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Color name
HEX #1FAD14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FAD14 it is the complementary color #E052EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FAD14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FAD14 shade: #24AD0F, #35BF22, #46D135, #57E348 and #68F55B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FAD14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FAD14 shade: #1FAD14, #0E9B01, #008900, #007700 and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FAD14 shade: #1FAD14, #48AD14, #71AD14, #9BAD14 and #AD9614

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FAD14 shade: #1FAD14, #14AD32, #14AD5B, #14AD85 and #14ACAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FAD14 shade matches the following richer shades: #1FAD14 and #11BD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FAD14 shade: #1FAD14, #2C9D24, #3A8E33, #477E43 and #556E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FAD14 shade: #72AD14, #49AD14, #21AD14, #14AD30 and #14AD59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FAD14 shade: #11630B, #188810, #1FAD14, #26D218 and #3BE62D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FAD14 shade: #1FAD14, #149BAD and #AD145E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FAD14 shade: #1FAD14, #1421AD and #AD1421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FAD14 shade: #1FAD14, #149BAD, #A014AD and #AD2614

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FAD14 shade: #1FAD14, #146DAD, #A014AD and #AD5414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

Complementary color

CMYK 5 / 65 / 0 / 8

HEX #E052EB

RGB 224 82 235

HSL 295.69, 0.79%, 0.62%

LAB 59.78, 73.61, -50.87

 

CMYK 79 / 0 / 91 / 32

HEX #24AD0F

RGB 36 173 15

HSL 112.03, 0.84%, 0.37%

LAB 61.91, -61.14, 60.53

 

CMYK 72 / 0 / 82 / 25

HEX #35BF22

RGB 53 191 34

HSL 112.74, 0.7%, 0.44%

LAB 68.12, -63.28, 61.97

 

CMYK 67 / 0 / 75 / 18

HEX #46D135

RGB 70 209 53

HSL 113.46, 0.63%, 0.51%

LAB 74.29, -64.74, 62.24

 

CMYK 62 / 0 / 68 / 11

HEX #57E348

RGB 87 227 72

HSL 114.19, 0.73%, 0.59%

LAB 80.42, -65.73, 61.82

 

CMYK 58 / 0 / 63 / 4

HEX #68F55B

RGB 104 245 91

HSL 114.94, 0.89%, 0.66%

LAB 86.51, -66.36, 61.01

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 91 / 0 / 99 / 39

HEX #0E9B01

RGB 14 155 1

HSL 114.94, 0.99%, 0.31%

LAB 55.62, -58.53, 57.31

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 58 / 0 / 88 / 32

HEX #48AD14

RGB 72 173 20

HSL 99.61, 0.79%, 0.38%

LAB 62.77, -53.78, 60.69

 

CMYK 35 / 0 / 88 / 32

HEX #71AD14

RGB 113 173 20

HSL 83.53, 0.79%, 0.38%

LAB 64.52, -40.64, 62.87

 

CMYK 10 / 0 / 88 / 32

HEX #9BAD14

RGB 155 173 20

HSL 67.06, 0.79%, 0.38%

LAB 67.21, -23.65, 66.19

 

CMYK 0 / 13 / 88 / 32

HEX #AD9614

RGB 173 150 20

HSL 50.98, 0.79%, 0.38%

LAB 62.29, -3.73, 62.86

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 88 / 0 / 71 / 32

HEX #14AD32

RGB 20 173 50

HSL 131.76, 0.79%, 0.38%

LAB 61.88, -60.74, 50.42

 

CMYK 88 / 0 / 47 / 32

HEX #14AD5B

RGB 20 173 91

HSL 147.84, 0.79%, 0.38%

LAB 62.33, -55.26, 31.9

 

CMYK 88 / 0 / 23 / 32

HEX #14AD85

RGB 20 173 133

HSL 164.31, 0.79%, 0.38%

LAB 63.12, -46.31, 10.31

 

CMYK 88 / 1 / 0 / 32

HEX #14ACAD

RGB 20 172 173

HSL 180.39, 0.79%, 0.38%

LAB 63.89, -34.68, -10.84

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 91 / 0 / 98 / 26

HEX #11BD04

RGB 17 189 4

HSL 115.78, 0.96%, 0.38%

LAB 66.92, -67.9, 66.05

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 72 / 0 / 77 / 38

HEX #2C9D24

RGB 44 157 36

HSL 116.03, 0.63%, 0.38%

LAB 56.86, -53.72, 50.6

 

CMYK 59 / 0 / 64 / 44

HEX #3A8E33

RGB 58 142 51

HSL 115.38, 0.47%, 0.38%

LAB 52.38, -43.8, 39.92

 

CMYK 44 / 0 / 47 / 51

HEX #477E43

RGB 71 126 67

HSL 115.93, 0.31%, 0.38%

LAB 47.84, -30.96, 26.49

 

CMYK 23 / 0 / 25 / 57

HEX #556E53

RGB 85 110 83

HSL 115.56, 0.14%, 0.38%

LAB 43.81, -15.01, 12.12

 

CMYK 34 / 0 / 88 / 32

HEX #72AD14

RGB 114 173 20

HSL 83.14, 0.79%, 0.38%

LAB 64.58, -40.27, 62.94

 

CMYK 58 / 0 / 88 / 32

HEX #49AD14

RGB 73 173 20

HSL 99.22, 0.79%, 0.38%

LAB 62.81, -53.52, 60.73

 

CMYK 81 / 0 / 88 / 32

HEX #21AD14

RGB 33 173 20

HSL 114.9, 0.79%, 0.38%

LAB 61.88, -61.36, 59.56

 

CMYK 88 / 0 / 72 / 32

HEX #14AD30

RGB 20 173 48

HSL 130.98, 0.79%, 0.38%

LAB 61.87, -60.92, 51.18

 

CMYK 88 / 0 / 49 / 32

HEX #14AD59

RGB 20 173 89

HSL 147.06, 0.79%, 0.38%

LAB 62.3, -55.6, 32.89

 

CMYK 83 / 0 / 89 / 61

HEX #11630B

RGB 17 99 11

HSL 115.91, 0.8%, 0.22%

LAB 36.11, -40.41, 38.75

 

CMYK 82 / 0 / 88 / 47

HEX #188810

RGB 24 136 16

HSL 116, 0.79%, 0.3%

LAB 49.3, -51.28, 49.33

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 82 / 0 / 89 / 18

HEX #26D218

RGB 38 210 24

HSL 115.48, 0.79%, 0.46%

LAB 73.91, -71.49, 69.25

 

CMYK 74 / 0 / 80 / 10

HEX #3BE62D

RGB 59 230 45

HSL 115.46, 0.79%, 0.54%

LAB 80.58, -73.7, 70.6

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 88 / 10 / 0 / 32

HEX #149BAD

RGB 20 155 173

HSL 187.06, 0.79%, 0.38%

LAB 58.61, -26.43, -18.82

 

CMYK 0 / 88 / 46 / 32

HEX #AD145E

RGB 173 20 94

HSL 330.98, 0.79%, 0.38%

LAB 38.19, 61.36, -1.19

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 88 / 81 / 0 / 32

HEX #1421AD

RGB 20 33 173

HSL 234.9, 0.79%, 0.38%

LAB 24.49, 47.96, -73.32

 

CMYK 0 / 88 / 81 / 32

HEX #AD1421

RGB 173 20 33

HSL 354.9, 0.79%, 0.38%

LAB 36.92, 57.74, 35.67

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 88 / 10 / 0 / 32

HEX #149BAD

RGB 20 155 173

HSL 187.06, 0.79%, 0.38%

LAB 58.61, -26.43, -18.82

 

CMYK 8 / 88 / 0 / 32

HEX #A014AD

RGB 160 20 173

HSL 294.9, 0.79%, 0.38%

LAB 39.57, 68.83, -48.01

 

CMYK 0 / 78 / 88 / 32

HEX #AD2614

RGB 173 38 20

HSL 7.06, 0.79%, 0.38%

LAB 38.41, 52.88, 43.8

 

CMYK 82 / 0 / 88 / 32

HEX #1FAD14

RGB 31 173 20

HSL 115.69, 0.79%, 0.38%

LAB 61.85, -61.6, 59.53

 

CMYK 88 / 37 / 0 / 32

HEX #146DAD

RGB 20 109 173

HSL 205.1, 0.79%, 0.38%

LAB 44.38, -0.68, -40.97

 

CMYK 8 / 88 / 0 / 32

HEX #A014AD

RGB 160 20 173

HSL 294.9, 0.79%, 0.38%

LAB 39.57, 68.83, -48.01

 

CMYK 0 / 51 / 88 / 32

HEX #AD5414

RGB 173 84 20

HSL 25.1, 0.79%, 0.38%

LAB 46.01, 32.72, 49.85

 

Description

Color code: HEX #1FAD14 | qconv.com Color code: HEX #1FAD14 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 173 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 173 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 88 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 88% 32% C M Y K

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