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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FCA5E it is the complementary color #E035A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FCA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FCA5E shade: #24CA59, #35DC6C, #46EE7F, #57FF92 and #68FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FCA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FCA5E shade: #1FCA5E, #0EB84B, #00A638, #009425 and #008212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FCA5E shade: #1FCA5E, #1FCA30, #3CCA1F, #6BCA1F and #99CA1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FCA5E shade: #1FCA5E, #1FCA8C, #1FCABB, #1FACCA and #1F7ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FCA5E shade matches the following richer shades: #1FCA5E and #0CDD59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FCA5E shade: #1FCA5E, #32B763, #45A468, #58916D and #6B7F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FCA5E shade: #3CCA1F, #1FCA30, #1FCA5E, #1FCA8C and #1FCAB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FCA5E shade: #14833D, #1AA74E, #1FCA5E, #34DF73 and #58E48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FCA5E shade: #1FCA5E, #1F69CA and #CA1F25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FCA5E shade: #1FCA5E, #5E1FCA and #CA5E1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FCA5E shade: #1FCA5E, #1F69CA, #CA1F8C and #CA801F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FCA5E shade: #1FCA5E, #1F36CA, #CA1F8C and #CAB41F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

Complementary color

CMYK 0 / 76 / 28 / 12

HEX #E035A1

RGB 224 53 161

HSL 322.11, 0.73%, 0.54%

LAB 52.91, 72.74, -19.15

 

CMYK 82 / 0 / 56 / 21

HEX #24CA59

RGB 36 202 89

HSL 139.16, 0.7%, 0.47%

LAB 71.78, -63.89, 44.57

 

CMYK 76 / 0 / 51 / 14

HEX #35DC6C

RGB 53 220 108

HSL 139.76, 0.7%, 0.54%

LAB 77.89, -65.15, 43.02

 

CMYK 71 / 0 / 47 / 7

HEX #46EE7F

RGB 70 238 127

HSL 140.36, 0.83%, 0.6%

LAB 83.96, -65.99, 41.5

 

CMYK 66 / 0 / 43 / 0

HEX #57FF92

RGB 87 255 146

HSL 141.07, 1%, 0.67%

LAB 89.68, -66.18, 39.66

 

CMYK 59 / 0 / 35 / 0

HEX #68FFA5

RGB 104 255 165

HSL 144.24, 1%, 0.7%

LAB 90.4, -59.75, 31.29

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 92 / 0 / 59 / 28

HEX #0EB84B

RGB 14 184 75

HSL 141.53, 0.86%, 0.39%

LAB 65.66, -61.73, 43.82

 

CMYK 100 / 0 / 66 / 35

HEX #00A638

RGB 0 166 56

HSL 140.24, 1%, 0.33%

LAB 59.49, -59.14, 45.33

 

CMYK 100 / 0 / 75 / 42

HEX #009425

RGB 0 148 37

HSL 135, 1%, 0.29%

LAB 53.29, -55.57, 46.5

 

CMYK 100 / 0 / 86 / 49

HEX #008212

RGB 0 130 18

HSL 128.31, 1%, 0.25%

LAB 46.99, -51.53, 46.65

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 85 / 0 / 76 / 21

HEX #1FCA30

RGB 31 202 48

HSL 125.96, 0.73%, 0.46%

LAB 71.38, -68.64, 60.8

 

CMYK 70 / 0 / 85 / 21

HEX #3CCA1F

RGB 60 202 31

HSL 109.82, 0.73%, 0.46%

LAB 71.76, -65.65, 66.07

 

CMYK 47 / 0 / 85 / 21

HEX #6BCA1F

RGB 107 202 31

HSL 93.33, 0.73%, 0.46%

LAB 73.2, -54.05, 67.89

 

CMYK 24 / 0 / 85 / 21

HEX #99CA1F

RGB 153 202 31

HSL 77.19, 0.73%, 0.46%

LAB 75.52, -37.8, 70.81

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 85 / 0 / 31 / 21

HEX #1FCA8C

RGB 31 202 140

HSL 158.25, 0.73%, 0.46%

LAB 72.51, -55.21, 19.64

 

CMYK 85 / 0 / 7 / 21

HEX #1FCABB

RGB 31 202 187

HSL 174.74, 0.73%, 0.46%

LAB 73.62, -43.41, -4.08

 

CMYK 85 / 15 / 0 / 21

HEX #1FACCA

RGB 31 172 202

HSL 190.53, 0.73%, 0.46%

LAB 65.01, -24.7, -25.27

 

CMYK 85 / 38 / 0 / 21

HEX #1F7ECA

RGB 31 126 202

HSL 206.67, 0.73%, 0.46%

LAB 51.24, 0.91, -46.8

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 95 / 0 / 60 / 13

HEX #0CDD59

RGB 12 221 89

HSL 142.11, 0.9%, 0.46%

LAB 77.59, -71.45, 51.34

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 73 / 0 / 46 / 28

HEX #32B763

RGB 50 183 99

HSL 142.11, 0.57%, 0.46%

LAB 66.09, -54, 32.67

 

CMYK 58 / 0 / 37 / 36

HEX #45A468

RGB 69 164 104

HSL 142.11, 0.41%, 0.46%

LAB 60.62, -41.91, 22.95

 

CMYK 39 / 0 / 25 / 43

HEX #58916D

RGB 88 145 109

HSL 142.11, 0.24%, 0.46%

LAB 55.51, -27.03, 13.33

 

CMYK 16 / 0 / 10 / 50

HEX #6B7F72

RGB 107 127 114

HSL 141, 0.09%, 0.46%

LAB 51.29, -10.05, 4.63

 

CMYK 70 / 0 / 85 / 21

HEX #3CCA1F

RGB 60 202 31

HSL 109.82, 0.73%, 0.46%

LAB 71.76, -65.65, 66.07

 

CMYK 85 / 0 / 76 / 21

HEX #1FCA30

RGB 31 202 48

HSL 125.96, 0.73%, 0.46%

LAB 71.38, -68.64, 60.8

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 85 / 0 / 31 / 21

HEX #1FCA8C

RGB 31 202 140

HSL 158.25, 0.73%, 0.46%

LAB 72.51, -55.21, 19.64

 

CMYK 85 / 0 / 8 / 21

HEX #1FCAB9

RGB 31 202 185

HSL 174.04, 0.73%, 0.46%

LAB 73.57, -43.97, -3.08

 

CMYK 85 / 0 / 53 / 49

HEX #14833D

RGB 20 131 61

HSL 142.16, 0.74%, 0.3%

LAB 47.9, -45.48, 29.47

 

CMYK 84 / 0 / 53 / 35

HEX #1AA74E

RGB 26 167 78

HSL 142.13, 0.73%, 0.38%

LAB 60.25, -54.81, 35.94

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 77 / 0 / 48 / 13

HEX #34DF73

RGB 52 223 115

HSL 142.11, 0.73%, 0.54%

LAB 78.89, -65.22, 40.88

 

CMYK 61 / 0 / 39 / 11

HEX #58E48C

RGB 88 228 140

HSL 142.29, 0.72%, 0.62%

LAB 81.54, -57, 32.01

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 85 / 48 / 0 / 21

HEX #1F69CA

RGB 31 105 202

HSL 214.04, 0.73%, 0.46%

LAB 45.16, 14.03, -56.53

 

CMYK 0 / 85 / 82 / 21

HEX #CA1F25

RGB 202 31 37

HSL 357.89, 0.73%, 0.46%

LAB 43.76, 63.56, 42.21

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 53 / 85 / 0 / 21

HEX #5E1FCA

RGB 94 31 202

HSL 262.11, 0.73%, 0.46%

LAB 33.19, 62.72, -75.93

 

CMYK 0 / 53 / 85 / 21

HEX #CA5E1F

RGB 202 94 31

HSL 22.11, 0.73%, 0.46%

LAB 52.58, 39.49, 53.01

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 85 / 48 / 0 / 21

HEX #1F69CA

RGB 31 105 202

HSL 214.04, 0.73%, 0.46%

LAB 45.16, 14.03, -56.53

 

CMYK 0 / 85 / 31 / 21

HEX #CA1F8C

RGB 202 31 140

HSL 321.75, 0.73%, 0.46%

LAB 46.22, 70.66, -17.17

 

CMYK 0 / 37 / 85 / 21

HEX #CA801F

RGB 202 128 31

HSL 34.04, 0.73%, 0.46%

LAB 59.97, 21.53, 59.3

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 85 / 73 / 0 / 21

HEX #1F36CA

RGB 31 54 202

HSL 231.93, 0.73%, 0.46%

LAB 32.24, 46.62, -77.64

 

CMYK 0 / 85 / 31 / 21

HEX #CA1F8C

RGB 202 31 140

HSL 321.75, 0.73%, 0.46%

LAB 46.22, 70.66, -17.17

 

CMYK 0 / 11 / 85 / 21

HEX #CAB41F

RGB 202 180 31

HSL 52.28, 0.73%, 0.46%

LAB 73.09, -6.44, 70.24

 

Description

Color code: HEX #1FCA5E | qconv.com Color code: HEX #1FCA5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 202 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 202 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 53% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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