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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FFF6C it is the complementary color #E00093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FFF6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FFF6C shade: #24FF67, #35FF7A, #46FF8D, #57FFA0 and #68FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FFF6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FFF6C shade: #1FFF6C, #0EED59, #00DB46, #00C933 and #00B720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FFF6C shade: #1EFF6B, #1EFF2F, #4AFF1E, #86FF1E and #C3FF1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FFF6C shade: #1EFF6B, #1EFFA8, #1EFFE4, #1EDCFF and #1EA0FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FFF6C shade matches the following richer shades: #1EFF6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FFF6C shade: #1EFF6B, #30EC71, #42DA77, #55C87C and #67B682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FFF6C shade: #4BFF1E, #1EFF2D, #1EFF69, #1EFFA5 and #1EFFE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FFF6C shade: #00CB45, #00F454, #1EFF6B, #47FF86 and #71FFA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FFF6C shade: #1FFF6C, #1E87FF and #FF1E2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FFF6C shade: #1FFF6C, #691EFF and #FF691E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FFF6C shade: #1FFF6C, #1E87FF, #FF1EB4 and #FF961E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FFF6C shade: #1FFF6C, #1E43FF, #FF1EB4 and #FFD91E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 58 / 0

HEX #1FFF6C

RGB 31 255 108

HSL 140.63, 1%, 0.56%

LAB 88.4, -78.34, 55.6

 

Complementary color

CMYK 0 / 100 / 34 / 12

HEX #E00093

RGB 224 0 147

HSL 320.63, 1%, 0.44%

LAB 49.44, 79.72, -16.1

 

CMYK 86 / 0 / 60 / 0

HEX #24FF67

RGB 36 255 103

HSL 138.36, 1%, 0.57%

LAB 88.39, -78.61, 57.76

 

CMYK 79 / 0 / 52 / 0

HEX #35FF7A

RGB 53 255 122

HSL 140.5, 1%, 0.6%

LAB 88.77, -74.61, 49.8

 

CMYK 73 / 0 / 45 / 0

HEX #46FF8D

RGB 70 255 141

HSL 143.03, 1%, 0.64%

LAB 89.27, -69.65, 41.5

 

CMYK 66 / 0 / 37 / 0

HEX #57FFA0

RGB 87 255 160

HSL 146.07, 1%, 0.67%

LAB 89.9, -63.79, 33.04

 

CMYK 59 / 0 / 30 / 0

HEX #68FFB3

RGB 104 255 179

HSL 149.8, 1%, 0.7%

LAB 90.65, -57.14, 24.57

 

CMYK 88 / 0 / 58 / 0

HEX #1FFF6C

RGB 31 255 108

HSL 140.63, 1%, 0.56%

LAB 88.4, -78.34, 55.6

 

CMYK 94 / 0 / 62 / 7

HEX #0EED59

RGB 14 237 89

HSL 140.18, 0.89%, 0.49%

LAB 82.58, -76.13, 57.05

 

CMYK 100 / 0 / 68 / 14

HEX #00DB46

RGB 0 219 70

HSL 139.18, 1%, 0.43%

LAB 76.74, -73.37, 58.32

 

CMYK 100 / 0 / 75 / 21

HEX #00C933

RGB 0 201 51

HSL 135.22, 1%, 0.39%

LAB 70.88, -69.9, 59.23

 

CMYK 100 / 0 / 83 / 28

HEX #00B720

RGB 0 183 32

HSL 130.49, 1%, 0.36%

LAB 64.94, -66.1, 59.36

 

CMYK 88 / 0 / 58 / 0

HEX #1EFF6B

RGB 30 255 107

HSL 140.53, 1%, 0.56%

LAB 88.38, -78.53, 56.01

 

CMYK 88 / 0 / 82 / 0

HEX #1EFF2F

RGB 30 255 47

HSL 124.53, 1%, 0.56%

LAB 87.97, -83.69, 76.78

 

CMYK 71 / 0 / 88 / 0

HEX #4AFF1E

RGB 74 255 30

HSL 108.27, 1%, 0.56%

LAB 88.48, -79.38, 80.94

 

CMYK 47 / 0 / 88 / 0

HEX #86FF1E

RGB 134 255 30

HSL 92.27, 1%, 0.56%

LAB 90.18, -65.58, 83.05

 

CMYK 24 / 0 / 88 / 0

HEX #C3FF1E

RGB 195 255 30

HSL 76, 1%, 0.56%

LAB 93.11, -44.98, 86.68

 

CMYK 88 / 0 / 58 / 0

HEX #1EFF6B

RGB 30 255 107

HSL 140.53, 1%, 0.56%

LAB 88.38, -78.53, 56.01

 

CMYK 88 / 0 / 34 / 0

HEX #1EFFA8

RGB 30 255 168

HSL 156.8, 1%, 0.56%

LAB 89.22, -68.6, 27.97

 

CMYK 88 / 0 / 11 / 0

HEX #1EFFE4

RGB 30 255 228

HSL 172.8, 1%, 0.56%

LAB 90.5, -54.64, -1.02

 

CMYK 88 / 14 / 0 / 0

HEX #1EDCFF

RGB 30 220 255

HSL 189.33, 1%, 0.56%

LAB 81.12, -31.29, -29.27

 

CMYK 88 / 37 / 0 / 0

HEX #1EA0FF

RGB 30 160 255

HSL 205.33, 1%, 0.56%

LAB 63.87, 0.5, -56.23

 

CMYK 88 / 0 / 58 / 0

HEX #1EFF6B

RGB 30 255 107

HSL 140.53, 1%, 0.56%

LAB 88.38, -78.53, 56.01

 

CMYK 88 / 0 / 58 / 0

HEX #1EFF6B

RGB 30 255 107

HSL 140.53, 1%, 0.56%

LAB 88.38, -78.53, 56.01

 

CMYK 80 / 0 / 52 / 7

HEX #30EC71

RGB 48 236 113

HSL 140.74, 0.83%, 0.56%

LAB 82.81, -70.31, 46.68

 

CMYK 70 / 0 / 45 / 15

HEX #42DA77

RGB 66 218 119

HSL 140.92, 0.67%, 0.56%

LAB 77.66, -60.83, 37.4

 

CMYK 58 / 0 / 38 / 22

HEX #55C87C

RGB 85 200 124

HSL 140.35, 0.51%, 0.56%

LAB 72.69, -49.44, 28.49

 

CMYK 43 / 0 / 29 / 29

HEX #67B682

RGB 103 182 130

HSL 140.51, 0.35%, 0.56%

LAB 67.98, -35.97, 19.06

 

CMYK 71 / 0 / 88 / 0

HEX #4BFF1E

RGB 75 255 30

HSL 108, 1%, 0.56%

LAB 88.5, -79.22, 80.96

 

CMYK 88 / 0 / 82 / 0

HEX #1EFF2D

RGB 30 255 45

HSL 124, 1%, 0.56%

LAB 87.96, -83.79, 77.25

 

CMYK 88 / 0 / 59 / 0

HEX #1EFF69

RGB 30 255 105

HSL 140, 1%, 0.56%

LAB 88.36, -78.77, 56.86

 

CMYK 88 / 0 / 35 / 0

HEX #1EFFA5

RGB 30 255 165

HSL 156, 1%, 0.56%

LAB 89.16, -69.2, 29.41

 

CMYK 88 / 0 / 12 / 0

HEX #1EFFE1

RGB 30 255 225

HSL 172, 1%, 0.56%

LAB 90.43, -55.42, 0.42

 

CMYK 100 / 0 / 66 / 20

HEX #00CB45

RGB 0 203 69

HSL 140.39, 1%, 0.4%

LAB 71.65, -68.82, 53.21

 

CMYK 100 / 0 / 66 / 4

HEX #00F454

RGB 0 244 84

HSL 140.66, 1%, 0.48%

LAB 84.66, -79.11, 61.38

 

CMYK 88 / 0 / 58 / 0

HEX #1EFF6B

RGB 30 255 107

HSL 140.53, 1%, 0.56%

LAB 88.38, -78.53, 56.01

 

CMYK 72 / 0 / 47 / 0

HEX #47FF86

RGB 71 255 134

HSL 140.54, 1%, 0.64%

LAB 89.2, -70.6, 44.76

 

CMYK 56 / 0 / 37 / 0

HEX #71FFA1

RGB 113 255 161

HSL 140.28, 1%, 0.72%

LAB 90.6, -58.55, 33.6

 

CMYK 88 / 0 / 58 / 0

HEX #1FFF6C

RGB 31 255 108

HSL 140.63, 1%, 0.56%

LAB 88.4, -78.34, 55.6

 

CMYK 88 / 47 / 0 / 0

HEX #1E87FF

RGB 30 135 255

HSL 212, 1%, 0.56%

LAB 56.9, 15.45, -67.38

 

CMYK 0 / 88 / 82 / 0

HEX #FF1E2D

RGB 255 30 45

HSL 356, 1%, 0.56%

LAB 54.43, 77.82, 51.87

 

CMYK 88 / 0 / 58 / 0

HEX #1FFF6C

RGB 31 255 108

HSL 140.63, 1%, 0.56%

LAB 88.4, -78.34, 55.6

 

CMYK 59 / 88 / 0 / 0

HEX #691EFF

RGB 105 30 255

HSL 260, 1%, 0.56%

LAB 39.83, 76.85, -95.16

 

CMYK 0 / 59 / 88 / 0

HEX #FF691E

RGB 255 105 30

HSL 20, 1%, 0.56%

LAB 62.89, 54, 65.13

 

CMYK 88 / 0 / 58 / 0

HEX #1FFF6C

RGB 31 255 108

HSL 140.63, 1%, 0.56%

LAB 88.4, -78.34, 55.6

 

CMYK 88 / 47 / 0 / 0

HEX #1E87FF

RGB 30 135 255

HSL 212, 1%, 0.56%

LAB 56.9, 15.45, -67.38

 

CMYK 0 / 88 / 29 / 0

HEX #FF1EB4

RGB 255 30 180

HSL 320, 1%, 0.56%

LAB 57.54, 86.47, -22.69

 

CMYK 0 / 41 / 88 / 0

HEX #FF961E

RGB 255 150 30

HSL 32, 1%, 0.56%

LAB 71.67, 32.06, 71.8

 

CMYK 88 / 0 / 58 / 0

HEX #1FFF6C

RGB 31 255 108

HSL 140.63, 1%, 0.56%

LAB 88.4, -78.34, 55.6

 

CMYK 88 / 74 / 0 / 0

HEX #1E43FF

RGB 30 67 255

HSL 230.13, 1%, 0.56%

LAB 40.43, 57.08, -94.32

 

CMYK 0 / 88 / 29 / 0

HEX #FF1EB4

RGB 255 30 180

HSL 320, 1%, 0.56%

LAB 57.54, 86.47, -22.69

 

CMYK 0 / 15 / 88 / 0

HEX #FFD91E

RGB 255 217 30

HSL 49.87, 1%, 0.56%

LAB 87.48, -2.61, 84.05

 

Description

Color code: HEX #1FFF6C | qconv.com Color code: HEX #1FFF6C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 255 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 255 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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