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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23B93C it is the complementary color #DC46C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23B93C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23B93C shade: #28B937, #39CB4A, #4ADD5D, #5BEF70 and #6CFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23B93C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23B93C shade: #23B93C, #12A729, #019516, #008303 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23B93C shade: #23B83B, #32B823, #5AB823, #82B823 and #ABB823

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23B93C shade: #23B83B, #23B864, #23B88C, #23B8B4 and #2393B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23B93C shade matches the following richer shades: #23B83B and #11C930

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23B93C shade: #23B83B, #34A647, #469453, #58825F and #6A716B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23B93C shade: #59B823, #32B823, #23B83B, #23B863 and #23B88B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23B93C shade: #157225, #1C9530, #23B83B, #2DD749 and #50DD67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23B93C shade: #23B93C, #2381B8 and #B82345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23B93C shade: #23B93C, #3B23B8 and #B83B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23B93C shade: #23B93C, #2381B8, #B8239F and #B85923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23B93C shade: #23B93C, #2354B8, #B8239F and #B88623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 68 / 27

HEX #23B93C

RGB 35 185 60

HSL 130, 0.68%, 0.43%

LAB 66.04, -62.02, 50.89

 

Complementary color

CMYK 0 / 68 / 11 / 14

HEX #DC46C3

RGB 220 70 195

HSL 310, 0.68%, 0.57%

LAB 55.62, 70.78, -34.81

 

CMYK 78 / 0 / 70 / 27

HEX #28B937

RGB 40 185 55

HSL 126.21, 0.64%, 0.44%

LAB 66.08, -61.88, 52.95

 

CMYK 72 / 0 / 64 / 20

HEX #39CB4A

RGB 57 203 74

HSL 126.99, 0.58%, 0.51%

LAB 72.28, -63.26, 51.97

 

CMYK 67 / 0 / 58 / 13

HEX #4ADD5D

RGB 74 221 93

HSL 127.76, 0.68%, 0.58%

LAB 78.44, -64.16, 50.76

 

CMYK 62 / 0 / 53 / 6

HEX #5BEF70

RGB 91 239 112

HSL 128.51, 0.82%, 0.65%

LAB 84.55, -64.72, 49.45

 

CMYK 58 / 0 / 49 / 0

HEX #6CFF83

RGB 108 255 131

HSL 129.39, 1%, 0.71%

LAB 90.02, -64.3, 47.4

 

CMYK 81 / 0 / 68 / 27

HEX #23B93C

RGB 35 185 60

HSL 130, 0.68%, 0.43%

LAB 66.04, -62.02, 50.89

 

CMYK 89 / 0 / 75 / 35

HEX #12A729

RGB 18 167 41

HSL 129.26, 0.81%, 0.36%

LAB 59.82, -59.85, 51.67

 

CMYK 99 / 0 / 85 / 42

HEX #019516

RGB 1 149 22

HSL 128.51, 0.99%, 0.29%

LAB 53.56, -56.85, 51.58

 

CMYK 100 / 0 / 98 / 49

HEX #008303

RGB 0 131 3

HSL 121.37, 1%, 0.26%

LAB 47.29, -52.46, 50.14

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 73 / 0 / 81 / 28

HEX #32B823

RGB 50 184 35

HSL 113.96, 0.68%, 0.43%

LAB 65.81, -61.52, 59.54

 

CMYK 51 / 0 / 81 / 28

HEX #5AB823

RGB 90 184 35

HSL 97.85, 0.68%, 0.43%

LAB 66.96, -52.17, 61.02

 

CMYK 29 / 0 / 81 / 28

HEX #82B823

RGB 130 184 35

HSL 81.74, 0.68%, 0.43%

LAB 68.86, -38.51, 63.45

 

CMYK 7 / 0 / 81 / 28

HEX #ABB823

RGB 171 184 35

HSL 65.23, 0.68%, 0.43%

LAB 71.6, -21.8, 66.92

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 81 / 0 / 46 / 28

HEX #23B864

RGB 35 184 100

HSL 146.17, 0.68%, 0.43%

LAB 66.18, -56.17, 32.21

 

CMYK 81 / 0 / 24 / 28

HEX #23B88C

RGB 35 184 140

HSL 162.28, 0.68%, 0.43%

LAB 66.92, -47.82, 11.87

 

CMYK 81 / 0 / 2 / 28

HEX #23B8B4

RGB 35 184 180

HSL 178.39, 0.68%, 0.43%

LAB 67.97, -37.07, -8.62

 

CMYK 81 / 20 / 0 / 28

HEX #2393B8

RGB 35 147 184

HSL 194.9, 0.68%, 0.43%

LAB 56.77, -17.36, -27.88

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 92 / 0 / 76 / 21

HEX #11C930

RGB 17 201 48

HSL 130.11, 0.84%, 0.43%

LAB 70.94, -69.39, 60.33

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 69 / 0 / 57 / 35

HEX #34A647

RGB 52 166 71

HSL 130, 0.52%, 0.43%

LAB 60.3, -51.71, 39.54

 

CMYK 53 / 0 / 44 / 42

HEX #469453

RGB 70 148 83

HSL 130, 0.36%, 0.43%

LAB 55.18, -38.57, 27.19

 

CMYK 32 / 0 / 27 / 49

HEX #58825F

RGB 88 130 95

HSL 130, 0.19%, 0.43%

LAB 50.53, -22.25, 14.42

 

CMYK 6 / 0 / 5 / 56

HEX #6A716B

RGB 106 113 107

HSL 128.57, 0.03%, 0.43%

LAB 46.89, -3.9, 2.41

 

CMYK 52 / 0 / 81 / 28

HEX #59B823

RGB 89 184 35

HSL 98.26, 0.68%, 0.43%

LAB 66.92, -52.46, 60.97

 

CMYK 73 / 0 / 81 / 28

HEX #32B823

RGB 50 184 35

HSL 113.96, 0.68%, 0.43%

LAB 65.81, -61.52, 59.54

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 81 / 0 / 46 / 28

HEX #23B863

RGB 35 184 99

HSL 145.77, 0.68%, 0.43%

LAB 66.17, -56.35, 32.71

 

CMYK 81 / 0 / 24 / 28

HEX #23B88B

RGB 35 184 139

HSL 161.88, 0.68%, 0.43%

LAB 66.9, -48.06, 12.38

 

CMYK 82 / 0 / 68 / 55

HEX #157225

RGB 21 114 37

HSL 130.32, 0.69%, 0.26%

LAB 41.73, -42.71, 34.3

 

CMYK 81 / 0 / 68 / 42

HEX #1C9530

RGB 28 149 48

HSL 129.92, 0.68%, 0.35%

LAB 53.98, -52.49, 42.83

 

CMYK 81 / 0 / 68 / 28

HEX #23B83B

RGB 35 184 59

HSL 129.66, 0.68%, 0.43%

LAB 65.71, -61.8, 50.94

 

CMYK 79 / 0 / 66 / 16

HEX #2DD749

RGB 45 215 73

HSL 129.88, 0.68%, 0.51%

LAB 75.85, -68.9, 56.26

 

CMYK 64 / 0 / 53 / 13

HEX #50DD67

RGB 80 221 103

HSL 129.79, 0.67%, 0.59%

LAB 78.69, -61.73, 46.5

 

CMYK 81 / 0 / 68 / 27

HEX #23B93C

RGB 35 185 60

HSL 130, 0.68%, 0.43%

LAB 66.04, -62.02, 50.89

 

CMYK 81 / 30 / 0 / 28

HEX #2381B8

RGB 35 129 184

HSL 202.15, 0.68%, 0.43%

LAB 51.29, -7.25, -36.42

 

CMYK 0 / 81 / 63 / 28

HEX #B82345

RGB 184 35 69

HSL 346.31, 0.68%, 0.43%

LAB 40.93, 58.98, 18.88

 

CMYK 81 / 0 / 68 / 27

HEX #23B93C

RGB 35 185 60

HSL 130, 0.68%, 0.43%

LAB 66.04, -62.02, 50.89

 

CMYK 68 / 81 / 0 / 28

HEX #3B23B8

RGB 59 35 184

HSL 249.66, 0.68%, 0.43%

LAB 28.36, 52.87, -73.42

 

CMYK 0 / 68 / 81 / 28

HEX #B83B23

RGB 184 59 35

HSL 9.66, 0.68%, 0.43%

LAB 43.42, 49.17, 41.75

 

CMYK 81 / 0 / 68 / 27

HEX #23B93C

RGB 35 185 60

HSL 130, 0.68%, 0.43%

LAB 66.04, -62.02, 50.89

 

CMYK 81 / 30 / 0 / 28

HEX #2381B8

RGB 35 129 184

HSL 202.15, 0.68%, 0.43%

LAB 51.29, -7.25, -36.42

 

CMYK 0 / 81 / 14 / 28

HEX #B8239F

RGB 184 35 159

HSL 310.07, 0.68%, 0.43%

LAB 44.08, 68.18, -32.2

 

CMYK 0 / 52 / 81 / 28

HEX #B85923

RGB 184 89 35

HSL 21.74, 0.68%, 0.43%

LAB 48.83, 35.01, 46.92

 

CMYK 81 / 0 / 68 / 27

HEX #23B93C

RGB 35 185 60

HSL 130, 0.68%, 0.43%

LAB 66.04, -62.02, 50.89

 

CMYK 81 / 54 / 0 / 28

HEX #2354B8

RGB 35 84 184

HSL 220.27, 0.68%, 0.43%

LAB 38.13, 21.07, -57.45

 

CMYK 0 / 81 / 14 / 28

HEX #B8239F

RGB 184 35 159

HSL 310.07, 0.68%, 0.43%

LAB 44.08, 68.18, -32.2

 

CMYK 0 / 27 / 81 / 28

HEX #B88623

RGB 184 134 35

HSL 39.87, 0.68%, 0.43%

LAB 59.31, 10.43, 56.52

 

Description

Color code: HEX #23B93C | qconv.com Color code: HEX #23B93C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 185 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 185 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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