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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FCBBC it is the complementary color #E03443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FCBBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FCBBC shade: #24CBB7, #35DDCA, #46EFDD, #57FFF0 and #68FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FCBBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FCBBC shade: #1FCBBC, #0EB9A9, #00A796, #009583 and #008370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FCBBC shade: #1ECCBC, #1ECC8E, #1ECC5F, #1ECC30 and #3BCC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FCBBC shade: #1ECCBC, #1EACCC, #1E7DCC, #1E4ECC and #1E1FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FCBBC shade matches the following richer shades: #1ECCBC and #0BDFCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FCBBC shade: #1ECCBC, #31B9AD, #44A69D, #57938D and #6A807E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FCBBC shade: #1ECC5E, #1ECC8C, #1ECCBA, #1EAFCC and #1E80CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FCBBC shade: #13847A, #19A89B, #1ECCBC, #33E0D1 and #57E5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FCBBC shade: #1FCBBC, #2F1ECC and #CC751E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FCBBC shade: #1FCBBC, #BA1ECC and #CCBA1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FCBBC shade: #1FCBBC, #2F1ECC, #CC1E2F and #BACC1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FCBBC shade: #1FCBBC, #631ECC, #CC1E2F and #86CC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 7 / 20

HEX #1FCBBC

RGB 31 203 188

HSL 174.77, 0.74%, 0.46%

LAB 73.96, -43.57, -4.13

 

Complementary color

CMYK 0 / 77 / 70 / 12

HEX #E03443

RGB 224 52 67

HSL 354.77, 0.74%, 0.54%

LAB 50.34, 65.39, 33.57

 

CMYK 82 / 0 / 10 / 20

HEX #24CBB7

RGB 36 203 183

HSL 172.81, 0.7%, 0.47%

LAB 73.87, -44.58, -1.54

 

CMYK 76 / 0 / 9 / 13

HEX #35DDCA

RGB 53 221 202

HSL 173.21, 0.71%, 0.54%

LAB 80.03, -45.63, -2.68

 

CMYK 71 / 0 / 8 / 6

HEX #46EFDD

RGB 70 239 221

HSL 173.61, 0.84%, 0.61%

LAB 86.13, -46.41, -3.72

 

CMYK 66 / 0 / 6 / 0

HEX #57FFF0

RGB 87 255 240

HSL 174.64, 1%, 0.67%

LAB 91.61, -46.13, -5.52

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 85 / 0 / 7 / 20

HEX #1FCBBC

RGB 31 203 188

HSL 174.77, 0.74%, 0.46%

LAB 73.96, -43.57, -4.13

 

CMYK 92 / 0 / 9 / 27

HEX #0EB9A9

RGB 14 185 169

HSL 174.39, 0.86%, 0.39%

LAB 67.77, -42.03, -2.88

 

CMYK 100 / 0 / 10 / 35

HEX #00A796

RGB 0 167 150

HSL 173.89, 1%, 0.33%

LAB 61.52, -40.11, -1.5

 

CMYK 100 / 0 / 12 / 42

HEX #009583

RGB 0 149 131

HSL 172.75, 1%, 0.29%

LAB 55.21, -37.68, 0.05

 

CMYK 100 / 0 / 15 / 49

HEX #008370

RGB 0 131 112

HSL 171.3, 1%, 0.26%

LAB 48.76, -35.19, 1.68

 

CMYK 85 / 0 / 8 / 20

HEX #1ECCBC

RGB 30 204 188

HSL 174.48, 0.74%, 0.46%

LAB 74.25, -44.07, -3.7

 

CMYK 85 / 0 / 30 / 20

HEX #1ECC8E

RGB 30 204 142

HSL 158.62, 0.74%, 0.46%

LAB 73.16, -55.6, 19.48

 

CMYK 85 / 0 / 53 / 20

HEX #1ECC5F

RGB 30 204 95

HSL 142.41, 0.74%, 0.46%

LAB 72.42, -64.25, 42.48

 

CMYK 85 / 0 / 76 / 20

HEX #1ECC30

RGB 30 204 48

HSL 126.21, 0.74%, 0.46%

LAB 72.01, -69.31, 61.41

 

CMYK 71 / 0 / 85 / 20

HEX #3BCC1E

RGB 59 204 30

HSL 110, 0.74%, 0.46%

LAB 72.37, -66.5, 66.83

 

CMYK 85 / 0 / 8 / 20

HEX #1ECCBC

RGB 30 204 188

HSL 174.48, 0.74%, 0.46%

LAB 74.25, -44.07, -3.7

 

CMYK 85 / 16 / 0 / 20

HEX #1EACCC

RGB 30 172 204

HSL 191.03, 0.74%, 0.46%

LAB 65.07, -24.11, -26.29

 

CMYK 85 / 39 / 0 / 20

HEX #1E7DCC

RGB 30 125 204

HSL 207.24, 0.74%, 0.46%

LAB 51.04, 2.2, -48.26

 

CMYK 85 / 62 / 0 / 20

HEX #1E4ECC

RGB 30 78 204

HSL 223.45, 0.74%, 0.46%

LAB 37.99, 32.32, -69.34

 

CMYK 85 / 85 / 0 / 20

HEX #1E1FCC

RGB 30 31 204

HSL 239.66, 0.74%, 0.46%

LAB 28.42, 58.83, -85.15

 

CMYK 85 / 0 / 8 / 20

HEX #1ECCBC

RGB 30 204 188

HSL 174.48, 0.74%, 0.46%

LAB 74.25, -44.07, -3.7

 

CMYK 95 / 0 / 9 / 13

HEX #0BDFCC

RGB 11 223 204

HSL 174.62, 0.91%, 0.46%

LAB 80.3, -48.59, -3.4

 

CMYK 85 / 0 / 8 / 20

HEX #1ECCBC

RGB 30 204 188

HSL 174.48, 0.74%, 0.46%

LAB 74.25, -44.07, -3.7

 

CMYK 74 / 0 / 6 / 27

HEX #31B9AD

RGB 49 185 173

HSL 174.71, 0.58%, 0.46%

LAB 68.29, -38.09, -4.26

 

CMYK 59 / 0 / 5 / 35

HEX #44A69D

RGB 68 166 157

HSL 174.49, 0.42%, 0.46%

LAB 62.45, -30.67, -3.93

 

CMYK 41 / 0 / 4 / 42

HEX #57938D

RGB 87 147 141

HSL 174, 0.26%, 0.46%

LAB 56.9, -20.98, -2.96

 

CMYK 17 / 0 / 2 / 50

HEX #6A807E

RGB 106 128 126

HSL 174.55, 0.09%, 0.46%

LAB 51.85, -8.38, -1.58

 

CMYK 85 / 0 / 54 / 20

HEX #1ECC5E

RGB 30 204 94

HSL 142.07, 0.74%, 0.46%

LAB 72.41, -64.39, 42.94

 

CMYK 85 / 0 / 31 / 20

HEX #1ECC8C

RGB 30 204 140

HSL 157.93, 0.74%, 0.46%

LAB 73.13, -56.04, 20.49

 

CMYK 85 / 0 / 9 / 20

HEX #1ECCBA

RGB 30 204 186

HSL 173.79, 0.74%, 0.46%

LAB 74.19, -44.63, -2.7

 

CMYK 85 / 14 / 0 / 20

HEX #1EAFCC

RGB 30 175 204

HSL 190, 0.74%, 0.46%

LAB 65.98, -25.63, -24.9

 

CMYK 85 / 37 / 0 / 20

HEX #1E80CC

RGB 30 128 204

HSL 206.21, 0.74%, 0.46%

LAB 51.92, 0.38, -46.86

 

CMYK 86 / 0 / 8 / 48

HEX #13847A

RGB 19 132 122

HSL 174.69, 0.75%, 0.3%

LAB 49.55, -31.49, -3.01

 

CMYK 85 / 0 / 8 / 34

HEX #19A89B

RGB 25 168 155

HSL 174.55, 0.74%, 0.38%

LAB 62.15, -37.88, -3.35

 

CMYK 85 / 0 / 8 / 20

HEX #1ECCBC

RGB 30 204 188

HSL 174.48, 0.74%, 0.46%

LAB 74.25, -44.07, -3.7

 

CMYK 77 / 0 / 7 / 12

HEX #33E0D1

RGB 51 224 209

HSL 174.8, 0.74%, 0.54%

LAB 81.08, -45.24, -4.86

 

CMYK 62 / 0 / 5 / 10

HEX #57E5D9

RGB 87 229 217

HSL 174.93, 0.73%, 0.62%

LAB 83.48, -40.63, -5.48

 

CMYK 85 / 0 / 7 / 20

HEX #1FCBBC

RGB 31 203 188

HSL 174.77, 0.74%, 0.46%

LAB 73.96, -43.57, -4.13

 

CMYK 77 / 85 / 0 / 20

HEX #2F1ECC

RGB 47 30 204

HSL 245.86, 0.74%, 0.46%

LAB 29.14, 59.94, -83.93

 

CMYK 0 / 43 / 85 / 20

HEX #CC751E

RGB 204 117 30

HSL 30, 0.74%, 0.46%

LAB 57.71, 28.3, 57.83

 

CMYK 85 / 0 / 7 / 20

HEX #1FCBBC

RGB 31 203 188

HSL 174.77, 0.74%, 0.46%

LAB 73.96, -43.57, -4.13

 

CMYK 9 / 85 / 0 / 20

HEX #BA1ECC

RGB 186 30 204

HSL 293.79, 0.74%, 0.46%

LAB 46.61, 76.54, -54.63

 

CMYK 0 / 9 / 85 / 20

HEX #CCBA1E

RGB 204 186 30

HSL 53.79, 0.74%, 0.46%

LAB 74.86, -8.69, 72.01

 

CMYK 85 / 0 / 7 / 20

HEX #1FCBBC

RGB 31 203 188

HSL 174.77, 0.74%, 0.46%

LAB 73.96, -43.57, -4.13

 

CMYK 77 / 85 / 0 / 20

HEX #2F1ECC

RGB 47 30 204

HSL 245.86, 0.74%, 0.46%

LAB 29.14, 59.94, -83.93

 

CMYK 0 / 85 / 77 / 20

HEX #CC1E2F

RGB 204 30 47

HSL 354.14, 0.74%, 0.46%

LAB 44.19, 64.63, 37.17

 

CMYK 9 / 0 / 85 / 20

HEX #BACC1E

RGB 186 204 30

HSL 66.21, 0.74%, 0.46%

LAB 78.3, -25.38, 74.25

 

CMYK 85 / 0 / 7 / 20

HEX #1FCBBC

RGB 31 203 188

HSL 174.77, 0.74%, 0.46%

LAB 73.96, -43.57, -4.13

 

CMYK 51 / 85 / 0 / 20

HEX #631ECC

RGB 99 30 204

HSL 263.79, 0.74%, 0.46%

LAB 33.86, 64.06, -75.97

 

CMYK 0 / 85 / 77 / 20

HEX #CC1E2F

RGB 204 30 47

HSL 354.14, 0.74%, 0.46%

LAB 44.19, 64.63, 37.17

 

CMYK 34 / 0 / 85 / 20

HEX #86CC1E

RGB 134 204 30

HSL 84.14, 0.74%, 0.46%

LAB 75.04, -45.84, 70.2

 

Description

Color code: HEX #1FCBBC | qconv.com Color code: HEX #1FCBBC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 203 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 203 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 7 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 7% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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