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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23AA40 it is the complementary color #DC55BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23AA40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23AA40 shade: #28AA3B, #39BC4E, #4ACE61, #5BE074 and #6CF287

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23AA40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23AA40 shade: #23AA40, #12982D, #01861A, #007407 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23AA40 shade: #22A93F, #2AA922, #4EA922, #72A922 and #96A922

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23AA40 shade: #22A93F, #22A963, #22A988, #22A6A9 and #2281A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23AA40 shade matches the following richer shades: #22A93F, #12B936 and #01CA2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23AA40 shade: #22A93F, #339849, #438852, #54775B and #646765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23AA40 shade: #4FA922, #2BA922, #22A93D, #22A961 and #22A985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23AA40 shade: #146425, #1B8732, #22A93F, #29CB4C and #45D965

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23AA40 shade: #23AA40, #2273A9 and #A9223D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23AA40 shade: #23AA40, #3D22A9 and #A93D22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23AA40 shade: #23AA40, #2273A9, #A9228E and #A95822

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23AA40 shade: #23AA40, #224BA9, #A9228E and #A98022

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 62 / 33

HEX #23AA40

RGB 35 170 64

HSL 132.89, 0.66%, 0.4%

LAB 61.2, -56.72, 43.79

 

Complementary color

CMYK 0 / 61 / 13 / 14

HEX #DC55BF

RGB 220 85 191

HSL 312.89, 0.66%, 0.6%

LAB 57.53, 64.38, -29.53

 

CMYK 76 / 0 / 65 / 33

HEX #28AA3B

RGB 40 170 59

HSL 128.77, 0.62%, 0.41%

LAB 61.23, -56.61, 46.08

 

CMYK 70 / 0 / 59 / 26

HEX #39BC4E

RGB 57 188 78

HSL 129.62, 0.53%, 0.48%

LAB 67.57, -57.71, 44.81

 

CMYK 64 / 0 / 53 / 19

HEX #4ACE61

RGB 74 206 97

HSL 130.45, 0.57%, 0.55%

LAB 73.84, -58.36, 43.43

 

CMYK 59 / 0 / 48 / 12

HEX #5BE074

RGB 91 224 116

HSL 131.28, 0.68%, 0.62%

LAB 80.06, -58.71, 42.05

 

CMYK 55 / 0 / 44 / 5

HEX #6CF287

RGB 108 242 135

HSL 132.09, 0.84%, 0.69%

LAB 86.23, -58.86, 40.7

 

CMYK 79 / 0 / 62 / 33

HEX #23AA40

RGB 35 170 64

HSL 132.89, 0.66%, 0.4%

LAB 61.2, -56.72, 43.79

 

CMYK 88 / 0 / 70 / 40

HEX #12982D

RGB 18 152 45

HSL 132.09, 0.79%, 0.33%

LAB 54.84, -54.85, 44.99

 

CMYK 99 / 0 / 81 / 47

HEX #01861A

RGB 1 134 26

HSL 131.28, 0.99%, 0.26%

LAB 48.42, -52.15, 45.58

 

CMYK 100 / 0 / 94 / 55

HEX #007407

RGB 0 116 7

HSL 123.62, 1%, 0.23%

LAB 42.01, -47.86, 44.86

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 80 / 0 / 63 / 34

HEX #22A93F

RGB 34 169 63

HSL 132.89, 0.67%, 0.4%

LAB 60.85, -56.64, 43.84

 

CMYK 75 / 0 / 80 / 34

HEX #2AA922

RGB 42 169 34

HSL 116.44, 0.67%, 0.4%

LAB 60.77, -58.13, 55.02

 

CMYK 54 / 0 / 80 / 34

HEX #4EA922

RGB 78 169 34

HSL 100.44, 0.67%, 0.4%

LAB 61.75, -50.04, 56.3

 

CMYK 33 / 0 / 80 / 34

HEX #72A922

RGB 114 169 34

HSL 84.44, 0.67%, 0.4%

LAB 63.4, -37.99, 58.43

 

CMYK 11 / 0 / 80 / 34

HEX #96A922

RGB 150 169 34

HSL 68.44, 0.67%, 0.4%

LAB 65.73, -23.38, 61.41

 

CMYK 80 / 0 / 63 / 34

HEX #22A93F

RGB 34 169 63

HSL 132.89, 0.67%, 0.4%

LAB 60.85, -56.64, 43.84

 

CMYK 80 / 0 / 41 / 34

HEX #22A963

RGB 34 169 99

HSL 148.89, 0.67%, 0.4%

LAB 61.32, -51.02, 26.43

 

CMYK 80 / 0 / 20 / 34

HEX #22A988

RGB 34 169 136

HSL 165.33, 0.67%, 0.4%

LAB 62.08, -42.7, 7.19

 

CMYK 80 / 2 / 0 / 34

HEX #22A6A9

RGB 34 166 169

HSL 181.33, 0.67%, 0.4%

LAB 62.06, -32.03, -11.33

 

CMYK 80 / 24 / 0 / 34

HEX #2281A9

RGB 34 129 169

HSL 197.78, 0.67%, 0.4%

LAB 50.58, -12.79, -28.88

 

CMYK 80 / 0 / 63 / 34

HEX #22A93F

RGB 34 169 63

HSL 132.89, 0.67%, 0.4%

LAB 60.85, -56.64, 43.84

 

CMYK 90 / 0 / 71 / 27

HEX #12B936

RGB 18 185 54

HSL 132.93, 0.82%, 0.4%

LAB 65.82, -64.15, 52.99

 

CMYK 100 / 0 / 78 / 21

HEX #01CA2C

RGB 1 202 44

HSL 132.84, 0.99%, 0.4%

LAB 71.17, -70.65, 61.78

 

CMYK 80 / 0 / 63 / 34

HEX #22A93F

RGB 34 169 63

HSL 132.89, 0.67%, 0.4%

LAB 60.85, -56.64, 43.84

 

CMYK 66 / 0 / 52 / 40

HEX #339849

RGB 51 152 73

HSL 133.07, 0.5%, 0.4%

LAB 55.73, -46.4, 33.01

 

CMYK 51 / 0 / 40 / 47

HEX #438852

RGB 67 136 82

HSL 133.04, 0.34%, 0.4%

LAB 51.16, -34.27, 22.48

 

CMYK 29 / 0 / 24 / 53

HEX #54775B

RGB 84 119 91

HSL 132, 0.17%, 0.4%

LAB 46.76, -18.69, 11.48

 

CMYK 3 / 0 / 2 / 60

HEX #646765

RGB 100 103 101

HSL 140, 0.01%, 0.4%

LAB 43.29, -1.58, 0.72

 

CMYK 53 / 0 / 80 / 34

HEX #4FA922

RGB 79 169 34

HSL 100, 0.67%, 0.4%

LAB 61.79, -49.75, 56.35

 

CMYK 75 / 0 / 80 / 34

HEX #2BA922

RGB 43 169 34

HSL 116, 0.67%, 0.4%

LAB 60.79, -57.96, 55.05

 

CMYK 80 / 0 / 64 / 34

HEX #22A93D

RGB 34 169 61

HSL 132, 0.67%, 0.4%

LAB 60.83, -56.87, 44.71

 

CMYK 80 / 0 / 43 / 34

HEX #22A961

RGB 34 169 97

HSL 148, 0.67%, 0.4%

LAB 61.29, -51.4, 27.45

 

CMYK 80 / 0 / 21 / 34

HEX #22A985

RGB 34 169 133

HSL 164, 0.67%, 0.4%

LAB 62.01, -43.46, 8.76

 

CMYK 80 / 0 / 63 / 61

HEX #146425

RGB 20 100 37

HSL 132.75, 0.67%, 0.24%

LAB 36.74, -37.75, 28.63

 

CMYK 80 / 0 / 63 / 47

HEX #1B8732

RGB 27 135 50

HSL 132.78, 0.67%, 0.32%

LAB 49.24, -47.62, 36.63

 

CMYK 80 / 0 / 63 / 34

HEX #22A93F

RGB 34 169 63

HSL 132.89, 0.67%, 0.4%

LAB 60.85, -56.64, 43.84

 

CMYK 80 / 0 / 63 / 20

HEX #29CB4C

RGB 41 203 76

HSL 132.96, 0.66%, 0.48%

LAB 72.03, -65.29, 50.76

 

CMYK 68 / 0 / 53 / 15

HEX #45D965

RGB 69 217 101

HSL 132.97, 0.66%, 0.56%

LAB 77.18, -62.66, 45.55

 

CMYK 79 / 0 / 62 / 33

HEX #23AA40

RGB 35 170 64

HSL 132.89, 0.66%, 0.4%

LAB 61.2, -56.72, 43.79

 

CMYK 80 / 32 / 0 / 34

HEX #2273A9

RGB 34 115 169

HSL 204, 0.67%, 0.4%

LAB 46.27, -4.63, -35.63

 

CMYK 0 / 80 / 64 / 34

HEX #A9223D

RGB 169 34 61

HSL 348, 0.67%, 0.4%

LAB 37.69, 54.51, 19.13

 

CMYK 79 / 0 / 62 / 33

HEX #23AA40

RGB 35 170 64

HSL 132.89, 0.66%, 0.4%

LAB 61.2, -56.72, 43.79

 

CMYK 64 / 80 / 0 / 34

HEX #3D22A9

RGB 61 34 169

HSL 252, 0.67%, 0.4%

LAB 26.74, 49.11, -67.12

 

CMYK 0 / 64 / 80 / 34

HEX #A93D22

RGB 169 61 34

HSL 12, 0.67%, 0.4%

LAB 41.04, 42.97, 39.01

 

CMYK 79 / 0 / 62 / 33

HEX #23AA40

RGB 35 170 64

HSL 132.89, 0.66%, 0.4%

LAB 61.2, -56.72, 43.79

 

CMYK 80 / 32 / 0 / 34

HEX #2273A9

RGB 34 115 169

HSL 204, 0.67%, 0.4%

LAB 46.27, -4.63, -35.63

 

CMYK 0 / 80 / 16 / 34

HEX #A9228E

RGB 169 34 142

HSL 312, 0.67%, 0.4%

LAB 40.46, 62.77, -27.78

 

CMYK 0 / 48 / 80 / 34

HEX #A95822

RGB 169 88 34

HSL 24, 0.67%, 0.4%

LAB 46.35, 29.33, 44.22

 

CMYK 79 / 0 / 62 / 33

HEX #23AA40

RGB 35 170 64

HSL 132.89, 0.66%, 0.4%

LAB 61.2, -56.72, 43.79

 

CMYK 80 / 56 / 0 / 34

HEX #224BA9

RGB 34 75 169

HSL 221.78, 0.67%, 0.4%

LAB 34.47, 21.12, -54.51

 

CMYK 0 / 80 / 16 / 34

HEX #A9228E

RGB 169 34 142

HSL 312, 0.67%, 0.4%

LAB 40.46, 62.77, -27.78

 

CMYK 0 / 24 / 80 / 34

HEX #A98022

RGB 169 128 34

HSL 41.78, 0.67%, 0.4%

LAB 56.08, 6.97, 53.33

 

Description

Color code: HEX #23AA40 | qconv.com Color code: HEX #23AA40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 170 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 170 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 62 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 62% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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