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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FA9EE it is the complementary color #E05611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FA9EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FA9EE shade: #24A9E9, #35BBFC, #46CDFF, #57DFFF and #68F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FA9EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FA9EE shade: #1FA9EE, #0E97DB, #0085C8, #0073B5 and #0061A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FA9EE shade: #20A9EE, #2071EE, #203AEE, #3D20EE and #7520EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FA9EE shade: #20A9EE, #2071EE, #203AEE and #2020EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FA9EE shade matches the following richer shades: #20A9EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FA9EE shade: #20A9EE, #33A3DA, #469CC7, #5A96B4 and #6D8FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FA9EE shade: #20EEC4, #20E0EE, #20A9EE, #2072EE and #203BEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FA9EE shade: #0D78AE, #1093D5, #20A9EE, #46B8F1 and #6CC6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FA9EE shade: #1FA9EE, #8E20EE and #EEE020

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FA9EE shade: #1FA9EE, #EE20A9 and #A9EE20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FA9EE shade: #1FA9EE, #8E20EE, #EE6420 and #80EE20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FA9EE shade: #1FA9EE, #CB20EE, #EE6420 and #42EE20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 29 / 0 / 7

HEX #1FA9EE

RGB 31 169 238

HSL 200, 0.86%, 0.53%

LAB 65.62, -10.69, -44.16

 

Complementary color

CMYK 0 / 62 / 92 / 12

HEX #E05611

RGB 224 86 17

HSL 20, 0.86%, 0.47%

LAB 54.6, 51.22, 60.78

 

CMYK 85 / 27 / 0 / 9

HEX #24A9E9

RGB 36 169 233

HSL 199.49, 0.82%, 0.53%

LAB 65.46, -12.13, -41.67

 

CMYK 79 / 26 / 0 / 1

HEX #35BBFC

RGB 53 187 252

HSL 199.6, 0.97%, 0.6%

LAB 71.78, -13.89, -42.1

 

CMYK 73 / 20 / 0 / 0

HEX #46CDFF

RGB 70 205 255

HSL 196.22, 1%, 0.64%

LAB 77.39, -20.48, -34.96

 

CMYK 66 / 13 / 0 / 0

HEX #57DFFF

RGB 87 223 255

HSL 191.43, 1%, 0.67%

LAB 82.92, -27.21, -26.42

 

CMYK 59 / 5 / 0 / 0

HEX #68F1FF

RGB 104 241 255

HSL 185.56, 1%, 0.7%

LAB 88.48, -33.16, -17.95

 

CMYK 87 / 29 / 0 / 7

HEX #1FA9EE

RGB 31 169 238

HSL 200, 0.86%, 0.53%

LAB 65.62, -10.69, -44.16

 

CMYK 94 / 31 / 0 / 14

HEX #0E97DB

RGB 14 151 219

HSL 199.9, 0.88%, 0.46%

LAB 59.29, -8.34, -43.65

 

CMYK 100 / 34 / 0 / 22

HEX #0085C8

RGB 0 133 200

HSL 200.1, 1%, 0.39%

LAB 52.89, -5.55, -43.07

 

CMYK 100 / 36 / 0 / 29

HEX #0073B5

RGB 0 115 181

HSL 201.88, 1%, 0.35%

LAB 46.44, -2.16, -42.37

 

CMYK 100 / 40 / 0 / 36

HEX #0061A2

RGB 0 97 162

HSL 204.07, 1%, 0.32%

LAB 39.85, 1.44, -41.71

 

CMYK 87 / 29 / 0 / 7

HEX #20A9EE

RGB 32 169 238

HSL 200.1, 0.86%, 0.53%

LAB 65.64, -10.63, -44.14

 

CMYK 87 / 53 / 0 / 7

HEX #2071EE

RGB 32 113 238

HSL 216.41, 0.86%, 0.53%

LAB 49.85, 22.86, -69.36

 

CMYK 87 / 76 / 0 / 7

HEX #203AEE

RGB 32 58 238

HSL 232.43, 0.86%, 0.53%

LAB 36.94, 56.48, -90.54

 

CMYK 74 / 87 / 0 / 7

HEX #3D20EE

RGB 61 32 238

HSL 248.45, 0.86%, 0.53%

LAB 34.39, 69.25, -94.73

 

CMYK 51 / 87 / 0 / 7

HEX #7520EE

RGB 117 32 238

HSL 264.76, 0.86%, 0.53%

LAB 39.56, 73.38, -86.01

 

CMYK 87 / 29 / 0 / 7

HEX #20A9EE

RGB 32 169 238

HSL 200.1, 0.86%, 0.53%

LAB 65.64, -10.63, -44.14

 

CMYK 87 / 53 / 0 / 7

HEX #2071EE

RGB 32 113 238

HSL 216.41, 0.86%, 0.53%

LAB 49.85, 22.86, -69.36

 

CMYK 87 / 76 / 0 / 7

HEX #203AEE

RGB 32 58 238

HSL 232.43, 0.86%, 0.53%

LAB 36.94, 56.48, -90.54

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 87 / 29 / 0 / 7

HEX #20A9EE

RGB 32 169 238

HSL 200.1, 0.86%, 0.53%

LAB 65.64, -10.63, -44.14

 

CMYK 87 / 29 / 0 / 7

HEX #20A9EE

RGB 32 169 238

HSL 200.1, 0.86%, 0.53%

LAB 65.64, -10.63, -44.14

 

CMYK 77 / 25 / 0 / 15

HEX #33A3DA

RGB 51 163 218

HSL 199.76, 0.69%, 0.53%

LAB 63.31, -12.69, -36.75

 

CMYK 65 / 22 / 0 / 22

HEX #469CC7

RGB 70 156 199

HSL 200, 0.54%, 0.53%

LAB 60.96, -12.55, -29.78

 

CMYK 50 / 17 / 0 / 29

HEX #5A96B4

RGB 90 150 180

HSL 200, 0.38%, 0.53%

LAB 59.23, -11.09, -21.67

 

CMYK 32 / 11 / 0 / 37

HEX #6D8FA0

RGB 109 143 160

HSL 200, 0.21%, 0.53%

LAB 57.5, -7.61, -12.83

 

CMYK 87 / 0 / 18 / 7

HEX #20EEC4

RGB 32 238 196

HSL 167.77, 0.86%, 0.53%

LAB 84.71, -55.9, 7.26

 

CMYK 87 / 6 / 0 / 7

HEX #20E0EE

RGB 32 224 238

HSL 184.08, 0.86%, 0.53%

LAB 81.72, -38.33, -19.33

 

CMYK 87 / 29 / 0 / 7

HEX #20A9EE

RGB 32 169 238

HSL 200.1, 0.86%, 0.53%

LAB 65.64, -10.63, -44.14

 

CMYK 87 / 52 / 0 / 7

HEX #2072EE

RGB 32 114 238

HSL 216.12, 0.86%, 0.53%

LAB 50.11, 22.23, -68.93

 

CMYK 87 / 75 / 0 / 7

HEX #203BEE

RGB 32 59 238

HSL 232.14, 0.86%, 0.53%

LAB 37.13, 55.94, -90.22

 

CMYK 93 / 31 / 0 / 32

HEX #0D78AE

RGB 13 120 174

HSL 200.12, 0.86%, 0.37%

LAB 47.72, -7.35, -36.28

 

CMYK 92 / 31 / 0 / 16

HEX #1093D5

RGB 16 147 213

HSL 200.1, 0.86%, 0.45%

LAB 57.83, -8.21, -42.59

 

CMYK 87 / 29 / 0 / 7

HEX #20A9EE

RGB 32 169 238

HSL 200.1, 0.86%, 0.53%

LAB 65.64, -10.63, -44.14

 

CMYK 71 / 24 / 0 / 5

HEX #46B8F1

RGB 70 184 241

HSL 200, 0.86%, 0.61%

LAB 70.83, -14.02, -37.61

 

CMYK 56 / 19 / 0 / 5

HEX #6CC6F3

RGB 108 198 243

HSL 200, 0.85%, 0.69%

LAB 76.1, -14.46, -30.43

 

CMYK 87 / 29 / 0 / 7

HEX #1FA9EE

RGB 31 169 238

HSL 200, 0.86%, 0.53%

LAB 65.62, -10.69, -44.16

 

CMYK 40 / 87 / 0 / 7

HEX #8E20EE

RGB 142 32 238

HSL 272.04, 0.86%, 0.53%

LAB 42.7, 76.1, -80.73

 

CMYK 0 / 6 / 87 / 7

HEX #EEE020

RGB 238 224 32

HSL 55.92, 0.86%, 0.53%

LAB 87.77, -13.25, 83.27

 

CMYK 87 / 29 / 0 / 7

HEX #1FA9EE

RGB 31 169 238

HSL 200, 0.86%, 0.53%

LAB 65.62, -10.69, -44.16

 

CMYK 0 / 87 / 29 / 7

HEX #EE20A9

RGB 238 32 169

HSL 320.1, 0.86%, 0.53%

LAB 54.11, 81.47, -21.81

 

CMYK 29 / 0 / 87 / 7

HEX #A9EE20

RGB 169 238 32

HSL 80.1, 0.86%, 0.53%

LAB 86.84, -47.35, 80.56

 

CMYK 87 / 29 / 0 / 7

HEX #1FA9EE

RGB 31 169 238

HSL 200, 0.86%, 0.53%

LAB 65.62, -10.69, -44.16

 

CMYK 40 / 87 / 0 / 7

HEX #8E20EE

RGB 142 32 238

HSL 272.04, 0.86%, 0.53%

LAB 42.7, 76.1, -80.73

 

CMYK 0 / 58 / 87 / 7

HEX #EE6420

RGB 238 100 32

HSL 19.81, 0.86%, 0.53%

LAB 59.34, 50.2, 60.53

 

CMYK 46 / 0 / 87 / 7

HEX #80EE20

RGB 128 238 32

HSL 92.04, 0.86%, 0.53%

LAB 84.92, -61.11, 78.15

 

CMYK 87 / 29 / 0 / 7

HEX #1FA9EE

RGB 31 169 238

HSL 200, 0.86%, 0.53%

LAB 65.62, -10.69, -44.16

 

CMYK 15 / 87 / 0 / 7

HEX #CB20EE

RGB 203 32 238

HSL 289.81, 0.86%, 0.53%

LAB 51.73, 84.56, -65.63

 

CMYK 0 / 58 / 87 / 7

HEX #EE6420

RGB 238 100 32

HSL 19.81, 0.86%, 0.53%

LAB 59.34, 50.2, 60.53

 

CMYK 72 / 0 / 87 / 7

HEX #42EE20

RGB 66 238 32

HSL 110.1, 0.86%, 0.53%

LAB 83.13, -75.58, 75.92

 

Description

Color code: HEX #1FA9EE | qconv.com Color code: HEX #1FA9EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 169 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 169 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 29 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 29% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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