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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FDAA2 it is the complementary color #E0255D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FDAA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FDAA2 shade: #24DA9D, #35ECB0, #46FEC3, #57FFD6 and #68FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FDAA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FDAA2 shade: #1FDAA2, #0EC88F, #00B67C, #00A469 and #009256

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FDAA2 shade: #1FDAA2, #1FDA6F, #1FDA3D, #33DA1F and #66DA1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FDAA2 shade: #1FDAA2, #1FDAD5, #1FADDA, #1F7BDA and #1F48DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FDAA2 shade matches the following richer shades: #1FDAA2 and #0BEEAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FDAA2 shade: #1FDAA2, #33C69A, #47B292, #5B9E8A and #708982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FDAA2 shade: #1FDA3E, #1FDA70, #1FDAA2, #1FDAD4 and #1FAEDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FDAA2 shade: #14926C, #1AB687, #1FDAA2, #3FE3B2 and #63E8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FDAA2 shade: #1FDAA2, #1F31DA and #DA571F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FDAA2 shade: #1FDAA2, #A21FDA and #DAA21F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FDAA2 shade: #1FDAA2, #1F31DA, #DA1F57 and #DAC71F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FDAA2 shade: #1FDAA2, #441FDA, #DA1F57 and #B5DA1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

Complementary color

CMYK 0 / 83 / 58 / 12

HEX #E0255D

RGB 224 37 93

HSL 342.03, 0.75%, 0.51%

LAB 49.45, 70.65, 16.78

 

CMYK 83 / 0 / 28 / 15

HEX #24DA9D

RGB 36 218 157

HSL 159.89, 0.72%, 0.5%

LAB 77.85, -57.09, 18.04

 

CMYK 78 / 0 / 25 / 7

HEX #35ECB0

RGB 53 236 176

HSL 160.33, 0.83%, 0.57%

LAB 83.9, -58.13, 16.59

 

CMYK 72 / 0 / 23 / 0

HEX #46FEC3

RGB 70 254 195

HSL 160.76, 0.99%, 0.64%

LAB 89.92, -58.87, 15.25

 

CMYK 66 / 0 / 16 / 0

HEX #57FFD6

RGB 87 255 214

HSL 165.36, 1%, 0.67%

LAB 90.96, -52.56, 6.99

 

CMYK 59 / 0 / 9 / 0

HEX #68FFE9

RGB 104 255 233

HSL 171.26, 1%, 0.7%

LAB 91.84, -45.22, -1.51

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 93 / 0 / 29 / 22

HEX #0EC88F

RGB 14 200 143

HSL 161.61, 0.87%, 0.42%

LAB 71.82, -54.8, 17.06

 

CMYK 100 / 0 / 32 / 29

HEX #00B67C

RGB 0 182 124

HSL 160.88, 1%, 0.36%

LAB 65.68, -52.87, 18.79

 

CMYK 100 / 0 / 36 / 36

HEX #00A469

RGB 0 164 105

HSL 158.41, 1%, 0.32%

LAB 59.5, -50.36, 20.71

 

CMYK 100 / 0 / 41 / 43

HEX #009256

RGB 0 146 86

HSL 155.34, 1%, 0.29%

LAB 53.2, -47.73, 22.7

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 86 / 0 / 49 / 15

HEX #1FDA6F

RGB 31 218 111

HSL 145.67, 0.75%, 0.49%

LAB 77.03, -66.31, 40.44

 

CMYK 86 / 0 / 72 / 15

HEX #1FDA3D

RGB 31 218 61

HSL 129.63, 0.75%, 0.49%

LAB 76.54, -72.32, 61.53

 

CMYK 77 / 0 / 86 / 15

HEX #33DA1F

RGB 51 218 31

HSL 113.58, 0.75%, 0.49%

LAB 76.65, -71.94, 70.34

 

CMYK 53 / 0 / 86 / 15

HEX #66DA1F

RGB 102 218 31

HSL 97.22, 0.75%, 0.49%

LAB 77.91, -61.38, 71.94

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 86 / 0 / 2 / 15

HEX #1FDAD5

RGB 31 218 213

HSL 178.4, 0.75%, 0.49%

LAB 79.18, -43.05, -9.84

 

CMYK 86 / 21 / 0 / 15

HEX #1FADDA

RGB 31 173 218

HSL 194.44, 0.75%, 0.49%

LAB 65.94, -19.83, -32.69

 

CMYK 86 / 44 / 0 / 15

HEX #1F7BDA

RGB 31 123 218

HSL 210.48, 0.75%, 0.49%

LAB 51.29, 8.85, -55.79

 

CMYK 86 / 67 / 0 / 15

HEX #1F48DA

RGB 31 72 218

HSL 226.84, 0.75%, 0.49%

LAB 37.82, 41.4, -77.69

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 95 / 0 / 29 / 7

HEX #0BEEAA

RGB 11 238 170

HSL 162.03, 0.91%, 0.49%

LAB 84.03, -62.92, 19.82

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 74 / 0 / 22 / 22

HEX #33C69A

RGB 51 198 154

HSL 162.04, 0.59%, 0.49%

LAB 71.84, -48.36, 11.25

 

CMYK 60 / 0 / 18 / 30

HEX #47B292

RGB 71 178 146

HSL 162.06, 0.43%, 0.49%

LAB 65.95, -38.48, 7.29

 

CMYK 42 / 0 / 13 / 38

HEX #5B9E8A

RGB 91 158 138

HSL 162.09, 0.27%, 0.49%

LAB 60.35, -26.2, 3.8

 

CMYK 18 / 0 / 5 / 46

HEX #708982

RGB 112 137 130

HSL 163.2, 0.1%, 0.49%

LAB 55.02, -10.43, 0.78

 

CMYK 86 / 0 / 72 / 15

HEX #1FDA3E

RGB 31 218 62

HSL 129.95, 0.75%, 0.49%

LAB 76.55, -72.24, 61.18

 

CMYK 86 / 0 / 49 / 15

HEX #1FDA70

RGB 31 218 112

HSL 145.99, 0.75%, 0.49%

LAB 77.04, -66.15, 39.97

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 86 / 0 / 3 / 15

HEX #1FDAD4

RGB 31 218 212

HSL 178.07, 0.75%, 0.49%

LAB 79.15, -43.34, -9.35

 

CMYK 86 / 20 / 0 / 15

HEX #1FAEDA

RGB 31 174 218

HSL 194.12, 0.75%, 0.49%

LAB 66.23, -20.35, -32.23

 

CMYK 86 / 0 / 26 / 43

HEX #14926C

RGB 20 146 108

HSL 161.9, 0.76%, 0.33%

LAB 53.8, -41.46, 11.21

 

CMYK 86 / 0 / 26 / 29

HEX #1AB687

RGB 26 182 135

HSL 161.92, 0.75%, 0.41%

LAB 66.08, -49.01, 13.39

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 72 / 0 / 22 / 11

HEX #3FE3B2

RGB 63 227 178

HSL 162.07, 0.75%, 0.57%

LAB 81.41, -52.96, 12.04

 

CMYK 57 / 0 / 17 / 9

HEX #63E8C0

RGB 99 232 192

HSL 161.95, 0.74%, 0.65%

LAB 84.06, -45.9, 8.57

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 86 / 78 / 0 / 15

HEX #1F31DA

RGB 31 49 218

HSL 234.22, 0.75%, 0.49%

LAB 33.03, 54.72, -85.61

 

CMYK 0 / 60 / 86 / 15

HEX #DA571F

RGB 218 87 31

HSL 17.97, 0.75%, 0.49%

LAB 53.84, 48.87, 55.1

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 26 / 86 / 0 / 15

HEX #A21FDA

RGB 162 31 218

HSL 282.03, 0.75%, 0.49%

LAB 43.83, 74.97, -67.37

 

CMYK 0 / 26 / 86 / 15

HEX #DAA21F

RGB 218 162 31

HSL 42.03, 0.75%, 0.49%

LAB 70.07, 10.1, 68.42

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 86 / 78 / 0 / 15

HEX #1F31DA

RGB 31 49 218

HSL 234.22, 0.75%, 0.49%

LAB 33.03, 54.72, -85.61

 

CMYK 0 / 86 / 60 / 15

HEX #DA1F57

RGB 218 31 87

HSL 342.03, 0.75%, 0.49%

LAB 47.72, 69.98, 17.92

 

CMYK 0 / 9 / 86 / 15

HEX #DAC71F

RGB 218 199 31

HSL 53.9, 0.75%, 0.49%

LAB 79.53, -9.26, 76.11

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 69 / 86 / 0 / 15

HEX #441FDA

RGB 68 31 218

HSL 251.87, 0.75%, 0.49%

LAB 32.42, 64.65, -86.56

 

CMYK 0 / 86 / 60 / 15

HEX #DA1F57

RGB 218 31 87

HSL 342.03, 0.75%, 0.49%

LAB 47.72, 69.98, 17.92

 

CMYK 17 / 0 / 86 / 15

HEX #B5DA1F

RGB 181 218 31

HSL 71.87, 0.75%, 0.49%

LAB 81.87, -33.99, 76.88

 

Description

Color code: HEX #1FDAA2 | qconv.com Color code: HEX #1FDAA2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 218 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 218 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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