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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23AD8F it is the complementary color #DC5270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23AD8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23AD8F shade: #28AD8A, #39BF9D, #4AD1B0, #5BE3C3 and #6CF5D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23AD8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23AD8F shade: #23AD8F, #129B7C, #018969, #007756 and #006543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23AD8F shade: #23AD8F, #23AD6A, #23AD45, #27AD23 and #4CAD23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23AD8F shade: #23AD8F, #23A6AD, #2381AD, #235BAD and #2336AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23AD8F shade matches the following richer shades: #23AD8F, #12BE99 and #01CFA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23AD8F shade: #23AD8F, #349C85, #458B7C, #567A72 and #676969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23AD8F shade: #23AD43, #23AD68, #23AD8D, #23A8AD and #2384AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23AD8F shade: #156956, #1C8B73, #23AD8F, #2ACFAB and #49D9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23AD8F shade: #23AD8F, #2328AD and #AD5623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23AD8F shade: #23AD8F, #8D23AD and #AD8D23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23AD8F shade: #23AD8F, #2328AD, #AD2343 and #ADA823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23AD8F shade: #23AD8F, #4823AD, #AD2343 and #88AD23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

Complementary color

CMYK 0 / 63 / 49 / 14

HEX #DC5270

RGB 220 82 112

HSL 346.96, 0.66%, 0.59%

LAB 54.47, 56.19, 12.17

 

CMYK 77 / 0 / 20 / 32

HEX #28AD8A

RGB 40 173 138

HSL 164.21, 0.62%, 0.42%

LAB 63.49, -43.22, 8.1

 

CMYK 70 / 0 / 18 / 25

HEX #39BF9D

RGB 57 191 157

HSL 164.78, 0.54%, 0.49%

LAB 69.87, -43.88, 6.83

 

CMYK 65 / 0 / 16 / 18

HEX #4AD1B0

RGB 74 209 176

HSL 165.33, 0.59%, 0.55%

LAB 76.19, -44.31, 5.68

 

CMYK 60 / 0 / 14 / 11

HEX #5BE3C3

RGB 91 227 195

HSL 165.88, 0.71%, 0.62%

LAB 82.43, -44.56, 4.63

 

CMYK 56 / 0 / 13 / 4

HEX #6CF5D6

RGB 108 245 214

HSL 166.42, 0.87%, 0.69%

LAB 88.61, -44.69, 3.67

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 88 / 0 / 20 / 39

HEX #129B7C

RGB 18 155 124

HSL 166.42, 0.79%, 0.34%

LAB 57.1, -41.28, 6.79

 

CMYK 99 / 0 / 23 / 46

HEX #018969

RGB 1 137 105

HSL 165.88, 0.99%, 0.27%

LAB 50.59, -39.67, 8.38

 

CMYK 100 / 0 / 28 / 53

HEX #007756

RGB 0 119 86

HSL 163.36, 1%, 0.23%

LAB 44.04, -37.17, 10.24

 

CMYK 100 / 0 / 34 / 60

HEX #006543

RGB 0 101 67

HSL 159.8, 1%, 0.2%

LAB 37.32, -34.5, 12.25

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 80 / 0 / 39 / 32

HEX #23AD6A

RGB 35 173 106

HSL 150.87, 0.66%, 0.41%

LAB 62.75, -51.04, 24.58

 

CMYK 80 / 0 / 60 / 32

HEX #23AD45

RGB 35 173 69

HSL 134.78, 0.66%, 0.41%

LAB 62.23, -57.1, 42.67

 

CMYK 77 / 0 / 80 / 32

HEX #27AD23

RGB 39 173 35

HSL 118.26, 0.66%, 0.41%

LAB 62.03, -59.79, 55.9

 

CMYK 56 / 0 / 80 / 32

HEX #4CAD23

RGB 76 173 35

HSL 102.17, 0.66%, 0.41%

LAB 62.97, -52.03, 57.12

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 80 / 4 / 0 / 32

HEX #23A6AD

RGB 35 166 173

HSL 183.04, 0.66%, 0.41%

LAB 62.21, -30.71, -13.35

 

CMYK 80 / 25 / 0 / 32

HEX #2381AD

RGB 35 129 173

HSL 199.13, 0.66%, 0.41%

LAB 50.77, -11.25, -30.88

 

CMYK 80 / 47 / 0 / 32

HEX #235BAD

RGB 35 91 173

HSL 215.65, 0.66%, 0.41%

LAB 39.34, 12.15, -49.01

 

CMYK 80 / 69 / 0 / 32

HEX #2336AD

RGB 35 54 173

HSL 231.74, 0.66%, 0.41%

LAB 29.44, 36.61, -65.12

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 91 / 0 / 19 / 25

HEX #12BE99

RGB 18 190 153

HSL 167.09, 0.83%, 0.41%

LAB 68.94, -48.27, 7.6

 

CMYK 100 / 0 / 22 / 19

HEX #01CFA2

RGB 1 207 162

HSL 166.89, 0.99%, 0.41%

LAB 74.34, -53.4, 10.43

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 67 / 0 / 15 / 39

HEX #349C85

RGB 52 156 133

HSL 166.73, 0.5%, 0.41%

LAB 58.23, -35.29, 3.39

 

CMYK 50 / 0 / 11 / 45

HEX #458B7C

RGB 69 139 124

HSL 167.14, 0.34%, 0.41%

LAB 53.15, -25.93, 1.25

 

CMYK 30 / 0 / 7 / 52

HEX #567A72

RGB 86 122 114

HSL 166.67, 0.17%, 0.41%

LAB 48.4, -14.58, 0.28

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 80 / 0 / 61 / 32

HEX #23AD43

RGB 35 173 67

HSL 133.91, 0.66%, 0.41%

LAB 62.21, -57.35, 43.57

 

CMYK 80 / 0 / 40 / 32

HEX #23AD68

RGB 35 173 104

HSL 150, 0.66%, 0.41%

LAB 62.71, -51.43, 25.6

 

CMYK 80 / 0 / 18 / 32

HEX #23AD8D

RGB 35 173 141

HSL 166.09, 0.66%, 0.41%

LAB 63.48, -43.01, 6.42

 

CMYK 80 / 3 / 0 / 32

HEX #23A8AD

RGB 35 168 173

HSL 182.17, 0.66%, 0.41%

LAB 62.83, -31.67, -12.42

 

CMYK 80 / 24 / 0 / 32

HEX #2384AD

RGB 35 132 173

HSL 197.83, 0.66%, 0.41%

LAB 51.7, -12.95, -29.45

 

CMYK 80 / 0 / 18 / 59

HEX #156956

RGB 21 105 86

HSL 166.43, 0.67%, 0.25%

LAB 39.47, -29.11, 3.8

 

CMYK 80 / 0 / 17 / 45

HEX #1C8B73

RGB 28 139 115

HSL 167.03, 0.66%, 0.33%

LAB 51.78, -35.83, 4.33

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 80 / 0 / 17 / 19

HEX #2ACFAB

RGB 42 207 171

HSL 166.91, 0.66%, 0.49%

LAB 74.86, -48.89, 6.38

 

CMYK 66 / 0 / 14 / 15

HEX #49D9BA

RGB 73 217 186

HSL 167.08, 0.65%, 0.57%

LAB 78.8, -45.46, 4.1

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 80 / 77 / 0 / 32

HEX #2328AD

RGB 35 40 173

HSL 237.83, 0.66%, 0.41%

LAB 26.42, 44.99, -70.1

 

CMYK 0 / 50 / 80 / 32

HEX #AD5623

RGB 173 86 35

HSL 22.17, 0.66%, 0.41%

LAB 46.53, 32.11, 44.13

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 18 / 80 / 0 / 32

HEX #8D23AD

RGB 141 35 173

HSL 286.09, 0.66%, 0.41%

LAB 37.63, 61.85, -51.29

 

CMYK 0 / 18 / 80 / 32

HEX #AD8D23

RGB 173 141 35

HSL 46.09, 0.66%, 0.41%

LAB 59.94, 1.61, 56.64

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 80 / 77 / 0 / 32

HEX #2328AD

RGB 35 40 173

HSL 237.83, 0.66%, 0.41%

LAB 26.42, 44.99, -70.1

 

CMYK 0 / 80 / 61 / 32

HEX #AD2343

RGB 173 35 67

HSL 346.09, 0.66%, 0.41%

LAB 38.71, 55.75, 16.8

 

CMYK 0 / 3 / 80 / 32

HEX #ADA823

RGB 173 168 35

HSL 57.83, 0.66%, 0.41%

LAB 67.29, -12.83, 63.2

 

CMYK 80 / 0 / 17 / 32

HEX #23AD8F

RGB 35 173 143

HSL 166.96, 0.66%, 0.41%

LAB 63.53, -42.49, 5.38

 

CMYK 58 / 80 / 0 / 32

HEX #4823AD

RGB 72 35 173

HSL 256.09, 0.66%, 0.41%

LAB 28.37, 51.04, -66.79

 

CMYK 0 / 80 / 61 / 32

HEX #AD2343

RGB 173 35 67

HSL 346.09, 0.66%, 0.41%

LAB 38.71, 55.75, 16.8

 

CMYK 21 / 0 / 80 / 32

HEX #88AD23

RGB 136 173 35

HSL 76.09, 0.66%, 0.41%

LAB 65.94, -31.12, 60.95

 

Description

Color code: HEX #23AD8F | qconv.com Color code: HEX #23AD8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 173 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 173 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 17 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 17% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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