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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FB3B6 it is the complementary color #E04C49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FB3B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FB3B6 shade: #24B3B1, #35C5C4, #46D7D7, #57E9EA and #68FBFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FB3B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FB3B6 shade: #1FB3B6, #0EA1A3, #008F90, #007D7D and #006B6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FB3B6 shade: #1FB4B7, #1F8BB7, #1F62B7, #1F39B7 and #2E1FB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FB3B6 shade: #1FB4B7, #1F8BB7, #1F62B7, #1F39B7 and #1F1FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FB3B6 shade matches the following richer shades: #1FB4B7 and #0DC4C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FB3B6 shade: #1FB4B7, #30A3A5, #419294, #538283 and #647171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FB3B6 shade: #1FB768, #1FB791, #1FB4B7, #1F8CB7 and #1F63B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FB3B6 shade: #136E70, #199193, #1FB4B7, #25D6DA and #48DDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FB3B6 shade: #1FB3B6, #401FB7 and #B77C1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FB3B6 shade: #1FB3B6, #B71FB4 and #B4B71F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FB3B6 shade: #1FB3B6, #401FB7, #B7211F and #96B71F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FB3B6 shade: #1FB3B6, #6D1FB7, #B7211F and #68B71F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 2 / 0 / 29

HEX #1FB3B6

RGB 31 179 182

HSL 181.19, 0.71%, 0.42%

LAB 66.45, -34.48, -12

 

Complementary color

CMYK 0 / 66 / 67 / 12

HEX #E04C49

RGB 224 76 73

HSL 1.19, 0.71%, 0.58%

LAB 53.49, 57.24, 33.89

 

CMYK 80 / 0 / 1 / 30

HEX #24B3B1

RGB 36 179 177

HSL 179.16, 0.67%, 0.42%

LAB 66.36, -35.56, -9.36

 

CMYK 73 / 0 / 1 / 23

HEX #35C5C4

RGB 53 197 196

HSL 179.58, 0.58%, 0.49%

LAB 72.68, -36.59, -10.34

 

CMYK 67 / 0 / 0 / 16

HEX #46D7D7

RGB 70 215 215

HSL 180, 0.64%, 0.56%

LAB 78.93, -37.35, -11.22

 

CMYK 63 / 0 / 0 / 8

HEX #57E9EA

RGB 87 233 234

HSL 180.41, 0.78%, 0.63%

LAB 85.12, -37.91, -12.02

 

CMYK 59 / 1 / 0 / 1

HEX #68FBFD

RGB 104 251 253

HSL 180.81, 0.97%, 0.7%

LAB 91.25, -38.33, -12.77

 

CMYK 83 / 2 / 0 / 29

HEX #1FB3B6

RGB 31 179 182

HSL 181.19, 0.71%, 0.42%

LAB 66.45, -34.48, -12

 

CMYK 91 / 1 / 0 / 36

HEX #0EA1A3

RGB 14 161 163

HSL 180.81, 0.84%, 0.35%

LAB 60.09, -32.91, -10.92

 

CMYK 100 / 1 / 0 / 44

HEX #008F90

RGB 0 143 144

HSL 180.42, 1%, 0.28%

LAB 53.66, -30.93, -9.72

 

CMYK 100 / 0 / 0 / 51

HEX #007D7D

RGB 0 125 125

HSL 180, 1%, 0.25%

LAB 47.17, -28.35, -8.34

 

CMYK 100 / 0 / 1 / 58

HEX #006B6A

RGB 0 107 106

HSL 179.44, 1%, 0.21%

LAB 40.5, -25.71, -6.9

 

CMYK 83 / 2 / 0 / 28

HEX #1FB4B7

RGB 31 180 183

HSL 181.18, 0.71%, 0.42%

LAB 66.79, -34.65, -12.05

 

CMYK 83 / 24 / 0 / 28

HEX #1F8BB7

RGB 31 139 183

HSL 197.37, 0.71%, 0.42%

LAB 54.21, -13.69, -31.28

 

CMYK 83 / 46 / 0 / 28

HEX #1F62B7

RGB 31 98 183

HSL 213.55, 0.71%, 0.42%

LAB 41.92, 11.11, -50.75

 

CMYK 83 / 69 / 0 / 28

HEX #1F39B7

RGB 31 57 183

HSL 229.74, 0.71%, 0.42%

LAB 30.96, 38.05, -68.58

 

CMYK 75 / 83 / 0 / 28

HEX #2E1FB7

RGB 46 31 183

HSL 245.92, 0.71%, 0.42%

LAB 26.68, 53.37, -75.64

 

CMYK 83 / 2 / 0 / 28

HEX #1FB4B7

RGB 31 180 183

HSL 181.18, 0.71%, 0.42%

LAB 66.79, -34.65, -12.05

 

CMYK 83 / 24 / 0 / 28

HEX #1F8BB7

RGB 31 139 183

HSL 197.37, 0.71%, 0.42%

LAB 54.21, -13.69, -31.28

 

CMYK 83 / 46 / 0 / 28

HEX #1F62B7

RGB 31 98 183

HSL 213.55, 0.71%, 0.42%

LAB 41.92, 11.11, -50.75

 

CMYK 83 / 69 / 0 / 28

HEX #1F39B7

RGB 31 57 183

HSL 229.74, 0.71%, 0.42%

LAB 30.96, 38.05, -68.58

 

CMYK 83 / 83 / 0 / 28

HEX #1F1FB7

RGB 31 31 183

HSL 240, 0.71%, 0.42%

LAB 25.83, 52.56, -77.07

 

CMYK 83 / 2 / 0 / 28

HEX #1FB4B7

RGB 31 180 183

HSL 181.18, 0.71%, 0.42%

LAB 66.79, -34.65, -12.05

 

CMYK 94 / 2 / 0 / 22

HEX #0DC4C8

RGB 13 196 200

HSL 181.28, 0.88%, 0.42%

LAB 72.05, -37.85, -13.5

 

CMYK 83 / 2 / 0 / 28

HEX #1FB4B7

RGB 31 180 183

HSL 181.18, 0.71%, 0.42%

LAB 66.79, -34.65, -12.05

 

CMYK 71 / 1 / 0 / 35

HEX #30A3A5

RGB 48 163 165

HSL 181.03, 0.55%, 0.42%

LAB 61.25, -30.21, -10.26

 

CMYK 56 / 1 / 0 / 42

HEX #419294

RGB 65 146 148

HSL 181.45, 0.39%, 0.42%

LAB 55.91, -23.86, -8.54

 

CMYK 37 / 1 / 0 / 49

HEX #538283

RGB 83 130 131

HSL 181.25, 0.22%, 0.42%

LAB 51.2, -15.63, -5.62

 

CMYK 12 / 0 / 0 / 56

HEX #647171

RGB 100 113 113

HSL 180, 0.06%, 0.42%

LAB 46.59, -4.86, -1.66

 

CMYK 83 / 0 / 43 / 28

HEX #1FB768

RGB 31 183 104

HSL 148.82, 0.71%, 0.42%

LAB 65.87, -55.51, 29.73

 

CMYK 83 / 0 / 21 / 28

HEX #1FB791

RGB 31 183 145

HSL 165, 0.71%, 0.42%

LAB 66.67, -46.55, 8.77

 

CMYK 83 / 2 / 0 / 28

HEX #1FB4B7

RGB 31 180 183

HSL 181.18, 0.71%, 0.42%

LAB 66.79, -34.65, -12.05

 

CMYK 83 / 23 / 0 / 28

HEX #1F8CB7

RGB 31 140 183

HSL 196.97, 0.71%, 0.42%

LAB 54.52, -14.24, -30.8

 

CMYK 83 / 46 / 0 / 28

HEX #1F63B7

RGB 31 99 183

HSL 213.16, 0.71%, 0.42%

LAB 42.21, 10.46, -50.28

 

CMYK 83 / 2 / 0 / 56

HEX #136E70

RGB 19 110 112

HSL 181.29, 0.71%, 0.26%

LAB 41.94, -23.8, -8.37

 

CMYK 83 / 1 / 0 / 42

HEX #199193

RGB 25 145 147

HSL 180.98, 0.71%, 0.34%

LAB 54.62, -29.52, -9.99

 

CMYK 83 / 2 / 0 / 28

HEX #1FB4B7

RGB 31 180 183

HSL 181.18, 0.71%, 0.42%

LAB 66.79, -34.65, -12.05

 

CMYK 83 / 2 / 0 / 15

HEX #25D6DA

RGB 37 214 218

HSL 181.33, 0.71%, 0.5%

LAB 78.2, -39.42, -13.98

 

CMYK 68 / 1 / 0 / 12

HEX #48DDE0

RGB 72 221 224

HSL 181.18, 0.71%, 0.58%

LAB 81, -37.32, -12.92

 

CMYK 83 / 2 / 0 / 29

HEX #1FB3B6

RGB 31 179 182

HSL 181.19, 0.71%, 0.42%

LAB 66.45, -34.48, -12

 

CMYK 65 / 83 / 0 / 28

HEX #401FB7

RGB 64 31 183

HSL 253.03, 0.71%, 0.42%

LAB 28.08, 54.76, -73.27

 

CMYK 0 / 32 / 83 / 28

HEX #B77C1F

RGB 183 124 31

HSL 36.71, 0.71%, 0.42%

LAB 56.67, 15.4, 55.53

 

CMYK 83 / 2 / 0 / 29

HEX #1FB3B6

RGB 31 179 182

HSL 181.19, 0.71%, 0.42%

LAB 66.45, -34.48, -12

 

CMYK 0 / 83 / 2 / 28

HEX #B71FB4

RGB 183 31 180

HSL 301.18, 0.71%, 0.42%

LAB 44.72, 71.98, -43.69

 

CMYK 2 / 0 / 83 / 28

HEX #B4B71F

RGB 180 183 31

HSL 61.18, 0.71%, 0.42%

LAB 72.01, -17.57, 68.57

 

CMYK 83 / 2 / 0 / 29

HEX #1FB3B6

RGB 31 179 182

HSL 181.19, 0.71%, 0.42%

LAB 66.45, -34.48, -12

 

CMYK 65 / 83 / 0 / 28

HEX #401FB7

RGB 64 31 183

HSL 253.03, 0.71%, 0.42%

LAB 28.08, 54.76, -73.27

 

CMYK 0 / 82 / 83 / 28

HEX #B7211F

RGB 183 33 31

HSL 0.79, 0.71%, 0.42%

LAB 40, 57.57, 40.5

 

CMYK 18 / 0 / 83 / 28

HEX #96B71F

RGB 150 183 31

HSL 73.03, 0.71%, 0.42%

LAB 69.79, -30.26, 65.8

 

CMYK 83 / 2 / 0 / 29

HEX #1FB3B6

RGB 31 179 182

HSL 181.19, 0.71%, 0.42%

LAB 66.45, -34.48, -12

 

CMYK 40 / 83 / 0 / 28

HEX #6D1FB7

RGB 109 31 183

HSL 270.79, 0.71%, 0.42%

LAB 33.24, 60, -64.59

 

CMYK 0 / 82 / 83 / 28

HEX #B7211F

RGB 183 33 31

HSL 0.79, 0.71%, 0.42%

LAB 40, 57.57, 40.5

 

CMYK 43 / 0 / 83 / 28

HEX #68B71F

RGB 104 183 31

HSL 91.18, 0.71%, 0.42%

LAB 67.21, -47.58, 62.53

 

Description

Color code: HEX #1FB3B6 | qconv.com Color code: HEX #1FB3B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 179 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 179 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 2 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 2% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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