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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F61F3 it is the complementary color #E09E0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F61F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F61F3 shade: #2461EE, #3573FF, #4685FF, #5797FF and #68A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F61F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F61F3 shade: #1F61F3, #0E4FE0, #003DCD, #002BBA and #0019A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F61F3 shade: #2061F3, #2028F3, #5020F3, #8920F3 and #C220F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F61F3 shade: #2061F3, #2028F3 and #2020F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F61F3 shade matches the following richer shades: #2061F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F61F3 shade: #2061F3, #3369E0, #4670CD, #5977BA and #6C7EA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F61F3 shade: #20D3F3, #209BF3, #2062F3, #202AF3 and #4D20F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F61F3 shade: #093FB7, #0B4DDE, #2061F3, #477DF5 and #6E99F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F61F3 shade: #1F61F3, #DA20F3 and #B7F320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F61F3 shade: #1F61F3, #F32062 and #62F320

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F61F3 shade: #1F61F3, #DA20F3, #F3B020 and #38F320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F61F3 shade: #1F61F3, #F320CC, #F3B020 and #20F346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 60 / 0 / 5

HEX #1F61F3

RGB 31 97 243

HSL 221.32, 0.9%, 0.54%

LAB 46.06, 34.86, -78.34

 

Complementary color

CMYK 0 / 29 / 95 / 12

HEX #E09E0C

RGB 224 158 12

HSL 41.32, 0.9%, 0.46%

LAB 69.7, 14.53, 72.24

 

CMYK 85 / 59 / 0 / 7

HEX #2461EE

RGB 36 97 238

HSL 221.88, 0.86%, 0.54%

LAB 45.77, 33.3, -76

 

CMYK 79 / 55 / 0 / 0

HEX #3573FF

RGB 53 115 255

HSL 221.58, 1%, 0.6%

LAB 52.11, 29.55, -75.13

 

CMYK 73 / 48 / 0 / 0

HEX #4685FF

RGB 70 133 255

HSL 219.57, 1%, 0.64%

LAB 57.36, 20.24, -66.59

 

CMYK 66 / 41 / 0 / 0

HEX #5797FF

RGB 87 151 255

HSL 217.14, 1%, 0.67%

LAB 62.83, 11.82, -57.8

 

CMYK 59 / 34 / 0 / 0

HEX #68A9FF

RGB 104 169 255

HSL 214.17, 1%, 0.7%

LAB 68.42, 4.31, -48.89

 

CMYK 87 / 60 / 0 / 5

HEX #1F61F3

RGB 31 97 243

HSL 221.32, 0.9%, 0.54%

LAB 46.06, 34.86, -78.34

 

CMYK 94 / 65 / 0 / 12

HEX #0E4FE0

RGB 14 79 224

HSL 221.43, 0.88%, 0.47%

LAB 39.69, 38.48, -78.05

 

CMYK 100 / 70 / 0 / 20

HEX #003DCD

RGB 0 61 205

HSL 222.15, 1%, 0.4%

LAB 33.45, 42.41, -77.42

 

CMYK 100 / 77 / 0 / 27

HEX #002BBA

RGB 0 43 186

HSL 226.13, 1%, 0.36%

LAB 27.5, 46.38, -76.11

 

CMYK 100 / 85 / 0 / 35

HEX #0019A7

RGB 0 25 167

HSL 231.02, 1%, 0.33%

LAB 21.89, 49.43, -74.04

 

CMYK 87 / 60 / 0 / 5

HEX #2061F3

RGB 32 97 243

HSL 221.52, 0.9%, 0.54%

LAB 46.08, 34.92, -78.3

 

CMYK 87 / 84 / 0 / 5

HEX #2028F3

RGB 32 40 243

HSL 237.73, 0.9%, 0.54%

LAB 34.59, 66.56, -97.27

 

CMYK 67 / 87 / 0 / 5

HEX #5020F3

RGB 80 32 243

HSL 253.65, 0.9%, 0.54%

LAB 36.38, 71.61, -94.21

 

CMYK 44 / 87 / 0 / 5

HEX #8920F3

RGB 137 32 243

HSL 269.86, 0.9%, 0.54%

LAB 42.49, 76.6, -83.91

 

CMYK 20 / 87 / 0 / 5

HEX #C220F3

RGB 194 32 243

HSL 286.07, 0.9%, 0.54%

LAB 50.66, 84.05, -70.24

 

CMYK 87 / 60 / 0 / 5

HEX #2061F3

RGB 32 97 243

HSL 221.52, 0.9%, 0.54%

LAB 46.08, 34.92, -78.3

 

CMYK 87 / 84 / 0 / 5

HEX #2028F3

RGB 32 40 243

HSL 237.73, 0.9%, 0.54%

LAB 34.59, 66.56, -97.27

 

CMYK 87 / 87 / 0 / 5

HEX #2020F3

RGB 32 32 243

HSL 240, 0.9%, 0.54%

LAB 33.59, 69.57, -98.94

 

CMYK 87 / 60 / 0 / 5

HEX #2061F3

RGB 32 97 243

HSL 221.52, 0.9%, 0.54%

LAB 46.08, 34.92, -78.3

 

CMYK 87 / 60 / 0 / 5

HEX #2061F3

RGB 32 97 243

HSL 221.52, 0.9%, 0.54%

LAB 46.08, 34.92, -78.3

 

CMYK 77 / 53 / 0 / 12

HEX #3369E0

RGB 51 105 224

HSL 221.27, 0.74%, 0.54%

LAB 47.22, 24.25, -65.72

 

CMYK 66 / 45 / 0 / 20

HEX #4670CD

RGB 70 112 205

HSL 221.33, 0.57%, 0.54%

LAB 48.63, 15.49, -52.6

 

CMYK 52 / 36 / 0 / 27

HEX #5977BA

RGB 89 119 186

HSL 221.44, 0.41%, 0.54%

LAB 50.53, 8.55, -38.63

 

CMYK 35 / 25 / 0 / 35

HEX #6C7EA7

RGB 108 126 167

HSL 221.69, 0.25%, 0.54%

LAB 52.84, 3.72, -23.96

 

CMYK 87 / 13 / 0 / 5

HEX #20D3F3

RGB 32 211 243

HSL 189.1, 0.9%, 0.54%

LAB 78.09, -30.66, -27.52

 

CMYK 87 / 36 / 0 / 5

HEX #209BF3

RGB 32 155 243

HSL 205.02, 0.9%, 0.54%

LAB 61.84, -0.9, -52.87

 

CMYK 87 / 60 / 0 / 5

HEX #2062F3

RGB 32 98 243

HSL 221.23, 0.9%, 0.54%

LAB 46.33, 34.28, -77.89

 

CMYK 87 / 83 / 0 / 5

HEX #202AF3

RGB 32 42 243

HSL 237.16, 0.9%, 0.54%

LAB 34.87, 65.72, -96.8

 

CMYK 68 / 87 / 0 / 5

HEX #4D20F3

RGB 77 32 243

HSL 252.8, 0.9%, 0.54%

LAB 36.14, 71.43, -94.62

 

CMYK 95 / 66 / 0 / 28

HEX #093FB7

RGB 9 63 183

HSL 221.38, 0.91%, 0.38%

LAB 31.88, 33.06, -67.09

 

CMYK 95 / 65 / 0 / 13

HEX #0B4DDE

RGB 11 77 222

HSL 221.23, 0.91%, 0.46%

LAB 38.99, 38.92, -78.07

 

CMYK 87 / 60 / 0 / 5

HEX #2061F3

RGB 32 97 243

HSL 221.52, 0.9%, 0.54%

LAB 46.08, 34.92, -78.3

 

CMYK 71 / 49 / 0 / 4

HEX #477DF5

RGB 71 125 245

HSL 221.38, 0.9%, 0.62%

LAB 54.66, 21.73, -65.43

 

CMYK 55 / 38 / 0 / 3

HEX #6E99F7

RGB 110 153 247

HSL 221.17, 0.9%, 0.7%

LAB 64.01, 12.18, -51.48

 

CMYK 87 / 60 / 0 / 5

HEX #1F61F3

RGB 31 97 243

HSL 221.32, 0.9%, 0.54%

LAB 46.06, 34.86, -78.34

 

CMYK 10 / 87 / 0 / 5

HEX #DA20F3

RGB 218 32 243

HSL 292.89, 0.9%, 0.54%

LAB 54.46, 87.74, -63.9

 

CMYK 25 / 0 / 87 / 5

HEX #B7F320

RGB 183 243 32

HSL 77.06, 0.9%, 0.54%

LAB 89.05, -44.29, 82.72

 

CMYK 87 / 60 / 0 / 5

HEX #1F61F3

RGB 31 97 243

HSL 221.32, 0.9%, 0.54%

LAB 46.06, 34.86, -78.34

 

CMYK 0 / 87 / 60 / 5

HEX #F32062

RGB 243 32 98

HSL 341.23, 0.9%, 0.54%

LAB 52.92, 76.65, 19.06

 

CMYK 60 / 0 / 87 / 5

HEX #62F320

RGB 98 243 32

HSL 101.23, 0.9%, 0.54%

LAB 85.4, -70.86, 78.17

 

CMYK 87 / 60 / 0 / 5

HEX #1F61F3

RGB 31 97 243

HSL 221.32, 0.9%, 0.54%

LAB 46.06, 34.86, -78.34

 

CMYK 10 / 87 / 0 / 5

HEX #DA20F3

RGB 218 32 243

HSL 292.89, 0.9%, 0.54%

LAB 54.46, 87.74, -63.9

 

CMYK 0 / 28 / 87 / 5

HEX #F3B020

RGB 243 176 32

HSL 40.95, 0.9%, 0.54%

LAB 76.2, 13.49, 74.24

 

CMYK 77 / 0 / 87 / 5

HEX #38F320

RGB 56 243 32

HSL 113.18, 0.9%, 0.54%

LAB 84.51, -78.49, 77.05

 

CMYK 87 / 60 / 0 / 5

HEX #1F61F3

RGB 31 97 243

HSL 221.32, 0.9%, 0.54%

LAB 46.06, 34.86, -78.34

 

CMYK 0 / 87 / 16 / 5

HEX #F320CC

RGB 243 32 204

HSL 311.09, 0.9%, 0.54%

LAB 56.53, 86.57, -38.27

 

CMYK 0 / 28 / 87 / 5

HEX #F3B020

RGB 243 176 32

HSL 40.95, 0.9%, 0.54%

LAB 76.2, 13.49, 74.24

 

CMYK 87 / 0 / 71 / 5

HEX #20F346

RGB 32 243 70

HSL 130.81, 0.9%, 0.54%

LAB 84.41, -78.72, 66.42

 

Description

Color code: HEX #1F61F3 | qconv.com Color code: HEX #1F61F3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 97 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 97 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 60 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 60% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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