29, 0.58%, 0.29%

LAB 27.98, 5.76, -32.45

 

CMYK 73 / 63 / 0 / 55

HEX #1F2B74

RGB 31 43 116

HSL 231.53, 0.58%, 0.29%

LAB 21.13, 21.91, -43.49

 

CMYK 75 / 24 / 0 / 80

HEX #0D2733

RGB 13 39 51

HSL 198.95, 0.59%, 0.13%

LAB 14.26, -5.33, -10.78

 

CMYK 74 / 25 / 0 / 67

HEX #163F54

RGB 22 63 84

HSL 200.32, 0.58%, 0.21%

LAB 24.85, -6.47, -16.81

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 74 / 24 / 0 / 42

HEX #277195

RGB 39 113 149

HSL 199.64, 0.59%, 0.37%

LAB 44.82, -10.16, -26.11

 

CMYK 74 / 24 / 0 / 29

HEX #308AB6

RGB 48 138 182

HSL 199.7, 0.58%, 0.45%

LAB 54.22, -11.6, -30.67

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 35 / 73 / 0 / 55

HEX #4B1F74

RGB 75 31 116

HSL 271.06, 0.58%, 0.29%

LAB 22.78, 37.77, -40.62

 

CMYK 0 / 6 / 73 / 55

HEX #746D1F

RGB 116 109 31

HSL 55.06, 0.58%, 0.29%

LAB 45.29, -7.1, 42.31

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 0 / 73 / 23 / 55

HEX #741F59

RGB 116 31 89

HSL 319.06, 0.58%, 0.29%

LAB 27.88, 42.85, -14.56

 

CMYK 23 / 0 / 73 / 55

HEX #59741F

RGB 89 116 31

HSL 79.06, 0.58%, 0.29%

LAB 45.24, -23.2, 41.53

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 35 / 73 / 0 / 55

HEX #4B1F74

RGB 75 31 116

HSL 271.06, 0.58%, 0.29%

LAB 22.78, 37.77, -40.62

 

CMYK 0 / 50 / 73 / 55

HEX #743A1F

RGB 116 58 31

HSL 19.06, 0.58%, 0.29%

LAB 31.44, 23.12, 27.78

 

CMYK 38 / 0 / 73 / 55

HEX #48741F

RGB 72 116 31

HSL 91.06, 0.58%, 0.29%

LAB 44.19, -30.14, 40.12

 

CMYK 73 / 24 / 0 / 55

HEX #1F5874

RGB 31 88 116

HSL 199.76, 0.58%, 0.29%

LAB 35.07, -8.48, -21.29

 

CMYK 13 / 73 / 0 / 55

HEX #651F74

RGB 101 31 116

HSL 289.41, 0.58%, 0.29%

LAB 26.76, 43.68, -34.01

 

CMYK 0 / 50 / 73 / 55

HEX #743A1F

RGB 116 58 31

HSL 19.06, 0.58%, 0.29%

LAB 31.44, 23.12, 27.78

 

CMYK 60 / 0 / 73 / 55

HEX #2E741F

RGB 46 116 31

HSL 109.41, 0.58%, 0.29%

LAB 43.02, -38.8, 38.55

 

Description

Color code: HEX #1F5874 | qconv.com Color code: HEX #1F5874 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 88 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 88 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 24 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 24% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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