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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F5173 it is the complementary color #E0AE8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F5173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F5173 shade: #24516E, #356381, #467594, #5787A7 and #6899BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F5173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F5173 shade: #1F5173, #0E3F60, #002D4D, #001B3A and #000927

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F5173 shade: #1F5274, #1F3A74, #1F2374, #311F74 and #481F74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F5173 shade: #1F5274, #1F3A74, #1F2374 and #1F1F74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F5173 shade matches the following richer shades: #1F5274, #135480 and #07568C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F5173 shade: #1F5274, #2B4F68, #364D5C, #424B50 and #4E4944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F5173 shade: #1F7469, #1F6974, #1F5274, #1F3B74 and #1F2474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F5173 shade: #0D2433, #163B54, #1F5274, #276995 and #307FB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F5173 shade: #1F5173, #521F74 and #74741F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F5173 shade: #1F5173, #741F52 and #52741F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F5173 shade: #1F5173, #521F74, #74411F and #41741F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F5173 shade: #1F5173, #6C1F74, #74411F and #27741F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 30 / 0 / 55

HEX #1F5173

RGB 31 81 115

HSL 204.29, 0.58%, 0.29%

LAB 32.73, -4.52, -24.31

 

Complementary color

CMYK 0 / 22 / 38 / 12

HEX #E0AE8C

RGB 224 174 140

HSL 24.29, 0.58%, 0.71%

LAB 74.83, 13.74, 24.46

 

CMYK 67 / 26 / 0 / 57

HEX #24516E

RGB 36 81 110

HSL 203.51, 0.51%, 0.29%

LAB 32.67, -5.48, -21.26

 

CMYK 59 / 23 / 0 / 49

HEX #356381

RGB 53 99 129

HSL 203.68, 0.42%, 0.36%

LAB 40.02, -6.29, -21.51

 

CMYK 53 / 21 / 0 / 42

HEX #467594

RGB 70 117 148

HSL 203.85, 0.36%, 0.43%

LAB 47.19, -6.85, -21.75

 

CMYK 48 / 19 / 0 / 35

HEX #5787A7

RGB 87 135 167

HSL 204, 0.31%, 0.5%

LAB 54.18, -7.25, -22

 

CMYK 44 / 18 / 0 / 27

HEX #6899BA

RGB 104 153 186

HSL 204.15, 0.37%, 0.57%

LAB 61.02, -7.56, -22.26

 

CMYK 73 / 30 / 0 / 55

HEX #1F5173

RGB 31 81 115

HSL 204.29, 0.58%, 0.29%

LAB 32.73, -4.52, -24.31

 

CMYK 85 / 34 / 0 / 62

HEX #0E3F60

RGB 14 63 96

HSL 204.15, 0.75%, 0.22%

LAB 25.24, -2.83, -24.03

 

CMYK 100 / 42 / 0 / 70

HEX #002D4D

RGB 0 45 77

HSL 204.94, 1%, 0.15%

LAB 17.52, -0.32, -23.71

 

CMYK 100 / 53 / 0 / 77

HEX #001B3A

RGB 0 27 58

HSL 212.07, 1%, 0.11%

LAB 9.71, 4.13, -22.98

 

CMYK 100 / 77 / 0 / 85

HEX #000927

RGB 0 9 39

HSL 226.15, 1%, 0.08%

LAB 3.09, 5.69, -19.51

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 73 / 50 / 0 / 55

HEX #1F3A74

RGB 31 58 116

HSL 220.94, 0.58%, 0.29%

LAB 25.5, 11.31, -36.42

 

CMYK 73 / 70 / 0 / 55

HEX #1F2374

RGB 31 35 116

HSL 237.18, 0.58%, 0.29%

LAB 19.03, 27.42, -46.93

 

CMYK 58 / 73 / 0 / 55

HEX #311F74

RGB 49 31 116

HSL 252.71, 0.58%, 0.29%

LAB 19.61, 32.7, -45.92

 

CMYK 38 / 73 / 0 / 55

HEX #481F74

RGB 72 31 116

HSL 268.94, 0.58%, 0.29%

LAB 22.37, 37.13, -41.31

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 73 / 50 / 0 / 55

HEX #1F3A74

RGB 31 58 116

HSL 220.94, 0.58%, 0.29%

LAB 25.5, 11.31, -36.42

 

CMYK 73 / 70 / 0 / 55

HEX #1F2374

RGB 31 35 116

HSL 237.18, 0.58%, 0.29%

LAB 19.03, 27.42, -46.93

 

CMYK 73 / 73 / 0 / 55

HEX #1F1F74

RGB 31 31 116

HSL 240, 0.58%, 0.29%

LAB 18.06, 30.05, -48.52

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 85 / 34 / 0 / 50

HEX #135480

RGB 19 84 128

HSL 204.22, 0.74%, 0.29%

LAB 34.06, -2.9, -30.31

 

CMYK 95 / 39 / 0 / 45

HEX #07568C

RGB 7 86 140

HSL 204.36, 0.9%, 0.29%

LAB 35.19, -0.18, -35.88

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 59 / 24 / 0 / 59

HEX #2B4F68

RGB 43 79 104

HSL 204.59, 0.41%, 0.29%

LAB 32.04, -4.84, -18.44

 

CMYK 41 / 16 / 0 / 64

HEX #364D5C

RGB 54 77 92

HSL 203.68, 0.26%, 0.29%

LAB 31.5, -4.47, -11.62

 

CMYK 18 / 6 / 0 / 69

HEX #424B50

RGB 66 75 80

HSL 201.43, 0.1%, 0.29%

LAB 31.28, -2.39, -4.2

 

CMYK 0 / 6 / 13 / 69

HEX #4E4944

RGB 78 73 68

HSL 30, 0.07%, 0.29%

LAB 31.35, 1.07, 3.74

 

CMYK 73 / 0 / 9 / 55

HEX #1F7469

RGB 31 116 105

HSL 172.24, 0.58%, 0.29%

LAB 43.95, -27.5, -1.15

 

CMYK 73 / 9 / 0 / 55

HEX #1F6974

RGB 31 105 116

HSL 187.76, 0.58%, 0.29%

LAB 40.66, -18.31, -12.7

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 73 / 49 / 0 / 55

HEX #1F3B74

RGB 31 59 116

HSL 220.24, 0.58%, 0.29%

LAB 25.8, 10.61, -35.93

 

CMYK 73 / 69 / 0 / 55

HEX #1F2474

RGB 31 36 116

HSL 236.47, 0.58%, 0.29%

LAB 19.28, 26.74, -46.52

 

CMYK 75 / 29 / 0 / 80

HEX #0D2433

RGB 13 36 51

HSL 203.68, 0.59%, 0.13%

LAB 13.15, -3.23, -12.51

 

CMYK 74 / 30 / 0 / 67

HEX #163B54

RGB 22 59 84

HSL 204.19, 0.58%, 0.21%

LAB 23.47, -3.85, -18.96

 

CMYK 73 / 29 / 0 / 55

HEX #1F5274

RGB 31 82 116

HSL 204, 0.58%, 0.29%

LAB 33.11, -4.77, -24.35

 

CMYK 74 / 30 / 0 / 42

HEX #276995

RGB 39 105 149

HSL 204, 0.59%, 0.37%

LAB 42.31, -5.4, -30.02

 

CMYK 74 / 30 / 0 / 29

HEX #307FB6

RGB 48 127 182

HSL 204.63, 0.58%, 0.45%

LAB 50.9, -5.28, -35.85

 

CMYK 73 / 30 / 0 / 55

HEX #1F5173

RGB 31 81 115

HSL 204.29, 0.58%, 0.29%

LAB 32.73, -4.52, -24.31

 

CMYK 29 / 73 / 0 / 55

HEX #521F74

RGB 82 31 116

HSL 276, 0.58%, 0.29%

LAB 23.79, 39.3, -38.94

 

CMYK 0 / 0 / 73 / 55

HEX #74741F

RGB 116 116 31

HSL 60, 0.58%, 0.29%

LAB 47.37, -11.02, 44.35

 

CMYK 73 / 30 / 0 / 55

HEX #1F5173

RGB 31 81 115

HSL 204.29, 0.58%, 0.29%

LAB 32.73, -4.52, -24.31

 

CMYK 0 / 73 / 29 / 55

HEX #741F52

RGB 116 31 82

HSL 324, 0.58%, 0.29%

LAB 27.58, 41.86, -10.41

 

CMYK 29 / 0 / 73 / 55

HEX #52741F

RGB 82 116 31

HSL 84, 0.58%, 0.29%

LAB 44.78, -26.15, 40.91

 

CMYK 73 / 30 / 0 / 55

HEX #1F5173

RGB 31 81 115

HSL 204.29, 0.58%, 0.29%

LAB 32.73, -4.52, -24.31

 

CMYK 29 / 73 / 0 / 55

HEX #521F74

RGB 82 31 116

HSL 276, 0.58%, 0.29%

LAB 23.79, 39.3, -38.94

 

CMYK 0 / 44 / 73 / 55

HEX #74411F

RGB 116 65 31

HSL 24, 0.58%, 0.29%

LAB 33.12, 19.01, 29.65

 

CMYK 44 / 0 / 73 / 55

HEX #41741F

RGB 65 116 31

HSL 96, 0.58%, 0.29%

LAB 43.82, -32.74, 39.63

 

CMYK 73 / 30 / 0 / 55

HEX #1F5173

RGB 31 81 115

HSL 204.29, 0.58%, 0.29%

LAB 32.73, -4.52, -24.31

 

CMYK 7 / 73 / 0 / 55

HEX #6C1F74

RGB 108 31 116

HSL 294.35, 0.58%, 0.29%

LAB 27.92, 45.34, -32.08

 

CMYK 0 / 44 / 73 / 55

HEX #74411F

RGB 116 65 31

HSL 24, 0.58%, 0.29%

LAB 33.12, 19.01, 29.65

 

CMYK 66 / 0 / 73 / 55

HEX #27741F

RGB 39 116 31

HSL 114.35, 0.58%, 0.29%

LAB 42.79, -40.61, 38.25

 

Description

Color code: HEX #1F5173 | qconv.com Color code: HEX #1F5173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 81 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 81 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 30 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 30% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

83% - Bret Rose | Graphic ...
Link: http://bretrose.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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