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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F8C4A it is the complementary color #E073B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F8C4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F8C4A shade: #248C45, #359E58, #46B06B, #57C27E and #68D491

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F8C4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F8C4A shade: #1F8C4A, #0E7A37, #006824, #005611 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F8C4A shade: #1F8E4A, #1F8E2D, #2F8E1F, #4D8E1F and #6B8E1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F8C4A shade: #1F8E4A, #1F8E68, #1F8E86, #1F778E and #1F598E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F8C4A shade matches the following richer shades: #1F8E4A, #119C48 and #03AA45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F8C4A shade: #1F8E4A, #2D804D, #3B7250, #496453 and #575656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F8C4A shade: #2F8E1F, #1F8E2C, #1F8E49, #1F8E67 and #1F8E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F8C4A shade: #104A27, #176C39, #1F8E4A, #26B05C and #2ED16E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F8C4A shade: #1F8C4A, #1F4D8E and #8E1F21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F8C4A shade: #1F8C4A, #491F8E and #8E491F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F8C4A shade: #1F8C4A, #1F4D8E, #8E1F63 and #8E5F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F8C4A shade: #1F8C4A, #1F2C8E, #8E1F63 and #8E811F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 47 / 45

HEX #1F8C4A

RGB 31 140 74

HSL 143.67, 0.64%, 0.34%

LAB 51.32, -45.17, 26.86

 

Complementary color

CMYK 0 / 49 / 19 / 12

HEX #E073B5

RGB 224 115 181

HSL 323.67, 0.64%, 0.66%

LAB 62.88, 50.3, -15.58

 

CMYK 74 / 0 / 51 / 45

HEX #248C45

RGB 36 140 69

HSL 139.04, 0.59%, 0.35%

LAB 51.34, -45.26, 29.57

 

CMYK 66 / 0 / 44 / 38

HEX #359E58

RGB 53 158 88

HSL 140, 0.5%, 0.41%

LAB 57.96, -45.86, 27.98

 

CMYK 60 / 0 / 39 / 31

HEX #46B06B

RGB 70 176 107

HSL 140.94, 0.43%, 0.48%

LAB 64.49, -46.11, 26.5

 

CMYK 55 / 0 / 35 / 24

HEX #57C27E

RGB 87 194 126

HSL 141.87, 0.47%, 0.55%

LAB 70.95, -46.15, 25.13

 

CMYK 51 / 0 / 32 / 17

HEX #68D491

RGB 104 212 145

HSL 142.78, 0.56%, 0.62%

LAB 77.33, -46.07, 23.86

 

CMYK 78 / 0 / 47 / 45

HEX #1F8C4A

RGB 31 140 74

HSL 143.67, 0.64%, 0.34%

LAB 51.32, -45.17, 26.86

 

CMYK 89 / 0 / 55 / 52

HEX #0E7A37

RGB 14 122 55

HSL 142.78, 0.79%, 0.27%

LAB 44.64, -43.83, 28.62

 

CMYK 100 / 0 / 65 / 59

HEX #006824

RGB 0 104 36

HSL 140.77, 1%, 0.2%

LAB 37.89, -41.65, 30.39

 

CMYK 100 / 0 / 80 / 66

HEX #005611

RGB 0 86 17

HSL 131.86, 1%, 0.17%

LAB 31.1, -37.82, 31.8

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 78 / 0 / 48 / 44

HEX #1F8E4A

RGB 31 142 74

HSL 143.24, 0.64%, 0.34%

LAB 51.99, -45.93, 27.71

 

CMYK 78 / 0 / 68 / 44

HEX #1F8E2D

RGB 31 142 45

HSL 127.57, 0.64%, 0.34%

LAB 51.64, -50.04, 41.61

 

CMYK 67 / 0 / 78 / 44

HEX #2F8E1F

RGB 47 142 31

HSL 111.35, 0.64%, 0.34%

LAB 51.89, -48.3, 47.49

 

CMYK 46 / 0 / 78 / 44

HEX #4D8E1F

RGB 77 142 31

HSL 95.14, 0.64%, 0.34%

LAB 52.97, -39.81, 48.91

 

CMYK 25 / 0 / 78 / 44

HEX #6B8E1F

RGB 107 142 31

HSL 78.92, 0.64%, 0.34%

LAB 54.63, -28.44, 51.07

 

CMYK 78 / 0 / 48 / 44

HEX #1F8E4A

RGB 31 142 74

HSL 143.24, 0.64%, 0.34%

LAB 51.99, -45.93, 27.71

 

CMYK 78 / 0 / 27 / 44

HEX #1F8E68

RGB 31 142 104

HSL 159.46, 0.64%, 0.34%

LAB 52.55, -39.61, 11.76

 

CMYK 78 / 0 / 6 / 44

HEX #1F8E86

RGB 31 142 134

HSL 175.68, 0.64%, 0.34%

LAB 53.34, -31.46, -4.39

 

CMYK 78 / 16 / 0 / 44

HEX #1F778E

RGB 31 119 142

HSL 192.43, 0.64%, 0.34%

LAB 46.23, -17.08, -19.8

 

CMYK 78 / 37 / 0 / 44

HEX #1F598E

RGB 31 89 142

HSL 208.65, 0.64%, 0.34%

LAB 36.72, 0.81, -34.64

 

CMYK 78 / 0 / 48 / 44

HEX #1F8E4A

RGB 31 142 74

HSL 143.24, 0.64%, 0.34%

LAB 51.99, -45.93, 27.71

 

CMYK 89 / 0 / 54 / 39

HEX #119C48

RGB 17 156 72

HSL 143.74, 0.8%, 0.34%

LAB 56.45, -52.77, 34.28

 

CMYK 98 / 0 / 59 / 33

HEX #03AA45

RGB 3 170 69

HSL 143.71, 0.97%, 0.34%

LAB 60.96, -58.62, 41.11

 

CMYK 78 / 0 / 48 / 44

HEX #1F8E4A

RGB 31 142 74

HSL 143.24, 0.64%, 0.34%

LAB 51.99, -45.93, 27.71

 

CMYK 65 / 0 / 40 / 50

HEX #2D804D

RGB 45 128 77

HSL 143.13, 0.48%, 0.34%

LAB 47.66, -37.27, 20.51

 

CMYK 48 / 0 / 30 / 55

HEX #3B7250

RGB 59 114 80

HSL 142.91, 0.32%, 0.34%

LAB 43.57, -26.63, 13.34

 

CMYK 27 / 0 / 17 / 61

HEX #496453

RGB 73 100 83

HSL 142.22, 0.16%, 0.34%

LAB 39.84, -13.93, 6.44

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 67 / 0 / 78 / 44

HEX #2F8E1F

RGB 47 142 31

HSL 111.35, 0.64%, 0.34%

LAB 51.89, -48.3, 47.49

 

CMYK 78 / 0 / 69 / 44

HEX #1F8E2C

RGB 31 142 44

HSL 127.03, 0.64%, 0.34%

LAB 51.63, -50.15, 42.03

 

CMYK 78 / 0 / 49 / 44

HEX #1F8E49

RGB 31 142 73

HSL 142.7, 0.64%, 0.34%

LAB 51.97, -46.1, 28.23

 

CMYK 78 / 0 / 27 / 44

HEX #1F8E67

RGB 31 142 103

HSL 158.92, 0.64%, 0.34%

LAB 52.53, -39.85, 12.3

 

CMYK 78 / 0 / 7 / 44

HEX #1F8E84

RGB 31 142 132

HSL 174.59, 0.64%, 0.34%

LAB 53.28, -32.05, -3.32

 

CMYK 78 / 0 / 47 / 71

HEX #104A27

RGB 16 74 39

HSL 143.79, 0.64%, 0.18%

LAB 27.17, -27.56, 15.72

 

CMYK 79 / 0 / 47 / 58

HEX #176C39

RGB 23 108 57

HSL 144, 0.65%, 0.26%

LAB 39.92, -37.04, 21.63

 

CMYK 78 / 0 / 48 / 44

HEX #1F8E4A

RGB 31 142 74

HSL 143.24, 0.64%, 0.34%

LAB 51.99, -45.93, 27.71

 

CMYK 78 / 0 / 48 / 31

HEX #26B05C

RGB 38 176 92

HSL 143.48, 0.64%, 0.42%

LAB 63.54, -54.34, 32.96

 

CMYK 78 / 0 / 47 / 18

HEX #2ED16E

RGB 46 209 110

HSL 143.56, 0.64%, 0.5%

LAB 74.39, -61.96, 37.64

 

CMYK 78 / 0 / 47 / 45

HEX #1F8C4A

RGB 31 140 74

HSL 143.67, 0.64%, 0.34%

LAB 51.32, -45.17, 26.86

 

CMYK 78 / 46 / 0 / 44

HEX #1F4D8E

RGB 31 77 142

HSL 215.14, 0.64%, 0.34%

LAB 33.03, 8.7, -40.52

 

CMYK 0 / 78 / 77 / 44

HEX #8E1F21

RGB 142 31 33

HSL 358.92, 0.64%, 0.34%

LAB 31.44, 45.79, 27.9

 

CMYK 78 / 0 / 47 / 45

HEX #1F8C4A

RGB 31 140 74

HSL 143.67, 0.64%, 0.34%

LAB 51.32, -45.17, 26.86

 

CMYK 49 / 78 / 0 / 44

HEX #491F8E

RGB 73 31 142

HSL 262.7, 0.64%, 0.34%

LAB 24.79, 44.38, -53.75

 

CMYK 0 / 49 / 78 / 44

HEX #8E491F

RGB 142 73 31

HSL 22.7, 0.64%, 0.34%

LAB 38.92, 25.96, 36.97

 

CMYK 78 / 0 / 47 / 45

HEX #1F8C4A

RGB 31 140 74

HSL 143.67, 0.64%, 0.34%

LAB 51.32, -45.17, 26.86

 

CMYK 78 / 46 / 0 / 44

HEX #1F4D8E

RGB 31 77 142

HSL 215.14, 0.64%, 0.34%

LAB 33.03, 8.7, -40.52

 

CMYK 0 / 78 / 30 / 44

HEX #8E1F63

RGB 142 31 99

HSL 323.24, 0.64%, 0.34%

LAB 33.2, 51.33, -12.49

 

CMYK 0 / 33 / 78 / 44

HEX #8E5F1F

RGB 142 95 31

HSL 34.59, 0.64%, 0.34%

LAB 44.28, 13.31, 42.29

 

CMYK 78 / 0 / 47 / 45

HEX #1F8C4A

RGB 31 140 74

HSL 143.67, 0.64%, 0.34%

LAB 51.32, -45.17, 26.86

 

CMYK 78 / 69 / 0 / 44

HEX #1F2C8E

RGB 31 44 142

HSL 232.97, 0.64%, 0.34%

LAB 23.82, 31.22, -55.48

 

CMYK 0 / 78 / 30 / 44

HEX #8E1F63

RGB 142 31 99

HSL 323.24, 0.64%, 0.34%

LAB 33.2, 51.33, -12.49

 

CMYK 0 / 9 / 78 / 44

HEX #8E811F

RGB 142 129 31

HSL 52.97, 0.64%, 0.34%

LAB 53.55, -6.12, 51.06

 

Description

Color code: HEX #1F8C4A | qconv.com Color code: HEX #1F8C4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 140 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 140 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 47 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 47% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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