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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F9393 it is the complementary color #E06C6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F9393. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F9393 shade: #24938E, #35A5A1, #46B7B4, #57C9C7 and #68DBDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F9393. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F9393 shade: #1F9393, #0E8180, #006F6D, #005D5A and #004B47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F9393 shade: #1F9393, #1F9373, #1F9354, #1F9335 and #28931F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F9393 shade: #1F9393, #1F7393, #1F5493, #1F3593 and #1F1F93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F9393 shade matches the following richer shades: #1F9393, #10A1A1 and #02B0B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F9393 shade: #1F9393, #2D8484, #3C7676, #4A6767 and #595959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F9393 shade: #1F9355, #1F9374, #1F9393, #1F7493 and #1F5593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F9393 shade: #104F4F, #187171, #1F9393, #26B5B5 and #31D3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F9393 shade: #1F9393, #361F93 and #93641F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F9393 shade: #1F9393, #931F93 and #93931F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F9393 shade: #1F9393, #361F93, #931F1F and #7C931F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F9393 shade: #1F9393, #591F93, #931F1F and #59931F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

Complementary color

CMYK 0 / 52 / 52 / 12

HEX #E06C6C

RGB 224 108 108

HSL 0, 0.65%, 0.65%

LAB 59.58, 45.18, 21.61

 

CMYK 76 / 0 / 3 / 42

HEX #24938E

RGB 36 147 142

HSL 177.3, 0.61%, 0.36%

LAB 55.27, -30.88, -6.12

 

CMYK 68 / 0 / 2 / 35

HEX #35A5A1

RGB 53 165 161

HSL 177.86, 0.51%, 0.43%

LAB 61.86, -31.64, -7.1

 

CMYK 62 / 0 / 2 / 28

HEX #46B7B4

RGB 70 183 180

HSL 178.41, 0.45%, 0.5%

LAB 68.36, -32.14, -7.96

 

CMYK 57 / 0 / 1 / 21

HEX #57C9C7

RGB 87 201 199

HSL 178.95, 0.51%, 0.56%

LAB 74.78, -32.47, -8.75

 

CMYK 53 / 0 / 0 / 14

HEX #68DBDA

RGB 104 219 218

HSL 179.48, 0.61%, 0.63%

LAB 81.11, -32.68, -9.48

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 89 / 0 / 1 / 49

HEX #0E8180

RGB 14 129 128

HSL 179.48, 0.8%, 0.28%

LAB 48.7, -28.56, -7.8

 

CMYK 100 / 0 / 2 / 56

HEX #006F6D

RGB 0 111 109

HSL 178.92, 1%, 0.22%

LAB 41.96, -26.71, -6.55

 

CMYK 100 / 0 / 3 / 64

HEX #005D5A

RGB 0 93 90

HSL 178.06, 1%, 0.18%

LAB 35.14, -24.02, -5.05

HEX #005D5A

CMYK 100 / 0 / 5 / 71

HEX #004B47

RGB 0 75 71

HSL 176.8, 1%, 0.15%

LAB 28.08, -21.26, -3.46

HEX #004B47

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 79 / 0 / 22 / 42

HEX #1F9373

RGB 31 147 115

HSL 163.45, 0.65%, 0.35%

LAB 54.45, -39, 8.15

 

CMYK 79 / 0 / 43 / 42

HEX #1F9354

RGB 31 147 84

HSL 147.41, 0.65%, 0.35%

LAB 53.81, -45.98, 24.66

 

CMYK 79 / 0 / 64 / 42

HEX #1F9335

RGB 31 147 53

HSL 131.38, 0.65%, 0.35%

LAB 53.4, -50.84, 39.97

 

CMYK 73 / 0 / 79 / 42

HEX #28931F

RGB 40 147 31

HSL 115.34, 0.65%, 0.35%

LAB 53.4, -51.45, 48.91

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 79 / 22 / 0 / 42

HEX #1F7393

RGB 31 115 147

HSL 196.55, 0.65%, 0.35%

LAB 45.16, -13.07, -24.4

 

CMYK 79 / 43 / 0 / 42

HEX #1F5493

RGB 31 84 147

HSL 212.59, 0.65%, 0.35%

LAB 35.48, 6.03, -39.66

 

CMYK 79 / 64 / 0 / 42

HEX #1F3593

RGB 31 53 147

HSL 228.62, 0.65%, 0.35%

LAB 26.57, 27.11, -54.06

 

CMYK 79 / 79 / 0 / 42

HEX #1F1F93

RGB 31 31 147

HSL 240, 0.65%, 0.35%

LAB 21.5, 40.95, -62.41

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 90 / 0 / 0 / 37

HEX #10A1A1

RGB 16 161 161

HSL 180, 0.82%, 0.35%

LAB 60.04, -33.43, -9.87

 

CMYK 99 / 0 / 0 / 31

HEX #02B0B0

RGB 2 176 176

HSL 180, 0.98%, 0.35%

LAB 65.12, -36.34, -10.69

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 66 / 0 / 0 / 48

HEX #2D8484

RGB 45 132 132

HSL 180, 0.49%, 0.35%

LAB 50.37, -25.19, -7.61

 

CMYK 49 / 0 / 0 / 54

HEX #3C7676

RGB 60 118 118

HSL 180, 0.33%, 0.35%

LAB 45.94, -18.89, -5.87

 

CMYK 28 / 0 / 0 / 60

HEX #4A6767

RGB 74 103 103

HSL 180, 0.16%, 0.35%

LAB 41.43, -10.54, -3.44

 

CMYK 0 / 0 / 0 / 65

HEX #595959

RGB 89 89 89

HSL 0, 0%, 0.35%

LAB 37.82, 0, -0

 

CMYK 79 / 0 / 42 / 42

HEX #1F9355

RGB 31 147 85

HSL 147.93, 0.65%, 0.35%

LAB 53.83, -45.79, 24.14

 

CMYK 79 / 0 / 21 / 42

HEX #1F9374

RGB 31 147 116

HSL 163.97, 0.65%, 0.35%

LAB 54.47, -38.74, 7.61

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 79 / 21 / 0 / 42

HEX #1F7493

RGB 31 116 147

HSL 196.03, 0.65%, 0.35%

LAB 45.48, -13.64, -23.91

 

CMYK 79 / 42 / 0 / 42

HEX #1F5593

RGB 31 85 147

HSL 212.07, 0.65%, 0.35%

LAB 35.78, 5.38, -39.17

 

CMYK 80 / 0 / 0 / 69

HEX #104F4F

RGB 16 79 79

HSL 180, 0.66%, 0.19%

LAB 30.08, -18.78, -5.61

 

CMYK 79 / 0 / 0 / 56

HEX #187171

RGB 24 113 113

HSL 180, 0.65%, 0.27%

LAB 43.06, -24.47, -7.29

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 79 / 0 / 0 / 29

HEX #26B5B5

RGB 38 181 181

HSL 180, 0.65%, 0.43%

LAB 67.12, -35.12, -10.43

 

CMYK 77 / 0 / 0 / 17

HEX #31D3D3

RGB 49 211 211

HSL 180, 0.65%, 0.51%

LAB 77.25, -39.1, -11.63

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 63 / 79 / 0 / 42

HEX #361F93

RGB 54 31 147

HSL 251.9, 0.65%, 0.35%

LAB 23.24, 43.18, -59.48

 

CMYK 0 / 32 / 79 / 42

HEX #93641F

RGB 147 100 31

HSL 35.69, 0.65%, 0.35%

LAB 46.2, 12.71, 44.36

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 0 / 79 / 0 / 42

HEX #931F93

RGB 147 31 147

HSL 300, 0.65%, 0.35%

LAB 36.54, 59.56, -37.3

 

CMYK 0 / 0 / 79 / 42

HEX #93931F

RGB 147 147 31

HSL 60, 0.65%, 0.35%

LAB 59.13, -13.56, 56.31

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 63 / 79 / 0 / 42

HEX #361F93

RGB 54 31 147

HSL 251.9, 0.65%, 0.35%

LAB 23.24, 43.18, -59.48

 

CMYK 0 / 79 / 79 / 42

HEX #931F1F

RGB 147 31 31

HSL 0, 0.65%, 0.35%

LAB 32.44, 47.29, 30.5

 

CMYK 16 / 0 / 79 / 42

HEX #7C931F

RGB 124 147 31

HSL 71.9, 0.65%, 0.35%

LAB 57.32, -23.71, 53.99

 

CMYK 79 / 0 / 0 / 42

HEX #1F9393

RGB 31 147 147

HSL 180, 0.65%, 0.35%

LAB 55.34, -29.93, -8.9

 

CMYK 39 / 79 / 0 / 42

HEX #591F93

RGB 89 31 147

HSL 270, 0.65%, 0.35%

LAB 27.33, 48.32, -52.62

 

CMYK 0 / 79 / 79 / 42

HEX #931F1F

RGB 147 31 31

HSL 0, 0.65%, 0.35%

LAB 32.44, 47.29, 30.5

 

CMYK 39 / 0 / 79 / 42

HEX #59931F

RGB 89 147 31

HSL 90, 0.65%, 0.35%

LAB 55.17, -37.75, 51.21

 

Description

Color code: HEX #1F9393 | qconv.com Color code: HEX #1F9393 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 147 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 147 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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