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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F8C6B it is the complementary color #E07394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F8C6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F8C6B shade: #248C66, #359E79, #46B08C, #57C29F and #68D4B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F8C6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F8C6B shade: #1F8C6B, #0E7A58, #006845, #005632 and #00441F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F8C6B shade: #1F8E6C, #1F8E4E, #1F8E30, #2B8E1F and #498E1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F8C6B shade: #1F8E6C, #1F8E8A, #1F738E, #1F568E and #1F388E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F8C6B shade matches the following richer shades: #1F8E6C, #119C72 and #03AA77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F8C6B shade: #1F8E6C, #2D8067, #3B7261, #49645B and #575656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F8C6B shade: #1F8E2F, #1F8E4D, #1F8E6B, #1F8E88 and #1F768E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F8C6B shade: #104A38, #176C52, #1F8E6C, #26B086 and #2ED1A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F8C6B shade: #1F8C6B, #1F2C8E and #8E3E1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F8C6B shade: #1F8C6B, #6B1F8E and #8E6B1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F8C6B shade: #1F8C6B, #1F2C8E, #8E1F42 and #8E811F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F8C6B shade: #1F8C6B, #331F8E, #8E1F42 and #798E1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 24 / 45

HEX #1F8C6B

RGB 31 140 107

HSL 161.83, 0.64%, 0.34%

LAB 51.96, -38.01, 9.21

 

Complementary color

CMYK 0 / 49 / 34 / 12

HEX #E07394

RGB 224 115 148

HSL 341.83, 0.64%, 0.66%

LAB 61.87, 45.86, 1.8

 

CMYK 74 / 0 / 27 / 45

HEX #248C66

RGB 36 140 102

HSL 158.08, 0.59%, 0.35%

LAB 51.94, -38.55, 12.06

 

CMYK 66 / 0 / 23 / 38

HEX #359E79

RGB 53 158 121

HSL 158.86, 0.5%, 0.41%

LAB 58.59, -39.01, 10.69

 

CMYK 60 / 0 / 20 / 31

HEX #46B08C

RGB 70 176 140

HSL 159.62, 0.43%, 0.48%

LAB 65.16, -39.21, 9.47

 

CMYK 55 / 0 / 18 / 24

HEX #57C29F

RGB 87 194 159

HSL 160.37, 0.47%, 0.55%

LAB 71.63, -39.27, 8.37

 

CMYK 51 / 0 / 16 / 17

HEX #68D4B2

RGB 104 212 178

HSL 161.11, 0.56%, 0.62%

LAB 78.02, -39.23, 7.36

 

CMYK 78 / 0 / 24 / 45

HEX #1F8C6B

RGB 31 140 107

HSL 161.83, 0.64%, 0.34%

LAB 51.96, -38.01, 9.21

 

CMYK 89 / 0 / 28 / 52

HEX #0E7A58

RGB 14 122 88

HSL 161.11, 0.79%, 0.27%

LAB 45.24, -36.92, 10.77

 

CMYK 100 / 0 / 34 / 59

HEX #006845

RGB 0 104 69

HSL 159.81, 1%, 0.2%

LAB 38.43, -35.25, 12.57

HEX #006845

CMYK 100 / 0 / 42 / 66

HEX #005632

RGB 0 86 50

HSL 154.88, 1%, 0.17%

LAB 31.55, -32.43, 14.72

HEX #005632

CMYK 100 / 0 / 54 / 73

HEX #00441F

RGB 0 68 31

HSL 147.35, 1%, 0.13%

LAB 24.43, -29.33, 17.01

HEX #00441F

CMYK 78 / 0 / 24 / 44

HEX #1F8E6C

RGB 31 142 108

HSL 161.62, 0.64%, 0.34%

LAB 52.64, -38.62, 9.6

 

CMYK 78 / 0 / 45 / 44

HEX #1F8E4E

RGB 31 142 78

HSL 145.41, 0.64%, 0.34%

LAB 52.05, -45.2, 25.63

 

CMYK 78 / 0 / 66 / 44

HEX #1F8E30

RGB 31 142 48

HSL 129.19, 0.64%, 0.34%

LAB 51.67, -49.71, 40.31

 

CMYK 70 / 0 / 78 / 44

HEX #2B8E1F

RGB 43 142 31

HSL 113.51, 0.64%, 0.34%

LAB 51.79, -49.15, 47.36

 

CMYK 49 / 0 / 78 / 44

HEX #498E1F

RGB 73 142 31

HSL 97.3, 0.64%, 0.34%

LAB 52.8, -41.14, 48.68

 

CMYK 78 / 0 / 24 / 44

HEX #1F8E6C

RGB 31 142 108

HSL 161.62, 0.64%, 0.34%

LAB 52.64, -38.62, 9.6

 

CMYK 78 / 0 / 3 / 44

HEX #1F8E8A

RGB 31 142 138

HSL 177.84, 0.64%, 0.34%

LAB 53.46, -30.26, -6.52

 

CMYK 78 / 19 / 0 / 44

HEX #1F738E

RGB 31 115 142

HSL 194.59, 0.64%, 0.34%

LAB 44.95, -14.85, -21.76

 

CMYK 78 / 39 / 0 / 44

HEX #1F568E

RGB 31 86 142

HSL 210.27, 0.64%, 0.34%

LAB 35.79, 2.75, -36.12

 

CMYK 78 / 61 / 0 / 44

HEX #1F388E

RGB 31 56 142

HSL 226.49, 0.64%, 0.34%

LAB 26.94, 23.1, -50.38

 

CMYK 78 / 0 / 24 / 44

HEX #1F8E6C

RGB 31 142 108

HSL 161.62, 0.64%, 0.34%

LAB 52.64, -38.62, 9.6

 

CMYK 89 / 0 / 27 / 39

HEX #119C72

RGB 17 156 114

HSL 161.87, 0.8%, 0.34%

LAB 57.18, -44.31, 12.55

 

CMYK 98 / 0 / 30 / 33

HEX #03AA77

RGB 3 170 119

HSL 161.68, 0.97%, 0.34%

LAB 61.74, -49.34, 16.1

 

CMYK 78 / 0 / 24 / 44

HEX #1F8E6C

RGB 31 142 108

HSL 161.62, 0.64%, 0.34%

LAB 52.64, -38.62, 9.6

 

CMYK 65 / 0 / 20 / 50

HEX #2D8067

RGB 45 128 103

HSL 161.93, 0.48%, 0.34%

LAB 48.23, -31.36, 6.28

 

CMYK 48 / 0 / 15 / 55

HEX #3B7261

RGB 59 114 97

HSL 161.45, 0.32%, 0.34%

LAB 43.98, -22.68, 3.81

 

CMYK 27 / 0 / 9 / 61

HEX #49645B

RGB 73 100 91

HSL 160, 0.16%, 0.34%

LAB 40.06, -12.12, 1.86

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 78 / 0 / 67 / 44

HEX #1F8E2F

RGB 31 142 47

HSL 128.65, 0.64%, 0.34%

LAB 51.66, -49.82, 40.75

 

CMYK 78 / 0 / 46 / 44

HEX #1F8E4D

RGB 31 142 77

HSL 144.86, 0.64%, 0.34%

LAB 52.03, -45.39, 26.15

 

CMYK 78 / 0 / 25 / 44

HEX #1F8E6B

RGB 31 142 107

HSL 161.08, 0.64%, 0.34%

LAB 52.62, -38.87, 10.14

 

CMYK 78 / 0 / 4 / 44

HEX #1F8E88

RGB 31 142 136

HSL 176.76, 0.64%, 0.34%

LAB 53.4, -30.86, -5.45

 

CMYK 78 / 17 / 0 / 44

HEX #1F768E

RGB 31 118 142

HSL 192.97, 0.64%, 0.34%

LAB 45.91, -16.53, -20.29

 

CMYK 78 / 0 / 24 / 71

HEX #104A38

RGB 16 74 56

HSL 161.38, 0.64%, 0.18%

LAB 27.55, -23.37, 5.51

 

CMYK 79 / 0 / 24 / 58

HEX #176C52

RGB 23 108 82

HSL 161.65, 0.65%, 0.26%

LAB 40.44, -31.32, 7.6

 

CMYK 78 / 0 / 24 / 44

HEX #1F8E6C

RGB 31 142 108

HSL 161.62, 0.64%, 0.34%

LAB 52.64, -38.62, 9.6

 

CMYK 78 / 0 / 24 / 31

HEX #26B086

RGB 38 176 134

HSL 161.74, 0.64%, 0.42%

LAB 64.31, -45.69, 11.48

 

CMYK 78 / 0 / 23 / 18

HEX #2ED1A0

RGB 46 209 160

HSL 161.96, 0.64%, 0.5%

LAB 75.28, -51.97, 12.87

 

CMYK 78 / 0 / 24 / 45

HEX #1F8C6B

RGB 31 140 107

HSL 161.83, 0.64%, 0.34%

LAB 51.96, -38.01, 9.21

 

CMYK 78 / 69 / 0 / 44

HEX #1F2C8E

RGB 31 44 142

HSL 232.97, 0.64%, 0.34%

LAB 23.82, 31.22, -55.48

 

CMYK 0 / 56 / 78 / 44

HEX #8E3E1F

RGB 142 62 31

HSL 16.76, 0.64%, 0.34%

LAB 36.55, 31.95, 34.53

 

CMYK 78 / 0 / 24 / 45

HEX #1F8C6B

RGB 31 140 107

HSL 161.83, 0.64%, 0.34%

LAB 51.96, -38.01, 9.21

 

CMYK 25 / 78 / 0 / 44

HEX #6B1F8E

RGB 107 31 142

HSL 281.08, 0.64%, 0.34%

LAB 29.56, 50.46, -45.78

 

CMYK 0 / 25 / 78 / 44

HEX #8E6B1F

RGB 142 107 31

HSL 41.08, 0.64%, 0.34%

LAB 47.45, 6.33, 45.34

 

CMYK 78 / 0 / 24 / 45

HEX #1F8C6B

RGB 31 140 107

HSL 161.83, 0.64%, 0.34%

LAB 51.96, -38.01, 9.21

 

CMYK 78 / 69 / 0 / 44

HEX #1F2C8E

RGB 31 44 142

HSL 232.97, 0.64%, 0.34%

LAB 23.82, 31.22, -55.48

 

CMYK 0 / 78 / 54 / 44

HEX #8E1F42

RGB 142 31 66

HSL 341.08, 0.64%, 0.34%

LAB 32.09, 47.86, 7.38

 

CMYK 0 / 9 / 78 / 44

HEX #8E811F

RGB 142 129 31

HSL 52.97, 0.64%, 0.34%

LAB 53.55, -6.12, 51.06

 

CMYK 78 / 0 / 24 / 45

HEX #1F8C6B

RGB 31 140 107

HSL 161.83, 0.64%, 0.34%

LAB 51.96, -38.01, 9.21

 

CMYK 64 / 78 / 0 / 44

HEX #331F8E

RGB 51 31 142

HSL 250.81, 0.64%, 0.34%

LAB 22.43, 41.28, -57.72

 

CMYK 0 / 78 / 54 / 44

HEX #8E1F42

RGB 142 31 66

HSL 341.08, 0.64%, 0.34%

LAB 32.09, 47.86, 7.38

 

CMYK 15 / 0 / 78 / 44

HEX #798E1F

RGB 121 142 31

HSL 71.35, 0.64%, 0.34%

LAB 55.59, -22.5, 52.32

 

Description

Color code: HEX #1F8C6B | qconv.com Color code: HEX #1F8C6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 140 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 140 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 24 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 24% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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