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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F9682 it is the complementary color #E0697D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F9682. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F9682 shade: #24967D, #35A890, #46BAA3, #57CCB6 and #68DEC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F9682. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F9682 shade: #1F9682, #0E846F, #00725C, #006049 and #004E36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F9682 shade: #1E9480, #1E9460, #1E9440, #1E9421 and #3B941E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F9682 shade: #1E9480, #1E8894, #1E6894, #1E4894 and #1E2894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F9682 shade matches the following richer shades: #1E9480, #0FA289 and #01B193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F9682 shade: #1E9480, #2C8576, #3B776D, #496863 and #585A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F9682 shade: #1E943F, #1E945F, #1E947E, #1E8A94 and #1E6A94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F9682 shade: #104F45, #177162, #1E9480, #25B69E and #30D4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F9682 shade: #1F9682, #201E94 and #944F1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F9682 shade: #1F9682, #7E1E94 and #947E1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F9682 shade: #1F9682, #201E94, #941E33 and #92941E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F9682 shade: #1F9682, #431E94, #941E33 and #6E941E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 13 / 41

HEX #1F9682

RGB 31 150 130

HSL 169.92, 0.66%, 0.35%

LAB 55.8, -36.32, 1.53

 

Complementary color

CMYK 0 / 53 / 44 / 12

HEX #E0697D

RGB 224 105 125

HSL 349.92, 0.66%, 0.65%

LAB 59.37, 48.23, 11.51

 

CMYK 76 / 0 / 17 / 41

HEX #24967D

RGB 36 150 125

HSL 166.84, 0.61%, 0.36%

LAB 55.75, -37.08, 4.32

 

CMYK 68 / 0 / 14 / 34

HEX #35A890

RGB 53 168 144

HSL 167.48, 0.52%, 0.43%

LAB 62.32, -37.7, 3.11

 

CMYK 62 / 0 / 12 / 27

HEX #46BAA3

RGB 70 186 163

HSL 168.1, 0.46%, 0.5%

LAB 68.8, -38.06, 2.03

 

CMYK 57 / 0 / 11 / 20

HEX #57CCB6

RGB 87 204 182

HSL 168.72, 0.53%, 0.57%

LAB 75.2, -38.26, 1.06

 

CMYK 53 / 0 / 9 / 13

HEX #68DEC9

RGB 104 222 201

HSL 169.32, 0.64%, 0.64%

LAB 81.51, -38.35, 0.16

 

CMYK 79 / 0 / 13 / 41

HEX #1F9682

RGB 31 150 130

HSL 169.92, 0.66%, 0.35%

LAB 55.8, -36.32, 1.53

 

CMYK 89 / 0 / 16 / 48

HEX #0E846F

RGB 14 132 111

HSL 169.32, 0.81%, 0.29%

LAB 49.18, -35.09, 2.89

 

CMYK 100 / 0 / 19 / 55

HEX #00725C

RGB 0 114 92

HSL 168.42, 1%, 0.22%

LAB 42.47, -33.38, 4.45

 

CMYK 100 / 0 / 24 / 62

HEX #006049

RGB 0 96 73

HSL 165.63, 1%, 0.19%

LAB 35.69, -30.75, 6.31

 

CMYK 100 / 0 / 31 / 69

HEX #004E36

RGB 0 78 54

HSL 161.54, 1%, 0.15%

LAB 28.68, -28.01, 8.33

 

CMYK 80 / 0 / 14 / 42

HEX #1E9480

RGB 30 148 128

HSL 169.83, 0.66%, 0.35%

LAB 55.09, -36.08, 1.63

 

CMYK 80 / 0 / 35 / 42

HEX #1E9460

RGB 30 148 96

HSL 153.56, 0.66%, 0.35%

LAB 54.34, -44.04, 18.75

 

CMYK 80 / 0 / 57 / 42

HEX #1E9440

RGB 30 148 64

HSL 137.29, 0.66%, 0.35%

LAB 53.84, -49.86, 35.18

 

CMYK 80 / 0 / 78 / 42

HEX #1E9421

RGB 30 148 33

HSL 121.53, 0.66%, 0.35%

LAB 53.56, -53.26, 48.31

 

CMYK 60 / 0 / 80 / 42

HEX #3B941E

RGB 59 148 30

HSL 105.25, 0.66%, 0.35%

LAB 54.24, -47.63, 50.22

 

CMYK 80 / 0 / 14 / 42

HEX #1E9480

RGB 30 148 128

HSL 169.83, 0.66%, 0.35%

LAB 55.09, -36.08, 1.63

 

CMYK 80 / 8 / 0 / 42

HEX #1E8894

RGB 30 136 148

HSL 186.1, 0.66%, 0.35%

LAB 51.86, -24.22, -14.72

 

CMYK 80 / 30 / 0 / 42

HEX #1E6894

RGB 30 104 148

HSL 202.37, 0.66%, 0.35%

LAB 41.71, -6.35, -30.38

 

CMYK 80 / 51 / 0 / 42

HEX #1E4894

RGB 30 72 148

HSL 218.64, 0.66%, 0.35%

LAB 31.92, 14.37, -45.98

 

CMYK 80 / 73 / 0 / 42

HEX #1E2894

RGB 30 40 148

HSL 234.92, 0.66%, 0.35%

LAB 23.44, 35.9, -59.82

 

CMYK 80 / 0 / 14 / 42

HEX #1E9480

RGB 30 148 128

HSL 169.83, 0.66%, 0.35%

LAB 55.09, -36.08, 1.63

 

CMYK 91 / 0 / 15 / 36

HEX #0FA289

RGB 15 162 137

HSL 169.8, 0.83%, 0.35%

LAB 59.66, -40.96, 3.12

 

CMYK 99 / 0 / 17 / 31

HEX #01B193

RGB 1 177 147

HSL 169.77, 0.99%, 0.35%

LAB 64.61, -45.18, 4.67

 

CMYK 80 / 0 / 14 / 42

HEX #1E9480

RGB 30 148 128

HSL 169.83, 0.66%, 0.35%

LAB 55.09, -36.08, 1.63

 

CMYK 67 / 0 / 11 / 48

HEX #2C8576

RGB 44 133 118

HSL 169.89, 0.5%, 0.35%

LAB 50.24, -29.92, 0.39

 

CMYK 50 / 0 / 8 / 53

HEX #3B776D

RGB 59 119 109

HSL 170, 0.34%, 0.35%

LAB 45.94, -22.16, -0.51

 

CMYK 30 / 0 / 5 / 59

HEX #496863

RGB 73 104 99

HSL 170.32, 0.18%, 0.35%

LAB 41.56, -12.46, -0.83

 

CMYK 2 / 0 / 0 / 65

HEX #585A5A

RGB 88 90 90

HSL 180, 0.01%, 0.35%

LAB 38.07, -0.79, -0.28

 

CMYK 80 / 0 / 57 / 42

HEX #1E943F

RGB 30 148 63

HSL 136.78, 0.66%, 0.35%

LAB 53.83, -50, 35.66

 

CMYK 80 / 0 / 36 / 42

HEX #1E945F

RGB 30 148 95

HSL 153.05, 0.66%, 0.35%

LAB 54.32, -44.25, 19.28

 

CMYK 80 / 0 / 15 / 42

HEX #1E947E

RGB 30 148 126

HSL 168.81, 0.66%, 0.35%

LAB 55.03, -36.63, 2.7

 

CMYK 80 / 7 / 0 / 42

HEX #1E8A94

RGB 30 138 148

HSL 185.08, 0.66%, 0.35%

LAB 52.5, -25.24, -13.76

 

CMYK 80 / 28 / 0 / 42

HEX #1E6A94

RGB 30 106 148

HSL 201.36, 0.66%, 0.35%

LAB 42.34, -7.55, -29.4

 

CMYK 80 / 0 / 13 / 69

HEX #104F45

RGB 16 79 69

HSL 170.48, 0.66%, 0.19%

LAB 29.74, -22.04, 0.31

 

CMYK 80 / 0 / 13 / 56

HEX #177162

RGB 23 113 98

HSL 170, 0.66%, 0.27%

LAB 42.57, -29.2, 1.03

 

CMYK 80 / 0 / 14 / 42

HEX #1E9480

RGB 30 148 128

HSL 169.83, 0.66%, 0.35%

LAB 55.09, -36.08, 1.63

 

CMYK 80 / 0 / 13 / 29

HEX #25B69E

RGB 37 182 158

HSL 170.07, 0.66%, 0.43%

LAB 66.76, -42.19, 1.75

 

CMYK 77 / 0 / 13 / 17

HEX #30D4B9

RGB 48 212 185

HSL 170.12, 0.66%, 0.51%

LAB 76.81, -46.79, 1.69

 

CMYK 79 / 0 / 13 / 41

HEX #1F9682

RGB 31 150 130

HSL 169.92, 0.66%, 0.35%

LAB 55.8, -36.32, 1.53

 

CMYK 78 / 80 / 0 / 42

HEX #201E94

RGB 32 30 148

HSL 241.02, 0.66%, 0.35%

LAB 21.48, 41.91, -63.06

 

CMYK 0 / 47 / 80 / 42

HEX #944F1E

RGB 148 79 30

HSL 24.92, 0.66%, 0.35%

LAB 41.19, 25.16, 40.01

 

CMYK 79 / 0 / 13 / 41

HEX #1F9682

RGB 31 150 130

HSL 169.92, 0.66%, 0.35%

LAB 55.8, -36.32, 1.53

 

CMYK 15 / 80 / 0 / 42

HEX #7E1E94

RGB 126 30 148

HSL 288.81, 0.66%, 0.35%

LAB 32.92, 55.75, -43.89

 

CMYK 0 / 15 / 80 / 42

HEX #947E1E

RGB 148 126 30

HSL 48.81, 0.66%, 0.35%

LAB 53.29, -1.72, 51.39

 

CMYK 79 / 0 / 13 / 41

HEX #1F9682

RGB 31 150 130

HSL 169.92, 0.66%, 0.35%

LAB 55.8, -36.32, 1.53

 

CMYK 78 / 80 / 0 / 42

HEX #201E94

RGB 32 30 148

HSL 241.02, 0.66%, 0.35%

LAB 21.48, 41.91, -63.06

 

CMYK 0 / 80 / 66 / 42

HEX #941E33

RGB 148 30 51

HSL 349.32, 0.66%, 0.35%

LAB 32.84, 48.9, 18.43

 

CMYK 1 / 0 / 80 / 42

HEX #92941E

RGB 146 148 30

HSL 61.02, 0.66%, 0.35%

LAB 59.33, -14.57, 56.77

 

CMYK 79 / 0 / 13 / 41

HEX #1F9682

RGB 31 150 130

HSL 169.92, 0.66%, 0.35%

LAB 55.8, -36.32, 1.53

 

CMYK 55 / 80 / 0 / 42

HEX #431E94

RGB 67 30 148

HSL 258.81, 0.66%, 0.35%

LAB 24.51, 45.63, -57.95

 

CMYK 0 / 80 / 66 / 42

HEX #941E33

RGB 148 30 51

HSL 349.32, 0.66%, 0.35%

LAB 32.84, 48.9, 18.43

 

CMYK 26 / 0 / 80 / 42

HEX #6E941E

RGB 110 148 30

HSL 79.32, 0.66%, 0.35%

LAB 56.67, -30.13, 53.37

 

Description

Color code: HEX #1F9682 | qconv.com Color code: HEX #1F9682 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 150 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 150 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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