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Color name
HEX #1FA78E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FA78E it is the complementary color #E05871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FA78E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FA78E shade: #24A789, #35B99C, #46CBAF, #57DDC2 and #68EFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FA78E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FA78E shade: #1FA78E, #0E957B, #008368, #007155 and #005F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FA78E shade: #1EA88E, #1EA869, #1EA844, #1EA81F and #42A81E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FA78E shade: #1EA88E, #1E9CA8, #1E77A8, #1E52A8 and #1E2DA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FA78E shade matches the following richer shades: #1EA88E and #0EB899

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FA78E shade: #1EA88E, #2E9784, #3F877A, #4F7770 and #5F6766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FA78E shade: #1EA843, #1EA868, #1EA88C, #1E9EA8 and #1E7AA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FA78E shade: #126253, #188571, #1EA88E, #25CAAC and #3DDBBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FA78E shade: #1FA78E, #1E1EA8 and #A8551E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FA78E shade: #1FA78E, #8C1EA8 and #A88C1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FA78E shade: #1FA78E, #1E1EA8, #A81E3A and #A8A81E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FA78E shade: #1FA78E, #481EA8, #A81E3A and #7EA81E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 15 / 35

HEX #1FA78E

RGB 31 167 142

HSL 168.97, 0.69%, 0.39%

LAB 61.55, -40.56, 3.07

 

Complementary color

CMYK 0 / 61 / 50 / 12

HEX #E05871

RGB 224 88 113

HSL 348.97, 0.69%, 0.61%

LAB 56.11, 54.97, 13.95

 

CMYK 78 / 0 / 18 / 35

HEX #24A789

RGB 36 167 137

HSL 166.26, 0.65%, 0.4%

LAB 61.5, -41.37, 5.8

 

CMYK 71 / 0 / 16 / 27

HEX #35B99C

RGB 53 185 156

HSL 166.82, 0.55%, 0.47%

LAB 67.91, -42.12, 4.55

 

CMYK 66 / 0 / 14 / 20

HEX #46CBAF

RGB 70 203 175

HSL 167.37, 0.56%, 0.54%

LAB 74.26, -42.6, 3.42

 

CMYK 61 / 0 / 12 / 13

HEX #57DDC2

RGB 87 221 194

HSL 167.91, 0.66%, 0.6%

LAB 80.53, -42.9, 2.4

 

CMYK 56 / 0 / 11 / 6

HEX #68EFD5

RGB 104 239 213

HSL 168.44, 0.81%, 0.67%

LAB 86.74, -43.07, 1.46

 

CMYK 81 / 0 / 15 / 35

HEX #1FA78E

RGB 31 167 142

HSL 168.97, 0.69%, 0.39%

LAB 61.55, -40.56, 3.07

 

CMYK 91 / 0 / 17 / 42

HEX #0E957B

RGB 14 149 123

HSL 168.44, 0.83%, 0.32%

LAB 55.09, -39.24, 4.47

 

CMYK 100 / 0 / 21 / 49

HEX #008368

RGB 0 131 104

HSL 167.63, 1%, 0.26%

LAB 48.55, -37.45, 6.06

 

CMYK 100 / 0 / 25 / 56

HEX #007155

RGB 0 113 85

HSL 165.13, 1%, 0.22%

LAB 41.95, -34.89, 7.9

 

CMYK 100 / 0 / 31 / 63

HEX #005F42

RGB 0 95 66

HSL 161.68, 1%, 0.19%

LAB 35.16, -32.22, 9.87

 

CMYK 82 / 0 / 15 / 34

HEX #1EA88E

RGB 30 168 142

HSL 168.7, 0.7%, 0.39%

LAB 61.86, -41.09, 3.51

 

CMYK 82 / 0 / 38 / 34

HEX #1EA869

RGB 30 168 105

HSL 152.61, 0.7%, 0.39%

LAB 61.05, -49.9, 22.83

 

CMYK 82 / 0 / 60 / 34

HEX #1EA844

RGB 30 168 68

HSL 136.52, 0.7%, 0.39%

LAB 60.51, -56.16, 41.13

 

CMYK 82 / 0 / 82 / 34

HEX #1EA81F

RGB 30 168 31

HSL 120.43, 0.7%, 0.39%

LAB 60.23, -59.67, 55.35

 

CMYK 61 / 0 / 82 / 34

HEX #42A81E

RGB 66 168 30

HSL 104.35, 0.7%, 0.39%

LAB 61.01, -53.1, 56.64

 

CMYK 82 / 0 / 15 / 34

HEX #1EA88E

RGB 30 168 142

HSL 168.7, 0.7%, 0.39%

LAB 61.86, -41.09, 3.51

 

CMYK 82 / 7 / 0 / 34

HEX #1E9CA8

RGB 30 156 168

HSL 185.22, 0.7%, 0.39%

LAB 58.86, -27.83, -15.59

 

CMYK 82 / 29 / 0 / 34

HEX #1E77A8

RGB 30 119 168

HSL 201.3, 0.7%, 0.39%

LAB 47.36, -7.8, -33.33

 

CMYK 82 / 51 / 0 / 34

HEX #1E52A8

RGB 30 82 168

HSL 217.39, 0.7%, 0.39%

LAB 36.25, 15.62, -51.04

 

CMYK 82 / 73 / 0 / 34

HEX #1E2DA8

RGB 30 45 168

HSL 233.48, 0.7%, 0.39%

LAB 26.68, 40.01, -66.68

 

CMYK 82 / 0 / 15 / 34

HEX #1EA88E

RGB 30 168 142

HSL 168.7, 0.7%, 0.39%

LAB 61.86, -41.09, 3.51

 

CMYK 92 / 0 / 17 / 28

HEX #0EB899

RGB 14 184 153

HSL 169.06, 0.86%, 0.39%

LAB 67.03, -46, 4.86

 

CMYK 82 / 0 / 15 / 34

HEX #1EA88E

RGB 30 168 142

HSL 168.7, 0.7%, 0.39%

LAB 61.86, -41.09, 3.51

 

CMYK 70 / 0 / 13 / 41

HEX #2E9784

RGB 46 151 132

HSL 169.14, 0.53%, 0.39%

LAB 56.47, -34.23, 1.38

 

CMYK 53 / 0 / 10 / 47

HEX #3F877A

RGB 63 135 122

HSL 169.17, 0.36%, 0.39%

LAB 51.6, -25.9, 0.12

 

CMYK 34 / 0 / 6 / 53

HEX #4F7770

RGB 79 119 112

HSL 169.5, 0.2%, 0.39%

LAB 47.01, -15.66, -0.62

 

CMYK 8 / 0 / 1 / 60

HEX #5F6766

RGB 95 103 102

HSL 172.5, 0.04%, 0.39%

LAB 42.9, -3.28, -0.5

 

CMYK 82 / 0 / 60 / 34

HEX #1EA843

RGB 30 168 67

HSL 136.09, 0.7%, 0.39%

LAB 60.5, -56.29, 41.59

 

CMYK 82 / 0 / 38 / 34

HEX #1EA868

RGB 30 168 104

HSL 152.17, 0.7%, 0.39%

LAB 61.03, -50.1, 23.35

 

CMYK 82 / 0 / 17 / 34

HEX #1EA88C

RGB 30 168 140

HSL 167.83, 0.7%, 0.39%

LAB 61.8, -41.62, 4.56

 

CMYK 82 / 6 / 0 / 34

HEX #1E9EA8

RGB 30 158 168

HSL 184.35, 0.7%, 0.39%

LAB 59.49, -28.82, -14.65

 

CMYK 82 / 27 / 0 / 34

HEX #1E7AA8

RGB 30 122 168

HSL 200, 0.7%, 0.39%

LAB 48.29, -9.55, -31.88

 

CMYK 82 / 0 / 15 / 62

HEX #126253

RGB 18 98 83

HSL 168.75, 0.69%, 0.23%

LAB 36.91, -27.01, 1.93

 

CMYK 82 / 0 / 15 / 48

HEX #188571

RGB 24 133 113

HSL 168.99, 0.69%, 0.31%

LAB 49.69, -34.11, 2.47

 

CMYK 82 / 0 / 15 / 34

HEX #1EA88E

RGB 30 168 142

HSL 168.7, 0.7%, 0.39%

LAB 61.86, -41.09, 3.51

 

CMYK 82 / 0 / 15 / 21

HEX #25CAAC

RGB 37 202 172

HSL 169.09, 0.69%, 0.47%

LAB 73.29, -47.01, 3.57

 

CMYK 72 / 0 / 13 / 14

HEX #3DDBBE

RGB 61 219 190

HSL 168.99, 0.69%, 0.55%

LAB 79.26, -46.99, 2.6

 

CMYK 81 / 0 / 15 / 35

HEX #1FA78E

RGB 31 167 142

HSL 168.97, 0.69%, 0.39%

LAB 61.55, -40.56, 3.07

 

CMYK 82 / 82 / 0 / 34

HEX #1E1EA8

RGB 30 30 168

HSL 240, 0.7%, 0.39%

LAB 23.78, 48.29, -71.49

 

CMYK 0 / 49 / 82 / 34

HEX #A8551E

RGB 168 85 30

HSL 23.91, 0.7%, 0.39%

LAB 45.52, 30.39, 45.18

 

CMYK 81 / 0 / 15 / 35

HEX #1FA78E

RGB 31 167 142

HSL 168.97, 0.69%, 0.39%

LAB 61.55, -40.56, 3.07

 

CMYK 17 / 82 / 0 / 34

HEX #8C1EA8

RGB 140 30 168

HSL 287.83, 0.7%, 0.39%

LAB 36.61, 62.18, -49.95

 

CMYK 0 / 17 / 82 / 34

HEX #A88C1E

RGB 168 140 30

HSL 47.83, 0.7%, 0.39%

LAB 59.14, -0.28, 57.38

 

CMYK 81 / 0 / 15 / 35

HEX #1FA78E

RGB 31 167 142

HSL 168.97, 0.69%, 0.39%

LAB 61.55, -40.56, 3.07

 

CMYK 82 / 82 / 0 / 34

HEX #1E1EA8

RGB 30 30 168

HSL 240, 0.7%, 0.39%

LAB 23.78, 48.29, -71.49

 

CMYK 0 / 82 / 65 / 34

HEX #A81E3A

RGB 168 30 58

HSL 347.83, 0.7%, 0.39%

LAB 37.04, 55.16, 20.15

 

CMYK 0 / 0 / 82 / 34

HEX #A8A81E

RGB 168 168 30

HSL 60, 0.7%, 0.39%

LAB 66.84, -15.2, 64.04

 

CMYK 81 / 0 / 15 / 35

HEX #1FA78E

RGB 31 167 142

HSL 168.97, 0.69%, 0.39%

LAB 61.55, -40.56, 3.07

 

CMYK 57 / 82 / 0 / 34

HEX #481EA8

RGB 72 30 168

HSL 258.26, 0.7%, 0.39%

LAB 27.11, 51.82, -65.86

 

CMYK 0 / 82 / 65 / 34

HEX #A81E3A

RGB 168 30 58

HSL 347.83, 0.7%, 0.39%

LAB 37.04, 55.16, 20.15

 

CMYK 25 / 0 / 82 / 34

HEX #7EA81E

RGB 126 168 30

HSL 78.26, 0.7%, 0.39%

LAB 63.78, -33.03, 60.18

 

Description

Color code: HEX #1FA78E | qconv.com Color code: HEX #1FA78E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 167 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 167 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 15 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 15% 35% C M Y K

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Provide designers and agencies with accurate color values.

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